Archives for category: Patty Griffin

Wanda Jackson at Mercy Lounge 2010

Easter is all about a renewal, as we celebrate the resurrection of Jesus Christ and what it means to us. Nashville itself is a town of resurrection, a place where Jack White has produced two great albums by Loretta Lynn and Wanda Jackson and where the underbelly that was East Nashville is the place to be.

Speaking of East Nashville, Bob Dylan came here in the Sixties to make a 180 in his career and where Robert Plant came just a couple of years ago to do just the same.  Speaking of which, I have heard that he has set up shop with Patty Griffin in Austin since the Band of Joy tour.

What is Nashville to me? A Californian-slash-Alabama bluesman? I started making the drive up to Nashville quite often starting in 2006 from Birmingham. I liked the fact that you could wander from one honky tonk to another and check out all the Telecaster blasters playing through mostly Fender tube amps almost any hour of the day.

I finally made the move after getting positive feedback about my songwriting abilities from a local publishing head at the end of 2007.

It was a very surreal world, where one Saturday morning, wandering around a guitar show, I ended up talking to Scotty Moore about how many Bill Black Combos, Bill really had.  The next minute, I am jamming on my 1936 Gibson Electric Hawaiian down on Lower Broad when Little Jimmy Dickens comes wandering out of nowhere and watches me jam for about 10 minutes, throws a $20 dollar bill into the vintage case and says. “Keep it up!” Mind you, I’m not making this up. In fact, if you are from Nashville, you know what I mean and are probably saying, “So what.”

I realized that everybody had a story, whether it was the Baskin Robbins on Lebanon that said Porter Wagoner used to come in all the time, or a snapshot in the window of Robert Plant stopping in to check out the guitars.

So what do I like about Nashville, now that I have been here a few years?

Strange Karma down on Lower Broad celebrating the bassist birthday!

Let’s see, there is more diversity than what outsiders would think, for starters, I have met a ton of Aussies and I, seriously, have never met one I didn’t want to hang with whether it was Anthony Snape or Strange Karma. I wonder if it was like this when Keith Urban first came here and was playing at the Guitar Bar? Did the Aussies start coming after Keith’s success or is Nashville a big magnet?

As far as diversity goes, you can get world class Indian Cuisine, of which I am all about Tamarind on Demonbreun. I’ve ate Indian food all over the place and that is about as good as it gets.  There are several ethnic communities here, whether it be Egyptian Coptic Christians or Somalis, the list goes on and makes for Eateries that go way beyond the meat and three.

Something is in the water in East Nashville, with several upstart, one of a kind places like Far East Nashville, not only your typical Vietnamese Pho and Vermicelli bowls, but, the actual family recipes fixed by the owners brother, in a totally unique way.

Porter Road Butcher Shop makes some amazing sausages featuring probably the best Andouille Sausage this far north of Bayou Country.  In fact, that is what I had for Easter. I could have whatever I wanted, so, I faxed three eggs with some sharp Vermont Cheddar and some of that Andouille Sausage on the side.

Nashville is a vinyl fanatic’s pipe dream, wandering between Grimeys, The Groove, Phonoluxe and the two Great Escape locations there is no reason to ever come up empty handed. In fact, there is a plethora of radio station promo copies which are usually on heavier, better quality vinyl.  Record Store Day is almost like a city holiday where a huge migration descends mainly on Grimeys by the thousands. My only gripe would be, is there no bootlegs? Back when, I used to travel over to Berkeley to Moe’s Bookstore and get vinyl Beatles bootlegs as well as concerts and demos engraved onto vinyl by everything from Queen to Aerosmith to The Clash it was something nobody else had.

Music is everywhere, as I laid down to bed the first few months in Nashville, I could hear music in my head like never before, like ghost radio stations, it seemed like there were thousands of songwriters who had passed on and never left Nashville, they were just trying to get that next big hit. It seemed as if there was singing in the netherworld and all you had to be was a little bit spiritually aware.

Tommy Tutone and Mario at Nashville Amp Expo

I think there are more Telecasters in a 30 mile radius than the whole state of California, where they were invented.  If you can’t find the perfect Telecaster, there are boutique builders from Mario Guitars in Murfreesboro to Chad Underwood in Lexington, Kentucky.

As far as electric guitar parts go, Rock Blocks Guitars has a wall of supplies juts minutes away.

Looking at the Musical Instrument section in Craigslist can be eye opening. You never know what you will find, anything from a 1964 Fender Precision sold by the bass player in Cinderella after a career’s worth of touring to a Gold Top Les Paul owned by Duane Allman. If there is a vintage Sho-Bud Steel around, no doubt, eventually, you’ll see it on Craigslist.

Southside Gentlemans Club at Burt's Tiki Lounge, newly acquired Dr. Z Stang Ray in the backline. 2009

My favorite personal story is about my Dr. Z Amplifier. I had been writing and playing my own brand of Ragtime Blues when I moved to Nashville. I had been using a 45 Watt Samamp from Birmingham when I got here and it was just too much. I was ready for a little 30 Watt or less combo. There are so many and I just decided to try them all. I brought my arch top with me and made the rounds from Corner Music to Gruehn Guitars to Rock Blocks. Finally, when I plugged into this Dr. Z Stang Ray at Rock Blocks, I had met my match, a simple tone stack, where you could really fill out the bass and a simple good looking black with white trim amp.  The speaker had been changed out to a Cannabis Rex and it had a sound all its own.

The price tag was $2100. I didn’t have $2100. In fact, even with selling some gear, donating blood and street gigging down on Lower Broad, I still probably would be $1000 a way. I needed that amp. I put it in God’s hands. It’s okay to say that in Nashville isn’t it? Well, that’s what I did, true story. I prayed and said, I’ve tried all the amps out that I can think of and that is the one that sounds right then tucked it away.

Well, things looked bleak when I lost my job in 2008, in fact, really bleak, I left Nashville, worked five months in Memphis, then that company went bankrupt and I ended up taking a job with a national company in Utah and moved out of Tennessee.

I never gave up on the music, I got my five piece ragtime blues band together in Utah, playing at Burt’s Tiki Lounge, finding some great musicians from an add I put out in Craigslist. On a whim in early 2009, I looked up the Nashville Craigslist and found that exact Dr. Z Stang Ray for sale. Guitarist, Gary Ishee, had put an add up that read something like this;“I bought this Dr. Z Stang Ray earlier this year at Rock Blocks and I need to sell it.”

It looked identical. I called him up and explained that I was stuck out in Utah, but, that I knew the amp and through our talk, he knew I was the real deal. I wired the money to his bank account including the cost to ship it. I bought it for $1250. I was able to come up with that only because I went out west to a company on a bad stretch, because of the economy, they let me have all the overtime I could handle. I got the amp in a big Roland amplifier box from UPS in Farr West, Utah and it was the exact amp. I sat there and cried. It was the exact same amp, in fact, the only amp I ever prayed about and I will include the picture of my group, The Southside Gentlemens Club playing at Burt’s Tiki Lounge a couple of months later with the amp in the backline.

Thank you Brad Paisley for input on the AC30 hybrid design, what a great amp. I still own it and fire it up almost every day in hopes to lay down some tracks here soon.   

Okay tracks, let’s talk about that. I was in Utah almost a year, when I came out here on vacation in September 2009. I had hoped to move back to Nashville someday, maybe when the economy got better, but, on a whim, I had kept in touch with a realtor, who didn’t give up on me, even though, I was out in the Rocky Mountain West. I will drop his name, because Kenneth Bargers is an amazing Realtor. He emailed me faithfully every month some houses I would be interested in.  When I was here for a week in September 2009, Kenneth Bargers took me around on two afternoons to look at houses.  I felt like I was back home, I wanted to be back in Nashville, I did not want to get back on the plane.

Daniel Turner

We found a house I really liked. The last night I was in town, I was hanging around and moping by the pool at the airport Courtyard over on Elm Hill Pike, not wanting to leave Nashville. I decided I needed to go do something, pull myself up by my bootstraps. So I got dressed and headed over to Commodore Grille to check out some songwriters. Cowboy Jack Clement was in the round and it gave me goose bumps. I thought, if I had stayed at the hotel, I would have missed this.  I decided I need to get back and I was heading out the door when I heard somebody call my name. “Brad!” I looked up and it was Daniel Turner, one of my music friends from Birmingham, Alabama walking in. I said to him, “What are you doing here?”  He explained that he was going to be playing the next round. It was a great reunion of old friends. I have so much respect for Daniel as an all around musician. He can play, write and sing. If anybody could make a great classic country album, he could. He has such a great voice, but, he had really been influenced by a lot of the Alabama Blues that is around Birmingham.

I went back to my hotel room on cloud nine. I could hardly sleep. I was going to find a way to get back and I did. I interviewed by phone and got a transfer. I found a house on Zillow.com and Kenneth Bargers looked at it for me and on his word, I bought it. In fact, Kenneth represented me at closing in November 2009 and I never walked into the house until the first week of December as an owner. It’s a true story, call Kenneth, if you need a Realtor and you can ask about it. He is the best Realtor in Nashville as far as I am concerned.

Kenny Malone at a clinic at Country Music HOF

Okay, so, I am back. I work hard. I have got to hang with some great musicians and do some great interviews. It’s been a great ride, but, I need to resurrect my own career. Sometimes, I think it would be easier to move down to Pensacola and put together a group from Craigslist and center on a little club or bar to be “our place,” but, there is the dream recording session, the possibility that I can put together, with a little cash or luck, Kenny Malone on drums, “Slick” Joe Fick from The Dempseys on Bass, the violinist I saw at Mike Farris’ in store at Grimeys and get a trumpet player that can play like Al Hirt and get this manic New Orleans meets Memphis circa 1940 music to record. I work hard at the music and I have some great friends. If that part of my career is supposed to “Resurrect,” it will.

For now, I will just enjoy the ride.

- Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Darrell Scott at Grimey's, Jan. 31, 2012

Darrell Scott celebrated the release of Long Ride Home, what he describes as his most Country album to date with an in-store appearance at Grimey’s on January 31st. Darrell Scott  who has been nominated for a Grammy three times as well as collaborating with writers such as Emmylou Harris, Steve Earle and Guy Clark, was enjoying a rocking duet in the rear of the store.

Darrell reminisced about working with his father in his teens back in California saying that two of the songs on the CD were written on a retreat to Big Bear in The San Bernardino Mountains with his Dad when he was sixteen. The two tracks, “The Country Boy” and “You’re Everything I Wanted Love to Be,” have that pure California Country swagger having been written before mechanical bulls and Urban Cowboy.

On a personal note, this work could not have come at a more important time. After the completion of the project, Wayne Scott was the victim of a car accident in Corbin, Kentucky on November 25th, 2011. The project became a loving tribute to his father and the musical heritage that has been passed on from father to son.

Having been able to hear the new songs with a full band at Station Inn a few months back, it was exciting to hear the final work, probable his most collaborative yet, working with his long time percussionist Kenny Malone as well as Patty Griffin and Guy Clark to name a few.

In the midst of The Band of Joy tour, I had the opportunity to interview Darrell, not wanting to go after the obvious, “How is it working with Robert Plant?” question, I decided to look at where Darrell was at working as a “utility” player, a man with all kinds of string instruments, a gun slinger.  It reminded him of how it was playing in his Dad, Wayne Scott’s band back in the Inland Empire of California.

That interview turned out to be a harbinger of his next album, returning to his roots, turning full circle. The article was set to publish in a national publication but was cut before publication at the end of 2010.  In a way, the article fits more what Darrell did with this project even more than what he did with Robert Plant.

I now present the never before published work.

Darrell Scott: From California Honky Tonks to Band of Joy

            Darrell Scott was back in Nashville for some down time from touring with the Robert Plant project Band of Joy named after the band Robert and John Bonham were a part of before starting Led Zeppelin with Jimmy Page.

Brad Hardisty: Are you working on some song demos since you’re back at home?

Darrell Scott: I should be but with the tour and everything, I just can’t think about it right now.

BH: You don’t get much of a chance to be the sideman?

DS: I am so busy with my own songs that I’ll play for friends but that is about it.

Darrell had been touring solo in support of his recent release A Crooked Road, a collection of personal post cards about family, his children, and relationships. It was a personal effort by a well known Nashville songwriter that has written songs that have been recorded by a diverse roster of performers.

BH: Your songwriting has that real depth to it, reminds me of Jimmy Webb (“Galveston”, “Wichita Lineman”)

DS: Oh definitely, my two favorite writers are Jimmy Webb and Guy Clark, but I like all kinds of well written Country, Pop, whatever.

Darrell has had dozens of songs recorded by Major Artists. In fact the song “You’ll Never Leave Harlan Alive” a tribute to songwriter, Harlan Howard was recorded by several different artists including Brad Paisley, Patty Loveless, Kathy Mattea, Red Molly and even former Ozzy Osbourne guitarist, Zakk Wylde.

Darrell was born on a Tobacco Farm in London, Kentucky, the son of Wayne Scott who passed down a love of Country Music. After a few economic based moves Darrell’s family settled down in an area known as “The Inland Empire”, San Bernardino County just 60 miles east of Los Angeles but a world away from the Sunset Strip and glitz of Hollywood where back in the day there were still remnants of Nashville West.

DS: I played Honky Tonks, Bowling Alleys whatever in my teens. A lot of times we were the backing band for Country Artists that were traveling the circuit like Ernest Tubb (The Texas Troubador) or we were the headlining band.

BH: A lot of people don’t realize all the Country Music that came out of California.

DS: Yeah, I mean all those people that came out from Oklahoma and the south for work brought the music with them.

BH: So you were gigging a lot?

DS: I would end up sitting at the Pedal Steel with a Telecaster in my lap.

BH: A lot of music gear in Country music came out of California.

DS: Leo Fender, the Telecaster and his Electric Steel Guitars. Then there was Paul Bigsby (The Bigsby Vibrato), Mosrite (guitar builder for Joe Maphis) and even the Dobro Company was out in California, Guy Clark worked for Dobro.

Darrell was a “Nashville Triple Threat” before he moved to Tennessee, developing his skills as a Performer, Musician and Songwriter. He had an unreleased New York Singer/Songwriter album done that his label never released before deciding to move to Nashville

BH: So how did you end up in Nashville?

DS: My wife was as a school teacher, I figured I could keep the music going and housing was cheap. I really didn’t want to move here at the time, but, it was the logical decision.

Darrell brought a lot to the table when he moved to Nashville in 1991, becoming a go to session musician and stellar songwriting. Eventually he was able to re-record the never released New York album thirteen years later. Theater of the Unheard garnered Album of the Year at the 2005 Independent Music Awards.

B H: I know Robert Plant spends a lot of time in Nashville. Did you know him before joining the Band of Joy project?

D S: No I didn’t. In fact he had never heard of me. Buddy Miller made the recommendation and Robert wanted to hear me play before making a decision. They flew out to San Francisco to see my set at the Hardly Strictly Bluegrass Festival (Oct 4, 2009 at 11AM on the Banjo Stage).

BH: On Band of Joy you’re kind of like Dave Lindsey “the utility guy” that can play anything with strings.

DS: I didn’t know what to bring, so I brought everything including my fretless Banjo and Accordion. I didn’t know how it was going to turn out. We just had a short time booked over at Woodland Studios (in East Nashville) to see what would happen.

BH: A couple of the tracks especially “House of Cards” and “Central Two-O-Nine” remind me of Led Zeppelin III.

DS: I wouldn’t know. I don’t know much about Led Zeppelin. When I play it’s my own interpretation. It is what I would do.

BH: That reminds me of when Jerry Lee Lewis was recording “Rock and Roll” for Last Man Standing, Jimmy Page tried to tell Jerry Lee he was playing the rhythm wrong and he said this is the way I play it. He had never heard the Lep Zeppelin song before.  The band is playing some Led Zeppelin on this tour; I always loved “Tangerine”

DS: Yes, we’re playing “Tangerine” and “Misty Mountain Hop”. But, we are playing a lot of different things live. We really are becoming a band out on the road. I mean the album experience was phenomenal, but, we are really becoming a great band.

BH: It reminds me of how Led Zeppelin really gelled on the road and you can tell the difference between the first two Led Zeppelin albums. Are there any plans for another album?

DS: No, no plans. It could happen but who knows. Robert is a moving target; he doesn’t like to look back. He is always thinking forward.

Darrell seemed excited to get back out on the road with Robert Plant/Band of Joy, having gone full circle he is back at the pedal steel with a Telecaster cradled in his lap just like playing with his Dad and his brothers back in California. The only difference is that he is touring the world with Robert Plant and the cream of the crop of current Songwriter/Musicians from Nashville, Tennessee.

BH: So when you’re done what’s next?

DS: I have been working on a couple of projects and it could go either way. I have wanted to do a classic country album pre-70’s style, but, I also have a songwriter album done.

BH: If you had to describe Band of Joy what would that be?

DS: Two words, Buddy Miller and organic. The thing was totally organic. If it had not come together it would not have happened. There was no strategy. We had such a short window and it was incredible.

Buddy Miller put together a band to support Robert Plant in his current musical path. Darrell is leaving this weekend for another six weeks of touring with a planned stateside return of Band of Joy next year. Darrell enjoys being a part of such an original sounding band, a master musician, songwriter and performer in his own right, the future is wide open and full of promise.

- Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

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