Big Kenny Alphin Electroshine Press Conference

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

“I have listened to so many different types of music my whole life. So, it started to hit me that here at the University of Creativity which is what we call this whole place. We are experimenting with new things, heck that’s what I do. Ever since we came into this town it was Musik Mafia and Musik Mafia is about, you know just takin’ the doors down.That is, to be able to expand what I know of as Country Music and my love of Country Music.” – Big Kenny Aphin

Big Kenny gathered some key media individuals at his home studio in Nashville and laid it on us all at once.

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

“Music City is a beacon of creativity for the world right now if you all have noticed this. But, there is just so much varied talent that comes in and out of this place. Sometimes, people just show up on my doorstep and then all of a sudden you find out that they’re brilliant at something musically and that, in my world, I’m just kind of “why don’t you go take a room and stay a little while and let’s make some music.”

“This talent just started showing up in my world including two amazing organic players. A group called ChessBoxer, it’s Matt Menefee, who plays banjo in our band right now and Ross Holmes who plays fiddle in Mumford and Sons. We put the two of these guys together for a year. I had them up in the bell tower and they just opened the windows and were just putting in all these riffs at the same time.”

“You have a whole crowd of people in EDM,  Electronic Dance music, that’s  producing music and synthesis right here on a computer on a screen and I thought ; why we could just jam all this acoustic great instrumentation here in Nashville into these kind of beats and I mean as soon as you start doin’ it, it makes you want to dance!”

Big Kenny's API Plus console in Home Studio, Nashville, TN, photo - Brad Hardisty

Big Kenny’s API Plus console in Home Studio, Nashville, TN, photo – Brad Hardisty

Anybody who visits Lower Broad any time of the year will notice that bands at Tootsie’s upstairs as well as other venues have already began mixing up modern Country like “Save A Horse, Ride A Cowboy” with a medley of Rock and Roll like AC/DC’s “Back In Black” and Led Zeppelin’s “Kashmir” prompting waitresses to jump on the bars and strut their stuff.

“So, this first piece I’m goin’ to show you, actually, it came about as I was working here and then I would have to fly to LA for another event and I ran into some of the most amazing producers out there and one of them being specific is Chebacca. “

“The next week, I flew him to Nashville and we started workin’ and he was upstairs in creative mode and we were goin’ back and forth. We just had to do this music if we had time so we would be on the road and off the road and work everything out. So we decided we would smash it together. We just kind of laid out a vibe and also laid out the feeling. We just put visuals with it to lay out the feeling of what we were feeling when we were doing this, right? To kind of give out a vibe of the kind of people  that ,you know, we also see that love this stuff so it’s fresh, it’s new and this is danceable.” – Big Kenny

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

Big Kenny has put together a creative team called Electroshine involving everybody from West Coast EDM Artist Chebacca to members of Mumford and Sons, Dave Stewart and others to work on creating EDM worthy Country mash-ups of not only Big & Rich hit songs, but, original material as well as possible re-mixes of Merle Haggard and other possible classic material and taking the music on the road.

Rolling Stone magazine recently published an article about Swedish DJ-Producer Avicii and his major international hit “Wake Me Up” that mashes EDM and bluegrass featuring vocals from Dan Tyminski best known for the Oh Brother, Where Art Thou  track “I Am a Man Of Constant Sorrow.”

Big Kenny describes life on the road, Nashville, TN, photo - Brad Hardisty

Big Kenny describes life on the road, Nashville, TN, photo – Brad Hardisty

“ John and I, we are music lovers and in half or more of the cities we play in America we either end up…there’s nowhere to go and we end up putting big speakers up outside between our busses and just DJ and just jam to this kind of music. Dance music across all of what we love; there’s popular and then we will bust into a little Haggard in there too.”

“That’s kind of how it got started, right? So these people are showin’ up and then that song was actually one of the first things we released. We knew we had to just start putting some music out and so we created Electroshine TV, aYou Tube Channel, aFacebook,Twitter.  We kind of just let it grow organically, build organically like everything we have ever done in our lives.” – Big Kenny

Big Kenny's guitar rack at home studio, Nashville, TN, photo - Brad Hardisty

Big Kenny’s guitar rack at home studio, Nashville, TN, photo – Brad Hardisty

The idea has been on a grassroots level over the last year and couldn’t be timed any better. One of the best examples of this idea was the success of Daft Punk’s hit “Get Lucky” which dropped a couple of months ago and began to be covered by all sorts of DIY artists one of which was East Nashville Banjo man,  Charles Butler who was trending twice as many hits on you tube as the original Daft Punk version. Charles’ version was featured as a hot video on the android app as it continued to outpace and inspire online mashups of the Charles Butler and Daft Punk versions.

“I wanted to kind of give you a briefing of what all this Electroshine project is. You know, it is truly just the continuation of what the Musik Mafia has always stood for which is to expand the boundaries of music without prejudice. We don’t want other artists who come into this town that are friends of ours to think that we are anything other than the most open minded musicians in the world, but “damn those boys can play banjo, fiddles and guitars and aren’t they great singers and melody makers.” So the thing we realize is missing in Nashville is EDM which is, hopefully, everybody knows this by now, it is the most exploding genre of music that we have on this planet. “- Big Kenny

While Electronica introduced R. L. Burnside’s Hill Country Blues to the rest of the world more than a decade ago this is a brand new thing for country music and could help to expose Country Artists all over the world in a new way as well as carrying on the original country melodies through time with maybe a simple Carter Family inspired bluegrass part in an EDM dance re-mix.

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

“It’s kind of hard to just take a sweaty race horse who has just finished a show or a couple of them and you have to walk ‘em and cool ‘em down, right? So, we found the best way was dancing.  We hit these clubs and we see what people are doing and what people are dancing too.   So, we kind of know where this thing is. We thought this could really happen so then we decided to remix two songs on the last Big & Rich Record, “Party Like Cowboyz” and “Born Again that will drop on September 3rd”

“Our radio partners out there thought “Party Like Cowboyz” was a little heavy for them to play because the songs rocked pretty hard, kind of AC/DC rock on the album.  It was the same thing with “Born Again” which we wrote and it featured, on the remix, Bon Jovi and Richie Sambora.” – Big Kenny

While there may have been a lot of resistance in the Country Music culture ten years ago, now would be the time for success since Country Music has had an influx of Hip Hop flavored tracks, AC/DC inspired guitar riffs as well as the straight up pop crossover of Taylor Swift.

Big Kenny, Nashville, TN, photo - Brad Hardisty

Big Kenny, Nashville, TN, photo – Brad Hardisty

“We crashed a Belmont party one night with that song and uh, Belmont, I mean they were doing a charity event in a big room and everybody was in there just glowing and any way. We put that on there and played it and everybody just started coming up and “It’ so cool. You guys keep doin’ that stuff man that’s awesome.” – Big Kenny

The most important thing is that Country Music has a devoted fan base who continues to buy product that has proven out in actual Billboard chart positions as Country Artists begin to dominate release by release in actual album sales.

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

“John and I were playing up  just above Twin Lakes, Wisconsin so Troy, this is where my partner Troy  Volhoffer comes in. We just bought a circus tent.  We just bought a circus tent ( Troy Volhoffer, owner of Premiere Global Productions), yeah! At the Twin Lakes Festival this year we went bustin’ in there with the circus tent and we put up visuals and I DJ’d until so many people were packed on the stage that it became unsafe. Someone was going to fall off the edge and so we just sang a song and said goodbye.” – Big Kenny

Country has seen artists from other genres cut Country albums to see if they could make the crossover and sell actual product as seen by the Bon Jovi country project as well as Darius Rucker’s current success so why can’t Country Artists go out and see if they can make inroads into dance clubs?

“With Electroshine, we are paying attention to the BPM’s, everything you know and how that makes you move. Yeah and also, just the technology we put into just the way it makes you feel. Like if you were deaf and you sat in here you would…you will feel this music. Especially, when we put it out of 6000 amps in that circus tent in full surround sound.  The kaboom, kaboom of just putting up a circus tent that is over a half an acre. People want to party. So we are here to throw the parties and get everyone dancing.” – Big Kenny

Big Kenny Alphin and his Electroshine project may actually open the roads to what may eventually be County mash-ups not only in his travelling big circus tent show , but maybe eventually as part of Country Music radio programming as well as awards during the CMA’s for best Country EDM tracks.  

“I guess I can tell you what our next steps are and what we plan on doing with this. Again, we’ve been inspired to bring in other artists, as you just mentioned there and I think we can make a lot of cool mash ups like Grammy kind of mashups, right?”

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

“I know you all know that I have a couple of other careers too. One of them being pretty large and that’s Big & Rich. So, what we have come up with is this kind of stuff.  John and I are still kind of into the mentoring thing.   It just kind of happens. There are nine interns running around here at any given time amongst all my staff. They are just a bunch of brilliant open-minded creative people.  But, to be able to take this to the next step we will go and do a Big & Rich show and then we do Electroshine after-parties.”

If you visit Nashville during CMA week, the DJ’s are already mixing up Modern Country and Classic Rock with EDM beat tracks and vinyl matching up pitch and BPM’s and making their own remixes on the fly already at dance party venues that run concurrently with all the concerts all over town. Country Music fans love it and it has been going on for the last several years.  They like to get out and party and dance just like it was L.A., Miami and New York, in fact a lot of fans travel from there as well as from all over the world where EDM is already the major player.

Big kenny, Nashville, TN, photo - Brad Hardisty

Big kenny, Nashville, TN, photo – Brad Hardisty

“We can take this circus tent anywhere. Now these places, like my fifth grade teacher who had been helping feed 400 kids that were homeless, she has wanted to do a festival, you know and she needs to do something with bigger awareness and she doesn’t know how to do that and now we have put together all the partners to know how to do that and in a tent we can just go, “Where is the parking lot? Get us a parking lot and Swummff!  Right? “

” I can finally go play a show in my hometown of Culpeper, Virginia so our plan is to tour this kind of music in a circus tent. Right now we have drawings of inside and outside the tent. The insanity of what will be inside this tent. It will have the extremities “Extreme- a- tees” of any international big city, big time club that you would go into. Like The Marquee in Vegas or Tao in New York.  Well guess what? We take that out to our people. They love that stuff, right? We are going to put little flying angels over their heads. We will put stages on all four sides of the tent. The design of this thing is intense. I mean it is super intense. People will be going into a multi-sensory environment. I mean dudes like me ought to be able to crowd surf too.”  – Big Kenny

screenshot, photo - Brad Hardisty

screenshot, photo – Brad Hardisty

–          Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

“I’m sittin’ here leanin’ on the rain.” – Derik Hultquist

Derik Hultquist at The Listening Room, photo - Brad Hardisty

Derik Hultquist at The Listening Room, photo – Brad Hardisty

Derik Hultquist  lit up a full house at The Listening Room last Monday night on a bill simply titled Derik Hultquist and His Best Friends showcasing, for the most part, his latest Leaning On The Rain  on Carnival Recording Company which has a southern feel but fits more as a poetic mid-range tenor similar to Ryan Bingham but not quite as ragged  tenor than straight up country with tunes that fit more with Zac Brown’s Southern Ground crowd. I mean that in the most positive way.

Derik Hultquist at The Listening Room, photo - Brad Hardisty

Derik Hultquist at The Listening Room, photo – Brad Hardisty

Derik is a staff writer for Carnival Music and he is more of a poet than a lyricist with lyrics that run like “Riders in The Storm” with a lonesome Appalachian alternative country feel closer to the playbooks of Jim Morrison, Patti Smith, Nick Drake or Stevie Nicks than “Red Solo Cup” or riding around on your tractor material.

Derik Hultquist and His Best Friends at The Listening Room, photo - Brad Hardisty

Derik Hultquist and His Best Friends at The Listening Room, photo – Brad Hardisty

The band is all about mood and setting a scene, Derik’s sound is more about cinematic pictures running through a field of hay at night.

Derik Hultquist at The Listening Room, photo - Brad Hardisty

Derik Hultquist at The Listening Room, photo – Brad Hardisty

Since coming out of Eastern Tennessee in 2007, Derik has been honing his craft in East Nashville developing a cutting edge take on rural back roads without sounding like anybody else winning converts one gig at a time.

Derik Hultquist at The Listening Room, photo - Brad Hardisty

Derik Hultquist at The Listening Room, photo – Brad Hardisty

Highlights were “Two Lovers,” “Leaning On The Rain,” “Three White Diamonds” as well as “Wolves.”  

Derik Hultquist at The Listening Room, photo - Brad Hardisty

Derik Hultquist at The Listening Room, photo – Brad Hardisty

T-Bone Burnett should be all over this stuff with his forward looking material he has hand-picked for the Nashville TV show production. As far as southern flavored music, this is just six degrees away from becoming the Country music of the future.

–          Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

“Hope to see you online!” – Shantell Ogden

Shantell Ogden

Shantell Ogden

Nashville singer/ songwriter Shantell Ogden will perform live on Friday, August 30 at the Cape Cod Community Media Center, located at 17 Shad Hole Road in Dennis Port, Massachusetts. The broadcast can be heard online at 7PM CST at:

http://www.livefromcenterstage.com/index.php/live-feed

Shantell Ogden has released two highly acclaimed independent albums and tours internationally. Shantell’s music has received coverage in Nashville’s The City Paper, Performer Magazine, Music News Nashville, Maverick Magazine in the UK and other media.

Ogden’s show kicks off the second half of Live From Center Stage’s 2013-2014 debut concert series that is bringing a provocative and highly infectious blend of world music and genre-defining recording artists in R&B, Jazz, Blues, Latin, Country and more to Cape Cod. Each concert is streamed via the Internet for listeners around the world, along with behind-the-scenes pre- and post-show interviews with the artists.

Shantell Ogden’s “Our American Song” that was co-written with Bill DiLuigi & Marcum Stewart and performed by Marcum Stewart and Andrea Villarreal will appear in Storm Rider starring Kevin Sorbo, Kristy Swanson, C. Thomas Howell and Danielle Chuchran. The movie was written and directed by Craig Clyde and produced by Bryce Fillmore and Dave Hunter.

Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

 

Tim Easton at Grimey's, photo - Brad Hardisty

Tim Easton at Grimey’s, photo – Brad Hardisty

“The back stage door of the Ryman Auditorium is directly across the alley from the back door to Robert’s Western World on Lower Broadway. I walked in the bar one night and heard the locals killing it. Jd Simo on guitar and Joe Fick on upright bass. It was just the modern, yet vintage sound that I wanted and I simply asked them to play on my record.” – Tim Easton

Mike Grimes introduction for Tim Easton, photo - Brad Hardisty

Mike Grimes introduction for Tim Easton, photo – Brad Hardisty

Tim Easton at Grimey's Not Cool CD release, photo - Brad Hardisty

Tim Easton at Grimey’s Not Cool CD release, photo – Brad Hardisty

Tim Easton kicked off the release date of Not Cool, his umpteenth album on his own Campfire Propaganda Label with distribution through Nashville’s Thirty Tigers last Tuesday night after a warm introduction from Mike Grimes himself who said he had been listening to the album quite a bit and was excited about it.

Megan Palmer at Grimey's, photo - Brad Hardisty

Megan Palmer at Grimey’s, photo – Brad Hardisty

Along with members from The Don Kelley Band, his longtime road warrior fiddler, Megan Palmer played a huge part and was a nice foil for all the guitar work going on as well as adding occasional harmony vocals.

Eric Alvar with Tim Easton at Grimey's, photo - Brad Hardisty

Eric Alvar with Tim Easton at Grimey’s, photo – Brad Hardisty

While John Radford was able to sit in on the skins, ”Slick” Joe Fick, who was part of The Dempseys hailing from Tacoma, Washington then made Memphis home after getting the seal of approval from Priscilla and Lisa Marie Presley several years ago, was not able to throw down on the Upright Bass. Eric Alvar, who is new to Nashville, did a great job of blending in with the formidable five piece band.

John Radford with Tim Easton at Grimey's, photo - Brad Hardisty

John Radford with Tim Easton at Grimey’s, photo – Brad Hardisty

"Any Questions?" - Tim Easton at Grimey's, photo - Brad Hardisty

“Any Questions?” – Tim Easton at Grimey’s, photo – Brad Hardisty

Not Cool may be Tim Easton’s most rocking work yet. Tim commented how quickly things came together with this group of players after finishing six songs on their first day in the studio.

Tim Easton at Grimey's, photo - Brad Hardisty

Tim Easton at Grimey’s, photo – Brad Hardisty

Tim brought along the $100 Kay guitar that he used to record the majority of the album with to use on the last song. The Kay has probably made a rare live appearance since it didn’t stay in tune very well and was definitely not road worthy.

Eric Alvar and John Radford with Tim Easton at Grimey's, photo - Brad Hardisty

Eric Alvar and John Radford with Tim Easton at Grimey’s, photo – Brad Hardisty

Tim’s banter in-between songs kind of swung between trying to get his young daughter to come and dance with the band and asking the Grimey’s crowd if they had any questions. Interestingly enough, Tim wasn’t able to get his little girl to come up and dance in front of everybody and nobody asked nay questions which kind of made for some light laughter after a while.

Jd Simo with Tim Easton at Grimey's, photo - Brad Hardisty

Jd Simo with Tim Easton at Grimey’s, photo – Brad Hardisty

Jd Simo’s guitar playing was both deft and cut through when it needed it to. JD’s several years down on Lower Broad showed through his professional approach in keeping an eye on Tim as he watched him like a hawk for the cues and where things were heading. 

Tim Easton & Jd Simo at Grimey's, photo - Brad Hardisty

Tim Easton & Jd Simo at Grimey’s, photo – Brad Hardisty

Jd Simo has been doing other things, among them his own blues power trio. My money would be on watching local Jd Simo over a passer through like Joe Bonamassa any day.

Jd Simo with Tim Easton at Griimey's, photo - Brad Hardisty

Jd Simo with Tim Easton at Griimey’s, photo – Brad Hardisty

There were some real high points to the new songs, especially “Don’t Lie” which seems to be creating some early buzz as well as the flat out honestly great full-on vintage rocker “Little Doggie (1962)” not to be outshined by the locally inspired “Gallatin Pike Blues.” Any local can tell you there is definitely a collection of salt of the earth people to write about on Gallatin Pike.

It seemed to run to quick with several high points from the cheap off the strip Vegas drifter tune “Four Queens”  to  just about everything. It was all good. The real question is does the music stand up to Tim’s catalog and truth be told this seems spot on to what needs to be heard right now; music that has some deep roots, but is written about the rusty old corners that are being inhabited today in the modern world.

–          Brad Hardisty, Nashville, TN    thenashvillebridge@hotmail.com

AJ & The Jiggawatts, The High Watt, photo - Brad Hardisty

AJ & The Jiggawatts, The High Watt, photo – Brad Hardisty

GED Soul Records owned Friday night at The High Watt with a three punch line up of Magic In Threes , DeRobert & The Half Truths and AJ & The Jiggawatts delivering non-stop danceable James Brown swagger with a DJ mixing up soulful vinyl in-between the sets.

GED Soul Showcase at The High Watt, photo - Brad Hardisty

GED Soul Showcase at The High Watt, photo – Brad Hardisty

Openers, Magic In Threes set up some psychedelic soul instrumental grooves that show what GED Soul is known for. GED is at the center of a scene that has developed over the last few years after the retro soul show that was on the now defunct or actually format changed WRVU out of Vanderbilt that turned several Belmont University Music program students into late sixties/ early seventies urban soul audiophiles that carried over into bands, original songs and the GED Soul label.

GED Soul Showcase at The High Watt, photo - Brad Hardisty

GED Soul Showcase at The High Watt, photo – Brad Hardisty

Many of the same musicians play in the three different configurations which isn’t much different than back in the Stax days when Booker T & The MG’s were the backbone rhythm section to most of the recordings that came out of those Memphis days as well as touring the world as featured in the live DVD of Otis Redding in Europe that captured Steve Cropper and “Duck” Dunn locking lines together.

DeRobert & the Half Truths at The High Watt, photo - Brad Hardisty

DeRobert & the Half Truths at The High Watt, photo – Brad Hardisty

DeRobert has some solid range and a great deal of dynamics all the way from some Donny Hathaway style ballads to some hard punchy danceable grooves. DeRobert & The Half Truths were one of the main headliners on Record Store Day at The Groove where GED Soul was spinning records all afternoon and it was good to see how DeRobert came across under nightclub lights and a decent PA System.

DeRobert & The Half Truths at The High Watt, photo - Brad Hardisty

DeRobert & The Half Truths at The High Watt, photo – Brad Hardisty

DeRobert, sonically is ready to go up against any Mark Ronson or Brooklyn Daptone production with a strong voice and solid material like “Beg Me” and “Just Don’t Care” off of his Record Store Day EP.

DeRobert & The Half Truths at The High Watt, photo - Brad Hardisty

DeRobert & The Half Truths at The High Watt, photo – Brad Hardisty

By the end of hour, DeRobert had put his heart and soul into his set and had a towel draped across his shoulder to catch some sweat as needed. DeRobert seemed to capture the biggest chunk of the crowd, but, most stayed around to catch AJ & The Jiggawatts finish up the night.

AJ & The Jiggawatts at The High Watt, photo - Brad Hardisty

AJ & The Jiggawatts at The High Watt, photo – Brad Hardisty

While AJ may not have the range of DeRobert, he does manage to come across strong as a front man which is a great trait to have when you consider Otis Redding would be in that company. Otis used everything he had and is considered one of the all time greats although he only had about a 3 to 5 note range.  AJ stormed through “Hard Times” and “Don’t Mess With Me” like it was 1972 all over again and the streets were wide open and there weren’t any police cameras and drones to keep the street hustlers in line.

AJ & The Jiggawatts at The High Watt, photo - Brad Hardisty

AJ & The Jiggawatts at The High Watt, photo – Brad Hardisty

GED Soul brought along plenty of the vinyl only label releases to take home and spin on an Ortofon equipped turntable through a big vintage pair of Altec Lansings pumped up by a Marantz 200 watt per side point to point wired 75 pound amplifier / receiver.

AJ & The Jiggawatts at The High Watt, photo - Brad Hardisty

AJ & The Jiggawatts at The High Watt, photo – Brad Hardisty

GED Soul shows a strong Nashville representation of what goes all the way back to Jefferson Street and the days of classic soul. What would be good to see is a mash up recording of somebody like AJ and Nashville’s Queen of The Blues, Marion James to really stir up some retro real sounds.

–          Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Tomato Art fest Midway 2013, photo - Brad Hardisty

Tomato Art fest Midway 2013, photo – Brad Hardisty

Founded in 2004 by Meg and Bret MacFadyen, owners of East Nashville’s Art and Invention Gallery, The Tomato Art Fest is now part of an established trio of festivals that has come to define Nashville, for locals, rather than the huge tourist CMA Festival and Bonnaroo.

Live Music on Fanny's House of Music Porch, 2013 Tomato Art Fest, East Nashville, photo- Brad Hardisty

Live Music on Fanny’s House of Music Porch, 2013 Tomato Art Fest, East Nashville, photo- Brad Hardisty

To get an idea of how big this one had become, The Tomato Art Fest was voted “Best Festival” in the 2007, 2008, and 2009, 2010, 2011, 2012 in the Nashville Scene Reader’s Polls. The Tomato Art Fest has come to define and be a showplace for the center of East Nashville’s Five Points area.

Five Points has a convenient outdoor venue that is nothing more than a grass covered lot that can hold about 1500 people about 25 steps away from Fanny’s House Of Music / I Dream Of Weenie and this year housed a great main stage sponsored by First Tennessee Bank while a small second stage brought in one of the ‘last men standing’ of original Mississippi Blues, L.C. Ulmer this year.

Fanny's House of Music, Main Stage, Tomato Art Fest 2013, photo - Brad Hardisty

Fanny’s House of Music, Main Stage, Tomato Art Fest 2013, photo – Brad Hardisty

Craft fair style booths that featured everything from artwork to fresh grown tomatoes drew fans in droves all day long until events started to taper off about 5Pm when the food trucks shut down and the booths were quickly cleared from the road.

Head Over Heels, 2013 Tomato Art Fest, photo- Brad Hardisty

Head Over Heels, 2013 Tomato Art Fest, photo- Brad Hardisty

The  nightlife crowd crept over to The Pied Piper Creamery  for some Orange Tomato Cinnamon Sorbet or one of the local pubs as the late afternoon saw music cranking up at the main stage when  Fanny’s House of Music Youth Artists: Girls Sing/Head Over Heels launched into the mega Go-Go’s hit, “Our Lips Are Sealed.”

Thurston Ford, Bear Cub, 2013 Tomato Art Fest, photo - Brad Hardisty

Thurston Ford, Bear Cub, 2013 Tomato Art Fest, photo – Brad Hardisty

Jesse Hall, Bear Cub, 2013 Tomatoo Art Fest, photo - Brad Hardisty

Jesse Hall, Bear Cub, 2013 Tomatoo Art Fest, photo – Brad Hardisty

Bear  Cub  featuring the songs of Jesse Hall and the guitar pyrotechnics of Ford Thurston played several songs off of their recent release Good Morning, Every Morning. Bear Cub came off more aggressive live with their more pop oriented Beatles / Big Star / Arcade Fire influenced music sounded more “in your face” than the album with more fire power and a cover of “Helter Skelter” that was more Paul McCartney than Motley Crue played with finesse and musical depth.

The Young International, 2013 Tomato Art Fest, 2013, photo - Brad Hardisty

The Young International, 2013 Tomato Art Fest, 2013, photo – Brad Hardisty

The Young International take the Mutemath meets Coldplay path with some good original tunes and a strong four piece band. They took in the face with the sun setting in the West. The only thing to do was wear cool shades.

Dave Pahanish, Panfish, 2013 Tomato Art Fest, photo - Brad Hardisty

Dave Pahanish, Panfish, 2013 Tomato Art Fest, photo – Brad Hardisty

Dave Pahanish, phenomenal songwriter who has written hit songs for Jimmy Wayne, “Do You Believe Me Now” and “I Will” as well as for Keith Urban who recorded “Without You” is a great front man and bandleader as well.  Dave is also the local host at East Nashville hang-out venue, The Building, known as a second home for cast and crew of the Nashville TV show after all day shoots brought his latest incarnation of Panfish to close out the Tomato Art Fest.

Panfish, 2013 Tomato Art Fest, photo - Brad Hardisty

Panfish, 2013 Tomato Art Fest, photo – Brad Hardisty

Panfish is a four member powerhouse that translates well as an almost all acoustic except for electric bass (Let go of the electric Bass and get an upright) power jam act that crosses between a modern Country hit songwriter’s showcase and an opener for the Zac Brown Band that would fit well with the current Southern Ground travelling circus.

Panfish, 2013 Tomato Art Fest, photo - Brad Hardisty

Panfish, 2013 Tomato Art Fest, photo – Brad Hardisty

The mildest summer on record made for a great turnout and a most excellent vibe.

Bear Cub, backstage at 2013 Tomato Art Fest, photo - Brad Hardisty

Bear Cub, backstage at 2013 Tomato Art Fest, photo – Brad Hardisty

Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

 

 

Scotty’s New Bio Sells Out in Minutes

Scotty Moore at Parnassus Books, Nashville, 8/11/2013, photo - Brad Hardisty

Scotty Moore at Parnassus Books, Nashville, 8/11/2013, photo – Brad Hardisty

Scotty Moore visited Parnassus Books in the heart of Green Hills last Sunday afternoon for a book signing of his latest autobiography  Scotty & Elvis Aboard The Mystery Train showcasing that time back when, as only Scotty can tell being the “Last Man Standing” of that original trio, how Elvis, Scotty & Bill barnstormed the south playing rock & roll in its earliest powerful raw best!

Scotty Moore at Parnassus Books, 8/11/2013, photo - Brad Hardisty

Scotty Moore at Parnassus Books, 8/11/2013, photo – Brad Hardisty

Scotty Moore’s friend and local Nashville Blues singer Nick Nixon was hanging out as well as guitarist Andy T who mentioned that the books sold out quickly as the line went out the door and was non-stop. With so many fans still wanting a signed copy, a waiting list started so that when new copies arrive they will be taken to Scotty Moore to sign at a future date.

Scotty Moore at Parnassus Books, nashville, 8/11/2013, photo - Brad Hardisty

Scotty Moore at Parnassus Books, nashville, 8/11/2013, photo – Brad Hardisty

Parnassus Books had no idea that the demand would far out-stretch the shipment that they received for the book signing.

Brad Hardisty, Nashville, TN    thenashvillebridge@hotmail.com

“The high point of the weekend was booking half a dozen or more acts that had never played Birmingham and hearing from SO many festival goers that loved them.” – Travis Morgan

 

Tedo Stone, Secret Stages 2013,-photo - Brad Hardisty

Tedo Stone, Secret Stages 2013,-photo – Brad Hardisty

Secret Stages beat the odds by finally lifting off this sultry wet last weekend in Birmingham with a new central location down on the cobblestone Morris Avenue backed by the trains going by on the upper deck above the Miller Lite Stage with food trucks lined up selling everything from gourmet Tacos to Hawaiian Ice or Snowballs depending on what coast you are from.

 The buzz had been building with bands on the bill from Arkansas, Georgia, Kentucky, Cincinnati, Ohio and points around the Southeast.

Das Haus, loud, experimental out of the box venue, Secret Stages 2013, photo - Brad Hardisty

Das Haus, loud, experimental out of the box venue, Secret Stages 2013, photo – Brad Hardisty

One of the main additions over last year was an official Hip Hop venue – Matthews with a two day fest of rocking the microphone that kicked off with Mic Militia on Friday night and finished with Supastition  after midnight on Saturday or Sunday morning however you look at it.

Lazer/Wulf, Secret Stages 2013, photo _ Brad Hardisty

Lazer/Wulf, Secret Stages 2013, photo _ Brad Hardisty

 Most of the venues changed from last year with the exception of Das Haus returning with the ever permanent smell of Brats and a floor lamp that seems to always be turned on and perched a little awkward onstage which featured the loudest most punk sounds of local band The Dirty Lungs while Saturday offered more varied fare from Tedo Stone, the acoustic singer/songwriter styles of Jazzmine Garfield followed by the extreme experimental metal of Lazer/Wulf from Georgia playing in the set time of last year’s Georgia heaviness Black Tusk. It seems that Mastodon started in some fertile ground of a loud and proud scene.  This would be the perfect venue for Kraftwerk or Tangerine Dream to play, okay; maybe it is a little smallish.

Silver Tongues at Pale Eddies, Secret Stages 2013, photo - Brad Hardisty

Silver Tongues at Pale Eddies, Secret Stages 2013, photo – Brad Hardisty

Lindsay Garrett- Volunteer Coordinator:

 “One of my favorite things this year was running into JazzMine Garfield on 2nd Ave in between her two sets while she was playing a few songs for people passing by.  She basically just stopped on a corner, sat down, and started playing.  She had fan girls taking video and snapping photos while she played her guitar and sang, totally unaffected.  And the entire time she had a smile on her face.
She’s a little gem.

 The reason this is a high point for me is because it was definitive of the Secret Stages energy.  Artists are thirsty to play for people who want to listen…  And fans feel like they have gained some sense of bonding/closeness with the musicians they love.”

 

JazzMine Garfield, Secret Stages 2013, photo - Brad Hardisty

JazzMine Garfield, Secret Stages 2013, photo – Brad Hardisty

Jazzmine Garfield – Birmingham, Alabama

“They just saw me playing out and about and I got here with Secret Stages with Courtney.  I play anywhere and everywhere.  I will be at The Metro later and Iron Bar on August 15th.”

Most of the bigger Birmingham bands played Friday night sets like one of the longest running bands Through The Sparks, last year’s buzz band The Great Book of John on the Miller Lite Stage as well as The Grenadines who also signed to Birmingham label Communicating Vessels this last year releasing a 7 inch as well as a proper release for the well-produced first album that was available at shows over the last couple of years. Unfortunately, Model Citizen with one of the greatest songs ever to come out of Birmingham, “The Inner Fool” were nowhere to be seen this year.

Belle Adair, Secret Stages 2013, photo - Brad Hardisty

Belle Adair, Secret Stages 2013, photo – Brad Hardisty

Travis Morgan- Head Of Artist & Music Production:

“The high point of the weekend was booking half a dozen or more acts that had never played Birmingham and hearing from SO many festival goers that loved them.  The sweet synergy of music discovery.  We get to discover bands and then showcase them for folks in Birmingham to also discover and it’s a special bond.  Also, seeing everything coalesce was very special. Between the art installation from Joe Minter (featured in the New York Times in April), the graffiti, the amazing performances and the positive energy between bands and music fans, we soared like eagles.”

“I loved The Log Ladies, Adron, Healing Power, Amasa Hines and Ponychase.  The Great Book of John sounded great. I really liked Ante Meridian and Supastition was really solid too.  W. Stewart and Looksy performed great sets. Foreign Fields were terrific but I didn’t get to see them long enough.  Through the Sparks is (bias) one of my favorite bands of all time, so there you go.  Always good.”  

photo - Brad Hardisty

photo – Brad Hardisty

Rain was hard and heavy on Saturday afternoon and threatened to make things interesting like Saturday night last year when festival goers danced in the rain in front of the main stage, but as luck would have it, the rain stopped before things started up on night two. Although, the steam off the cobblestones didn’t stop until late into the evening leaving everybody as damp as the produce section at Publix.

Healing Power, Secret Stages 2013, photo - Brad Hardisty

Healing Power, Secret Stages 2013, photo – Brad Hardisty

Joey – Healing Power from Cincinnati, Ohio:

“We were invited and couldn’t turn it down. It’s an honor to be here. It’s a lot of fun.”

Wussy, Secret Stages 2013, photo - Brad Hardisty

Wussy, Secret Stages 2013, photo – Brad Hardisty

Matthews and M-Lounge were connected by a couple of hallways and a set of stairs that put one in the midst of a rap throw down before climbing a long staircase ending in the middle of a set by Wussy while The Parthenon (VIP Lounge) was just across the street and featured three sets each night.

Tedo Stone at Das Haus, Secret Stages 2013, photo - Brad Hardisty

Tedo Stone at Das Haus, Secret Stages 2013, photo – Brad Hardisty

Tedo Stone from Atlanta, Georgia:

“We had talked to Travis back in the spring about playing and it got pro-longed and he ended up making it happen in the fall we are just stoked to be here with all our friends. I have never played Birmingham. This is our first time so we were stoked. It was an awesome crowd.”

There were a couple of secret shows which fit one of the main themes of musical discovery.  One of those sets was the final late night set at Pale Eddie’s which featured Adam Guthrie as his latest incarnation, ADAM ADAM. 

Adam Guthrie on Bajo Sexto, Secret Stages 2013, photo - Brad Hardisty

Adam Guthrie on Bajo Sexto, Secret Stages 2013, photo – Brad Hardisty

As Adam was setting up, voices were asking who he was, if anybody had any idea where he was from.  It’s nice to know a well-established Birmingham guitarist who has played with everybody from Rick Carter; Heath Green to The Backrow Baptists could still find a new ear filled with intrigue and amazement. Truth be told, Adam is amazing just by his sheer ability to riff on anything from the aforementioned guitar, to his masterful Ukulele stroking, Bajo Sexto turned punk bass to playing a one stringed electric beer can.

Adam Guthrie – ADAM ADAM, Birmingham, Alabama:

Adam Guthrie, Secret Show at Pale Eddie's, Secret Stages 2013, photo- Brad Hardisty

Adam Guthrie, Secret Show at Pale Eddie’s, Secret Stages 2013, photo- Brad Hardisty

I am so proud to know Brad Hardisty. Travis and Tym, I’m not making sense. It was Travis, it was kind of a last minute thing so I called the people I knew, which were myself and Tym and I’m enjoying the camaraderie of the musicians to be honest.”

Isaac Karns of Healing Power, Secret Stages 2013, photo - Brad Hardisty

Isaac Karns of Healing Power, Secret Stages 2013, photo – Brad Hardisty

The Secret Stages of 2013 found crowds of all ages and color mingling like it was a pub crawl in heaven with plenty of smiles and solid grooves especially from the last two sets at the Miller Lite Stage by the soulful alternative pop psyche of Healing Power fronted by son of Julian Assange look-a-like Isaac Karns and the last set by Amasa Hines with a full horn section.

Amasa Hines, Secret Stages 2013, photo - Brad Hardisty

Amasa Hines, Secret Stages 2013, photo – Brad Hardisty

– Brad Hardisty, Nashville, TN   thenashvillebridge@hotmail.com

RELEASED FROM BAYLOR HEART HOSPITAL

photo - Larry McCormack - The Tennessean

photo – Larry McCormack – The Tennessean

Plano, TX (July 31, 2013) – Randy Travis has been discharged from Baylor Heart in Plano, Texas.  Mr. Travis has been relocated to a physical therapy facility. 
“Thanks to all the fans and friends for your continued prayers and support as Randy continues on the road to recovery,” says Travis’ fiancée Mary Davis.  
 
Official updates on Mr. Travis’ condition will be made available at www.randytravis.com as his condition changes

UPDATE 7/10/2013*complete transcripts from Travis’ media releases on current status**

Courtesy - Webster & Associates LLC, publicity

Courtesy – Webster & Associates LLC, publicity

(July 8, 2013) – Country singer Randy Travis has been admitted to a Texas hospital and is listed in critical condition. The Grammy winner is suffering from complications of recently acquired viral cardiomyopathy. Travis was admitted into the medical facility yesterday.
Randy Travis is best known for “Three Wooden Crosses,” “Forever and Ever, Amen,” “Diggin’ Up Bones,” and “Deeper Than the Holler”.

Randy Travis latest updates

The Nashville Bridge has received up the minute updates on Randy Travis’ condition from his publicist and is now sharing that information in its entirety including an address where you can send cards and wells wishes too.

Dallas, TX (July 9, 2013) – Contrary to reports, Randy Travis has not undergone heart surgery. Travis is being treated for viral cardiomyopathy. Travis was admitted into a Texas hospital on Sunday and underwent placement of an IMPELLA peripheral left ventricular assist device for stabilization prior to transferring hospitals.
The Grammy winner remains in critical condition.

“We are very thankful to the fans for their love and support during this time,” says Randy Travis.

Cards and well wishes can be sent to:
Randy Travis
266 Blanks Road
Tioga, Texas 76271

Randy Travis’ Physicians Speak from Baylor

Plano, TX (July 10, 2013) – Video released from Randy Travis’ physicians.VIDEO: http://media.baylorhealth.com/

TRANSCRIPT:

((Dr. William Gray))

I’m Dr. William Gray, the Director of cardiovascular services at Baylor Medical Center at McKinney, Texas.

Mr. Randy Travis was admitted through an emergency department to Baylor Medical Center at McKinney on Sunday, July 7. He had been in previously excellent health until three weeks prior when he developed a viral upper respiratory illness.

He was admitted at Baylor McKinney with a presumptive cardiomyopathy and congestive heart failure.

At McKinney, he was stabilized and subsequently sent to THE HEART HOSPITAL Baylor Plano for a higher level of specialized care in the care of Dr. Michael Mack.

((Dr. Michael Mack))

My name is Michael Mack, the director of cardiovascular disease at the Baylor Health Care System in Dallas. Early in the morning of Monday, July 8th, I received a phone call from Dr. Gray apprising me that Mr. Travis had been hospitalized in Mckinney, Texas and what his condition was at that time.

We determined together in a joint decision, that a higher level of specialized care was appropriate and therefore we transferred him to THE HEART HOSPITAL Baylor Plano. Since his transfer, his condition has stabilized and he has shown signs of improvement.

On behalf of his Mr. Travis’ family, friends and associates, we would like to express our extreme gratitude for the overwhelming affection and support that Mr. Travis has received.

We will be giving further updates as his condition changes.

Plano, TX (July 10, 2013) – As a complication of his congestive heart failure, Mr. Randy Travis has suffered a stroke and is currently undergoing surgery to relieve pressure on his brain. He is in critical condition. We will have updates as they become available. His family and friends here with him at the hospital request your prayers and support.

 – Brad Hardisty, Nashville, TN – “Our prayers are with Randy and his family for a speedy and full recovery”