Archives for category: Third Man Rolling Records Store

Jack White Blunderbuss Tour – Nashville Teletalkin’ Style

Jack White has increased the size of his dominion behind the Homeless shelter near Cannery Row. The Third Man Records location has expanded to almost an entire city block just south of the new Convention Center.

Black and Yellow gumballs by the front door. photo – Brad Hardisty

The timing couldn’t be better since the tourist destination is just a short brisk walk from the modern rolling roof of the Convention Center that is set to open next year with a brand new gargantuan Omni Hotel attached.

Inside the Third Man Records Store, photo – Brad Hardisty

The Third Man Records catalog of releases is in an ever-increasing stream much like hot lava leaking out of an active volcano.

The original and current store front. photo – Brad Hardisty

Third Man has not only exposed Nashville Artists, such as Pujol and Jeff The Brotherhood to the rest of the world, but, spurred a renewed interest in Rockabilly Queen, Wanda Jackson and found some great regional acts, such as Birmingham, Alabama’s Dan Sartain and Japan’s classic garage rock all-girl band The 5678’s.

Remodel, used to be an alley way, leading to back door to enter the venue for special events. Now – modern take on Art Deco style entrance door. Note the handrails. photo – Brad Hardisty

Third Man Records has hosted many live events, just about all of which are recorded and released on vinyl.

Probably the most historic recording was Jerry Lee Lewis, which had so much demand that it turned into an outdoor festival with an all-star band featuring Memphis alumni, Steve Cropper on guitar. The Third Man Records release of the event being one of the label’s finest moments.

Looking onto the new addition. photo – Brad Hardisty

Other notable artists who have Third Man Records releases include Tom Jones, Beck, Flat Duo Jets and Insane Clown Posse.

Dumpster still in place while finishing the addition. photo – Brad Hardisty

It seems that Jack is really flexible on his taste and has been a real asset in developing Nashville into Music City.

Third Man Monkey Band by the front window. photo – Brad Hardisty

Most items that are available on the website are available at the Third Man Record Store. If you are local and have not stopped by, you have really missed something, especially, the monkey band playing unreleased cuts from Blunderbuss.

If you are truly “died-in-the-wool” modern country, you probably still have relatives that wouldn’t mind a unique Christmas gift such as a Third Man Records turntable slip mat or box of six Third Man Records designed Guitar Picks.

Looking south towards original store front. photo – Brad Hardisty

The Nashville Bridge congratulates Third Man Records on their expanded Nashville operations.

Store Hours are Mon-Sat 12-6 pm and Sun 1-4 pm. You can call Third Man Records at (615) 891-4393.

Third Man Records is located at 623 7th Avenue South, Nashville, Tennessee, 37203.

–    Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

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The Dirty Streets – Secret Stages 2012 – Rogue Tavern

Secret Stages 2012 on May 11th & 12th, took over where the first Birmingham Indie Festival left off last year, with plenty of homegrown SXSW style Buzz, this time around with a fully fledged website instead of a hard to find blog.

Black Tusk – Secret Stages 2012 – Das Haus

From Nashville’s Natural Child to Memphis’ River City Tanlines to Chattanooga’s own take on the MGMT formula, Machines Are People Too, SS 2012 had everything from vintage postcard sounds of Frank Fairfield to the Motorhead meats Black Sabbath at a Southern Bar B Que sounds of Black Tusk, most groups were part of the Southeast circuit with all points in between, with several Artists travelling from far reaches of the kingdom.

Break it down

Even a coffee house was throwing down Rappers, DJ’s and Breakdancers next door to Das Haus as an add plus to the list of venues.

Hail The Titans – Das Haus, Photo- Thomas Diasio

Speaking of Das Haus, with the metal machine noise Lou Reed in a Sonic Youth Blender rock of Hail The Titans, Death Surf Punk of Kill Baby Killand the aforementioned Black Tusk taking care of business with an alpine view backdrop and the dense smell of Brats, Kraut and German Beer lingering in all four corners, this was the edge of the Abyss, where as some of the safer acts played at Rogue Tavern.

Machines Are People Too – Rogue / Photo – Thomas Diasio

Rogue, the biggest club of all featured Machines Are People Too getting everybody on their feet dancing then a few minutes later, The Dirty Streets, were throwing down Social Distortion meets Government Mule.

Baby Baby @ Easy Street

There was something for everybody and all ages. Baby Baby, with double the drumming pleasure, played at all ages Easy Street cranking out loud post punk. This wasn’t a bar, just a big empty hall, loud music and a table for buying Cd’s and other swag.

Third Man Rolling Records Store @ Secret Stages 2012

The second day had to contend with constant soft rain that left the vendors and the Third Man Rolling Record Store out in the cold, whereas last year, the main outdoor stage was the place to congregate, this year, everybody was scurrying for indoor digs with a few dancing in the rain at the foot of the main stage listening to blues and jazz.

Lydia Loveless @ Metro / photo- Thomas Diasio

Metro kind of became the Americana beacon with Bloodshot Records’ Lydia Loveless  and Taylor Hollingsworth’s new duo with newlywed wife, Kate Taylor, playing songs off their southern roots Fat Possum Records, Deadfingersrelease.

Deadfingers @ Metro

The greatest benefit was this was truly a pub crawl in the Loft District, which has seen a lot of changes over the last 5-10 years. It covered four square blocks where no taxis were needed to get around.  

Machine Are People Too @ Rogue / photo – Thomas Diasio

Chuck Leishman, who originally had the idea for the pub crawl, who called together the roundtable that developed Secret Stages stated, “We wanted to have a festival that all these bands that play the circuit could have a platform, a place to get their music heard in one weekend. It would be great if every regional area had a festival like this.”

Ben Lamb w/ Lydia Loveless @ Metro / photo – Thomas Diasio

This truly was what SXSW felt like maybe twenty years ago. There were some local corporate and media support and even a few bands on some Indie labels, but, this was a place where many bands were able to be heard by a diverse crowd.

Hail The Titans @ Das Haus / Photo – Thomas Diasio

Birmingham has seen some success over the last few years, with bands like The Great Book of John and Wild Sweet Orange.  

Black Tusk @ Das Haus

It would have been anybody’s guess that Birmingham would host the best Indie Festival in the Southeast with over 100 bands and comedians during two days in May.

Vintage Gibson backline @ Metro

Birmingham is just about the same distance between Atlanta, Nashville, Memphis, Mississippi and Northern Florida making it an easy 2-4 hour trip from just about anywhere in the region.

The number of venues has more than doubled in Birmingham in the last ten years.

A little secret Elvis imagery (Taking Care Of Black Tusk) @ Das Haus

The time was right, the place right and the vibe was right. Shine a light on Birmingham.  

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com