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Caddle. The Nick, Birmingham, Alabama photo- Brad Hardisty

Caddle. The Nick, Birmingham, Alabama photo- Brad Hardisty

Caddle was set to heat up The Nick, Birmingham’s “Dirty Little Secret”, in the middle of  February Last Saturday night with a new bass player and the developing interplay with newer guitarist Gary Edmonds, blazing some serious outlaw country shred on his self-built Tele.

Gary Edmonds, Caddle photo - Brad Hardisty

Gary Edmonds, Caddle photo – Brad Hardisty

Caddle has seen a few changes for the better. The three long time members, Phillip Hyde on vocals along with Eric Watters on Guitar and Finney James on drums are seeing several years now in developing Caddle into a serious Hard Country Contender.

Three decades old stage, The Nick photo - Brad Hardisty

Three decades old stage, The Nick photo – Brad Hardisty

The Nick has to be the best room to hear a band, especially drums in the Southeast. The walls are held up by staples and concert posters. The sound system has seen everything from early Janes Addiction and Red Hot Chili Peppers to regional concert favorites White Animals in the early days.

Danny Everitt, The Nick photo - Brad Hardisty

Danny Everitt, The Nick photo – Brad Hardisty

Danny Everitt has been one of the main sound guys running front of house when he is not busy with any of his other projects for well over a decade. Danny without a doubt does the best front of house mixes for Rock and Roll in Birmingham. His mixes always have plenty of great rock guitar mid-range and no high end Tin Pan Alley going on.

Several bands make The Nick a regular stop in the Southeast. Especially, Atlanta bands building on their base. The Nick is known as a straight up Rock and Roll bar with no frills, although the music can be really eclectic as it was Saturday night.

DJ Chocolate, The Nick Photo - Brad Hardisty

DJ Chocolate, The Nick Photo – Brad Hardisty

DJ Chocolate got the party started mixing up pre- Thriller Michael Jackson with some old school seventies funk and soul before Outlaw Country was to take over the night.

Birmingham is a real melting pot of music ideas where southern rock, punk and reggae can share the same bill. There is that “it’s all good” attitude, if it is good.

photo - Brad Hardisty

photo – Brad Hardisty

The crowd for Caddle ranged from UAB hipsters, old school rockers to Bikers pulling up in Harleys all mixing together getting ready for Phillip Hyde’s delivery.

Phillip Hyde on the mic, photo - Brad Hardisty

Phillip Hyde on the mic, photo – Brad Hardisty

Caddle with the addition of guitarist Gary Edmonds has gone from just plain dirty southern rock about trailer parks and meth to rev’d up hard classic country kind of like Hank Williams Jr. with a Hank III attitude.

Eric Watters on guitar photo - Brad Hardisty

Eric Watters on guitar photo – Brad Hardisty

Eric Watters and Gary were intertwining a lot of well thought out guitar parts creating a lot of air guitar and fist pumping in the crowd. Phillip is known for some real out-there monologues about outsiders and drinking and he was on point Saturday night.

photo - Brad Hardisty

photo – Brad Hardisty

Caddle did real well back in 2008 when they did The Billy Block Show back in 2008 at Cadillac Ranch but now the guitar playing is up several notches. True country guitarists like Brent Mason and Pete Anderson can mix it up with deft players like Eddie Van Halen and Steve Vai in their own way and now Caddle really is becoming a powerhouse country guitar outfit that could rival anything coming out of Nashville today.

Speaking of Nashville today, we all talk about how country now is either going for Bon Jovi, Fleetwood Mac, Jimmy Buffet  or AC/DC. Well, this could be good timing for the Outlaw biker band from Birmingham.  It may be time for a strong guitar sound that sits somewhere between The Black Crowes and Dwight Yoakum’s band to hit mainstream country radio upside the head.

It’s easy to categorize Caddle as Southern Rock, but, their sound is not looking back, Caddle is all about working class – what – is – going – on – right – now vibe. It’s a Saturday night, pull out ten bucks and have a cold one type vibe. An easy smile and cross culture crowd.

photo - Brad Hardisty

photo – Brad Hardisty

When Caddle sticks to the strength of their original material, it works extremely well.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

DarlingParade_PromoPic1Darling Parade Releases First Single from
Highly-Anticipated, Debut Full-Length
Album Battle Scars & Broken Hearts 

“Ghost” Now Available on iTunes
Album Launches April 2, 2013

Nashville, Tenn. (January 30, 2013) – Nashville-based alternative buzz band Darling Parade has released “Ghost,” the first single from their upcoming full-length album Battle Scars & Broken Hearts. Darling Parade was featured on Billboard’s Next Big Sound chart, MTVu, VH1 and their music has been showcased on ABC Family’s “The Lying Game,” the CW’s “Flygirls,” Syfy’s “Stargate Universe” and Showtime’s “Shameless,” just to name a few.  Battle Scars & Broken Hearts is the band’s first full-length album, following a campaign to raise money for the project on the popular funding platform Kickstarter. “Ghost” can be purchased on iTunes here: https://itunes.apple.com/us/album/ghost-single/id592314650?ls=1
Formed in early 2007 against the humble backdrop of fields and farmhouses, Darling Parade came to fruition after lead vocalist Kristin Kearns asked Nate McCoy and his previous group to play a local show in southern Illinois.  She was only 15 at the time, but even then, had a way of captivating an audience.  After adding drummer Casey Conrad via Craigslist and bassist Dustin McCoy, the group was complete.After a self-titled EP, and 2010’s What You Want, 2011 brought the release of the band’s 3rd EP, Until We Say It’s Over, and landed the band the #8 spot on Billboard’s Next Big Sound chart.  The first single “Never Wrong” received airplay on both MTVu and VH1.  It also included, “Remember,” featuring guest vocals by Anberlin frontman, Stephen Christian.

Riding on the success of Until We Say It’s Over in the spring of 2012, Darling Parade landed their first national tour with NBC’s “The Voice” winner Cassadee Pope (Hey Monday) and set out to make their mark across the country.  The band quickly followed up with a national headlining tour, and then headed home to regroup.

Shortly after returning home, they knew it was time to do something they had not yet attempted—record a full-length album. Lacking the funds to embark on such an endeavor, the fans stepped up in a huge way, fully backing a Kickstarter effort to raise $16,000 to fund the recording of the new album.

Darling Parade went through several life-changing situations throughout the course of a few years, as bands do from time to time. The group, along with their long-time producer and friend, Jon King (Augustana, Throwing Gravity, 3 Pill Morning), retreated to a remote cabin in Western Ky., to clear their minds and make sense of the chaos.  Out of that adversity, Battle Scars & Broken Hearts was born.  Written entirely over a period of only a few weeks, it represents a snapshot in time of the band coming to terms with some of their weakest moments and finding the will to rise above them.

“The whole album has a common theme of overcoming struggle,” says Kearns.

“It’s really about realizing that no one has control over your life but you, and moving past negativity.”

The next four months were spent working day in and day out in the studio.  “We really took a different approach with this album, we took the time to explore every tone, and took a lot of chances” says McCoy.

The band made huge strides forward musically as well, melding all of their influences to create a sound that’s infectious, refreshing and all their own.   In-your-face guitars and relentless drumming dominate the album, while Kristin’s thunder in a bottle voice can only be described as a beautifully controlled chaos.

Partnering with King’s Nashville based label, Page 2 Music, Battle Scars & Broken Hearts will be released world-wide April 2, 2013.

Bang Ok Bang, The High Watt, photo- Brad Hardisty

Bang Ok Bang, The High Watt, photo- Brad Hardisty

Friday January 18th, The High Watt walls were rumbling to Bang Ok Bang in celebration of their new video release in support of “Always For You” off their recently released first EP revelating through a heavy groove dirge that can only be described as Trance Industrial Metal Blues.

Ben Lowry - Bang Ok Bang, The High Watt, photo - Brad Hardisty

Ben Lowry – Bang Ok Bang, The High Watt, photo – Brad Hardisty

Ben Lowry was whipping his guitars, both 6 and 7 string varieties through a Bass amp and Marshall half stack pumping the juice through the newly minted High Watt PA system, splattering bass all over the floor and rattling midrange through all the other gear sitting to the left of the stage.

Abby Hairston - Bang Ok Bang, The High Watt, photo - Brad Hardisty

Abby Hairston – Bang Ok Bang, The High Watt, photo – Brad Hardisty

Abby Hairston is probably the most passionate drummer in Nashville today. You can literally anticipate each crack, snap and UH! and determine the pace and dynamic as she throws her hair and weight all over the kit. Abby’s every crack of the stick seems determined much like Hill Country Blues drummer, Cedric Burnside.

photo - Brad Hardisty

photo – Brad Hardisty

Pulling songs from their EP such as “Chemicals Pt. 1 & 2,” and “Above The Surface,” Bang Ok Bang paced through a complete set that showed major growth and tightness since first kicking it out several months ago.

photo - Brad Hardisty

photo – Brad Hardisty

The set featured new songs that show how to take the heavy two piece into even more sonic space.

photo - Brad Hardisty

photo – Brad Hardisty

The crowd was an interesting mix of post high school, post EMO less than twenty somethings for opener ForeverandNever that was losing their bass player after this show and a crowd more akin to a singles bar for headliner BREE.

photo - Brad Hardisty

photo – Brad Hardisty

Somehow, it looked like each group of Apprecianados found something they liked in each set even though the three bands fit three distinctly different cliques and mind sets.

Abby Hairston, photo - Brad Hardisty

Abby Hairston, photo – Brad Hardisty

One of the most amazing things was how tight the two have got to matching each other in the slow down mid song breaks as well as groove changes with ease.

Bang Ok Bang, The High Watt, Nashville, TN, photo - Brad Hardisty

Bang Ok Bang, The High Watt, Nashville, TN, photo – Brad Hardisty

Bang Ok Bang may be ready for David Letterman in 2013.

The High Watt, Joe Strummer on Mens Room Door, photo - Brad Hardisty

The High Watt, Joe Strummer on Mens Room Door, photo – Brad Hardisty

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

lulu roman at lastLuLu Roman dropped a new album this month, At Last that showcases her rich voice reminiscent of Roberta Flack performing torch songs she has never recorded before.

courtesy - luluroman.net

courtesy – luluroman.net

LuLu  has enjoyed many successes in her life, known for her side splitting humor and gregarious personality, many people know LuLu as the most requested female cast member from the long running hit Television Show “ Hee Haw”, It is in reruns now on RFD making it 42 years old, gaining a whole new audience.

LuLu is an accomplished song writer and performs all over the world.

For more than a decade, LuLu has been involved in Christian Gospel winning the “Dove Award” in 1985 for “Album of The Year by a Secular Artist.” In 1998 she was inducted into “The Country Gospel Music Hall of Fame”.

In 2002 Lulus’ 16th album, LuLu Inspired was nominated for the Dove Award. Other awards have included induction into the “Christian Music Hall of Fame” in 2007 as well as the “J.D. Sumner Living Legend Award” in 2008.

In 2007, she was awarded, with the Hee Haw cast, “The Entertainers Award” from TV Land.

The Nashville Bridge sat down with Lulu to talk about At Last, Hee Haw and next weeks’ knee surgery that will keep her grounded for a bit before doing shows later this year.

Brad Hardisty / The Nashville Bridge: It sounds like it is going to be a few months before we get to hear the new songs live, I guess.

courtesy -luluroman.net

courtesy -luluroman.net

LuLu Roman: Yeah, I am having knee replacement surgery on Monday. I am going to take a little time off before touring for the record. I’m hopin’ I can get up and get at it!

TNB: The record is droppin’ on January 15th right?

LR: Yes.

TNB: You have a duet with Dolly. Tell me about that. You’ve obviously known her for a while.

LR: Uh huh, I’ve known her for… goodness sakes!  Over 40 years! We were young girls when Hee Haw first started and she was out there you know.

TNB: Do you have a Dolly story?

LuLu Roman and Dolly Parton in the studio.

LuLu Roman and Dolly Parton in the studio.

LR: Yeah, there are so many.  Well, going into the studio this time was a great time. It really was. Dolly is just this, “What you see is what you get!” Dolly is Dolly. She just lights up the room and lights up the attitudes. She’s just absolutely precious. Dolly came out after we were through cutting vocals and I had her lyric sheet and I thought well now…hmmm…she was so cute. She said, “You will have to sign this for me,” and I said, “What?” She said,”You gotta sign this!” I said, “Not unless you sign this!”

TNB: So, she’s a fan.

LR: She is absolutely precious. Golly! There is no one in the world like her, she is just incredible.

TNB: You have done a lot of Gospel over the years. Are you working with the same Producer?

LR: This is totally different because it is mostly standards and classics.  Two young fellows, Larry Ferguson and Chris Barnes were the ones that produced this and they’re new to this. My goodness they are good! We just got some of the best players on the map. I’m really proud of this. I really am.

TNB: Where did you cut the record at?

LR: We recorded at three or four studios, we did.

TNB: Did you record at Sound Kitchen?

LR: We did do something at Sound Kitchen. I think the one we did with Dolly. I believe.

TNB: Was Chris involved in the song choices?

LR: Chris would say, “Which is your favorite?” I would say, “ALL OF EM!!” These are nostalgic songs that I remember listening to when I was a young person, years ago; stuff I would kind of put a check next to. I would think, “I want to sing that one…one day.”  My youngest son is the one that got me. He got married seven and a half years ago and mercy honey, I’ll never forget it, he said, “I want to get you to sing at my wedding. I said, “No, you won’t!” He said, “I want you to sing a song at my wedding. I want you to sing “At Last.”  I said, “You’re kidding.” So, that was the first time I sang that seven or eight years ago.

TNB: So, that was the first time you went after Etta James.

LR: Uh huh. She was one of my heroes and just was a remarkable talent. One of those that you would sit around listenin’ and sayin’ “Oh yeah, I’ll sing like that.”

TNB: You have a really lush, rich voice. You’d be great for more torch songs like that.  Like Etta James and Roberta Flack.

LR: We were gonna call it torch songs and then somebody said, “Well you have this gospel career and so, you know, some people might not want it”, but, they kind of do.

TNB: What is the song you are going to try to get out of there?

LR: It looks like it might be the Dolly song they are going for first with Country radio because we talked about that yesterday and from what I understand they have a lot of people calling the radio station saying that is a good “thing.”  Then, I think they are going to take “At Last” maybe to another market.

TNB: Where is the CD going to be available?

LR:  We are going to put in the stores and go to ITunes and everywhere.

TNB: When you tour, do you have a group of guys you normally play with?

LR: Well, with the gospel stuff and the country stuff, I mostly have gone with my tracks or used other peoples bands so we’re discussing putting a band together so we can do this the way we recorded it.

TNB: So, you are purposely going to go out and do some shows spotlighting the album?

lulu roman hee haw 03LR: Yeah. We’re gonna do it this year. We are going to do one show and see how it goes. I’ll be going with kind of a Hee Haw Roadshow. You get to do what you are doing currently out there. We had the Hee Haw reunion a couple of years ago and we got a big draw from that, you know.  So, I will get to sing a little bit of this and a little gospel singing and see how things work out.

TNB: Who will be going out on the Hee Haw type showcase?

LR: Roy Clark, Marty will be one of the announcers, Gunilla Hutton, Charlie McCoy and The Nashville Edition. It’s going to be a pretty good show. We will be playing big rooms. We will be in Pennsylvania the first time and that is a big ‘ole room.

TNB: It sounds like a really good show.

LR: I have been travellin’ so much. I have done a few shows with them the last couple of years.

TNB: Have you thought about doing a run in Branson?

LR: Well, that’s a possibility, but, I think I’d like to get out there and get with the people and see peoples reaction, you know, before I kind of notch myself in you know.

TNB: This will bring people in that maybe, the gospel is okay but it’s not their style, but the standards they will get into; the Nelson Riddle Orchestra type stuff.

LR: There is not too many people that don’t like old standards, you know, even young people do. If it’s good than it is good. I’m so excited. I’ve wanted to do these for years and years and years and to finally get it done and get it out there; I’m like a little kid.

TNB: This is strictly standards?

LR: They are all standards. We’ve got, “At Last,” “Summertime,” “If You’ Don’t Know Me,” “Killing Me Softly”…

TNB: He should have sent me “Killing Me Softly” because when I heard your voice, I thought of Roberta Flack because you are right in that tonal range.

LR: Thank you. It’s funny because I have asked people what their favorites are and my daughter in law’s favorite is “Killing Me Softly” and then with Dolly and “Till I Make It On My Own” with Georgette Jones. T. Graham Brown sang on “You Are So Beautiful” and Linda Davis sang on “You Needed Me.”

TNB: You have a pretty loyal fan base.

lulu roman hee haw 01LR: I have got remarkable fans. I will say this, boy and the blessing is that it has been with the Country music and with the Gospel music. When I first started this, I had people come up to me at concerts. They would come up and say, “My Grandpa made me watch you on Hee Haw.” Now, I’ve got these little kids that are seven or eight years old that come up to me and say, “I saw you on Hee Haw,” and the Daddy is standing behind them and the Daddy is the one who is saying, “My Grandpa made me watch you.”

TNB:  What’s next after this?

LR: Well, I had a list of one hundred songs; so, we got some more we could do.

TNB: You could do like Rod Stewart, just keep doing the songbook, he’s been doing it for years.

LR: No kiddin’! Yeah, I love that idea. I do.

TNB: Anything else?

LR: I just would like to say thank you to each and every person that is out there. I hope that this project makes them as happy as it made me to get to do it.

– Brad Hardisty, Nashville TN     thenashvillebridge@hotmail.com

Bryan Sorenson -Megattack, photo - Thomas Garner, courtesy - Megattack

Bryan Sorenson -Megattack, photo – Thomas Garner, courtesy – Megattack

On Sunday January 6th, 2013, Bryan Sorenson, probably the greatest drummer to land in the Intermountain West Rock circuit, passed on to the next life almost two years to the day when Utah’s greatest guitarist ever, Parrish Hultquist and Bryan’s best friend died.

Bryan Sorenson pre-drummer teen

Bryan Sorenson pre-drummer teen

Bryan Sorenson grew up in Salt Lake City and attended East High School when former Utah Governor and Presidential candidate, Jon Huntsman played keyboards for a band called Wizard and Utah’s most heralded rock lead singer, Rick Jackson and his band Mannequin were opening to sold out crowds at The Salt Palace.

Bryan Sorenson, Mannequin - Moviescreen era

Bryan Sorenson, Mannequin – Moviescreen era

Bryan quickly became well known as he was finishing high school for a fierce double bass syncopated attack and was a well-studied follower of Black Oak Arkansas and Blizzard of Oz drummer, Tommy Aldridge as well as Cozy Powell of Rainbow and Whitesnake fame.

Moviescreen pre-Bryan Sorenson in 1983, Matt Udall, Parrish Hultquist, Dave Neil, Dana Freebairn

Moviescreen pre-Bryan Sorenson in 1983, Matt Udall, Parrish Hultquist, Dave Neil, Dana Freebairn

In the early 80’s Bryan Sorenson joined Mannequin as Rick Jackson was his favorite vocalist and wanted to work in the well-known Salt Lake City pop metal outfit.  Bryan also played a short stint in Rick Jackson’s next band, The Jack before Parrish Hultquist and Dana Freebairn were able to persuade Bryan to join Moviescreen shortly after their first release.

Parrish Hultquist, megattack reunion show, 2006, courtesy- Megattack

Parrish Hultquist, megattack reunion show, 2006, courtesy- Megattack

Bryan immediately knew the possibilities working with a guitarist like Parrish Hultquist, who could run circles around everything from Randy Rhoads, George Lynch, Edward Van Halen, Allan Holdsworth, Al Di Meola or whatever new inventive guitarist was on the horizon.

Bryan’s time in Moviescreen was short lived due to a drunk driver t-boning his delivery truck and causing a major hand injury. After Bryan was fully recovered, Parrish and Bryan talked about putting a Super group together, taking the best musicians and performers from four separate Utah bands to create a band that had the potential for a large draw and national notoriety.

Megattack press shot - 1986, Bryan Sorenson, Jay Gough, Rick Jackson, Parrish Hultquist, Pat Carter, courtesy - Megattack

Megattack press shot – 1986, Bryan Sorenson, Jay Gough, Rick Jackson, Parrish Hultquist, Pat Carter, courtesy – Megattack

It was Parrish’s idea to start the band. He knew the name he wanted; Megattack, a force to be reckoned with. Bryan was persistent that Parrish listen to Rick Jackson; that he was so close vocally to Ronnie James Dio, Bryan’s favorite singer.

Parrish went to see The Jack, Rick Jackson’s band perform at Wolf Mountain in Park City opening for Night Ranger. Parrish was watching all the details. Rick had a killer voice and could control a crowd. The Jack was getting the largest draws at the time in Utah. Parrish wanted to get Rick involved, but, he had commitments with The Jack.

Soon after, The Jack broke up and Rick was available. Parrish and Bryan went full throttle talking to Rick. After hearing Parrish and Bryan play; Rick was in.

Pat Carter, a great bassist and showman joined on bass and Jay Gough was enlisted as a strong lead guitar foil in his own right as well as having strong songwriting chops. From the first time they jammed together they knew they were onto something.

Megattack , courtesy, Megattack

Megattack , courtesy, Megattack

Word soon got out on the street about Utah’s first Super group, Megattack to the point that when they played their first show at one of the exhibition halls they had rented out at the Utah State Fairgrounds, 3000 people showed up! It was the largest show ever by a local band as a headliner.

Megattack original lineup, 1986, courtesy - Megattack

Megattack original lineup, 1986, courtesy – Megattack

Major interest started coming around as they started playing 1000+ capacity gigs throughout Utah, Idaho and Washington State.

Megattack, Raw Delivery 1986

Megattack, Raw Delivery 1986

Megattack finally recorded and released their first album, Raw Delivery which aired on local rock radio and got into the hands nationwide of loyal metal rock fans.

Dream Records in France wanted to release the album overseas in 1986 on vinyl with connections to the European Metal music press; it was a surefire way to get Megattack on stages in France and Germany and other metal festivals throughout Europe.

When the album was released in Europe, the press was going crazy with praise about standout tracks like “Whisper In The Dark” and “Stay With Me (probably Parrish’s strongest songwriting)” that featured power drums and guitar solos that would rival any metal of the day. Only one problem, five strong dominating personalities turned into major infighting and the band broke up before ever making it to Europe.

Bryan did travel over to Europe and purchased a suitcase full of Megattack albums and picked up some local European rock press magazines and brought them back to the states. The original vinyl goes for well over $200-300 on metal collector sites.

Megattack 1988 lineup with lead singer Kristina Bell

Megattack 1988 lineup with lead singer Kristina Bell

Bryan and Parrish did reform Megattack without Jay Gough and Rick Jackson in 1988, with a female lead singer, Kristina Bell and guitarist Tracy Swyder replacing Jay Gough. It turned out to be a mild club success, but, not with the impact of the original Megattack so the project was shut down.

Wolfgang - courtesy, Wolfgang

Wolfgang – courtesy, Wolfgang

Bryan and Parrish joined arms with a new outfit called Wolfgang at the beginning of the 90’s with lead singer, Jeff Gragg. Wolfgang was another success and a more seasoned approach. Although they played local venues, Wolfgang would tour and open for bands such as Tesla and Extreme.

Bryan ended up stranded in Hawaii after a string of club dates for Wolfgang and ended up out of the band.

photo courtesy The Sorenson Family

photo courtesy The Sorenson Family

Bryan would continue to play drums for other bands and also became an accomplished guitarist and vocalist. Parrish taught many of his licks on acoustic guitar and Bryan took pride in being able to show others Parrish’s songwriting ability, playing Parrish’s songs on acoustic as well as singing the original lyrics for anybody who was interested after Parrish died two years ago.

Bryan and Parrish talked for well over a decade about how they wished they could get the original Megattack lineup back together and see what they could do. It was the strongest thing they had ever been a part of.

Parrish Hultquist, Birmingham, Alabama, 2005

Parrish Hultquist, Birmingham, Alabama, 2005

While visiting me in Birmingham, Alabama in 2005, Parrish Hultquist talked about how much he wished Megattack could get back together. The biggest issue they had was that nobody knew where Jay Gough was. Just by chance, Jay Gough’s wife found me on The Donnas website message board after I had put a list of my all time favorite guitarists together.

Megattack 2005, courtesy, Megattack

Megattack 2005, courtesy, Megattack

She sent a message “Is that Parrish Hultquist from Utah? My husband, Jay, played in a band with him.” After that initial contact, within a couple of days, Jay, Rick Jackson, Parrish and Bryan were talking about getting the band back together to record a reunion album in Utah.

They had discovered after some research on the web that Megattack’s Raw Delivery, had been repackaged on CD over three different times throughout Europe and Japan and had sold well over 200,000 – 300,000 units without a dime going into the pockets of the band members.

Megattack - Save The Nations 2005

Megattack – Save The Nations 2005

Megattack convened in Salt Lake City writing a bunch of new songs and recorded a solid album in late 2005 called Save The Nations. Megattack soon did a reunion show in Salt Lake City playing for old fans and their children as well as the band’s family members.

The initial cover design was rejected as too simple and un-interesting by the band members. Bryan took it upon himself to work with computer graphic designer, Christopher Miller over the course of a night and a day to design the cover that was replete with dreams Bryan had about the last days and apocalyptic events as a precursor to the return of Jesus Christ. Bryan insisted that the inside jacket include a particular scripture. The eventual design got the thumbs up by all members of Megattack.

It was hard to get the band together for practicing and gigs due to Parrish’s health and needing to be back in Spokane, Washington for treatment on a rare brain seizure disorder.

Bryan Sorenson, Megattack Reunion press photo, photo Thomas Garner, courtesy Megattack

Bryan Sorenson, Megattack Reunion press photo, photo Thomas Garner, courtesy Megattack

Megattack managed to pull one more gig with four of the original members and it was recorded to film. Someone had slipped something into Bryan’s drink and Bryan went into a coma somewhere outside and was found nearly dead the next day.

Bryan lay in a coma for weeks in 2006 when Bryan’s mother, Margene flew Parrish Hultquist down from Spokane, Washington to visit Bryan at LDS Hospital. When Parrish entered the room and said “Bryan!” Bryan’s eyes opened up and he mumbled, “Parrish.” There were a lot of tears at that moment, but, Bryan had side stepped death’s door for a few more years.

Parrish passed away only three years later. This was something difficult for Bryan as musical plans always evolved around Parrish and maybe a possible new gig with Jeff Gragg from Wolfgang. Parrish had been a lifelong songwriting partner and confidant.

bryan sorenson actorBryan did move on and continued looking at offers to play drums again when Bryan met an unexpected end almost two years to the day that Parrish Hultquist passed away.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

photo - Brad Hardisty

photo – Brad Hardisty

With a few days on my hands after meeting with SIX in Branson, Missouri, I decided to return to a magical place that I had only been to once before; Clarksdale, Mississippi, home of the infamous Robert Johnson folklore, the “Crossroads”, that was once home also to Son House, a small town with a  legend that casts a big shadow.

blues trail 03Back in 2007, I had met Adrian Kosky from Australia, in Nashville during a songwriter’s conference hosted by NSAI at the Opryland Hotel. Adrian had come up with some interesting self-penned blues that he played on hand- built Dulcimers. We did some acoustic jamming and got along pretty well.

Mississippi Cotton by Hopson's Commissary - photo - Brad Hardisty

Mississippi Cotton by Hopson’s Commissary – photo – Brad Hardisty

Adrian and I went to Gruhn Guitars on Broadway. Adrian was looking for a vintage Gibson melody maker, but, I found a 1936 Gibson Electric Hawaiian that became part of my arsenal.

2007 Hopson's Commisarry, Adrian Kosky and Brad Hardisty

2007 Hopson’s Commisarry, Adrian Kosky and Brad Hardisty

Adrian was on his way to Clarksdale, Mississippi in a few days to film some scenes for a blues documentary he was working on. He invited me to meet up with him to do some jamming in Clarksdale on film.

2007, Clarksdale, Mississippi, Adrian Kosky & Brad Hardisty

2007, Clarksdale, Mississippi, Adrian Kosky & Brad Hardisty

Man, I went out there with just a night and a day to get situated. We spent the night in Pinetop Perkin’s boyhood shotgun shack at Shack Up Inn, before going over to Hopson’s Commissary to shoot some footage.

I mainly played slide on my old 1950’s era Silvertone jumbo. The Silvertone got some major mojo after Willie King signed it at a folk festival in western Alabama. Willie “Sweet Potato Man” King, like to put a lot of soul-boogie in his stuff with almost a very countrified Howlin’ Wolf voice. I was so glad to meet him, not knowing that he would pass away within a year. If you get a chance to see the original bluesmen, don’t pass it up. It may be your only chance.

Coahoma County, Photo - Brad Hardisty

Coahoma County, Photo – Brad Hardisty

Part of that scene made it onto UStream and I have the photos to prove it, although the full production has yet to be completed.

Cotton field in Coahoma County, photo - Brad Hardisty

Cotton field in Coahoma County, photo – Brad Hardisty

The next morning, I only had a few minutes to drive through the blues district before I had to get back to Birmingham, Alabama. I vowed one day I would return and really go on some pilgrimage to get to know a place with so much vibe it resonates a 7th chord.

photo - Brad Hardisty

photo – Brad Hardisty

Well, time flies when you’re running around like a chicken without a head. It is now 2012 and I finally get three days where I can head south on Highway 61 to Clarksdale. Bob Dylan said it better than I could.

Sunflower, Clarksdale, MS, photo - Brad Hardisty

Sunflower, Clarksdale, MS, photo – Brad Hardisty

With some Topper Price on the stereo, I headed south on Highway 61, leaving Furry Lewis’ Memphis behind. I checked into Bally’s in Tunica after getting a web special for $24.95 a night then it was back in the blue Fiesta, blues on the stereo. I was just 20 miles out of Clarksdale when I started to see some interesting Cypress trees in standing water next to a just harvested field of cotton. I had to stop and get some shots.

Blues District, Clarksdale, photo - Brad Hardisty

Blues District, Clarksdale, photo – Brad Hardisty

Cruising into Clarksdale via the HWY 161 cutoff past a pecan stand, the road took me straight to the “Crossroads” of HWY 49 & 61. This is the place made famous in the song by Robert Johnson where he supposedly made “the deal.”

photo - Brad Hardisty

photo – Brad Hardisty

Abe's mascot, photo, Brad Hardisty

Abe’s mascot, photo, Brad Hardisty

At the corner of Hwy 61 & 49 is Abe’s BBQ, the same family owned joint that Robert Johnson used to get his pork sandwiches, only then it was called The Delta Inn. I stopped and ate some ribs. They were, tender, not really smoky tasting; having been used to Kansas City and Memphis BBQ, it may not be a strong contender, but, it was worth stopping in just to say, “I ate there.”

Back alley in the blues district, photo - Brad Hardisty

Back alley in the blues district, photo – Brad Hardisty

I was in Clarksdale this time, really to take in the historic blues district and important landmarks. I decided to start with what I had heard about. I set the GPS for Ground Zero, the club co-owned by Morgan Freeman.

photo - Brad Hardisty

photo – Brad Hardisty

Cemetary on Sunflower, Clarksdale, MS, photo - Brad Hardisty

Cemetary on Sunflower, Clarksdale, MS, photo – Brad Hardisty

A little up the road, my GPS took me on a right turn down Sunflower. Okay, now this makes sense, The Sunflower Festival in Clarksdale. Apparently, The Sunflower River runs alongside the old downtown with Sunflower Road running along the side.

Ground Zero, Clarksdale, MS, photo - Brad Hardisty

Ground Zero, Clarksdale, MS, photo – Brad Hardisty

Hendrix by Rosalind Wilcox at Sun House, Clarksdale, MS, photo - Brad Hardisty

Hendrix by Rosalind Wilcox at Sun House, Clarksdale, MS, photo – Brad Hardisty

Finally, I made a couple of turns and I was a half block down from Ground Zero. I looked across the street and saw this sofa size painting of Hendrix. Instead of heading down to the club to check out the jams, I crossed the street and was looking at this most awesome serene face on Jim Hendrix. I am a Hendrix nut and was surprised to see some Hendrix in Clarksdale; I didn’t know if he was “pure” enough for Clarksdale.

Sun House, Clarksdale, MS near Ground Zero, photo - Brad Hardisty

Sun House, Clarksdale, MS near Ground Zero, photo – Brad Hardisty

Well, I was in for a few surprises this time in Clarksdale, Mississippi. The owner of the gallery was locking up. Rosalind Wilkinson invited me to come on in and opened up the door. Okay, I won’t forget this date; it was 12/12/2012 and about 5 in the afternoon. I realized after looking around that this was all her creations. A place about 6000 square feet of painting, jewelry, photos, you name it.

Tracks behind The Delta Blues Museum, photo - Brad Hardisty

Tracks behind The Delta Blues Museum, photo – Brad Hardisty

It turns out Rosalind Wilcox aka Mississippi Rosealee, is known among the Hill Country Blues Artists such as the late R L Burnside, Junior Kimbrough, one of the late true originals and their families among others. I was blown away she knew Cedric Burnside, grandson of RL and one of my favorite drummers. In fact, she introduced Lightnin’ Malcolm to Cedric Burnside which created one of the best duo recordings to come out of the blues scene in a long time.

Clarksdale Blues District, photo - Brad Hardisty

Clarksdale Blues District, photo – Brad Hardisty

Rosealee is an accomplished singer/songwriter who also plays drums for two of the oldest Mississippi blues legends, Robert Belfour and LC Ulmer. In fact LC wrote a song for her on the M For Mississippi soundtrack, “Rosealee.”

Led Zep, Robert Plant immortalized in the Blues District, photo - Brad Hardisty

Led Zep, Robert Plant immortalized in the Blues District, photo – Brad Hardisty

She had named her art/performance space Sun House in honor of Son House, another Clarksdale native that inspired Led Zeppelin and Jack White among other rockers.

an empty store front turned art in Clarksdale, photo - Brad Hardisty

an empty store front turned art in Clarksdale, photo – Brad Hardisty

Rosealee asked if I had even been to Clarksdale before. I explained that I had just one time; when I played acoustic slide guitar for Australian Adrian Kosky at Hopson’s Commissary at The Shack Up Inn, but, had to leave after filming.

Muddy Waters in the Mmiddle, Clarksdale blues district, photo, Brad Hardisty

Muddy Waters in the Mmiddle, Clarksdale blues district, photo, Brad Hardisty

“I know Adrian,” said Rosealee. In fact it turned out he was back in Clarksdale for the first time since 2007 and had just arrived a few days before. Okay, now this was getting to be Crossroads folklore.

Delta  Blues Room, Clarksdale, MS, photo - Brad Hardisty

Delta Blues Room, Clarksdale, MS, photo – Brad Hardisty

She didn’t have his number, but, he was staying at a friend’s apartment a couple of blocks away and she was content on taking me there. Well, now my mind racing back to when I met Adrian at that NSAI conference at the Opryland Hotel and we ended up jamming. He had a cool voice.

Clarksdale Blues District, photo - Brad Hardisty

Clarksdale Blues District, photo – Brad Hardisty

Adrian then invited me to be in Clarksdale a week later for filming and that was that tale.

Brad catching up with Adrian Kosky five years later in Clarksdale, 12/12/2012

Brad catching up with Adrian Kosky five years later in Clarksdale, 12/12/2012

The entrance door was locked, but, with the help of a friend, we got in touch with Adrian and he met us at the pizza parlor downstairs. There were four of us, Adrian, Rosealee, an art student of hers and myself playing music trivia all night with the DJ and a packed house.  It was a blast and all of a sudden I was with three friends starting a new Mississippi Delta odyssey.

photo - Brad Hardisty

photo – Brad Hardisty

Rosealee invited me to stop by later the next day and we were going to hang and she wanted to jam on some guitars and music at her art space that had a stage and amps…the whole nine yards.

Delta Blues Music, photo - Brad Hardisty

Delta Blues Music, photo – Brad Hardisty

Before heading over to Sun House, I stopped across the street at Blues Town Music looking for a slide. I didn’t find one to my liking, but, I did meet Watermelon Slim, a local who performs at Ground Zero with some great tone and some amplified acoustic slide. He showed me the fine points of playing slide with a Craftsman socket, but, I couldn’t get the hang of it.

photo - Brad Hardisty

photo – Brad Hardisty

There were some great old Kay, Silvertone and other cheap cool sounding guitars from the forties and fifties. I learned something from Hubby Jenkins of the Carolina Chocolate Drops and Jeron “Blind Boy” Paxton: you need to check out everything because sometimes that little cheap Silvertone might have the tone you have been trying to find. Character is a big deal when you are playing the blues.

photo - Brad Hardisty

photo – Brad Hardisty

Down the street was Cat Head Music, kind of a Mecca for blues music deep collectors. It was hard to decide what to buy. I finally decided to get the Slim Harpo Excello collection. Dude, Slim’s version of “I’m A King Bee” is one of my favorite grooves and the fact that this was little ole Nashville’s Excello Records made it something special. It turned out that Robert Plant had been in a few days earlier and went for the same disc according to the owner.  Hey, hey, what can I say, Robert has good taste.

photo - Brad Hardisty

photo – Brad Hardisty

I got into The Delta Blues Museum, picking up a poster of Charlie Patton before walking through the entrance watching Albert Collins on the overhead TV while checking out some fantastic memorabilia culminating with Muddy Waters cabin at the rear. I couldn’t take any pictures, but, at least I can say I was there.

Tree Temple, Clarksdale, MS, photo - Brad Hardisty

Tree Temple, Clarksdale, MS, photo – Brad Hardisty

Thursday night, we grabbed some Hibachi Chinese Buffet, a little sushi; a little okra then we went over to her place where I showed Rosealee some of the ragtime style blues I had been working on, playing on the Luna Dobro. Rosealee then played some Gospel on the guitar and sang. What a voice!  All I could do was stop and listen.

Mississippi Rosealee at The Shack Up Inn back porch, photo - Brad Hardisty

Mississippi Rosealee at The Shack Up Inn back porch, photo – Brad Hardisty

Okay, now we are talkin’ serious stuff next. Rosealee showed me some serious hill country blues open tunings and started playing some Junior Kimbrough stuff along with the timing. She knew her Hill Country Blues. Here I was getting a private lesson on Hill Country style. Wow, that evening was worth the trip down yonder, but, the company was even more impressive.

Gary Vincent, Clarksdale Soundstage, photo - Brad Hardisty

Gary Vincent, Clarksdale Soundstage, photo – Brad Hardisty

The next morning I showed up to talk with Gary Vincent, a 30 year Nashville career singer/songwriter who relocated to the blues district and opened a recording studio complex called The Clarksdale Soundstage. The first album recorded there by Elvin Bishop is up for a Grammy nomination.

The Clarksdale Soundstage, photo - Brad Hardisty

The Clarksdale Soundstage, photo – Brad Hardisty

The Clarksdale Soundstage - photo - Brad Hardisty

The Clarksdale Soundstage – photo – Brad Hardisty

Housed in a group of what looks like fifties era offices with a kitchen and some open spaces for hanging out and dining, the main room looks like a high concrete arched garage that either was a mechanics garage or a machine shop.

The Les Paul Room, photo - Brad Hardisty

The Les Paul Room, photo – Brad Hardisty

Morgan Freeman has his own voice over room located directly across from the control room.

Morgan Freeman's voice over desk, photo, Brad Hardisty

Morgan Freeman’s voice over desk, photo, Brad Hardisty

The Les Paul Room has a large dining table with plenty of chairs for hanging out and room to plan on how to conquer the world.

Restored Greyhound Bus Station, blues district, photo - Brad Hardisty

Restored Greyhound Bus Station, blues district, photo – Brad Hardisty

Robert Plant booked out the space for several days for his group to practice in preparation for the headlining spot at The Sunflower River Blues and Gospel Festival.

Rosealee heading into the chapel at Shack Up Inn, photo - Brad Hardisty

Rosealee heading into the chapel at Shack Up Inn, photo – Brad Hardisty

Jamming inside the Chapel out at Shack Up Inn, photo - Brad Hardisty

Jamming inside the Chapel out at Shack Up Inn, photo – Brad Hardisty

The Chapel, Clarksdale, photo - Brad Hardisty

The Chapel, Clarksdale, photo – Brad Hardisty

Brad Hardisty at Hopson's Commissary, photo - Rosalind Wilcox

Brad Hardisty at Hopson’s Commissary, photo – Rosalind Wilcox

Mississippi Rosealee at Hopson's Commissary, photo - Brad Hardisty

Mississippi Rosealee at Hopson’s Commissary, photo – Brad Hardisty

The next day we headed over to Shack Up Inn and looked around where I had been before. Memories started coming back.  This has to be one of the coolest place to stay overnight anywhere. In fact, as a bonus, you can pick out your own cheap Kay or Silvertone to take to your room or shack for the night. A lot of musicians and foreigners walk through those doors. I got some great pictures of Mississippi Rosealee out there. I saw this pink metal glider rocker and had an idea to kind of do the Crosby, Stills and Nash album cover blues style with Mississippi Rosealee.

Robert Johnson test pressing, photo - Brad Hardisty

Robert Johnson test pressing, photo – Brad Hardisty

The Rock and Blues Museum houses an extensive collection of Rock and Roll as well as other genre memorabilia. Looking at a good copy of Slim Harpo’s Excello release, “Baby Scratch My Back” was great, but  the test pressing of Robert Johnson’ s “Love In Vain” was worth the price of admission.

Rolling Stones acetate, photo - Brad Hardisty

Rolling Stones acetate, photo – Brad Hardisty

We had a wonderful evening sharing more stories about LC Ulmer and friends and aquaintances in Clarksdale. Rosalind Wilcox is also the head of the Fine Arts Department at Coahoma Community College.  This multi-talented Wonder Woman was my tour guide for my time in Clarksdale.

photo - Brad Hardisty

photo – Brad Hardisty

photo - Brad Hardisty

photo – Brad Hardisty

I got some great shots of world famous Red’s, the real juke joint in Clarksdale where the line up posted on the door said it all. The weeks booked acts included Robert Belfour and Lightnin’ Malcolm…nuff said!

Down by The Sunflower River, photo - Brad Hardisty

Down by The Sunflower River, photo – Brad Hardisty

The Sunflower River, photo - Brad Hardisty

The Sunflower River, photo – Brad Hardisty

photo - Brad Hardisty

photo – Brad Hardisty

I walked down by the historic Sunflower River while I was there and really took in the spirit of the place where time has stood still and where the blues district is reviving with loyal blues fans and shop owners.

New Roxy, Clarksdale, MS, photo - Brad Hardisty

New Roxy, Clarksdale, MS, photo – Brad Hardisty

It was a gothic blues trip down memory lane in Clarksdale. I will be back.

blues trail 61– Brad Hardisty, Nashville TN     thenashvillebridge@hotmail.com

sammy kershaw christmas cdThe Nashville Bridge caught up with Sammy Kershaw just as he was getting ready to do some Holiday gigs up north on the Roots & Boots Tour with Aaron Tippin and Joe Diffie.  Sammy has just released a new Christmas collection, A Sammy Klaus Christmas in time to celebrate the season. The Roots & Boots Tour has been celebrating real country music all year long.

Brad Hardisty / The Nashville Bridge: It looks like you are heading up to some cold country.

Sammy Kershaw: I hit North Dakota first and then South Dakota second and come on back, then I’m back in Louisiana.

TNB: Okay, is the South Dakota show just your band or is it Roots & Boots?

SK: No, this is Roots & Boots this weekend.

TNB: Where are you at this morning?

SK: I’m here in Nashville; got in last night, just gettin’ on the bus.

TNB: Are you living here in Nashville now?

SK: No, I live in Lafayette, Louisiana, but, the band and the bus are here in Nashville. I fly into meet them every week.

TNB: I was listenin’ to A Sammy Klaus Christmas, but, let’s talk about the Roots & Boots tour that has turned into a long time successful thing.

sammy kershaw roots and boots 01SK: Yeah man, It is really starting to catch on now. We started at the Isle of Capri Casino on December 17th, 2011 in Lula, Mississippi and it’s just started to kick in now. Of course Joe, Aaron and I recorded some music and we are sending a single to radio the first part of the year and I’m hoping this thing goes through 2014.

TNB: I read back in June that you were going to record going forward.  So, you have a single coming out. That’s fantastic.

SK: Yes. So we’re going to try to get the video shot in the month of December before we get to busy into the Christmas holidays. We will have the video out the middle of January and of course the single following that.

TNB: Is it too early to announce a song title?

SK: Well, yeah maybe just a little bit.

TNB: Okay, we will hold on that but get people excited. Are you working with Butch Carr?

SK: Oh, yeah man. I love Butch. Butch is doing the mixing for me.

TNB: Great!  Are you producing the single?

SK: Yes.

TNB: Looking at the tour, it’s kind of like the country “Rat Pack” it’s growing in popularity.

SK: I tell you what I think. People are really liking it; because, I think a lot of people are missing country music nowadays. I’m not being ugly when I say that. I’m just being honest. I think a lot of people are missing country music and then you have three guys, you got me and Diffie and Aaron Tippin we are all on the stage at the same time and it’s an unplugged show. I think between us you have 85 hit records so we get to each pick six or seven of the biggest hits that we’ve had in our career to do. Aaron sings one then Joe sings one then I’ll sing one then it goes back to Aaron. We do that all night long. What started out to be, was supposed to be a 75-80 minute show is now turned into a two to two and a half hour show. We get to tell stories behind the songs. We pick on each other all night so the chemistry is really good. The folks are really liking the stripped down music. Like I said, I think they are really missing country music. We are having big crowds at these shows man. I’m talking about young folk too, the younger folks in their early twenties, and singing every song.

TNB: I agree with that situation with Country Music. You have what you would call traditional or classic country artists out of Texas and stuff like that, but, then you  got a big influence, people call it the “Fleetwood Mac” influence or “AC/DC” or whatever but it’s kind of changing what you are hearing on the radio. How do you feel about that? Do you think classic or traditional country will come back?

sammy kershaw 01SK: I think so. I have been saying it for a long time and it hasn’t happened yet, but, I’m kind of starting to think that it is fixin’ to happen soon. You know, I used to blame radio, but, I can’t blame radio, radio only plays what the record label will send ‘em. You know, look, I have said this for a long time; Country Music is the only genre that hates itself. It wants to be everything else but Country music.  I don’t understand that. I just don’t get it. We only have a handful of artists anymore that sell platinum albums. They are selling platinum singles or gold singles… selling 500,000 singles or a million single downloads, but, you know what? There’s only a handful of people now who are actually selling a platinum album; 500,000 or a million albums. Not just a single. So, now the record labels make a million selling single out to be this great thing. Well, let’s go back to the eighties and nineties when people were selling a million albums. That’s a great thing, when a guy was able to step up and able to sell a million albums. But, you know, a lot of us are forgotten about now, man. I think we put out some good music and I hate when I hear a few people say,” Well, you all had your time man.” I don’t agree with that; that we had our time. I think the time has changed on us. I think the labels have you know, they (the fans) ask, “Why did you leave country music?” That’s a question that’s asked of me all the time, “Why did you get out of country music?” Well, I didn’t get out of Country music. You know, I didn’t leave Country Music, country music left me. We’re still singing good old country songs and still recording good old country songs, me and Diffie and John Michael Montgomery and Tracy Lawrence and Aaron Tippin. I could go on and on. We’re still recording great country music. It’s just not getting heard anymore. Everything now sounds the same to me.

TNB: I was going to say it seems like a lot of times outside of the United States, they expect to hear a lot of the artists that you are talking about. They don’t expect to hear what’s we are actually listening to here. They don’t consider it country.

SK: That’s right! Hey look man, when we go to Canada, we have some of the biggest crowds when we go to Canada because people love country music up there. People love country music here but that’s just not the way the record labels have drifted on radio. Like I said for a long time, I blame radio. Radio won’t play us anymore, and you know what man, I’ll apologize to radio right now, because, I finally realized that radio can only play what the record label send ‘em. I have a little old record label and I can guarantee you; I record country music. It takes a lot of money these days to get a hit record and that’s a fact. That’s one thing bad about me, I tell it like it is and there’s a lot of people that don’t like it but there is a lot of people that do like it. I’m not the only one who feels that way and knows what’s going on. It’s just, I’m just kind of an outspoken guy and I tell it like it is, but, the truth is the truth and the truth hurts sometimes. You know what? It’s still the truth. I don’t care how in the hell you say it.

TNB: I think you are right. That is why you have this thing called Americana.

sammy_kershaw_branson_2011SK: I see Country stations that are poppin’ up, but, you know what? They’re going to have to adjust that format just a little bit because; they’re going to end up like the classic rock stations. You are going to hear the same songs every day. But, in classic rock, if you go back to listen to classic rock, there’s tens of thousands of hits of classic rock songs so why should we have to hear the same thing every day?  It’s the same thing with our classic country stations. Why do I hear the same country songs every day when there are tens of thousands of country songs that were smashes?!

TNB: That’s why I like WSM, in a positive vein; they will play some deep cuts now and then. Kind of mix it up.

SK: Yes.

TNB: I wish there were more WSM’s across the country that broke new artists that were out of the mainstream but also played a lot of classic cuts. So they would say “Oh, I remember that song.” It’s like hasn’t been played like you said.

SK: Uh – huh

TNB: Let talk about A Sammy Claus Christmas; about picking the songs, I mean you already did the one Christmas album. Did you pick songs that brought childhood memories or something?

courtesy - Sammy Kershaw Entertainment

courtesy – Sammy Kershaw Entertainment

SK: It was just something I wanted to do. I wanted it to sound more like something like a children’s Christmas album that they could sing along with. I know that I hear a lot of Christmas classics that there is so much stuff added into them, you know, I know everybody wants to be different; put their own mark on a Christmas song, but, sometimes you know you want to hear the simple way it was done a hundred years ago. I wanted kids to be able to experience what a real Christmas is. You know it’s changed a lot from when I was a boy. Also, when the older people, like myself, and a little bit younger and a little bit older, when they listen to it, I wanted it to be able to take them back when they were little kids to their memories when they were children. We spent a whole month trying to guess what was wrapped underneath the tree. Nowadays, it’s mostly gift cards and money. There’s no thought in that…and I’m guilty of it too. I give all my children money for Christmas, but, I understand they have families now and they could use money more than anything else. Especially in these times, the way they are now in this economy. But, I would love to see Christmas come back. One of my biggest dreams in life is to be the real Santa Claus. I know it sounds stupid and people say it’s crazy but tell me what the hell you want. I really don’t give a shit.  I don’t man. I would love to be the real Santa Claus so kids could feel what Christmas really is. And of course you got to keep Christ in Christmas, that’s it for me man. Like I said, I don’t give a shit what they think. They can say “Oh he’s crazy. He wants to be Santa Claus, what an idiot.” Well, you can call me what the hell you want, you think I give a shit? Not me. I’m happy man. I’m happy thinkin’ that I’d love to be Santa Claus. At least I have some dreams, some people don’t.  That’s’ a hell of a life.

TNB: Well, I think A Sammy Klaus Christmas was a great title. I’ll tell you the cut I really love was “That Spirit of Christmas” it reminded me almost of a Muscle Shoals – Dan Penn kind of thing. I loved it.

SK: Thank you man.

TNB: Were you thinking a little bit like that when you were doing the arrangement or anything?

SK: No, I remember Ray Charles’ arrangement. It has a choir and everything else on it but I didn’t want it to be that complicated. I wanted it to be more of a stripped down version of that song and I didn’t want the harmonies exactly where they had ‘em. I didn’t want that big choir sound in it. So, I went through line by line when I had the background vocals to sing. I went line by line and sought out where I wanted to put a background vocal.

TNB: I was ready to see the Muscle Shoals Rhythm Section, like, David Hood on that cut, I was like, wow! This is cool. Obviously, everybody is talking about “Santa Claus is Back In Town.” You got that little Elvis and a little Delbert McClinton, tell me what you were thinking on that.

SK: Well, I’m a South Louisiana Boy, you know, we have all kinds of music there, you know, we have good country music and good southern rock and we have zydeco music, French music, swamp pop music we call it.  We got jazz, we got blues, and that’s kind of my deal anyway, all those different kinds of music, that’s how I came up with my sound to start with. Just has soulful stuff.

TNB: I’d almost say when I hear some of those cuts like you do. I think of that soul country back when Delbert McClinton was kind of that.  The Tanya Tucker thing you know. I could see that.

SK: Well, even George Jones is the King of Country Soul man. You know, and I will tell you Ronnie Van Zant, the late Ronnie Van Zant. He sang for Lynyrd Skynyrd, you know, and look man, to me he was a country soul singer in a rock and roll band.

TNB: You can start to talk about Eddie Hinton, Donnie Fritz, and some of those cats.

SK: Yeah man, I just like to feel what he’s feeling when he’s singing. I want to feel his art and his soul or her heart, her soul, you know. I want to feel that.

TNB: Are you going to do any of the Christmas songs live?

SK: I would think so. Yeah, I think I may do one this weekend. I don’t care what Joe or Aaron do, I may do one.

TNB: What one would you want to do?

SK: I’m going to talk to my band when we get on the road here and try to figure that one out, see what we can pull off acoustically.

TNB: As far as the album goes, you’ve got the distribution though Sony/RED. I guess you got it out there on Amazon and stuff.

SK: Yeah, Amazon and I Tunes, you can get it at WalMart.com. I mean of course, everything is out there on the internet now. There are not very many record stores still in business anymore.

TNB: I know around here, there is Grimey’s.

SK: But, you can get hard copies from, like I said, Amazon and Walmart.com or you can just download it from I Tunes.

TNB: Before we go, what’s your kind of memories of Christmas, you talk about what Christmas used to be. Are there any specific memories you want to share?

SK: Yeah, like I said Christmas, I remember when we used to have to guess for two or three weeks what was wrapped under that tree. Of course, we would get out of school for two weeks at Christmas time. You had Christmas and of course, New Years follows. We had a whole week for thanksgiving the month before. And when Christmas rolled around we had two weeks to hang out with our friends and all that stuff and, you know, our Christmas’s in Louisiana weren’t like a lot of the rest of the country. I remember that they were foggy and pretty long and muggy. You know we would go outside and play and have a lot of fun, like, all night long.  We would, all the kids in the neighborhood would get together. We wouldn’t go in the house until it was 10:30. We would hang around outside. We wouldn’t get into trouble. We did a few things, you know, we had fun. I’ll put it that way, we just had fun. We didn’t hurt nobody.  But, nowadays, I don’t see kids play outside anymore. It’s a sad thing man…sad.

TNB: Did you have a musical family? Did you hang out and play music?

SK: No, I’m the only one that ended up doing music in my family. I don’t know why or how it happened that way, but, I’m the only one who ended up doing music.

TNB: What kind of food, Louisiana food, any difference down there during the holidays?

santa_cajunSK: A lot of gumbo’s of course. And of course we do Fried Turkeys. We invented fried turkey down there in Cajun country you know. And of course a lot of rice dressing and candied yams, all that kind of stuff. But, it was Cajun. A lot of flavor and spice, not necessarily hot, there’s a difference between hot and spice. Spicy is a lot of flavor. Hot is just burn your mouth.

TNB: Well, Happy Holidays, anything else you want to talk about real quick?

SK: I think we’re done.

TNB: Good luck with the rest of the year. You have dates going into the middle of summer. Good luck!

SK: You need to keep on rockin’!

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Tony Trischka photo - James Porto

Tony Trischka photo – James Porto

“Master of the Banjo” (New York Times) Tony Trischka Wins Coveted USA Fellowship Grant

New York Banjo Summit Tour & Tony Trischka’s ‘Territory’ Announce New Dates

Hailed as one of the most innovative and respected musicians in his field for over 40 years, banjo master Tony Trischka has been awarded a $50,000 USA Fellowship grant from United States Artists.  Every year, United States Artists invites leaders in nearly every artistic discipline to submit names of artists they believe show extraordinary talent and commitment to their craft.

On December 22, Tony Trischka and his bluegrass band ‘Territory’ will perform at Mexicali Live in his home state of NJ.  Celebrated for its “adventurous spirit” (Washington Post), Territory features Tony, Michael Daves (guitar, vocals), Skip Ward (double bass) and Mike Barnett (fiddle).

In January, Tony and six of the world’s most influential five-string banjo players including Béla Fleck – all with ties to New York state – will unite for the New York Banjo Summit, an unprecedented tour featuring (at times, all seven) banjos played in traditional and often unexpected ways.

Trischka is currently working on his latest album for Rounder Records and has recently produced ‘Rare Bird Alert,’ the album by Steve Martin featuring Paul McCartney and the Dixie Chicks.   He is also the musical director on the PBS Special and DVD release of ‘The Banjo Project.’ The Grammy-nominated album ‘Double Banjo Bluegrass Spectacular’ in 2007 marked Tony’s “return to bluegrass,” and earned him featured segments on NPR’s Weekend Edition Sunday, Ellen and the Late Show with David Letterman – with friends and collaborators Béla Fleck and comedian / musician Steve Martin.

Tony on Letterman: Tony Live!

Tony Trischka is one of the instrument’s top teachers with numerous instructional books, DVDs, CDs and the groundbreaking Tony Trischka School of Banjo; the online banjo home for students from all around the world.

 

Tony Trischka & Territory

Dec 22 – Teaneck, NJ  Mexicali Live

New York Banjo Summit

(Tony Trischka, Béla Fleck, Bill Keith, Eric Weissberg, Richie Stearns, Noam Pickelny)

Jan 16 – Alexandria, VA        Birchmere

Jan 17 – Tarrytown, NY         Music Hall

Jan 18 – Northampton, MA    Calvin Theatre

Jan 19 – Princeton, NJ     McCarter Theatre

Jan 20 – New York, NY     Schimmel Center

– The Nashville Bridge    Nashville, TN     thenashvillebridge@hotmail.com

little richard birthday 03Little Richard, current Nashville resident  with a long history in and around Nashville, “The Architect of Rock and Roll,” a songwriter, a performer, an actor, an icon, who is the master of his own creative works was born as Richard Wayne Penniman on December 5, 1932.

Little Richard, one of the true innovators, crossed styles from what was then known as rhythm and blues to rock and roll in the mid-1950s. He was also the first artist to put the funk in the rock and roll beat and contributed significantly to the early development of soul music.

Little Richard blew the lid off the Fifties, laying the foundation for rock and roll with his explosive music and charismatic persona. On record, he made spine-tingling rock and roll. His frantically charged piano playing and raspy, shouted vocals on such classics as “Tutti Frutti“, “Long Tall Sally” and “Good Golly, Miss Molly” defined the dynamic sound of rock and roll.

He recorded for RCA Records from 1951–52 and for Peacock Records beginning in 1953. Dissatisfied with his lack of commercial success during this time, Penniman formed a new “hard-driving” R&B road band in 1953. By early 1955, a demo tape of his music caught the attention of Specialty Records president Art Rupe, who bought out his contract from Peacock and arranged for him to record for Specialty in September 1955.

Little Richard was the inspiration for generations of rockers from James Brown, and Elvis Presley, to The Rolling Stones, and Prince.

Little Richard aka Richard Wayne Penniman was among the first group of inductees into the Rock and Roll Hall of Fame in 1986 and one of only four of those artists (along with Ray Charles, James Brown, and Fats Domino) to also receive the Rhythm and Blues Foundation‘s Pioneer Lifetime Achievement Award.

In 1994 at The CMA’s, Little Richard brought the crowd to their feet playing with Tanya Tucker performing Eddie Cochran’s “Somethin’ Else”.

The Nashville Bridge wishes Little Richard a Beatles “Happy Birthday” and salutes his lifetime achievements and how important they are as part of the foundation of what American Culture and music are considered to be throughout the world.

The sun is out in Nashville, I hope you enjoy this blessed day!

– Brad Hardisty, Nashville,TN     thenashvillebridge@hotmail.com

Michael Des Barres and Brad Hardisty at Americana Festival

This Sunday Dec. 2nd, at 11AM Central Time, that would be 10 AM Mountain Time, 9AM in sunny California and 12 Noon in Atlanta, Brad Hardisty of The Nashville Bridge and Performer Magazine is live on the air with Music News With Kat Pat on Blog Talk Radio.

Brad Hardisty, Tootsie’s on Lower Broad, photo – Tristan Dunn

“Recently, I interviewed Ricky Skaggs for Performer Magazine and it was kind of a mind expansion experience talking about Bill Monroe, Emmylou Harris, Barry Gibb and recording with Jack White and The Raconteurs all in the same hour. I look forward to talking to Kat Pat about that as a preview to the January edition as well as Nashville, Music City, today and the explosion of all things happening musically from Punk Rock to the Blues. I don’t have any idea where we will stray and ramble; there are so many different directions we can go. There is a lot of new music around here and then there is always history like Jimi Hendrix at The Del Morocco. I’m looking forward to this.” – Brad Hardisty, The Nashville Bridge, Performer Magazine

Kat Pat has a couple of rare guitar tracks of Brad Hardisty as well as a never before heard version of “Spark The Flame” recorded live at The Nick in Birmingham, Alabama in 2006 with the band Furthermore featuring Brad on guitar as well as Danny Everitt on Bass, Peter Davenport on vocals and Daniel Long on drums.

Listeners can call in at (818) 369-0352.

Brad with Southside Gentlemens Club, Burt’s Tiki Lounge, Salt Lake City, 2009

Kat Pat has interviewed several bands including regional acts, Skinny Molly (featuring Mike Estes of Lynyrd Skynyrd) and Robert Nix, one of the founders of The Atlanta Rhythm Section.

You can get to information here.

Also you can link to Music News with Kat Pat here.

The interview will be up for some time after Sunday for later listening.

Brad Hardisty Live at The Nick, Birmingham, AL with Furthermore, 2006

– The Nashville Bridge, Nashville, TN     thenashvillebridge@hotmail.com