Archives for category: Heavy Cream

Infinity Cat 10th Anniversary, Night 2 at The Zombie Shop – all photos / Brad Hardisty

At Exit/In, the night before, night one of the Infinity Cat Records 10th  Anniversary celebration , it was announced that things would start at The Zombie Shop,  Saturday night at 5PM. When I got there, some of the crew was heading out to eat instead of loading in. I stopped them and asked if it was still on. They said it would definitely start by 9 because there were several bands lined up.

This was definitely a casual 5PM start.  I headed over to Panera near Vanderbilt to check my email and chill for a while. I took them at their word and didn’t get back till after 10PM.

I didn’t get home till 3PM from the Exit/In show and I was low on body and mind fuel. This was not going to be an all-nighter when I got back to The Zombie Shop.  The Zombie Shop sits in an area where any pre-2011 buildings’ days are numbered. Just ask the Musicians Hall of Fame (or once was but now is not).

The Zombie Shop, Mopeds all over the back

The Zombie Shop sits directly south of the new Music City Center, with all its curves and gargantuan size, looking somewhat like a super- sized version of the Experience Music Project (home of Jimi Hendrix memorabilia). In the renderings of the new center, the area that comprises the Zombie Shop, looks like it is either new “swanky” office and mixed use (outrageously expensive) space or a new tree-lined boulevard.

One can only hope that the owners of the Zombie Shop get what this large warehouse style workshop with enough open area outside for about 50 cars get what it’s worth and not the shaft like the Musicians Hall of Fame.

To give you an idea, this area of town sits between the homeless shelter (a converted Sears store), Third Man Records on the backside of that and what used to be older cheap use industrial buildings slinking north towards the bright lights, big city of the Country Music Hall of Fame, Bridgestone Arena and Lower Broad Honky-Tonks.

This has been essentially no-man’s land where homeless, vagabonds of the western world and punk and metal bands attracting local non-tourists who dare to venture. It was an area where you could be left alone.

Now, the city fathers have decided all things must be come new. So, like the Station Inn that now sits like an old RCA Victrola squashed by all the new zippity doo dah Gulch pricy lofts and swanky shops, this area is quickly being lost to development.

The Zombie Shop has been an all ages venue/hang out for a while and this was perfect for Infinity Cat.  This lineup included the more fast, loud, punk rock side of the label, like Cy Barkley and Heavy Cream along with Breast Massage, Slammers, Denney and The Jets, No Regrets Coyote and Dirty Dreams.

It was an all ages celebration with skateboards, broke down mopeds in the back, young kids, older punk mainstays and label supporters from all over the country.  Saturday saw an even larger crowd than at the Exit/In show.  This is the future of the label. There are a lot of kids buying Infinity Cat stuff that were not old enough to make it into the Exit/In 18+ show.

Cy Barkley & The Wayoutsiders

Cy Barkley & The Wayoutsiders were finishing their set when I got there.

Taking a look at the T-Shirts, I really wanted one of the sky blue T’s with a print of a cat with JEFF The Brotherhood underneath, but none in 2X. In fact, no 2X T’s! Man I can’t help it. I know I need to lose some weight, but, can’t get a 2X? There are more of us than just me.

Thinking about the Skyblazer album, I thought, I want it on CD so I can listen to the long jams while cruising along 65 at night when I head to Birmingham or Florida. It’s only on vinyl for now. Hey, I totally understand. Maybe, I’ll just have to get the vinyl. I still think MP3’s are wannabes. The only time I get MP3’s are when friends send them to me. I like my music to not sound like a BLT without the bacon and extra lettuce.

I ran into a lot of the Infinity Cat strays from Exit/In plus another 200 friends in one of the best house party style gatherings. Enjoy it while it lasts. This type of party might end up having to move out near Little Hamilton or something within five years.  I guess progress means jobs and I can’t fault that part of the equation.

Heavy Cream load in time!

The last time I saw Heavy Cream was almost two years ago, Jessica was in the catsuit and they played at Third Man during Next Big Nashville. That was almost a manic call during those times. The future of Nashville is anybody’s guess with all the “for sale” signs going up on Music Row. Alternative and Punk may not fully take the place of what the music business is losing, but, it makes the Nashville Music Scene more balanced where everybody is welcome.

Heavy Cream kick out the jams at The Zombie Shop, 7/21/2012

This may be Heavy Cream Mach II or III, with a new bass player and drummer, Tiffany Minton, providing a solid ticking away of the timing, not missing a beat. They were locked perfectly. I noticed I’m not the only one who thinks that. I read some reviews online from other shows this morning and they give the same green light. It seemed like the early Heavy Cream version was a group fighting against itself, timing and rhythm wise, which is an easy mistake playing very fast straightforward punk.

Underneath the Infinity Cat banner!

Heavy Cream reminds me of the loud raw energy of Raw Power era Iggy Pop & The Stooges with the comedic lyrical bent of really early Donnas or even pre-Donnas’ Ragady Anne.

Hit the floor!

Jessica has got that “Iggy Pop glare” going on where you don’t know what she is going to do next. If the crowd aint doing enough, Jessica gets in the crowd and starts egging them on. She wants a reaction. I can’t see her smearing peanut butter all over herself, but, she has that “Iggy style front girl bully pulpit” thing better than anybody else in town. Watch out, she can stare you down without blinking.

Everybody was in the cavernous garage when the girls hit the stage. Heavy Cream ripped through a lot of new material from Super Treatment, like “Louise,”recorded in San Francisco with Producer, Ty Segall. The new songs have that raw, loud tightness of other bay area punkers like the Dead Kennedys– “California Uber Alles” and the original MX-80 SoundSomeday You’ll Be King “ that was on The Residents, Ralph Records back in 1979.

Jessica McFarland / Heavy Cream / The Zombie Shop 7/12/2012

Super Treatment, with its almost other worldliness relation to the cover of The CrampsBad Music for Bad People may be the defining Nashville Punk album, much in the same way as Justin Townes Earle’s, The Good Life when it set off true Nashville Americana edge. Super Treatment fits within the true family tree bridging the Nashville Punk scene with West Coast and East Coast Bad Brains grit and swagger.

Jessica

Heavy Cream closed their set with Alice Cooper’s, “Is It My Body” done more in a “what-are-you-staring-at-leave-me-alone” kind of way and finally their biggest song to date, “Watusi” which got the frontline in a friendly Nashville style  slam dance frenzy.

Heavy Cream do the Watusi!

Infinity Cat hung on the back wall, overseeing the crowd as they exited into the dark streets with the new Gotham City Music Center hanging like a dark cloud over the night.

Infinity and beyond!

 – Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

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Free Infinity Cat Cheese Sandwich!

Friday night in Nashville, as a deluge began about 9:15, the Rock Block turned into a creek with water almost to Restaurant and guitar store doors across the street when Psychic Hotline took to the stage at Exit/In to kick-off a ten year Birthday Bash for Infinity Cat Records, the ”for-real” Nashville Punk Rock label home to JEFF The Brotherhood, Heavy Cream, Diarrhea Planet and other Nashville originals.

Psychic Hotline / Exit/In -all photos – Brad Hardisty

Psychic Hotline, fronted by Jessica McFarland ( Heavy Cream), not to be confused with the Ontario, Canada band, opened with a tight deadpan Buzzcocks / L7 set  like a rapid fire Tommy gun. 

Deluxin’ at Infinity Cat 10th Celebration Show

People were drying out and soaking up the sounds of Deluxin’, another Buzzcocks/ Television / Voidoids (Dad bands) with a somewhat Zach De La Rocha approach at the microphone-style unit fronted by Nathan Vasquez (former Be Your Own Pet) who knows how to put his scream on.

Tristen at Exit/In – Photo/Brad Hardisty

Tristen (Gaspadarek)brought things into a more mellow mood with an Indie take on Americana which may be more attributed to what is coming out of East Nashville, sans-drummer Americana with a drum machine was interesting, but all things aside, Tristen has a great voice, great songs, great bass player (kind of real classic country walking style going on like Merle’s band, The Strangers) and has had some wonderful things said about her in Rolling Stone and American Songwriter. Tristen rocked the house in green sequined sixties style short shorts, doin’ a little dance-get down tonight style. This was ladies night for vocals.

All I got was this cheese sandwich, Jessica’s Psychic Hotline setlist and Diarrhea Planet’s setlist. What’s it worth to you?

Before Diarrhea Planet took over Exit/In, Robert Orrall, Jake and Jamin’s Dad (JEFF The Brotherhood) brought out a huge box of cheese sandwiches in plastic sandwich bags with Green Infinity Cat Logo stickers affixed and began throwing them out into the audience, this in turn, lead to spinning plastic bags being thrown around with the hefty sideways Frisbee-bean bag style tosses whizzing by everywhere.

Diarrhea Planet pelted by sandwiches!

When Diarrhea Planet hit the stage, the sandwiches started being aimed at the band with drummer, Casey, drumming like a sonic hedgehog with two Louisville Sluggers, taking some head and crotch shots. Casey could only laugh when it’s sandwiches. The 50 sandwich-filled plastic bags ended up back onstage when the  four guitar (yeah, four, that’s one more than Lynyrd Skynyrd in a “Spinal Tap” my band is louder than yours kind of way) assault started.

Stack-O-Sandwiches! No cats were harmed.

One of the guitarists started stacking up the sandwiches on the side, only to hurl all of them back at the audience toward the end of the set.

Diarrhea Planet originally started as a two-piece noise band out of Belmont University and is now kind of the Valiant Thorr of Indie Punk, throwing out all kinds of styles at the same time with a wall of Johnny Ramone, Randy Rhoads, John Frusciante and Malcom Young all hitting at once, with leads and interlocking rhythm going every which way.  There were no lead breaks since any two might be playing lead at the same time. This is fun party music that kind of goes down like a Peelander-Z set meets the Beastie Boys. If you play guitar and you don’t have a good time at a Diarrhea Planet show, something is definitely wrong with you. Okay, I think this is one of my favorite Nashville bands now.

Robert Orrall, Nashville City Council member, Infinity Cat Records staff, Jake Orrall

Before the final set of the night, Ronny Steine, Nashville Councilman-at-large, was joined onstage by Robert “Bob” Orrall, Jake Orrall (JEFF The Brotherhood, Skyblazer, Infinity Cat Records) and members of the Infinity Cat team to accept a plaque from the Nashville Metro Council with a lot of important “whereas” clauses, Resolution No. RS2012-339, “honoring Infinity Cat Recordings on its Tenth Anniversary as one of Nashville’s best independent labels.”  A really unique turn of events; a Nashville Homegrown Indie Punk label turning ten years old that is on most every writer and magazine in the states Top 10 best Indie label list, having their very own day, July 20th, 2012, Infinity Cat Record Day, Nashville, Represent!

Skyblazer returns!

For the final big one of the evening, Jake and Jamin Orrall (JEFF The Brotherhood, if you don’t know by now) put back together a mid-2000 project, Skyblazer (possibly named for the early Nineties Sony video game?), that they had with Lindsay (Cake Bake Betty) Powell. Skyblazer also released (never before released) the 2006 recording on Infinity Cat and it was available for the first time at the show on 12 inch vinyl.

Jake and Jamim Orrall looking Through the Past darkly!

Jake’s guitar tone was nice and fat with trippy wha going into that Sunn Lead Concert head.  The four piece band did plenty of long stoner jams in the veins of early Hawkwind or Black Mountain (who were quite new in 2006)… especially like Black Mountain with the almost Jefferson Plane-ish twin harmonies of Jake and Lindsay.

It was a fun set, plenty of heavy “Iommi” guitar, with some almost Hendrix channeling, Jake is really a soul surfer of a player.

If Skyblazer had become the dominant thing, Jake and Jamin would have been on Jagjaguwar and touring with Black Mountain or even Swedish band, Graveyard nowadays. Funny how life is; the Orrall family is really helping to turn Nashville into Music City one great band at a time.  

The Infinity Cat Records 10th Anniversary celebration continues Saturday Night in the shadow of the new convention center skyline at The Zombie Shop with Heavy Cream and Cy Barkley as two of the featured artists.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

 

Jimi Hendrix in Nashville

Word hit the street over the last two weeks like a brush fire in New Mexico: Rolling Stone wrote in print and on the net, Nashville has the best music scene in the country. I haven’t even read it yet because it is in the subscriber content on the web, but, I believe it to be true.

What was the turning point? The Kings of Leon? I don’t really think so.  The Kings of Leon had to go over to England to become big  in the U.S., kind of like Jimi Hendrix, in fact Jimi was gigging up on Jefferson Street with Billy Cox  and The King Kasuals for just a little scratch and room and board just a couple of years before he went to the U.K.

Paramore? Well, giving a little credit to a younger scene was a good thing when they were signed to Fueled by Ramen (sort of) yet there is no scene of bands trying to sound like Paramore around Nashville so it is its own thing.

Just a couple of years ago, Nashville was licking its wounds when Be Your Own Pet and The Pink Spiders, especially The Pink Spiders who went in with guns loaded and a Ric Okasek Produced album and an Artist Relations war chest were unable to break big.

Was it when Jack White moved Third Man Records down to Nashville, that is definitely a key piece to being Rolling Stone cool, with new 45’s by regionals being released almost on a Sam Phillip’s Sun Records schedule along with concert events that are showstoppers like the Record Store Day plus one Jerry Lee Lewis concert featuring Steve Cropper and Jim Keltner.

Okay, Jack White has given it the one two punch by introducing past icons to new generations  like Loretta Lynn’s Van Lear Rose Grammy award winning album with Loretta standing in front of the East Nashville house where it was recorded.  How about when Porter Wagoner opened for The White Stripes at Madison Square Garden?  Who would have known that Porter’s final call would be an outstanding album, The Wagonmaster and a gig opening for The White Stripes?

Maybe, that was key in making sure that real icons are represented like Wanda Jackson’s great new album on Third Man Records. Jack is definitely not just looking behind but is really tuned into the ether. I was excited to see Dan Sartain, a part of the same Birmingham scene I was in for a number of years cut some vinyl on Third Man Records. Dan opened up for The White Stripes on several dates a few years ago and my friend Emanuel Elinas who made some guitar pedals for me down at Highland Music in Birmingham talked about playing Bass with Dan Sartain and going bowling with Jack and his Mom. How cool is that?

In fact, when I saw the band on the flip side of the Dan Sartain 45 and Matt Patton was there, I was really happy about what was happening. Matt and a few others had put out some of the best Indie music in Birmingham that I have ever heard. Matt had this band called Model Citizen and their CD, The Inner Fool, produced by Tim Boykin (The Lolas, The Shame Idols, Carnival Season) on Bent Rail Foundation is one of my all time favorites. Matt is getting recognition with Tuscaloosa, Alabama’s The Dexateens now.

I tell you what; let’s get down to ground zero. When we talk about Todd Snider and the East Nashville scene we are getting close, but, let’s get down to one album and one artist.  Okay, I am going to say the transition came when Nashville got behind one of its own in 2008. When Justin Townes Earle got signed to Bloodshot Records and released The Good Life both weekly music papers got behind with big in depth articles about how Justin got to that point. The Good Life is a classic album out of left field but it really represented what Nashville was known for, good songwriting, a little rock and roll, a little country with a nod to the past and to the future of Americana.

At that time, you could hang with Justin over at The Basement, but with extensive touring and a prolific three years, Justin is well established and still with indie cred enough where I can still turn people onto his music as something new.

Justin was recognized at The Americana Music Awards in Nashville in 2009 the year before Rolling Stone called the Americana Music Festival the coolest festival in the U.S. In fact 2010 would be the no holds barred year when Warner Brothers would finally release American Bang’s CD. Robert Plant would record Band of Joy in East Nashville with an Americana  A-List including Buddy Miller and Darrell Scott and be the surprise guest at The Americana Music Awards.

The 2010 Americana Music Festival was a real eye opener when you had The Long Players, Bobby Keyes, Dan Baird and a laundry list doing Exile on Main Street at The Cannery Ballroom, Hayes Carll at The Basement, with people coming from Australia just to see him play and a festival closer with Todd Snider and an all-star band featuring Don Was on Bass, with a grin and looking somewhat like Slash’s older brother.

Don Was got in the game this year when he produced Lucinda Williams (a Nashville alumnus) new Cd, Blessed. Did it start at The Americana Music Festival with an exchange of phone numbers backstage at The Rhyman? Only they know for sure, but Nashville is becoming a ground zero magnet for much more than Popular Country Music Radio songs and Christian Music.

There had to be a change. The music business had changed and Nashville has changed along with that. Instead of twenty major labels in town, there are now five. The rest are Indie Country, Rock, whatever.

Coming to Nashville to be a hit songwriter may be a goal for a lot of people, but, getting a staff writing gig is becoming really difficult and less lucrative. Back in 2007-2008, we talked about how a songwriter with good songs getting signed to a publisher with maybe a 25-35k draw now going for 18-24k and the need for a day job for many.  Also, one of the larger publishers had in the past as many as 135 staff writers and was then down to Thirty five.

I know for a fact things are much worse for that dream with less staff writers, less money and less records being sold. The dream is still there, but, now you need to get lucky and find a new face with a great voice and the potential to get signed and start co-writing before some money starts flowing.

In early 2008, I could go to The Commodore Grill and see an endless supply of new songwriting talent for the Country Music Industry, but, with less staff gigs and the economy in the tank, less people are rolling into Nashville with an acoustic guitar and lyrics in the guitar case. In fact, it really is a trickle compared to just three years ago. Also, many of the writers that are coming into town have Dave Matthews, Jason Mraz or Jack Johnson chops and are not really what the Country Music Industry is looking for.

On the other hand, the Indie Rock and Americana scenes are ripe for development.  Vinyl is making a comeback with this crowd and United Record Pressing is right here where it always was. Colored vinyl, short runs, whatever you need with local labels like Third Man Records and Nashville’s Dead Records, United Pressing is back to increasing production and essentially back in the game.

The song publishing and royalty distribution infrastructure is realigning in Nashville with changes in staff announced publicly last year at ASCAP and I am sure accommodations are coming with a paradigm shift to handle multiple styles now in the pipeline.

Grimey’s New and Pre-Loved Music is probably the most famous record store in the country now, maybe second to Amoeba’s out on the West Coast. It’s not enough that Indie bands make in-store appearances. Metallica made a little short announced gig for fans at The Basement below Grimey’s in 2008 before their Bonnaroo appearance and released the whole experience as Live at Grimey’s worldwide in 2010. Now all the gloves are off.

If you are a music lover, archivist, etc. in a world with disappearing Record stores, Nashville not only has Grimey’s, but  also, Phonoluxe Records, The Great Escape, The Groove and plenty of other outlets for local as well as rare Cd’s and vinyl.

Look what is going on at Thirty Tigers Indie Distribution and their great success over the last couple of years.

Belmont University is turning out Music and Music Business degrees every year and a lot of students want to stay here and not necessarily go into the Country Music Machine. They have their own ideas from the scenes they came from whether it was in California or New York.

Bands like The Black Keys and The Deadstring Brothers are migrating here.  Even though Music Row still has a big chunk of the day to day business great records are being made in East Nashville, Blackbird Studio and Buddy Miller’s living room.

With the advent of a studio in a gig bag, Indie artists can make records anywhere and with cheap housing and a plethora of like minded musicians gathering in what really is now becoming truly Music City it only makes sense to live and work here, especially when gas is going for near $5 a gallon. Why not be close to all the blessings that come with a great music talent smorgasbord.

Speaking of food, you don’t want to leave Austin because of Texas Barbecue? Okay at least try Jack’s and Rooster’s Texas Style BBQ and Steak House on 12th. I promise you won’t be disappointed. You want California style Mexican Food? Go to Oscar’s Taco Shop on Nolensville and in Franklin. Thai? Thai Star. Vietnamese? Far East Nashville. Indian? Tamarind. New York Style Italian? Are you kidding? Maffiozas or the place at the Arcade. Okay, so you can’t get Hawaiian Plate BBQ here yet, but, there is plenty to explore. We could still use an In and Out Burger.

Okay, back to music.  Country is going through a lot of changes. The ripple of the Taylor Swift explosion that Big Machine Records put into motion are still being felt, being one of the only Platinum Recording Artists in the new digital era, as well as outside pressures from Texas Charts, the Red Dirt scene and T-Bone Burnett Produced masterpieces that can’t be denied.

Country even has its own street cred in Nashville with bands like Kort who are local but signed over in England as well as Indie Singer / Songwriter Caitlin Rose and Country spun  Those Darlins. Even Charlie Louvin, who as part of The Louvin Brothers can take some credit for inspiring The Everly Brothers and therefore The Beatles harmonies, got his Indie cred with The Battle Rages On that was released on Austin’s Chicken Ranch Records. I can say I got to see two Midnight Jamboree tapings and get his autograph on an early Louvin Brothers recording before he passed into immortality.

So what about Nashville’s own Indie scene? Heypenny, Jeff The Brotherhood, Cheer Up Charlie Daniels,  Uncle Skeleton, Pujol, Heavy Cream (kind of Karen-O fronting a better looking MC5), Todd Snider, John Carter Cash, The Coolin System, The Deep Fried 5 and a laundry list playing at places like The Basement, The End, Danzig’s House, Exit/In, The Rutledge, Mercy Lounge and a house party near you.

How could Rolling Stone not call Nashville the best Music Scene in the country? It is a multi pronged Country, Alt-Country, Americana, Bluegrass, Newgrass, Folk, roots, rock, funkified attack on your senses.

It’s one of those places you could actually plan a week of your life to check out bands as well as pick up a new Nudie or Katy K suit. A place where you might find Joe Maphis’ old Mosrite double neck or the Bass player from Cinderella’s vintage Precision Bass on sale on Craigslist.

You may never win over Nashville, but, it’s a good place to write, do your business and go to the Third Sunday at Third pot luck at Doak Turner’s house in Nashville. Maybe it doesn’t have a burgeoning Death Metal scene but it does have The Billy Block Show. When the sun is out you can’t deny how beautiful Nashville is. Where else can “Bless Your Little Heart” actually mean, I don’t give a ****.

Nashville is a great place to throw your guitar case in the corner and call home.

There are several trackbacks links for your viewing pleasure.

– Brad Hardisty, Nashville, TN    thenashvillebridge@hotmail.com

Future of Saturday Morning TV

In what may be a mindbender on an unsuspecting audience, Peelander-Z from Japan unleashed the craziest show to ever roll into Exit/In if not the Next Big Nashville 2010 Conference. Equal parts Aquabats Super Heroes and Flaming Lips larger than life costume changes, they made their entrance marching like 80’s band Toy Dolls with Peelander Yellow acting as ringmaster for all the kids on the playground.

I was forewarned if not recommended by Kyle Bowen of Modoc when I asked what band to check out this year. He said you got to check out Give Me Smile from Japan. I looked through the scheduled appearances and had no idea what he was talking about. On Friday night while exiting Third Man Records after the Heavy Cream set I ran into these two Japanese Guys in Yellow and Red and asked if they had heard of Give Me Smile. They just smiled exclaiming “oh! Oh!” and handed me a CD with what looked like a band named Peelander-Z?

Peelander-Z at Exit/In

I threw it in the car and was met with a barrage of The Banana Splits meets Motorhead. This was a Japanese band not even trying to fake their way through the English language, they were downright mangling words like “Ugly”. I almost had to pull over from laughing to tears while driving my car.

Finally, the words come on “Welcome to our show, next time bring Mom and Dad…give me smile, give me smile, give me smile”. Oh man, it’s the “Give me Smile” guys. Okay I had to check this one out. Luckily enough it was at Exit/In where I wanted to go check out Cheer up Charlie Daniels and Heypenny already.

Crowd Surfing Bassist

No one could have prepared you for this band live. It was tight Motorhead speed with twists and turns that occasionally stopped for audience participation in bowling games or a bunny hop style line of follow the leader behind bassist Peelander Red. Dressed in primary colors of Red, Yellow and Green on drums, they took as much from The Ramones as the Aquabats. If Peelander Yellow was the ringmaster who was equal parts Lemmy and Pat Morita from Karate Kid, Peelander Red was the instigator jumping into the audience at random, a flying Ninja jumping off a full Ampeg SVT cabinet up at least 10 feet in the air before landing onstage.

We were encouraged to sing along to unforgettable classics like “E-I-O” and “Medium Rare “with the crowd yelling like a frenzied table at Benihanas before taking all of us back to that response to “Rock and Roll High School”, with “Ninja High School”. Nashvillians were in a frenzy beating on what looked like hubcaps passed out by a magical Peelander Pink who would appear out of nowhere sometimes onstage or in the rafters.

MAD TIGER!!!

Peelander Black added a little lead guitar and mysterious vibe to the mix. Peelander-Z would at a moment throw on bigger than life bowling pin outfits or Mad Tiger headgear for very special songs about Mad Tiger and Bowling.  One guy jumped on stage and thought he was going to just groove with the band when they all stopped and stared at him. Peelander Yellow kissed him on the cheek and he quietly faked a stage dive off the front sans music. That had everybody laughing.

At the end, they pulled people up and replaced the entire band with audience members on drums, guitar and bass while they were in the audience skipping rope or whatever. They finally worked back up on stage and finished out the last song.

Peelander Pink Cheerleader

If somebody was trying to find something serious about this stuff they came to the wrong set. This was all about a good time and to me was the high point of the Conference. There will be plenty of time for more structured thoughtful music but for now it was “Schoolhouse Rock” singing about steak and watching Superhero Japanese Anime in primary colors run amuck.

Even Lucas who was in town from Denver to see Widespread Panic at the Ryman said “I have to admit that was the first time I ever saw a full on Redneck moshing!”  Peelander-Z wore out the audience with full participation! This was a primary color and primary rock and roll extravaganza!

– Brad Hardisty, Nashville, TN      thenashvillebridge@hotmail.com

Peelander-Z at actual Velocity!

 

Elliston Place

                Heading over to Centennial Park, I set myself down near Rock Block for starting point to TACA 2010 in front of Elliston Place Soda Shop, one of the oldest landmark Restaurants still at the same location near Vanderbilt University.

                Today was a day off in preparation for the rest of “Busy-September” when the stars align and Nashville is taken over by The Americana Music Association and finally IBMA World of Bluegrass in the same moment as Next Big Nashville 2010 starting Monday.

Next Big Nashville has been touted as Nashville’s SXSW but then again there is a NXNW Indie Conference as well. The foundation has been laid for bigger plans in Nashville for the music business. Indie distributors such as Thirty Tigers and of course Jack White’s Third Man Records are adding to the landscape of Nashville.

Rock Block

Third Man Records has had involvement at SXSW in the past with a pop up music store during the festivities in Austin and has announced offsite Concerts at Third Man Studios during the Conference. There is even special Blue and Black vinyl releases to guests at the show. They have no less than three shows, Jenny & Johnny Sunday night, 9/26, 6 PM, followed by Tyvek from Detroit at 8PM Monday night and back to back shows 10/1 and 10/2 featuring The Ettes, Jeff the Brotherhood, Jacuzzi Boys, Heavy Cream among others.

Marilee Hall Ceramics

Not to be outdone Next Big Nashville has announced several showcases, one of which is The Bridges among its 4 Days/150 Bands/12 Venues Lineup.  It actually dwarfs the Americana Music Conference that featured such great Artists as Robert Plant, Wanda Jackson and The Avett Brothers.

Dancin' in the Park

It is going to be hard to get around town with the IBMA World of Bluegrass taking on the same streets. This is the largest Conference of the Bluegrass scene that has Americana crossovers like The Steeldrivers performing during the week. Jerry Douglas will be one of the hosts at a packed awards show on September 30th at The Ryman.

Roberta Elliott/The Velvet Hammer Ltd.

Yes, this weekend is a little peaceful among the Artisans, crafters, gawkers and dogs. It is a day on the green at Centennial Park in the mid 80’s with everything from John J. Quick hand carving Windsor Chairs without a lathe to Roberta Elliot-The Velvet Hammer Ltd.  Showing off ironware for the home. She had the most interesting Music Stand I had ever seen with some famous folks that already own one. I asked if she had made a Mic Stand for anybody yet and the answer was no. You can be the first one out there with a Mic stand built from scratch to your own specifications.

Chair Swing with a View

A little time to contemplate the week ahead kicking back on one of the chair swings at Centennial Park with The Parthenon in the distance and I was back down to Elliston Place for a brief stop at Rock Block Guitars to check out the used gear that may have ended up there at tour’s end or a broke musician leaving town. Nashville makes as many dreams as it breaks. I always say “you will get out of Nashville what you bring to the table”.  This week over 200 bands and artist will be playing for locals, the media and just for the sheer fact that a Musician has got to do what he is.  

Rock Block Guitars

Okay tonight will be some mindless fun reminiscing my youth with a Van Halen tribute band by the name of Fair Warning at The Basement  just a little break before next week’s madness and sleepless nights.

Coasters

John J Quick/ Tennessee

Lester Jones.com

The Parthenon in the distance

Centennial Park, Nashville, TN, TACA 2010

– Brad Hardisty, Nashville, TN, all photos 2010- Brad Hardisty      thenashvillebridge@hotmail.com