Archives for posts with tag: Debbie Bond and The Tru Dats
Dead Fingers, photo courtesy Jonathan Purvis

Dead Fingers, photo courtesy Jonathan Purvis

This year saw the further disintegration of album sales and disgruntled musicians receiving a pittance from Spotify or other streaming services. Okay, on the bright side there were still great albums to be heard and musicians kept up the pace like the scene with the shrimp boat in Forrest Gump. “Storm?” “What storm?”

Taylor Swift made a home base move from Nashville to New York City and went from making Country Music that was really crossover to making a complete crossover to Pop Music. Albeit, the songs are catchy and she has become the reigning sales queen by CD through placement that saw 1989 on Diet Coca Cola pop up displays in every major supermarket in the United States plus a lot of hard touring and tabloid press.

Scott Borchetta is still on my amazing label head list. If it takes every supermarket in the United States to make Taylor’s new album a million seller, he’s going to do it. Scott shows sheer tenacity and anybody who has heard him talk about the original Taylor Swift launch will realize that if he has the right thing to work with, he will not be denied.

One bright spot on the sales horizon was hearing that United Record Pressing was moving to bigger digs due to the ever increasing demand for vinyl. The craziest part about vinyl is that we all bought into the X and O bits as music for so long that when you hear real music frequencies on vinyl, it’s hard to believe how real it sounds.

Nashville continues to diversify as Country Music starts to sound more like Twisted Sister and Motley Crue starts to sound more Country. What’s interesting is just as Country was starting to hedge the crossover bet towards EDM, the big money making songs had guitar tones from REM to Malcom Young.

Just when you thought all was lost to what classic country sounded like, Ray Price delivers an instant Countrypolitan classic and Sturgill Simpson shows a path to the future for real Country. There are many performers who would like to see “Real” Country make a comeback by Artists like JP Harris and Joe Fletcher.

Jack White continued his Nashville years as the hardest working rocker in the business. Next up, Bridgestone Arena just blocks from Third Man Records. Neil Young became not only the first person to record straight to vinyl in the refurbished 1947 Voice-O-Graph booth at the initial unveiling on Record Store Day 2013, he also recorded an entire album in the time machine, releasing A Letter Home on Third Man Records.

The Black Keys kept pretty busy not just by touring arenas but producing solid efforts by Lana Del Rey [Ultraviolence] and Nikki Lane [All Or Nothin’].

Debbie Bond & The TruDats and The Cotton Blossom Band at CD Release Party, photo- Brad Hardisty

Debbie Bond & The TruDats and The Cotton Blossom Band at CD Release Party, photo- Brad Hardisty

If Nashville is not collecting the creative spark of the world like an ACME magnet in a Roadrunner cartoon than I don’t know how one can explain the laundry list of musicians of every genre moving here by the droves. There are so many more professional musicians than what you read about in the local rags.

East Nashville is becoming “gentrified” with its traditions like The Tomato Festival and The Hot Chicken Festival and has a laundry list of musicians living in the vicinity. The area is becoming much more expensive so there are other neighborhoods starting to become better known for musicians such as more affordable Riverside and Berry Hill.

The list of venues and bands that travel through town continues to grow. Nashville marches on as a Mecca for all things music as Nashville’s New Years Eve became only second in attendance to New York City in only four years of promoting headlining acts. Last year the show featured Blackberry Smoke, Brent Eldridge and headliner Hank Williams Jr.. This year it will be called Jack Daniels Bash on Broadway and feature a star-packed lineup that includes Lady Antebellum, Gavin DeGraw, The Apache Relay, and Kristen Capolino. The crowds have surpassed projected numbers in years past. Last year down on Broadway had near 90,000 party goers. This year will probably top 100,000 + for the free show.

Here are my Top Ten from Nashville and a couple of Alabamans and a Texan thrown into the mix.

debbie bond cbb_soulshiningcdcov_med_hr-210 [tie] – The Cotton Blossom Band – Soulshining [Self release]

Tony Gerber put together the truest Alternative project heard all year in Nashville. The Cotton Blossom Band features members of Bela Fleck & The Flecktones [Roy Wooten aka Futureman] and BB King’s [Michael Doster] rhythm section and they manage to blend Mississippi Hill Country Blues with Space Music and other assorted world tones. Imagine Junior Kimbrough backed by Tangerine Dream and you might be close but, no banana. I know there are other projects in town that are somewhere in this realm but Tony Gerber’s realization turned every live gig [which were almost invitation only events] into meditation on another plane without the need for Meds.

“See My Jumper Hangin’ Out On The Line”

justin townes earle single mothers10 [tie] –Justin Townes Earle – Single Mothers [Vagrant Records]

Justin is back in town! Well, after the New York sojourn, it was great to hear a great Nashville lineup playing some Southern inflected bluesy Muscle Shoals soul. Simple arrangements and to the point, this could have been a writer’s night at The Commodore Grill with a minimalist four piece band. The lyrics are important, timely and reflect more facets of his life, especially “Single Mothers” and his own feeling of being raised by a single mother. Justin changes it up again and always manages to upset somebody. This time, it’s “where is Justin’s finger style in the mix?” If you don’t know by now, Justin has made a stretch assignment on every album since Yuma. The predictable quality with the unpredictable line-up or mix is what keeps one looking forward to seeing what he is up to next.

“Single Mothers” “Picture In A Drawer”

debbie bond that thing called love9 –Debbie Bond & The TruDats – That Thing Called Love [Blues Root Productions]

Although completed in 2013, the official release date was in 2014 for the first Live recording to come from Radio Free Nashville’s Mando Blues Show as an official release. Much of the songs played by Alabama’s Queen of The Blues, Debbie Bond, that quintessential night were meant for a future project. After hearing the playback of the recordings done deep in the Tennessee woods in a MASH style tent, Debbie and her band decided it was a great sound and ready for release after some solid mixing. The album features an eclectic mix of tributes to the fans in Tarragona, Spain, New Orleans as well as the influence of Alabama Blues and Soul.

“Tarragona Blues” “Steady Rolling Man”

st paul8 – St. Paul & The Broken Bones – Half The City [Single Lock Records]

You could say this is Eddie Hinton 2.0 or maybe Alabama FAME soul was bubbling under the surface just waiting to get out. What is true is when you take away Country Music, Birmingham and the surrounding areas have an Indie Scene that rivals Nashville. You could file this under The Daptones and the G.E.D. Soul catalog and it fits really well but with something really special with great vocals by Paul Janeway and instrumentation that kept the band busy all year long.

“Call Me”, “Grass Is Greener”

dead fingers big black dog7 – Dead Fingers – Big Black Dog [PIPEANDGUN / Communicating Vessels]

Alabama’s Dead Fingers have developed a copacetic duality in their harmonies and their approach. Taylor Hollingsworth [Conor Oberst, The Spider Eaters] is a monster on the guitar and is able to approach the instrument in whatever way the song needs to be tickled. His wife Kate Taylor steps it up this time and her vocals are stronger than ever. You could call this a Southern She & Him but their pedigree goes even deeper into the history of Birmingham music. The Taylor family is involved in more projects than can be named while Taylor Hollingsworth’s brother has his own stuff going on. This couple represents the bread and butter of the modern day Birmingham scene from The Nick to over the mountain.

“Big Black Dog” “Shoom Doom Babba Labba”

jack white lazaretto6 – Jack White – Lazaretto [Third Man Records]

The depth to where Jack White takes his muse never ceases to amaze. The second solo release shows him in top form and now he is ready to take on Bridgestone Arena from his own backyard, which is no small feat as any Nashvillian will attest. Jack takes the James Brown motto of “the hardest working man in show business” to a third power.

“Lazaretto”, “Would You Fight For My Love”

ricky skaggs sharn white5 –Ricky Skaggs & Sharon White –Hearts Like Ours [Skaggs Family Records]

Long time happily married Ricky and Sharon decide to change it up from their day jobs with Kentucky Thunder and The Whites and make a great duet album with a classic Country almost Americana edge. Although this is their first, hopefully it will not be their last. Ricky is always up for a challenge and has worked with everybody from Bruce Hornsby, Jack White and Barry Gibb over the last few years. Sharon White is the real surprise stretching beyond traditional Bluegrass to be a real charmer in almost a Steve Earle Texan Country meets Blues type way as well as some sweet Christian couple stories of faith that would have been commonplace in Country of the 50’s and 60’s. If one had lost faith that marriage could be a faith building partnership this might bring the possibilities that can exist.

“I Run To You”, “Love Can’t Ever Get Better”

sturgill simpson metamodern4 – Sturgill Simpson – Metamodern Sounds In Country Music [High Top Mountain / Thirty Tigers]

Sturgill Simpson reminds one how cool stripped down Country Music like the Bakersfield sound is. It’s like the third coming of Buck Owens. I think he has a little more Texas in his groove. Dwight Yoakum was kind of the same thing back when “Guitars & Cadillacs” hit MTV instead of Great American Country. Dwight made it with the LA Punk Rock crowd and Sturgill is hitting it big with the Alternative Festival scene. The great thing is Nashville likes Sturgill too. So, maybe this kind of Country does have a chance in this Twisted Sister era of Country Radio.   A great voice, great songs and a cracker jack band will not be denied.

“Turtles All The Way Down”, “Living The Dream”

steelisn  615 to fame3 –Steelism – 615 to Fame [Single Lock Records]

Okay, this may not be number one on the list, maybe because you can’t put an instrumental album there? This has got to be the coolest album on the list. I first heard Spencer Cullum [Jr.] and his brother after I found out that The Deadstring Brothers were playing at The Basement a half dozen years ago. Their album Sao Paulo had just come out and it was the best thing this side of Exile On Main Street. I figured not many people had heard of The Deadstring Brothers but The Basement was packed. I talked to Spencer at that show and found out the band had moved to Nashville. After seeing Spencer craft about any tone on his pedal steel into liquid gold, I thought they better never let this guy leave for Britain. We need him here. What a great band! What a great musician! Watching this band on YouTube play “Linus & Lucy” like a countrified Ventures project is pure Nirvana. I want to hear Steelism plays Zappa. I want to hear Steelism play Ventures. I want to hear them any chance I get.

“The Landlocked Surfer”, “Marfa Lights”

derobert and the half truths im tryin2 –DeRobert & The Half Truths – I’m Tryin, [G.E.D. Soul Records]

This GED Soul gem came out early in the year and may be a little lost in the shuffle as we tend to remember summer through fall as new releases. This album solidifies GED Soul as a major player in the retro Soul stack that includes Broken Bones, Daptones and even Back to Black Winehouse. DeRobert proves to have great vocal chops and solid pitch. There is something soulful but very sunny about DeRobert’s grooves. GED Soul gets together solid engineering and mixing that sounds great on the turntable. I personally like this over the much more publicized and still great St. Paul & The Broken Bones material. Just keep pouring on great arrangements and songs and DeRobert will not be denied.‏ Bonus- The Batman Building featured prominently on the cover.

“Ooo Wee”, “Get On It”, “I’m Tryin’”

???????????????????????????????????????1 –Ray Price – Beauty is…The Final Sessions [Amerimonte LLC]

Ray Price worked with studio veteran Producer Fred Foster to put forth true blood, sweat, tears, money, guts, glory…I could go on. This was a love letter mostly to his wife, but, it was the final effort of a man in his 80’s with cancer known as one of the greatest voices ever laboriously getting the best take and building a Countrypolitan opus with strings and everything great about the Country crossover hits that come out in the 60’s. Ray may have been honored by Oxford American in their Texas issue this year, but this album is pure Nashville as Ray made several trips to Tennessee to complete Beauty is… Ray was a man on a mission to make one great final album and he succeeded.

“An Affair To Remember”, “I Wish I was 18 Again”

  • Brad Hardisty, Nashville, TN     thenashvillebridgeathotmaildotcom
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debbie bond cotton blossom bandDual Blues Album Release Concert at 5 points with Nashville’s Cotton Blossom Band & Alabama’s Debbie Bond and the Trudats.

Nashville Fringe Festival, Mando Blues Concerts and Yazoo Brewery are pleased to
present two Mando Blues Radio Show veterans to the East Nashville venue at 5 points, PERFORMING ARTIST CO-OP, also known as The Building on Saturday, February 1st at 8pm.

Nashville’s own Cotton Blossom Band (Mike Doster, Tony Gerber,Mason Stevens & Roy “Futureman” Wooten) and Alabama blues with Debbie Bond and the Trudats including her musical partner and husband, Rick Asherson. Both groups have a new recording to release for 2014 and will give the audience a live version of these releases in east Nashville. The new CDs will also be available to purchase at this concert.

Debbie Bond, photo - Brad Hardisty

Debbie Bond, photo – Brad Hardisty

Debbie Bond’s latest album That Thing Called Love was recorded Live during a taping for The Mando Blues Show that originally aired on Radio Free Nashville.

COTTON BLOSSOM BAND

debbie bond cbb_soulshiningcdcov_med_hr-2Cotton Blossom Band is the realization of Nashville’s multi-instrumentalist, composer, producer andcreative director, Tony Gerber, joining forces with his old friend and space music co-pilot, Mason Stevens on Diddly Bo and guitars. In 2010, Gerber and Stevens started creating some new musical material and interpreting some traditional delta blues in their space music flavors to create a kind of delta space blues.

Being very inspired by this unique blues sound, Gerber called on his old friend and BB King’s bass player of 17 years, award winning Michael Doster. After doing a couple shows as a trio, the last version of the CBB included the legendary 5 time grammy winner, Roy “Futureman” Wooten on percussion, cajon and drum. They are pleased to present this new release, “Soulshining” as this musical blues quartet.

DEBBIE BOND and the TRUDATS

debbie bond that thing called loveGuitar player, singer and songwriter Debbie Bond made the blues her calling when she was drawn to Alabama over three decades ago and worked with, most notably, Johnny Shines, Jerry “Boogie” McCain, James Peterson, Eddie Kirkland, Sam Lay, Little Jimmy Reed and Willie King. Debbie continues to be an elder statesman of the Alabama blues scene after co- founding the Alabama Blues Project and releasing two albums, What Goes Around Comes Around and Hearts Are Wild.

Rick Asherson grew up in England as a classically trained musician and stumbled onto Willie King while searching for personal growth and the root of the blues. Rick and Debbie were introduced to each other by Willie King which turned into both a professional and personal relationship for both of them. Rick is a multi-instrumentalist/vocalist that is comfortable juggling two instruments at once.

debbie bond that thing called loveDebbie Bond’s third release, Blues Root Production’s That Thing Called Love, takes a bold step not only stylistically, but, recognizes the hot band, The Tru Dats  led by multi- instrumentalist bandleader and partner in crime and love, Rick Asherson as a full reckoning burning house of sound.

Debbie Bond and The Tru-Dats into a groove udring taping at Mando Blues, Nashville, TN, photo - Brad Hardisty

Debbie Bond and The Tru-Dats into a groove udring taping at Mando Blues, Nashville, TN, photo – Brad Hardisty

Recorded originally as a live recording at Omegalab Studios in the hills outside of Nashville for Radio Free Nashville’s Mando Blues Show after capping off an exhaustive Nashville weekend where Debbie Bond & The Tru Dats were featured at The Nashville Blues and Jazz Awards Show, the recording turned out to be magic with Debbie Bond & The Tru Dats in top form with a pristine live recording vibe that featured a few never recorded songs that were on par with Austin City Limits or England’s BBC In Studio productions.

Debbie Bond at Mando Blues Live, Nashville, TN, photo - Brad Hardisty

Debbie Bond at Mando Blues Live, Nashville, TN, photo – Brad Hardisty

Under the guiding hand of Rick Asherson with engineering, mix and mastering by Rob McClain this first official release from the Mando Blues Show kicks off with a tribute to The Holmes Brothers on Tracks one, “You’re The Kind Of Trouble” and three “Feed My Soul” which helps to define that there really are no boundaries within the definition of where the Tru Dats and the blues can go with it rootsy funky, swampy, Curtis Mayfield meets Stax Gospel vibe and compelling vocals by Debbie Bond.

 

Dave Crenshaw with Debbie Bond at Mando Blues, Nashville, TN, photo - Brad Hardisty

Dave Crenshaw with Debbie Bond at Mando Blues, Nashville, TN, photo – Brad Hardisty

Dave Crenshaw has enough space in between each drum hit to keep the groove swinging that wants to make you move, but Dave really shows his full spectrum on “Steady Rolling Man.” This is one of Debbie’s most adventurous tracks yet. Hard to believe that there are only four people playing when this could be a Preservation Hall Jazz track out of New Orlean’s French quarter with enough air to feel humidity drenched Creole food rolling out to the tables.

Debbie Bond transforms into a Ragtime Chanteuse, with interplay between Rick’s speakeasy piano, Dave Crenshaw’s straight up 1920’s style drums and Tom Pallardy’s ability to play sax like a trombonist or Pete Fountain without hesitation makes this unbelievable.

Rick Asherson and Debbie Bond meet up LLoveless Cafe prior to taping, Nashville, TN, photo - Brad Hardisty

Rick Asherson and Debbie Bond meet up LLoveless Cafe prior to taping, Nashville, TN, photo – Brad Hardisty

I like It Like That” most closely resembles Debbie and Rick’s days with Willie King, ‘The Sweet Potato Man’ who just passed away in 2008 with its call and response lines between Debbie and Rick sounding very much ‘Sweet Potato Man.’ Rick’s piano updates the Alabama soul groove with a sixties Aretha Franklin in Brooklyn strut then at 2:37 right after Debbie says, “maybe we can get the audience to clap their hands” he starts jamming bass and Musselwhite harp at the same time. There ought to be an award for this because when you see this live it is going to blow your mind.

The Alabama Sunday afternoon “Still Missing You” showcases Debbie’s Alabama blues style vocals that bring to mind the Muscle Shoals era and the heart of Alabama soul, Eddie Hinton.  Debbie’s mellow Telecaster lines are some of the best on the album and kind of spread around like butter drizzling over a stack of hotcakes.

Debbie Bond and Tom Pallardy at Mando Blues taping, Nashville, TN, photo - Brad Hardisty

Debbie Bond and Tom Pallardy at Mando Blues taping, Nashville, TN, photo – Brad Hardisty

Tarragona Blues” comes in two versions, one that goes right into a bossa nova blues soul groove with reference to both Spain and Alabama with”a long way to go” and the other with a big afro centric introduction that takes a different route, paying tribute to the fans in Spain who have welcomed Debbie with open arms and a place that she cannot wait to return to.  The Tru Dats changed up on this track with Ray Robinson on drums, Jonathan Blakney on background vocals and side percussion and Dave Crenshaw taking over on Latin percussion.

 

Rick Asherson checking the back line at Mando Blues taping, Nashville, TN, photo - Brad Hardisty

Rick Asherson checking the back line at Mando Blues taping, Nashville, TN, photo – Brad Hardisty

Rick pulls off a serious Charlie Mingus bass intro on “Falling” against Debbie’s difficult melody drop-in to set up “Move a little closer baby, I have a message for you” while, “That Thing Called Love” finds Rick doing the impossible by being Mingus yet again with one hand and Isaac Hayes with the other as Tom Pallardy slides in on sax in another corner of the room. Debbie enters in reverb drenched Tele that sets up a smoky groove and a preacher’s daughter throwing down thunder and lightning vocals.

Debbie Bond and The Tru-Dats, it's a wrap at Mando Blues, Nashville, TN, photo - Brad Hardisty

Debbie Bond and The Tru-Dats, it’s a wrap at Mando Blues, Nashville, TN, photo – Brad Hardisty

That Thing Called Love really has no boundaries within Southern Music whether it be Blues, Soul, Funk, Ragtime or Swamp Pop; Debbie had a good reason to change to Debbie Bond & The Tru Dats because of the serious musicianship that has been gathered for this recording. Every corner of the blues and every musician has a chance to shine on this exquisite live recording that everybody will want to take home to listen after a great show. –

Debbie Bond and Rick Asherson in Nashville, photo - Brad Hardisty

Debbie Bond and Rick Asherson in Nashville, photo – Brad Hardisty

Brad Hardisty, Nashville, Tn     thenashvillebridgeathotmaildotcom