On the second night of World of Bluegrass, the boundaries were being stretched from groups influenced by Bluegrass music growing up, but, showing hardly a hint of a Bluegrass foundation to neo-modern traditionalists Town Mountain, the future of Bluegrass lies in a cross section of those that would hold high the Monroe flame at this celebration of the 100th Anniversary of his birth to seeing if Pat Benatar can go well with a side of Mandolin.
The Farewell Drifters, with a fairly current Americana meets Pop Music took the stage, with two releases debuting in the top 10 of the Billboard Bluegrass charts, Zach Bevill and the crew were a push forward with varied influences. The fact that they have progressed this far shows that a younger generation is carrying acoustic music across the universe.
Nu-Blu, featuring the beautiful voice of Carolyn Routh, premiered a great video for a strong number, “Other Woman’s Blues,” before playing live to the full house. The real strength of Nu-Blu is their songwriting, even though they finished the set with Dolly’s “Jolene” and a Pat Benatar rave-up of “Shadows of the Night,” they have some interesting stories of their own to tell.
If there was a particular theme, it seemed to be that just about any acoustic music was welcome. Even in the after hours, showcases, which featured the Gypsy Jazz / Old time Texas style swing of Casey Driscoll, Taylor Baker and Brennen Ernst playing “Blue Skies”, was really a bridge to the Americana Conference and Folk Alliance.
Jim Lauderdale had one of the strongest sets, playing songs from Reason and Rhyme, with Producer and Dobro shredder, Randy Kohrs and a hot band hitting all the right spots. Jim is a neo-traditionalist chameleon that works in tall bluegrass and with Grateful Dead songwriters in the same breath. Jim has such a volume of output; he wears me out just thinking about it.
Town Mountain was a fitting finish, with great musicianship and a strong nod to Bluegrass. They were drawing in the lines and at the same time fresh faced.
Rodney Dillard of the generational Dillards (The Darlings, Andy Griffith Show) was taking a breather this year while his band was all about mixing it up.
The jams go late into the night. Some of the impromptu meet ups are what makes this fun. You could catch anybody from Crystal Shipley (The Dixie Bee-Liners), Joe Zauner on banjo and Jed Clark (The Roys) on guitar, just hanging on a cluster of couches talking instruments to see what happens.
After hours, one could hang and catch the late night showcases or go grab a bite to eat down on Lower Broad in a couple of minutes at Robert’s listening to the three piece straight up Rock and Roll of Harry Fontana on “Rockabilly Boogie.”
A couple more doors down and the soulful country of Southern Alabama’s Martin McDaniel, with some of the most fluid guitar lines in town was at The Stage. Martin has been building a local audience ever since he arrived a few years ago, doing it the hard way, honky tonks and opening sets.
Music City; where music never sleeps.
– Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com
What a beautiful write up and the photos are wonderful,
So you sang on this I think I see you on the stage Itis a bit far away I will blow it up and see it I can see the back and singers
You so Rock all of Nashville all of you
Dana Marie
Love the Shot odf you backstage your dowin a grand job
very prord of you, the site will be up tuesday I think with my “Featured Arts” and your up on the top looking good with your new staps, everyone wants one like your custon The Nashville Special.
all the best
Violet Moon~