Archives for posts with tag: Music

debbie bond mando blues 04082013 027 smallDebbie Bond was the guest last Monday night on WRFN Radio Free Nashville’s Mando Blues Show recorded in a huge army tent at Omega Studio high on the top of a peak at an undisclosed location in the nearby Nashville wilderness.

debbie bond mando blues 04082013 030 smalldebbie bond mando blues 04082013 028 smallA fantastic crew with Tony Gerber , known for his electronic music compositions, acting as host for the night, went to work on soundcheck with Debbie and her band featuring Rick Asherson on keyboards and Dave Crenshaw on drums getting a much bigger than it looks sound going into the green spec recording layout.

debbie bond mando blues 04082013 014 smallOmega has developed a layout for power using not much more than six car batteries, car stereo amplifiers and LED lighting to run at a deceptively low 1600 watts with state of the art recording as can be seen by linking to the net recordings of the summit.

debbie bond mando blues 04082013 023 smallDebbie brought much more than just blues experience playing with Willie King and Johnny Shines for almost thirty years in Alabama displaying soulful grooves with a nod to Muscle Shoals, Alabama writers like Eddie Hinton, Dan Penn and Spooner Oldham. In this case, the western Alabama juke joint grooves may be at the heart, but, this was soulful blues.

debbie bond mando blues 04082013 020 smallDebbie brought three new songs that will be featured on her next album, “Find A Way,” That Thing Called Love” and “Steady Rolling Man,” that fit right in with “I like It Like That” from her days with Willie King as well as some songs from her most current release Hearts Are Wild with a stand-out version of the slow ballad blues of “Falling.”

debbie bond mando blues 04082013 037 smallNashville session saxophonist Tom Pallardy sat in later in the set after a successful collaborative prior night set at The Nashville Jazz and Blues Awards at Bourbon Street in Printers Alley.

debbie bond mando blues 04082013 035 smallHost Tony Gerber paid tribute to female blues artists with his in-between tracks that also featured some rare Richie Havens and alternative version material.

debbie bond mando blues 04082013 010 smallMando Blues is an esoteric record store workers dream where true collectors and music geeks get to hear all things blues and related materials. They all get a little spotlight. There may be no show quite like this in the world.

An invited group of about 10-12 people got to sit-in on the live recording happening that fit a BBC type production with high production values and plenty of meat in the interview.

debbie bond mando blues 04082013 013 smallTony asked the right questions that will give any listener the feeling they knew where Debbie came from and what she is about after listening to the two hour show.

Although there are provided links to watch video of each one of the songs, it is well worth the price of free admission to listen to the entire show to get the interview segments as well as Rick’s “Monty Python meets Muscle Shoals” sense of humor.

debbie bond mando blues 04082013 007 smallDebbie is a native of California, but, her time growing up was spent in England and Europe while Rick’s roots are Londontown. Debbie and Rick almost crossed paths in College back in England, but, never actually met until Alabama Bluesman, Willie “Sweet Potato Man” King suggested they get to know one another in Western Alabama.

Roy Wooten aka “Futureman” stopped by to listen in and dug the Alabama soul groove coming out of the eventual four piece band with Rick sometimes playing the utility guy playing bass with one hand on the Nord keyboard and blues harp with the other hand and singing back – up vocals. If he had one more arm, they probably could have a full horn section.

debbie bond mando blues 04082013 029 smallTom Pallardy’s sax fit right into the song as if he had been playing with Debbie for years but, in reality he had not heard much of the material. Dave Crenshaw brought down the volume on the drum kit to match the production set up without losing any of the grooves, in fact, it brought out the true dynamics of the songs.

Debbie was so happy with the production and final mix of the material that she has already talked about further recording collaboration with the Omega team.

debbie bond mando blues 04082013 039 smallIt can be said, that there is probably know recording studio like it in the world, with its MASH style tent set up and being at the mountain peak as well as a crew with ears straight out of a JBL lab anechoic chamber. They know what they are doing and they love what they are producing.

debbie bond mando blues 04082013 016 smallWhile production was going on, some of the staff was busy cooking a meal fit for a king in a wood burning cast iron stove in cast iron pots.  The band and crew were treated to Venison Stew, fresh picked greens and chicken after the final wrap.

debbie bond mando blues 04082013 008 small–          Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

all photos (c) Brad Hardisty

Nashville Jazz and Blues Awards 2013 049 small“Some who have made their way to Music City think that it is all about country music…OH NO!!!”

The Nashville Jazz and Blues Awards started up about 4:30 in Printers Alley just a few doors down from Jimi Hendrix’s old gig with Billy Cox back in the day at The Black Poodle inside Bourbon Street Blues and Boogie Bar which boogies all week long with Blues, Jazz and plenty of fretboard sweat.

Nashville Jazz and Blues Awards 2013 056 smallGil Gann was hot and MC for the night cuttin’ it up and gettin’ down on the guitar.

Nashville Jazz and Blues Awards 2013 014 smallPhase 6 acted as house band, while the all-stars rotated on and off the stage like a Pancake Buffet Breakfast at Shoney’s.

The awards show is sponsored by The Marion James Musicians Aid Society which helps musicians in need, especially from the rich rhythm and blues heritage that was on and off Jefferson Street from the fifties through the mid-seventies.

Nashville Jazz and Blues Awards 2013 009Tina Brown really started getting things going like Tina Turner on an Etta James afternoon. Tina has a strong voice and personality to match.

Nashville Jazz and Blues Awards 2013 016 smallNashville Jazz and Blues Awards 2013 107 smallPhase 6 features two generations of serious players; Samuel Dismuke on bass and Samuel Dismuke Jr. on dual duty as vocalist and Trombonist. Long time collaborator Eddie Carter still kicks it on the drums.

Nashville Jazz and Blues Awards 2013 089 smallNashville Jazz and Blues Awards 2013 013 smallAlabama Blues master, Debbie Bond, played her first set in Nashville at The Jazz and Blues Awards warming up the crowd with a teaser song early on before coming back and playing a set later on in the show. When Debbie Bond took the stage for her full set with Moe Denham sitting in on Hammond B3, she brought some serious Alabama roots with a little of her Willie King experience as well as some Eddie Hinton style Muscle Shoals groove to the local Blues venue. It was a welcome change to what could be considered a get your game on attitude among Nashville’s players.

Nashville Jazz and Blues Awards 2013 052 smallAwards were given out in several categories to artists that gig in and around Nashville. Jefferson Street Sound Artist, Don Adams won best Bassist while Regi Wooten won best Jazz Guitarist of the year.

Nashville Jazz and Blues Awards 2013 104 smallRegi Wooten did a barnburner abbreviated set starting out with a laidback jazz version of “Crystal Blue Persuasion” taking the band as far as he could with some John McLaughlin sans Vernon Reid go where you wanna go Lead guitar work that turned it up a notch. Regi’s band, The Wooten Brothers, which tear down the house every Wednesday night at 3rd & Lindsley, took home Best Live band of the year.

Nashville Jazz and Blues Awards 2013 115 smallNashville Jazz and Blues Awards 2013 109 smallLola Brown sang backup for Marion James before taking the spotlight herself later with her backup band Area Black featuring Jerome Preston on Bass after Jerome finished a set with Regi Wooten. Lola put it all out there after winning R&B Vocalist of the Year. Lola really brought the church into the boogie bar.

Nashville Jazz and Blues Awards 2013 068 smallMarion James took home a pair of awards which were judged by local Blues and Jazz Artists as well as some special attendees for Female Blues Singer of the Year as well as her recent Ellersoul release, Northside Soul for album of the year. Northside Soul has garnished some national recognition with rave reviews in several publications as well as awards from B.B. King’s Sirius Radio Channel and a Top Ten on the Living Blues Charts.

Nashville Jazz and Blues Awards 2013 081 smallMarion James’s set was a barnburner with her singing from her gut, old school, Otis Redding reborn experience thrown into, “I Just Want To Make Love To You.” Marion is the heart and soul of Nashville R&B history having released three singles on three different labels back in the day, one written by her husband Buzz Stewart on Excello, the top ten hit, “That’s My Man” as well as two other songs by two individuals tied to Jimi Hendrix who used to play guitar for her back when, Billy Cox and Larry Lee.

In more recent times, Marion has released three solid albums in the last dozen years that not only spotlight her voice, but, some excellent songwriting that would not only put her in the spot as “Nashville’s Queen of The Blues” but within an elite group of two or three as Queen of The Blues from a last Blues woman standing viewpoint since the passing of Precious Bryant in January.

Nashville Jazz and Blues Awards 2013 062 smallThe Nashville Jazz and Blues Awards is something a very down home event in complete contrast to the glitz and glam of the Country music industry. Marion James almost singlehandedly has wanted to support recognition for the Blues and R&B community of Nashville.

Nashville Jazz and Blues Awards 2013 004 smallMarion James has this to say: “Down through the years, everyone has come through or stumbled upon Nashville, Tennessee to either visit or make their mark in the music industry. Some who have made their way to Music City think that it is all about country music…OH NO!!!

R&B, Jazz and the Blues have been around for more than just some time.  Matter of fact Jazz and Blues are all around you in all of the music.  So we are actually not hard to find.

Nashville Jazz and Blues Awards 2013 034 smallThere have been a number of very good musicians that come through Nashville.  Some could read, some couldn’t, some could  write it down on paper, and some only needed to hear your idea and could play it the first go round.  It really didn’t matter because they were very well seasoned and could accommodate any artists that needed them.

Most of our Legends like, Jimi Hendrix, Johnny Jones, Cab Calloway, Ray Charles, Charles Dungey, Milt Turner, Ted Jarrett, just to name a few, have passed on and we must turn the baton over to some of the younger generation, who are worthy, to carry the torch and pave a new way out of what they were brought up on…Jazz, R&B and Blues, and carry on the tradition of the root of it all and with some new and original twists added.

We must continue to raise funds and support these new comers as if we taught them ourselves, as if we have rubbed off on them and put a little of our soul into their soul so that WE may live on in them. Knowing that they will continue in what we love so much and that is “THE MUSIC.”

This is why I love giving the Jazz and Blues Awards event every year.  It is an annual event that shows our younger people that we see them, we recognize them, we are watching them, but most importantly we are encouraging them.

So move over Country music and make room for our up and coming talent and artists. Offer them a hand up and a way to succeed. Allow them to keep the music coming and growing. Let’s keep them in the spotlight, because there is a Jazz, Blues and R&B artist standing in the wings, waiting for you to reach out and give them a helping hand.”

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

DarlingParade_PromoPic1Darling Parade Releases First Single from
Highly-Anticipated, Debut Full-Length
Album Battle Scars & Broken Hearts 

“Ghost” Now Available on iTunes
Album Launches April 2, 2013

Nashville, Tenn. (January 30, 2013) – Nashville-based alternative buzz band Darling Parade has released “Ghost,” the first single from their upcoming full-length album Battle Scars & Broken Hearts. Darling Parade was featured on Billboard’s Next Big Sound chart, MTVu, VH1 and their music has been showcased on ABC Family’s “The Lying Game,” the CW’s “Flygirls,” Syfy’s “Stargate Universe” and Showtime’s “Shameless,” just to name a few.  Battle Scars & Broken Hearts is the band’s first full-length album, following a campaign to raise money for the project on the popular funding platform Kickstarter. “Ghost” can be purchased on iTunes here: https://itunes.apple.com/us/album/ghost-single/id592314650?ls=1
Formed in early 2007 against the humble backdrop of fields and farmhouses, Darling Parade came to fruition after lead vocalist Kristin Kearns asked Nate McCoy and his previous group to play a local show in southern Illinois.  She was only 15 at the time, but even then, had a way of captivating an audience.  After adding drummer Casey Conrad via Craigslist and bassist Dustin McCoy, the group was complete.After a self-titled EP, and 2010’s What You Want, 2011 brought the release of the band’s 3rd EP, Until We Say It’s Over, and landed the band the #8 spot on Billboard’s Next Big Sound chart.  The first single “Never Wrong” received airplay on both MTVu and VH1.  It also included, “Remember,” featuring guest vocals by Anberlin frontman, Stephen Christian.

Riding on the success of Until We Say It’s Over in the spring of 2012, Darling Parade landed their first national tour with NBC’s “The Voice” winner Cassadee Pope (Hey Monday) and set out to make their mark across the country.  The band quickly followed up with a national headlining tour, and then headed home to regroup.

Shortly after returning home, they knew it was time to do something they had not yet attempted—record a full-length album. Lacking the funds to embark on such an endeavor, the fans stepped up in a huge way, fully backing a Kickstarter effort to raise $16,000 to fund the recording of the new album.

Darling Parade went through several life-changing situations throughout the course of a few years, as bands do from time to time. The group, along with their long-time producer and friend, Jon King (Augustana, Throwing Gravity, 3 Pill Morning), retreated to a remote cabin in Western Ky., to clear their minds and make sense of the chaos.  Out of that adversity, Battle Scars & Broken Hearts was born.  Written entirely over a period of only a few weeks, it represents a snapshot in time of the band coming to terms with some of their weakest moments and finding the will to rise above them.

“The whole album has a common theme of overcoming struggle,” says Kearns.

“It’s really about realizing that no one has control over your life but you, and moving past negativity.”

The next four months were spent working day in and day out in the studio.  “We really took a different approach with this album, we took the time to explore every tone, and took a lot of chances” says McCoy.

The band made huge strides forward musically as well, melding all of their influences to create a sound that’s infectious, refreshing and all their own.   In-your-face guitars and relentless drumming dominate the album, while Kristin’s thunder in a bottle voice can only be described as a beautifully controlled chaos.

Partnering with King’s Nashville based label, Page 2 Music, Battle Scars & Broken Hearts will be released world-wide April 2, 2013.