Archives for category: Exit/In Nashville

Reverend Peyton Stop In Nashville

March 29, 2013 //

Rev. Peyton greets the crowd, Exit/In, Nashville, photo – Brad Hardisty

Reverend Peyton’s Big Damn Band brought The Big Damn Blues Revolution Tour to Exit/In after playing SXSW last Wednesday night to an enthusiastic Nashvillian crowd along with Jimbo Mathus and opener Alvin Youngblood Hart.

Alvin Youngblood Hart, Big Damn Revolution Tour, Exit/In, Nashville, TN, photo- Brad Hardisty

The Rock Block became on old fashioned blues stomp beginning with Grammy award winning Alvin Youngblood Hart, born in Oakand, California with West Coast roots, Alvin spent a lot of time in Mississippi hearing stories about Charlie Patton and has some firm roots in early blues traditions as well as going nasty on the electric when he wants to be.

Jimbo Mathus, Exit/In, Nashville, TN, photo – Brad Hardisty

The whole show had a Mississippi feel to it when Jimbo Mathus hit the stage with The Tri-State Coalition on the heels of his latest release White Buffalo. Jimbo is well known for mixing it up with a line between traditional country, Mississippi Blues, Southern Rock and anything he feels like mining for his own song structures. A true southern boy, his band burned through a set of Mississippi Country Blues.

Rob McCoury on banjo with The Big Damn Band, Exit/In, Nashville, TN, photo – Brad Hardisty

Breezy Peyton, Exit/In, Nashville, TN, photo – Brad Hardisty

Rob McCoury came in as a surprise guest during The Big Damn Band set with Breezy kickin’ it on the washboard and Aaron “Cuz” Persinger on the skins.

Jimbo, Alvin and The Rev, Exit/In, Nashville, TN, photo – Brad Hardisty

Late jam session, Exit/In, Nashville, TN, The Big Damn Revolution Tour, photo – Brad Hardisty

Alvin Youngblood Hart, Electric Warrior, Exit/In, Nashville, TN, photo- Brad Hardisty

Towards the end of the set, Jimbo and Alvin came on for an all-out jam, first as an acoustic trio, then the full Big Damn Band with Alvin switchin’ to a big ol’ heavy Les Paul.

Rev. Peyton’s Big Damn Band, Exit/In, Nashville, TN, photo – Brad Hardisty

Breezy and The Rev, Exit/ In Nashville, TN, photo – Brad Hardisty

Reverend Peyton makes Nashville a regular stop. He can cross lines between the Americana, Roots, Country and blues scene which means he fits right in with the rest of us.

Rev. Peyton, Exit/In, Nashville, TN, photo – Brad Hardisty

– Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com

Tags Alvin Youngblood Hart, Fat Possum, Jimbo Mathus, Jimbo Mathus & The Tri-State Coalition, Rev. Peyton, Reverend Peyton's Big Damn Band, The Big Damn Blues Revolution Tour

Categories Exit/In Nashville, Music, Nashville, Uncategorized

Reverend Peyton Testifies About Grimey’s and Charlie Patton

March 17, 2013 //

photo – Scott Toepfer

Somewhere in Texas, The Nashville Bridge caught up with Reverend Peyton’s Big Damn Band as they geared up for SXSW following a successful first leg of the Big Damn Blues Revolution Tour with Jimbo Mathus, purveyor off all things “Southern” and Alvin Youngblood Hart.

The latest album the Side One Dummy Records release Between The Ditches which debuted at Number One on the iTunes Blues Charts the week of its release, has caught on all over the country after 250 shows a year that has left blood, sweat and tears on stages all over North America

The first single, “Devils Look like Angels,” featured a great video and has been popular on YouTube and Blues and Americana radio.

photo – Scott Toepfer

Nashville has been a regular stop for Reverend Peyton’s Big Damn Band after finding a solid supportive crowd with their mix of Country Blues that sits somewhere between Blues, Country and the local Americana Scene. The Reverend will be stopping through Nashville March 20^{th at} Exit/ In on Nashville’s Rock Block with wife, Breezy Peyton on washboard and his cousin Aaron Persinger on drums continuing The Big Damn Blues Revolution Tour with a full entourage and possible special guests.

Reverend Peyton shared some insight about why they have been doing so well this year.

Brad Hardisty / The Nashville Bridge: Where are you guys at right now?

Reverend Peyton: We are two hours from Dallas. Texarkana, I Believe.

TNB: Well you are in the south.

RP: Yeah. We were in Little Rock, Arkansas last night and now we are heading out towards our SXSW shows.

TNB: That is coming up here pretty quick.

RP: Yeah, we just did the first leg of the Big Damn Blues Revolution Tour. It will pick back up in Nashville (Exit/In March 20^th) after SXSW.

TNB: You make Nashville a regular stop.

RP: We have. We have played a lot of different venues in Nashville. We’ve played so many of ‘em and I think Exit/In is the best one. I love that place.

TNB: I have heard a lot about you guys around town. I’m sure you’ve done the Grimey’s in-store.

photo – Scott Toepfer

RP: Oh Yeah, we’ve played a Grimey’s in-store…two or three of ‘em. I just love Mike. He’s a fan and The Basement’s really cool too! It’s an intimate place and you know Grimey’s is just such a great place. Mike is such a music fan, you know. Like, all the bands that come through there and all the people that he deals with and he’s still a fan, you know. He’s cool.

TNB: The Basement is pretty cool, that is where Justin Townes Earle used to play there all the time when he first started with The Good Life and all that. Even Metallica did a Live At Grimey’s disc at The Basement. They wanted to play Grimey’s but it was too small so they played at The Basement below the store. I was going to say, your band is at an interesting crossroads. You can play straight up blues festivals, Bonaroo and The Americana Music Festival. You are kind of in an interesting position, don’t you think?

RP: Yeah, we are looking that way. It’s kind of weird because sometimes people don’t know what to classify us as or where to put us, but, it has really been a blessing because we can play anywhere, you know. There are certain bands, like a punk band, they can play a punk rock club and that’s it, you know, or if you are even just a straight up Country Honky Tonk band you’re running that way. We can play everywhere, you know. We can play a regular rock fest and blues fest and folk fest, country fest and you name it. It is sort of funny too. A lot of people, they don’t even quite understand what kind of music it is that we play; it’s country blues, you know, that’s what it is.

TNB: I’ve got some friends out in Mississippi. I can see your sound is mostly what they would call Boogie Blues if it was coming out of Mississippi. It’s not straight up Hill Country; it’s got a little bit of Hill Country. What do you guys think where you are coming from? What are you after?

RP: Well, I just call it Country Blues. For Hill Country, there is a certain trance aspect. It’s kind of raggedy. Old Delta stuff. We are a little bit of that mixed up. I have been a student of it all since I was a little kid. I sort of have my way of playing and it kind of mixes it up all together and also, a lot of times we are playing straight up blues and blues stuff, but, the difference is nobody’s writing songs anymore. They just focus on being guitar gunslingers. You know. I want to be someone who writes song from the heart. You know what I mean. That is the most important thing.

TNB: I think that is what keeps the blues alive. Have you met “Blind Boy” Paxton?

RP: No, I don’t think I know him.

TNB: He made the cover of Living Blues Magazine. He plays old time Charlie Patton style or earlier. He’s probably the best acoustic blues musician right now, but, he won’t write anything. It’s like the music was written in a certain time period and that is where it fits. You are one of the only songwriters that I can see where, it’s like you are not copying Burnside, Kimbrough. You really are not copying anybody even though it has that aged feel. It’s your own stuff. Do you get that feeling?

photo – Scott Toepfer

RP: Here’s the deal, man. If you are not making new music then go home. Because, nobody is going to do it as good as Charlie Patton did it anyway. You know what I mean? Nobody can play Charlie Patton better than Charlie Patton. You are not going to play Son House better than Son House. So, my songs are what I am going to play, you know, otherwise you are just kind of like a museum piece, like a throwback like someone in costume that is just showing up to play a part in a movie or something. I think music should be from the heart. I’ve always believed that. That is why Muddy Waters was so good. That’s why John Fogerty is so good. The best music comes from a personal place. Some people copy things and change the names, I don’t even do that. You know, for me, that’s what it’s all about. Music that’s fresh and new but maybe it sounds like it’s old, like timeless music that’s new. I guess so, if that makes sense. It’s hard to do. Blues has been around for almost a hundred years and I’ve been playing it for you know, most of my life. It’s hard to sort of write new stuff because so much has been done, but, it’s a quest that I will be forever on; to write new songs that are timeless still. Songs that still fit in with the annals of blues going back to Charlie Patton, you know.

TNB: It’s interesting; you do go back and do Charlie Patton covers, which is way back.

photo – Scott Toepfer

RP: He is my patron saint. I did that record, Peyton on Patton because I want people to know who he is because I feel like I have a problem with the blues world. Not enough people know who Charlie Patton is. I think if you know who Charlie Patton is then you have to start with him. I think that music in general starts to get more into focus. You start to understand where people like Muddy Waters and where I am coming from. I just want to make sure people know about Charlie Patton. In his day, he was super famous you know. In his day, he was the guy. It’s sort of like he influenced Robert Johnson, Muddy Waters and Howlin’ Wolf. In his day, Charlie was the hero; He was the one they all wanted to be. He drove around in good cars; he played a Gibson Guitar with a hard case. He was the one that was truly successful, you know and the music is amazing. In my opinion, he was the best there ever was. I think the reason his playing is not that well known is because the recordings were so raw. That’s why I did that record that way. I wanted to do it his way. I kept it sort of raw. I didn’t put too much of myself into the record. Anyway, I wanted to try to use his rawness and play it the way he would play a song. I wanted to play the way he played them so people could hear his guitar pickin’. So they could have appreciation for what he was on guitar. He was just about songs you know.

TNB: You guys have been around for about four or five albums now?

RP: Yeah, we have made five records I think.

TNB: Things are really starting to pick up the last couple of years.

RP: Yeah, it has been a slow and steady ride. I think the last records have got a lot more attention it has been exponential, especially after the Charlie Patton record. People in like the traditional blues world sort of heard that one and started saying, “maybe we should have been paying attention to these fellas.”

TNB: That is kind of how it happens sometimes. What is ground zero for you guys?

RP: Well, I don’t know. We have pockets all over the place where it’s big. The West Coast is really good: lots of stuff there. It has kind of blown up in Cincinnati and, of course, southern Indiana, Burlington. Indianapolis; big time there. Kansas City has been a huge place. I think for us it has always been just one fan at a time. More word of mouth than anything else. It has been fans just coming out and telling their friends and then they buy the record and they’re spinning it. A lot of barbecuing or whatever and I think has been the secret for us.

TNB: One of the most interesting things was that I saw you played a big motorcycle rally. Was that at Sturgis?

RP: We have done Sturgis a couple of times. We did a Bike fest in Arkansas. It’s no big deal. We do a Biker fest and then we will turn around and do the Vans Warped Tour. The kids on the Warped Tour are like 13 and those kids are fun to play for! They go nuts! Then we will go and play a festival at Red Rocks in Denver, Colorado. Denver is a big town for us. It might be one of the biggest. They are such a great crowd.

TNB: They do have a good acoustic scene.

RP: That’s true.

TNB: Real quick, any new albums this year or just touring what is going to happen.

RP: I’m not sure. We will be touring on the Blues Revolution Tour which has been going strong. There are going to be festivals. We’d like to get in there and do some recording. I think it’s something I just we’ve made, kind of like, once a year for a while, so, I foresee us doing something.

TNB: Have you had any guests come up and jam on encores?

photo – Scott Toepfer

RP: Oh yeah on the Blues Revolution Tour we have been doing jams where it’s just the three of us those two guys and me then the Big Damn Band and Jimbo’s band. I think in Nashville… I don’t wanna say who…but, there is likely going to be some specials guests coming up that are Nashville locals.

TNB: When you jam, are you doing old time blues or…

RP: Yeah, we have been jamming on stuff like that and just trade it up, like, maybe one or two Jimbo songs or like some Charlie Patton stuff. Different things. It changes every night.

– Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com

Tags Alvin Youngblood Hart, Charlie Patton, Jimbo Mathis, Reverend Peyton's Big Damn Band, Reverent Peyton, The Big Damn Blues Revolution Tour

Categories Americana Music, Blues Music, Exit/In Nashville, Uncategorized

Infinity Cat 10th 2nd Day at Zombie Shop with Heavy Cream

July 22, 2012 //

Infinity Cat 10th Anniversary, Night 2 at The Zombie Shop – all photos / Brad Hardisty

At Exit/In, the night before, night one of the Infinity Cat Records 10^thAnniversary celebration , it was announced that things would start at The Zombie Shop, Saturday night at 5PM. When I got there, some of the crew was heading out to eat instead of loading in. I stopped them and asked if it was still on. They said it would definitely start by 9 because there were several bands lined up.

This was definitely a casual 5PM start. I headed over to Panera near Vanderbilt to check my email and chill for a while. I took them at their word and didn’t get back till after 10PM.

I didn’t get home till 3PM from the Exit/In show and I was low on body and mind fuel. This was not going to be an all-nighter when I got back to The Zombie Shop. The Zombie Shop sits in an area where any pre-2011 buildings’ days are numbered. Just ask the Musicians Hall of Fame (or once was but now is not).

The Zombie Shop, Mopeds all over the back

The Zombie Shop sits directly south of the new Music City Center, with all its curves and gargantuan size, looking somewhat like a super- sized version of the Experience Music Project (home of Jimi Hendrix memorabilia). In the renderings of the new center, the area that comprises the Zombie Shop, looks like it is either new “swanky” office and mixed use (outrageously expensive) space or a new tree-lined boulevard.

One can only hope that the owners of the Zombie Shop get what this large warehouse style workshop with enough open area outside for about 50 cars get what it’s worth and not the shaft like the Musicians Hall of Fame.

To give you an idea, this area of town sits between the homeless shelter (a converted Sears store), Third Man Records on the backside of that and what used to be older cheap use industrial buildings slinking north towards the bright lights, big city of the Country Music Hall of Fame, Bridgestone Arena and Lower Broad Honky-Tonks.

This has been essentially no-man’s land where homeless, vagabonds of the western world and punk and metal bands attracting local non-tourists who dare to venture. It was an area where you could be left alone.

Now, the city fathers have decided all things must be come new. So, like the Station Inn that now sits like an old RCA Victrola squashed by all the new zippity doo dah Gulch pricy lofts and swanky shops, this area is quickly being lost to development.

The Zombie Shop has been an all ages venue/hang out for a while and this was perfect for Infinity Cat. This lineup included the more fast, loud, punk rock side of the label, like Cy Barkley and Heavy Cream along with Breast Massage, Slammers, Denney and The Jets, No Regrets Coyote and Dirty Dreams.

It was an all ages celebration with skateboards, broke down mopeds in the back, young kids, older punk mainstays and label supporters from all over the country. Saturday saw an even larger crowd than at the Exit/In show. This is the future of the label. There are a lot of kids buying Infinity Cat stuff that were not old enough to make it into the Exit/In 18+ show.

Cy Barkley & The Wayoutsiders

Cy Barkley & The Wayoutsiders were finishing their set when I got there.

Taking a look at the T-Shirts, I really wanted one of the sky blue T’s with a print of a cat with JEFF The Brotherhood underneath, but none in 2X. In fact, no 2X T’s! Man I can’t help it. I know I need to lose some weight, but, can’t get a 2X? There are more of us than just me.

Thinking about the Skyblazer album, I thought, I want it on CD so I can listen to the long jams while cruising along 65 at night when I head to Birmingham or Florida. It’s only on vinyl for now. Hey, I totally understand. Maybe, I’ll just have to get the vinyl. I still think MP3’s are wannabes. The only time I get MP3’s are when friends send them to me. I like my music to not sound like a BLT without the bacon and extra lettuce.

I ran into a lot of the Infinity Cat strays from Exit/In plus another 200 friends in one of the best house party style gatherings. Enjoy it while it lasts. This type of party might end up having to move out near Little Hamilton or something within five years. I guess progress means jobs and I can’t fault that part of the equation.

Heavy Cream load in time!

The last time I saw Heavy Cream was almost two years ago, Jessica was in the catsuit and they played at Third Man during Next Big Nashville. That was almost a manic call during those times. The future of Nashville is anybody’s guess with all the “for sale” signs going up on Music Row. Alternative and Punk may not fully take the place of what the music business is losing, but, it makes the Nashville Music Scene more balanced where everybody is welcome.

Heavy Cream kick out the jams at The Zombie Shop, 7/21/2012

This may be Heavy Cream Mach II or III, with a new bass player and drummer, Tiffany Minton, providing a solid ticking away of the timing, not missing a beat. They were locked perfectly. I noticed I’m not the only one who thinks that. I read some reviews online from other shows this morning and they give the same green light. It seemed like the early Heavy Cream version was a group fighting against itself, timing and rhythm wise, which is an easy mistake playing very fast straightforward punk.

Underneath the Infinity Cat banner!

Heavy Cream reminds me of the loud raw energy of Raw Power era Iggy Pop & The Stooges with the comedic lyrical bent of really early Donnas or even pre-Donnas’ Ragady Anne.

Hit the floor!

Jessica has got that “Iggy Pop glare” going on where you don’t know what she is going to do next. If the crowd aint doing enough, Jessica gets in the crowd and starts egging them on. She wants a reaction. I can’t see her smearing peanut butter all over herself, but, she has that “Iggy style front girl bully pulpit” thing better than anybody else in town. Watch out, she can stare you down without blinking.

Everybody was in the cavernous garage when the girls hit the stage. Heavy Cream ripped through a lot of new material from Super Treatment, like “Louise,”recorded in San Francisco with Producer, Ty Segall. The new songs have that raw, loud tightness of other bay area punkers like the Dead Kennedys– “California Uber Alles” and the original MX-80 Sound “Someday You’ll Be King “ that was on The Residents, Ralph Records back in 1979.

Jessica McFarland / Heavy Cream / The Zombie Shop 7/12/2012

Super Treatment, with its almost other worldliness relation to the cover of The Cramps’ Bad Music for Bad People may be the defining Nashville Punk album, much in the same way as Justin Townes Earle’s, The Good Life when it set off true Nashville Americana edge. Super Treatment fits within the true family tree bridging the Nashville Punk scene with West Coast and East Coast Bad Brains grit and swagger.

Jessica

Heavy Cream closed their set with Alice Cooper’s, “Is It My Body” done more in a “what-are-you-staring-at-leave-me-alone” kind of way and finally their biggest song to date, “Watusi” which got the frontline in a friendly Nashville style slam dance frenzy.

Heavy Cream do the Watusi!

Infinity Cat hung on the back wall, overseeing the crowd as they exited into the dark streets with the new Gotham City Music Center hanging like a dark cloud over the night.

Infinity and beyond!

– Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com

Categories Alternative Music, Americana Music, Country Music Hall of Fame, Cy Barkley & The Wayoutsiders, Exit/In Nashville, Guitar, Heavy Cream, Iggy Pop & The Stooges, Indie Music, Infinity Cat Records, Jessica McFarland, Lower Broad Nashville, Music, Nashville, Nashville Music Center, Punk Rock, Rock Music, The Donnas, The Zombie Shop Nashville, Uncategorized

Infinity Cat Celebrate 10th at Exit In

July 21, 2012 //

Free Infinity Cat Cheese Sandwich!

Friday night in Nashville, as a deluge began about 9:15, the Rock Block turned into a creek with water almost to Restaurant and guitar store doors across the street when Psychic Hotline took to the stage at Exit/In to kick-off a ten year Birthday Bash for Infinity Cat Records, the ”for-real” Nashville Punk Rock label home to JEFF The Brotherhood, Heavy Cream, Diarrhea Planet and other Nashville originals.

Psychic Hotline / Exit/In -all photos – Brad Hardisty

Psychic Hotline, fronted by Jessica McFarland ( Heavy Cream), not to be confused with the Ontario, Canada band, opened with a tight deadpan Buzzcocks / L7 set like a rapid fire Tommy gun.

Deluxin’ at Infinity Cat 10th Celebration Show

People were drying out and soaking up the sounds of Deluxin’, another Buzzcocks/ Television / Voidoids (Dad bands) with a somewhat Zach De La Rocha approach at the microphone-style unit fronted by Nathan Vasquez (former Be Your Own Pet) who knows how to put his scream on.

Tristen at Exit/In – Photo/Brad Hardisty

Tristen (Gaspadarek)brought things into a more mellow mood with an Indie take on Americana which may be more attributed to what is coming out of East Nashville, sans-drummer Americana with a drum machine was interesting, but all things aside, Tristen has a great voice, great songs, great bass player (kind of real classic country walking style going on like Merle’s band, The Strangers) and has had some wonderful things said about her in Rolling Stone and American Songwriter. Tristen rocked the house in green sequined sixties style short shorts, doin’ a little dance-get down tonight style. This was ladies night for vocals.

All I got was this cheese sandwich, Jessica’s Psychic Hotline setlist and Diarrhea Planet’s setlist. What’s it worth to you?

Before Diarrhea Planet took over Exit/In, Robert Orrall, Jake and Jamin’s Dad (JEFF The Brotherhood) brought out a huge box of cheese sandwiches in plastic sandwich bags with Green Infinity Cat Logo stickers affixed and began throwing them out into the audience, this in turn, lead to spinning plastic bags being thrown around with the hefty sideways Frisbee-bean bag style tosses whizzing by everywhere.

Diarrhea Planet pelted by sandwiches!

When Diarrhea Planet hit the stage, the sandwiches started being aimed at the band with drummer, Casey, drumming like a sonic hedgehog with two Louisville Sluggers, taking some head and crotch shots. Casey could only laugh when it’s sandwiches. The 50 sandwich-filled plastic bags ended up back onstage when the four guitar (yeah, four, that’s one more than Lynyrd Skynyrd in a “Spinal Tap” my band is louder than yours kind of way) assault started.

Stack-O-Sandwiches! No cats were harmed.

One of the guitarists started stacking up the sandwiches on the side, only to hurl all of them back at the audience toward the end of the set.

Diarrhea Planet originally started as a two-piece noise band out of Belmont University and is now kind of the Valiant Thorr of Indie Punk, throwing out all kinds of styles at the same time with a wall of Johnny Ramone, Randy Rhoads, John Frusciante and Malcom Young all hitting at once, with leads and interlocking rhythm going every which way. There were no lead breaks since any two might be playing lead at the same time. This is fun party music that kind of goes down like a Peelander-Z set meets the Beastie Boys. If you play guitar and you don’t have a good time at a Diarrhea Planet show, something is definitely wrong with you. Okay, I think this is one of my favorite Nashville bands now.

Robert Orrall, Nashville City Council member, Infinity Cat Records staff, Jake Orrall

Before the final set of the night, Ronny Steine, Nashville Councilman-at-large, was joined onstage by Robert “Bob” Orrall, Jake Orrall (JEFF The Brotherhood, Skyblazer, Infinity Cat Records) and members of the Infinity Cat team to accept a plaque from the Nashville Metro Council with a lot of important “whereas” clauses, Resolution No. RS2012-339, “honoring Infinity Cat Recordings on its Tenth Anniversary as one of Nashville’s best independent labels.” A really unique turn of events; a Nashville Homegrown Indie Punk label turning ten years old that is on most every writer and magazine in the states Top 10 best Indie label list, having their very own day, July 20^th, 2012, Infinity Cat Record Day, Nashville, Represent!

Skyblazer returns!

For the final big one of the evening, Jake and Jamin Orrall (JEFF The Brotherhood, if you don’t know by now) put back together a mid-2000 project, Skyblazer (possibly named for the early Nineties Sony video game?), that they had with Lindsay (Cake Bake Betty) Powell. Skyblazer also released (never before released) the 2006 recording on Infinity Cat and it was available for the first time at the show on 12 inch vinyl.

Jake and Jamim Orrall looking Through the Past darkly!

Jake’s guitar tone was nice and fat with trippy wha going into that Sunn Lead Concert head. The four piece band did plenty of long stoner jams in the veins of early Hawkwind or Black Mountain (who were quite new in 2006)… especially like Black Mountain with the almost Jefferson Plane-ish twin harmonies of Jake and Lindsay.

It was a fun set, plenty of heavy “Iommi” guitar, with some almost Hendrix channeling, Jake is really a soul surfer of a player.

If Skyblazer had become the dominant thing, Jake and Jamin would have been on Jagjaguwar and touring with Black Mountain or even Swedish band, Graveyard nowadays. Funny how life is; the Orrall family is really helping to turn Nashville into Music City one great band at a time.

The Infinity Cat Records 10^th Anniversary celebration continues Saturday Night in the shadow of the new convention center skyline at The Zombie Shop with Heavy Cream and Cy Barkley as two of the featured artists.

– Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com

Categories Black Mountain, Deluxin', Diarrhea Planet, Exit/In Nashville, Heavy Cream, Indie Music, Indie Rock, Infinity Cat Records, Jake Orrall, Jamin Orrall, Jeff the Brotherhood, Music, Nashville, Psychic Hotline, Punk Rock, Robert Orrall, Rock Music, Skyblazer, Tristen, Uncategorized