Archives for posts with tag: R.L. Burnside
Tristen performing at The Groove, Record Store Day 2013, photo - Brad Hardisty

Tristen performing at The Groove, Record Store Day 2013, photo – Brad Hardisty

2013 proved to be a year where Nashville didn’t make as  big an impact nationally as it should have with no major album from either Country or Nashville sub-genres making any real impact on any national or international best-of lists from Rolling Stone Magazine [other than Keith Urban noted] to Mojo or anything else in-between.

It’s not that there were not any releases with big expectations from our region, but apparently they didn’t catch on nationally or internationally for that matter. Missing in action on the best of lists were Kings Of Leon, Paramore, Jack White, The Black Keys, Taylor Swift and pretty much every record that Nashville Scene listed as the best this year including releases by Tristen and Diarrhea Planet.

Zac Brown continues to chart his own path in the Country music scene with his Southern Ground Festival, Southern Ground group of artists that is now headquartered in Nashville  and charting records that have more to tell; just recently putting out the Dave Grohl Sessions Vol. 1, the problem is, can one list a four song EP as an album? As an artist, I definitely can give Zac kudos for songwriting, performance and outright tenaciousness.

MODOC, Soulshine Pizza, Nashville, TN, photo - Brad Hardisty

MODOC, Soulshine Pizza, Nashville, TN, photo – Brad Hardisty

It’s not to say that these were not good records, but it shows the deepening divide between well crafted music and the ability to get it out there in some way where it becomes part of the collective consciousness and not just affect the local pub crawl or mini festival.

Most stateside best-of lists had Vampire Weekend at or near the top of their lists whereas in the rest of the world they might have made the Top ten in one major publication and barely scratch the Top 40 in other important music rags and blogs outside the United States.

Luther Dickinson, North Mississippi Allstars, Cannery Ballroom 2013, photo - Brad Hardisty

Luther Dickinson, North Mississippi Allstars, Cannery Ballroom 2013, photo – Brad Hardisty

Rolling Stone probably had one of the most bi-polar lists that included everything from real music artists to “entertainers” such as Miley Cyrus – Bangerz in their Top 40 list whereas Miley Cyrus isn’t on any major serious list outside the United States. Henry Rollins had a polite way of putting it this way: there is a lot of stuff that Rolling Stone writes about that isn’t on his radar.  Rolling Stone has gotten so far away from its original intent that the 360 label controlled deal signed Entertainers make the front cover regularly as well as politicians and a great amount of type space is spent driving home the Editors personal political point of view. I can’t fault them completely; there is the occasional Ginger Baker or Merle Haggard interview perfection. They even have a great local Nashville writer, Adam Gold, who doesn’t really get to write that much about the real Nashville. In a town where a 1600 word piece could be written every week about records being made and shows being played by regional Artists, nine out of ten articles are reviews of the previous Nashville TV Show plot.  Why don’t they give Adam free reign and really show what this town has to offer?

Tim Easton & JD Simo at Grimey's 2013, photo - Brad Hardisty

Tim Easton & JD Simo at Grimey’s 2013, photo – Brad Hardisty

As far as America’s perception of Nashville, I can’t fault the Nashville TV Show. There are some great aspects that I enjoy such as the cityscape backdrops and watching the “Live” performances to see who is playing in the band as well as T Bone Burnetts choices for locally written music. I always like to see folks like Colin Linden or Jim Lauderdale on the small screen!  I am still waiting to see JD Simo, Kenny Vaughan or maybe Dave Roe. Of course, if they put Joe Fick on there, he would probably steal the thunder away from the movie star. Honestly, Hayden Panetierre does really well playing a damaged girl that is trying to do her best to be good / bad at the same time. She has a heart of gold and a heart of stone that makes yin and yang seem as normal as Corned Beef Hash and Shrimp and Grits on the same plate. It just seems that when she tries to do something good she ends up screwing it up. I’m not sure if she is suppose to be bi-polar or her Mother smoked crack while she was in the womb but she sure does need the reassurance of her fans.

Mojo is probably the best music major publication in the world and they managed to have a list that was almost devoid of pop schlock and had an Artist, Bill Callahan – Dream River at number one that didn’t even make a stateside list.

In Mojo, Memphis inspired Mavis Staples – One True Vine sat at number 21 whereas it was not featured on any lists in any major American publications. What used to be true is still true, foreign music fans seem to appreciate real American Artists more than we do ourselves. Guy Clark’s My Favorite Picture Of You  as well as Jason Isbell’ Southeastern cracked some great lists without making a whisper on any stateside lists outside of Americana specific publications.

lorde pure heroineOkay, the Artist that probably really got the short end of the stick in all the lists was Lorde. Lorde’s Pure Heroine probably had more impact than any other record this year whether I like it or anybody else does. Lorde has already been ripped off by K-Tel style sound-a-like commercials for Boss and Victoria’s Secret.  They ripped her off as blatantly as if somebody had tried to write a commercial that sounded like “Honky Tonk Women” or “Brown Sugar” back in the day and just call it advertising Muzak. Lorde definitely brings more to the table than Lady Gaga’s “Fashion” going after David Bowie’s “Let’s Dance” instead of previous attempts at Madonna’s eighties catalog.

Okay, as far as local goes. I think Nashville Scene got it right for the most part, but, what about Ricky Skaggs or Modoc’s new albums?  There is a much larger alternative scene in Nashville than even where Nashville Scene went with its own list.

DeRobert & the Half Truths at The High Watt 2013, photo - Brad Hardisty

DeRobert & the Half Truths at The High Watt 2013, photo – Brad Hardisty

Although regional albums didn’t seem to impact national lists this year, there are prospects coming up in 2014. For one, Nikki Lane has those Dan Auerbach produced tracks still waiting for a drop date. GED Soul is putting out their first full length vinyl, De Robert & The Half Truths – I’m Tryin’ on January 14th. Jack White is putting out new music by The Dead Weather.  One could hope for a new Kenny Vaughan album or even a revolutionary new Country album like Miranda Lambert’s Revolution  or how about a historical Live recording like Jerry Lee Lewis Live at Third Man from a couple of years ago.

Probably my biggest anticipated Nashville area release will be the new Mike Farris album which has been a couple of years in the making and should get a release date some time in 2014.

With the prospect that album buying is an ever shrinking source of revenue and has started to become a vanity project for almost everybody but a major label 360 signed Artist / Entertainer /  Dancer / Avatar, will the “best of” album lists start to disappear and be replaced by the “best live” performances since that is where the hopes for revenue are? I can’t answer that one. I still buy CD’s and vinyl and I don’t buy shrill sounding MP3’s. That is my line in the sand. I like liner notes, credits and photos so downloads don’t do much for me.

Doyle Lawson at Simply Bluegrass, Nashville, TN 2013, photo - Brad Hardisty

Doyle Lawson at Simply Bluegrass, Nashville, TN 2013, photo – Brad Hardisty

It seems that music in people’s lives is as important as ever, yet twenty million views on You Tube might only translate into 80,000 units sold.  In this kind of environment, an Artist might be safer to build a following in a sub-genre such as Americana, Blues or Bluegrass and tour on that specific festival circuit rather than to try to get a grass roots following on some new angle of Indie music and try to build up from the clubs. The prospect of never getting bigger than the clubs and eternally couch surfing are enormous in the current all-music –should- be- free- to- listen- to conundrum.

I have to admit that bands are becoming creative.  The Cult talks about sending out “capsules” of music in the future such as three new songs every quarter. Jack White has printed different band names on the CD’s he has taken on tour to sell to make collectibles out of “tour bought” merchandise. Infinity Cat has put out different covers or changed up colored vinyl to keep its catalog collectible among label followers. Creative marketing is as important as creative songwriting nowadays. A limited quantity of whatever seems to be a “buy” even though it may only bring in a limited amount of money.

Will there ever be a big budget grandiose masterpiece like Rumours or Dark Side of The Moon in the future? Maybe not but, if so, it would probably come out of a big budget Kickstarter campaign for a complete vanity piece that may only sell 20,000 units due to current radio formats and the free listening or subscription services now available. If there are less units of such a great masterpiece out there than the original Ramones album, will it be found and enjoyed 20 years down the road?

I can’t give up on the fact that somehow the music business will survive in some fashion that will keep creative people out there producing something new. I love going to see a band live but, will there ever be a budget for Quincy Jones style production on real music and not the flavor of the month?

Anyways, my best of list is based on a couple of criteria. I like it and it is regional, as in, from the south or with ties to the south and not necessarily middle Tennessee. I’ll keep it to ten because there are 20 and 30 and 40 lists; why not just make it essential?

andy t nick nixonNumber 10: The Andy T Band and Nick Nixon – Drink Drank Drunk

Andy T has been a regular guitar slinger on the blues scene all around town after arriving here via California and Houston, Texas. Nick Nixon is a native son following in the tradition of the Jefferson Street scene. This mix of a stew of standards produced and mixed by Texan Anson Funderburgh was the strongest Nashville Blues record out this year with a definite Gatemouth Texas Swing Blues influence and got the two with their band on Blues Festivals nationwide in 2013. Stand-out tracks: “Midnight Hour” “Drink Drank Drunk” “Have You Seen My Monkey?”

ricky skaggs bruce hornsby coverNumber 9: Ricky Skaggs and Bruce Hornsby – Cluck Ol’ Hen Live

Ricky Skaggs has been an Ambassador of Bluegrass to the world and his collaboration with Bruce Hornsby on piano turned out to be one of the greatest live events of the past few years. This recording captured from a couple of those shows features some great jamming with Bruce Hornsby kind of going to the roots after having toured with The Grateful Dead years ago. The in-between banter gives the feel of really being there. Stand-out tracks: “How Mountain Girls Can Love” “The Way It Is” “The Dreaded Spoon.”

MODOC_AlbumArtNumber 8: MODOC

MODOC has had great song placement in the last year or so that has put their music on television.  MODOC just plain rocks and “Runnin” has been all over the local airwaves. This album still has some legs after its release in August and will get a vinyl release after the first of the year. The Indiana natives have really stuck to their guns since arriving in Nashville about three years ago and have really improved their song craft and play every date they can.  A solid album is the pay dirt. Stand – out tracks: “Runnin” “Coward” “I Want You”

patty griffin american kidNumber 7: Patty Griffin – American Kid       

You could say Patty Griffin is from Austin and you could say that Robert Plant is from England, but let’s be real, they spend a lot of time here in Nashville and therefore are just as much Nashvillian as most of us who come from everywhere from California to Australia and spend perhaps a good majority of our lives here in pursuit of musical nirvana.  This may be Patty’s current album as the reigning Queen of Americana, but Robert makes enough guest appearances to let you know he is there without calling it a duet album. The North Mississippi Allstars make an appearance as well. Stand-out tracks “Don’t Let me Die In Florida,” “Ohio” and “Highway Song.”

jason isbell southeasternNumber 6: Jason Isbell – Southeastern

215 reviews and this album is still five stars on Amazon. Southeastern should be on every Top ten list this year.  Unfortunately, this was mostly shunned by American media while in Britain and Europe, where The Drive By Truckers were treated like The Rolling Stones, this gets what it deserves. Muscle Shoals will live on forever and Jason is definitely one of the favorite sons.  There are guest spots by Kim Richey (“Stockholm”) and Amanda Shires on “Travelling Alone.” There are a couple of southern rockers but most of this set would go over well at The Bluebird Cafe. Stand-out tracks “Flying Over Water,” “New South Wales,” and “Super 8.”

tim easton not coolNumber 5: Tim Easton – Not Cool

Tim encapsulizes everything cool about Nashville in one album that includes members of Robert’s regulars from The Don Kelley Band, Joe Fick [The Dempseys} on bass and JD Simo on guitar. The recording puts you front and center listening to real new Nashville Honky Honk music. What a concept! People travel from all over the world to hear it, so why not put it out to the airwaves.  If you missed the in-store that featured JD on guitar at Grimey’s, you missed one of the best in-stores of 2013. The songwriting has some gritty stories and moves things out past toney East Nashville to Riverside.  The old plywood acoustic sits in the middle of the mix. This one sits somewhere between Dylan’s Nashville Skyline and John Mellencamp’s Sun records effort a couple of years ago.  Stand out tracks include “Little Doggie (1962)” and “Four Queens.” “Troubled Times”

north mississippi allstars world boogieNumber 4: North Mississippi Allstars – World Boogie Is Coming

What can you say when the first two tracks start out with Robert Plant on harmonica recorded at Royal in Memphis? The Dickinsons along with Lightnin’ Malcolm are taking us for a ride through Holly Springs on this essentially covers album that plays out like a Midsummer Night’s Dream where R.L. Burnside and Junior Kimbrough are still alive and Junior’s Place is still open for all night jams and ribs. Although Blues can let out your frustrations, this one puts on a smile and gets your groove going. Stand-out tracks

“Snake Drive,” Meet Me In The City” and “Goin’ To Brownsville.”

diarrhea planet artwork 2013Number 3: Diarrhea Planet – I’m Rich Beyond Your Wildest Dreams

Diarrhea Planet is probably the best live show in Nashville right now, especially if you like guitar. They one up Lynyrd Skynyrd with four guitars. I repeat, FOUR GUITARS!  Watching them is like watching a Jack Black music skit on SNL, but the guitar work is pretty good and they are always entertaining and have some strong music that is designed for live consumption. Stand out tracks:  “Separations” “Ugliest Son” “The Sound Of My Ceiling Fan”

guy clark my favorite picture of youNumber 2: Guy Clark – My Favorite Picture Of You

Guy Clark pays tribute to his wife and wears his heart on his sleeve and his favorite picture of his wife on the cover. My Favorite Picture of You is an introspective soul searching masterpiece that makes one stop after every song and process the lyrics they just listened to. If Nashville is about songwriting then this is this year’s litmus test. Stand-out tracks, “My Favorite Picture of You” “Cornmeal Waltz”“Heroes”

tristen cavesNumber 1: Tristen – Caves

Tristen proves a point that you can follow your muse no matter what style in Nashville and create something cohesive, beautiful and unique. If this doesn’t become the huge record it should then it will become a cult album that everybody will want to show their friend and turn them onto. If Mojo ever gets a hold of this one, Tristen will be over in England and Europe playing to sold out crowds for the next year and it will be tough to ever see her play in the backyard at The Groove on Record Store Day again.  Tristen comes from the world where Pop means great songs like The Beatles, The Smiths, Fleetwood Mac or Blondie. Stand out tracks: “No One’s Gonnna Know” “House of War” “Dark Matter” “Monster”

–          Brad Hardisty, Nashville, TN    thenashvillebridgeathotmaildotcom

Big Kenny Alphin Electroshine Press Conference

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

“I have listened to so many different types of music my whole life. So, it started to hit me that here at the University of Creativity which is what we call this whole place. We are experimenting with new things, heck that’s what I do. Ever since we came into this town it was Musik Mafia and Musik Mafia is about, you know just takin’ the doors down.That is, to be able to expand what I know of as Country Music and my love of Country Music.” – Big Kenny Aphin

Big Kenny gathered some key media individuals at his home studio in Nashville and laid it on us all at once.

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

“Music City is a beacon of creativity for the world right now if you all have noticed this. But, there is just so much varied talent that comes in and out of this place. Sometimes, people just show up on my doorstep and then all of a sudden you find out that they’re brilliant at something musically and that, in my world, I’m just kind of “why don’t you go take a room and stay a little while and let’s make some music.”

“This talent just started showing up in my world including two amazing organic players. A group called ChessBoxer, it’s Matt Menefee, who plays banjo in our band right now and Ross Holmes who plays fiddle in Mumford and Sons. We put the two of these guys together for a year. I had them up in the bell tower and they just opened the windows and were just putting in all these riffs at the same time.”

“You have a whole crowd of people in EDM,  Electronic Dance music, that’s  producing music and synthesis right here on a computer on a screen and I thought ; why we could just jam all this acoustic great instrumentation here in Nashville into these kind of beats and I mean as soon as you start doin’ it, it makes you want to dance!”

Big Kenny's API Plus console in Home Studio, Nashville, TN, photo - Brad Hardisty

Big Kenny’s API Plus console in Home Studio, Nashville, TN, photo – Brad Hardisty

Anybody who visits Lower Broad any time of the year will notice that bands at Tootsie’s upstairs as well as other venues have already began mixing up modern Country like “Save A Horse, Ride A Cowboy” with a medley of Rock and Roll like AC/DC’s “Back In Black” and Led Zeppelin’s “Kashmir” prompting waitresses to jump on the bars and strut their stuff.

“So, this first piece I’m goin’ to show you, actually, it came about as I was working here and then I would have to fly to LA for another event and I ran into some of the most amazing producers out there and one of them being specific is Chebacca. “

“The next week, I flew him to Nashville and we started workin’ and he was upstairs in creative mode and we were goin’ back and forth. We just had to do this music if we had time so we would be on the road and off the road and work everything out. So we decided we would smash it together. We just kind of laid out a vibe and also laid out the feeling. We just put visuals with it to lay out the feeling of what we were feeling when we were doing this, right? To kind of give out a vibe of the kind of people  that ,you know, we also see that love this stuff so it’s fresh, it’s new and this is danceable.” – Big Kenny

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

Big Kenny has put together a creative team called Electroshine involving everybody from West Coast EDM Artist Chebacca to members of Mumford and Sons, Dave Stewart and others to work on creating EDM worthy Country mash-ups of not only Big & Rich hit songs, but, original material as well as possible re-mixes of Merle Haggard and other possible classic material and taking the music on the road.

Rolling Stone magazine recently published an article about Swedish DJ-Producer Avicii and his major international hit “Wake Me Up” that mashes EDM and bluegrass featuring vocals from Dan Tyminski best known for the Oh Brother, Where Art Thou  track “I Am a Man Of Constant Sorrow.”

Big Kenny describes life on the road, Nashville, TN, photo - Brad Hardisty

Big Kenny describes life on the road, Nashville, TN, photo – Brad Hardisty

“ John and I, we are music lovers and in half or more of the cities we play in America we either end up…there’s nowhere to go and we end up putting big speakers up outside between our busses and just DJ and just jam to this kind of music. Dance music across all of what we love; there’s popular and then we will bust into a little Haggard in there too.”

“That’s kind of how it got started, right? So these people are showin’ up and then that song was actually one of the first things we released. We knew we had to just start putting some music out and so we created Electroshine TV, aYou Tube Channel, aFacebook,Twitter.  We kind of just let it grow organically, build organically like everything we have ever done in our lives.” – Big Kenny

Big Kenny's guitar rack at home studio, Nashville, TN, photo - Brad Hardisty

Big Kenny’s guitar rack at home studio, Nashville, TN, photo – Brad Hardisty

The idea has been on a grassroots level over the last year and couldn’t be timed any better. One of the best examples of this idea was the success of Daft Punk’s hit “Get Lucky” which dropped a couple of months ago and began to be covered by all sorts of DIY artists one of which was East Nashville Banjo man,  Charles Butler who was trending twice as many hits on you tube as the original Daft Punk version. Charles’ version was featured as a hot video on the android app as it continued to outpace and inspire online mashups of the Charles Butler and Daft Punk versions.

“I wanted to kind of give you a briefing of what all this Electroshine project is. You know, it is truly just the continuation of what the Musik Mafia has always stood for which is to expand the boundaries of music without prejudice. We don’t want other artists who come into this town that are friends of ours to think that we are anything other than the most open minded musicians in the world, but “damn those boys can play banjo, fiddles and guitars and aren’t they great singers and melody makers.” So the thing we realize is missing in Nashville is EDM which is, hopefully, everybody knows this by now, it is the most exploding genre of music that we have on this planet. “- Big Kenny

While Electronica introduced R. L. Burnside’s Hill Country Blues to the rest of the world more than a decade ago this is a brand new thing for country music and could help to expose Country Artists all over the world in a new way as well as carrying on the original country melodies through time with maybe a simple Carter Family inspired bluegrass part in an EDM dance re-mix.

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

“It’s kind of hard to just take a sweaty race horse who has just finished a show or a couple of them and you have to walk ‘em and cool ‘em down, right? So, we found the best way was dancing.  We hit these clubs and we see what people are doing and what people are dancing too.   So, we kind of know where this thing is. We thought this could really happen so then we decided to remix two songs on the last Big & Rich Record, “Party Like Cowboyz” and “Born Again that will drop on September 3rd”

“Our radio partners out there thought “Party Like Cowboyz” was a little heavy for them to play because the songs rocked pretty hard, kind of AC/DC rock on the album.  It was the same thing with “Born Again” which we wrote and it featured, on the remix, Bon Jovi and Richie Sambora.” – Big Kenny

While there may have been a lot of resistance in the Country Music culture ten years ago, now would be the time for success since Country Music has had an influx of Hip Hop flavored tracks, AC/DC inspired guitar riffs as well as the straight up pop crossover of Taylor Swift.

Big Kenny, Nashville, TN, photo - Brad Hardisty

Big Kenny, Nashville, TN, photo – Brad Hardisty

“We crashed a Belmont party one night with that song and uh, Belmont, I mean they were doing a charity event in a big room and everybody was in there just glowing and any way. We put that on there and played it and everybody just started coming up and “It’ so cool. You guys keep doin’ that stuff man that’s awesome.” – Big Kenny

The most important thing is that Country Music has a devoted fan base who continues to buy product that has proven out in actual Billboard chart positions as Country Artists begin to dominate release by release in actual album sales.

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

“John and I were playing up  just above Twin Lakes, Wisconsin so Troy, this is where my partner Troy  Volhoffer comes in. We just bought a circus tent.  We just bought a circus tent ( Troy Volhoffer, owner of Premiere Global Productions), yeah! At the Twin Lakes Festival this year we went bustin’ in there with the circus tent and we put up visuals and I DJ’d until so many people were packed on the stage that it became unsafe. Someone was going to fall off the edge and so we just sang a song and said goodbye.” – Big Kenny

Country has seen artists from other genres cut Country albums to see if they could make the crossover and sell actual product as seen by the Bon Jovi country project as well as Darius Rucker’s current success so why can’t Country Artists go out and see if they can make inroads into dance clubs?

“With Electroshine, we are paying attention to the BPM’s, everything you know and how that makes you move. Yeah and also, just the technology we put into just the way it makes you feel. Like if you were deaf and you sat in here you would…you will feel this music. Especially, when we put it out of 6000 amps in that circus tent in full surround sound.  The kaboom, kaboom of just putting up a circus tent that is over a half an acre. People want to party. So we are here to throw the parties and get everyone dancing.” – Big Kenny

Big Kenny Alphin and his Electroshine project may actually open the roads to what may eventually be County mash-ups not only in his travelling big circus tent show , but maybe eventually as part of Country Music radio programming as well as awards during the CMA’s for best Country EDM tracks.  

“I guess I can tell you what our next steps are and what we plan on doing with this. Again, we’ve been inspired to bring in other artists, as you just mentioned there and I think we can make a lot of cool mash ups like Grammy kind of mashups, right?”

Courtesy Webster & Assoc.

Courtesy Webster & Assoc.

“I know you all know that I have a couple of other careers too. One of them being pretty large and that’s Big & Rich. So, what we have come up with is this kind of stuff.  John and I are still kind of into the mentoring thing.   It just kind of happens. There are nine interns running around here at any given time amongst all my staff. They are just a bunch of brilliant open-minded creative people.  But, to be able to take this to the next step we will go and do a Big & Rich show and then we do Electroshine after-parties.”

If you visit Nashville during CMA week, the DJ’s are already mixing up Modern Country and Classic Rock with EDM beat tracks and vinyl matching up pitch and BPM’s and making their own remixes on the fly already at dance party venues that run concurrently with all the concerts all over town. Country Music fans love it and it has been going on for the last several years.  They like to get out and party and dance just like it was L.A., Miami and New York, in fact a lot of fans travel from there as well as from all over the world where EDM is already the major player.

Big kenny, Nashville, TN, photo - Brad Hardisty

Big kenny, Nashville, TN, photo – Brad Hardisty

“We can take this circus tent anywhere. Now these places, like my fifth grade teacher who had been helping feed 400 kids that were homeless, she has wanted to do a festival, you know and she needs to do something with bigger awareness and she doesn’t know how to do that and now we have put together all the partners to know how to do that and in a tent we can just go, “Where is the parking lot? Get us a parking lot and Swummff!  Right? “

” I can finally go play a show in my hometown of Culpeper, Virginia so our plan is to tour this kind of music in a circus tent. Right now we have drawings of inside and outside the tent. The insanity of what will be inside this tent. It will have the extremities “Extreme- a- tees” of any international big city, big time club that you would go into. Like The Marquee in Vegas or Tao in New York.  Well guess what? We take that out to our people. They love that stuff, right? We are going to put little flying angels over their heads. We will put stages on all four sides of the tent. The design of this thing is intense. I mean it is super intense. People will be going into a multi-sensory environment. I mean dudes like me ought to be able to crowd surf too.”  – Big Kenny

screenshot, photo - Brad Hardisty

screenshot, photo – Brad Hardisty

–          Brad Hardisty, Nashville, TN