Archives for category: Geffen Records

Josh and Zac Farro’s recent departure appears to be from the fact that in reality Paramore was a solo gig appearing as a band. Josh and Zac went along for the ride as long as they felt a part of the band by writing and had some decision making.

What appeared to be an indie band pressing up through the ranks on small label Fueled by Ramen was actually a Trojan horse of major label Atlantic to be part of the South by Southwest crowd.  Does this really surprise anybody? Although they may have not sounded like No Doubt, the packaging was clear especially when they had the opening slot for No Doubt on their reunion tour not too long ago.

Puddle of Mudd

This is not the first time an artist has been released as a “band” another good example is Wes Scantlin whose Kansas City band Puddle of Mudd had broke up, was able to get his demos in front of Fred Durst who was interested and helped him put together a new Puddle of Mudd that was touted as being from Kansas City when in fact only Wes was the only original member from Kansas City. The rest of the band were people that Wes met out in California or Fred wanted in the “band”.

Kurt Cobain

One of the most interesting notes in a label trying to attain street cred was the signing of Nirvana. David Geffen wanted to sign them to Geffen Records home of Guns & Roses. Nirvana had been with Sub Pop and was weary of the big label machine with the importance of being accepted by the alternative rock community. So, David Geffen started a new record company called DGC Records.  It is fairly obvious what the initials stand for.

The Runaways & Kim Fowley

One of the biggest disputes of whether or not we have a real band here was between Kim Fowley and The Runaways. While it is true Kim Fowley helped Joan Jett put together an all girl rock band with his contacts that reached far and wide across Southern California, The Runaways did in fact write and perform their own music. There is no way to dispute that Kim may have been only a handful of people that could have helped put that group together and encourage them as raw teenage talent they were in fact a great band writing and performing their own music.

It would be great if all band stories were not either marketed or put together on purpose, but as one can see music is a business and many times the business machine is involved in the creative process. It looks like Paramore was in a development deal similar to a country act that may take a couple of years before the business machine drops the record on the public.

Paramore’s roots are actually still a lot more organic than most.  Josh and Zac did have Hayley in their garage band. Hayley did reach out to them when she wanted to put together a full band. They helped to come up with the name of the band. She also stuck up for them when label execs started flexing their “whose in the band” muscle.  They were involved in the writing process. In the end, although she may have been the one signing the deal with Atlantic, they were more of a band then the current Guns & Roses which really is an Axl Rose solo project under a band moniker.

Paramore has a lot of fans because after all it is about the music. Sometimes the way into the music business is not always from the garage to the road to success. There can be other people involved. Paramore is not quite the same story as Puddle of Mudd; they are still a band from Franklin, Tennessee now with two less members from Franklin, Tennessee.  For Josh, it must be a little weird to leave the band with a name you came up with.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

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A year in Exile

If there was any kind of recurrent theme this year, The Rolling Stones kept popping up on the radar. It started when I bought the Deadstring Brothers album Sao Paulo an obvious well done Stones influenced work of art. It would be in my Top Ten if it had come out in 2010 but it actually was released in 2009. It is a great album and when I saw them live at The Basement it came across really well.

It didn’t stop there; Exile on Main Street had been remastered with bonus tracks where The Stones actually brought in Mick Taylor to play his parts on some unfinished tracks. The Rolling Stones released a new single “Plundered My Soul” from the found tracks and released several versions of the album.

Grimey’s did a midnight screening of the Documentary Stones in Exile that took photographs, film, new interviews with the band as well as Bobby Keyes and others about recording Exile on Main Street in the south of France way back when at The Belcourt Theatre. “Exile” is now considered a pivotal record but at the time “Tumbling Dice” was considered a difficult single on a rather un-commercial record.

During the Americana Conference the Long Players augmented with Stones Sax Player Bobby Keyes, Dan Baird and several singers like Mike Farris, Grace Potter and others did the entire album live at The Cannery Ballroom. 

The Theatre release Ladies and Gentlemen The Rolling Stones which was filmed during the Exile promotional tour in the States was remastered and released on DVD in the fall. The set featured many of the songs from Exile that are not played much by latter day Stones such as “Sweet Virginia”. The sound and film looked phenomenal and it was good to see Mick Taylor at his best, an integral part of The Stones during that period and in truth is really missed nowadays.

Finally, to finish off the year of The Stones, Keith Richard’s Autobiography Life was released in November along with a compilation of his X-Pensive Winos recordings from the late Eighties.  The Rolling Stones managed to keep in the music news almost as much as Taylor Swift.

Original cover for Straight Up

It also seemed to be the year for catalog re-releases as Apple Records remastered most of the Apple back catalog of non-Beatles recordings by Badfinger, Mary Hopkins, James Taylor and released all of them at the same time.

FnA Records continued to not only re-release 80’s metal catalog but also unearthed several recordings that were set to release but never were by labels such as A&M and Geffen when the Seattle scene took over.  There were several recordings by different artists from The Thirteenth Floor Elevators 45’s to Carnival Season vinyl that saw their material released on CD for the first time.

Janie Hendrix continues exquisite releases of all things Jimi Hendrix with the release of West Coast Seattle Boy that not only has yet another Bob Dylan song done by Hendrix but goes back to the background of what he was doing before going to England with expanded packages that include a disc full of Isley Brothers and other nuggets, pre-Experience as well as a DVD Voodoo Child that even talks about his Nashville days.

Country continues to sell big, but real, traditional or Texas Country has been swallowed up by the Americana scene. At least it has found a home. As far as innovation in current pop country the last leap forward was Miranda Lambert’s Revolution and that was released last year.

Here are few honorable no less worthy than the list:

Ratt – Infestation

Merle Haggard – I Am What I Am

Kort – Invariable Heartache

Charlie Louvin – The Battles Rage On

Marty Stuart – Ghost Train

Jim Lauderdale – Patchwork River

Crazy Heart – (Soundtrack) Various Artists

Okay, now for my Top Ten. In making my choices, I not only looked at material, but innovation and game changers, records that made things interesting.

10- Carnival Season / Misguided Promises / ARRCO

This represents not only a re-issue on CD for the first time of regional Birmingham band Carnival Season that features local legend Tim Boykin, but, painstakingly includes every recording the band made during their short time together as well as extensive liner notes that tell the whole story of the late 80’s rockers. It sits well on the shelf with bands like Redd Kross as well as The Replacements. The band has been doing occasional reunion gigs playing not only this set but some new stuff as well over the last couple of years. This was one of the first alternative rock bands out of Birmingham, Alabama.

Featured tracks: “Misguided Promises”, “Please Don’t Send me to Heaven”

9- Robert Plant / Band of Joy / Rounder –Esparanza

Robert was in the middle of recording the follow up to Raising Sand with Allison Krauss when he pulled the plug when he felt the magic wasn’t there. He retreated to Nashville and entrusted Buddy Miller to put together a band that features Darrell Scott, Byron House, Marco Giovino and Patty Griffin and secluded into Woodland Studio to see what they would come up with. The result is obscure covers as well as a Plant-Page piece from Walking into Clarksdale that shows some Zeppelin flavor with uncharted Americana territory which sonically could have only happened with Nashville session players in such a short time. The band gelled in the studio and continues to roll across Europe and Stateside. This is probably Buddy Miller’s best Production effort yet.

Featured tracks:  “Angel Dance”, “You Can’t Buy My Love”, “House of Cards”

8 – Ryan Bingham and The Dead Horses / Junky Star / Lost Highway

Ryan tends to write like a modern day Dylan but his voice is more like John Kay from Steppenwolf. Ryan who comes from the red dirt scene of West Texas and now lives in so-L.A. got national notice with the Grammy winning “The Weary Kind” from the Crazy Heart soundtrack defiantly writes about a drifter leaving behind a dead end life to go to California only to end up sleeping on the Santa Monica pier.

Featured tracks: “The Wandering”, “Junky Star”

7- Sweet Apple / Love & Desperation / Tee Pee

Put together by members of Dinosaur Jr. and Witch, this little known defiantly Hard Rock and other worldly idea collection of songs with its Roxy Music rip off style album cover is actually closer to something between an early Alice Cooper (when they were a band) and Ziggy Stardust era Bowie. The album kicks off like a Raspberries send off with Guidedbyvoices production and then the desperation begins with some morbid love lost desperation with a chugging Alice Cooper band style with lyrics like ”Looking out the window, watching people fall, how I wish I could fall to death”. It’s a rock and roll gem this year.

Featured tracks: “Do You Remember”, “I’ve Got a Feeling (That Won’t Change)”

6 – Preservation Hall Jazz Band / Preservation / Preservation Hall Recordings

What a fantastic album. A collection of well-known New Orleans Ragtime with this important Horn based band where the tuba still carries much of the bass part, mashes PHJB with an all-star cast of vocalists such as Andrew Bird, Pete Seeger, Ani DiFranco, Ritchie Havens, Steve Earle as well as the sultry vocals of Memphis’ Amy LaVere.  The band ended up on tour with Maroon 5 this year.

Featured tracks: “Blue Skies”, “Baby Won’t You Please Come Home”

5- John Mellencamp / No Better Than This / Rounder

Recorded for the most part at Sun Studios with one RCA 44 ribbon mic into vintage Ampex Analog gear, John not only sounds like the old Sun recordings, this sounds like old tape that had to be baked in a microwave to finally put it on digital media. It was not only a great idea with equal parts Cash country, Rockabilly and blues but probably his best album since Scarecrow. The T Bone Burnett produced masterpiece even got airtime on WSM.

Featured tracks: “No Better Than This”, “Coming Down the Road”

4- Justin Townes Earle / Harlem River Blues / Bloodshot

If you missed it, Justin just rolled a third strike in three years. Every album has been decidedly Justin with marked differences and excellent songwriting. This would be his “Ode to New York City” where he now calls his second home.  Jason Isbell (Drive by Truckers, The 400 Unit) puts in guitar duties and gives this more of an edgy guitar feel as well as some straight up Rockabilly. It really would be cool to see a pure Rockabilly album in the future.

Featured tracks: “Move Over Mama”, “Workin’ for the MTA”, “Christchurch Woman”

3- Black Mountain / Wilderness Heart / Jagjaguwar

This album sometimes feels like Led Zep III and Deep Purple Fireball at the same time. The duality vocals of Stephen and Amber still remind me of a haunting Jefferson Airplane with the production sounding very early 70’s analog, sometimes acoustic but when they rock it’s got Jon Lord style Hammond B3 all over the place. Although the first album by this Vancouver band may have been a defining moment this is the one that makes me wants to crank the stereo full blast on road trips.

Featured tracks:  “The Hair Song”, “Old Fangs”, “Let Spirits Ride”

2- Mike Farris and The Cumberland Saints / The Night The Cumberland Came Alive / Entertainment One

Recorded in just six hours just two weeks after the Nashville Flood in a downtown Nashville church just blocks from the flooding, Mike shows that his bluesy/gospel voice can sound fantastic over anywhere he wants to go. Mike has been everywhere from Indie Rock, Blues, Gospel, working with Double Trouble to now this pre-war Gospel Blues style gem working with The McCrary Sisters, Sam Bush, Byron House and members of The Old Crow Medicine Show, his originals mesh well with the rare covers. He showcased the album at Cannery Ballroom during the Americana Music Festival and it was electrifying.

Featured tracks: “Wrapped Up, Tangled Up”, “Down on Me”

1-She & Him /Volume Two / Merge

Zooey Deschannel & M. Ward are some kind of modern Indie Captain and Tennille and somehow it works. Zooey has a sunny California breeze running through her muse that translates into a digital era take on The Beach Boys versus Phil Spector. Even though the material is fresh it makes me daydream of being back on the beach in Santa Cruz when I was six with my Mom and little sister.

Featured tracks: “In The Sun”, “Don’t Look Back”,”Lingering Still”

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

courtesy Brian Cade Photgraphy

November 19th, mark it on your calendar, will be a big night for Rock City Angels performing live with a forward march and a look back to the storyteller past, where they will be celebrating the release of Midnight Confessions on FnA Records, a collection of songs recorded from Memphis to England with Brian Robertson of Thin Lizzy fame on what would have been their second Geffen Records release.

Bobby Durango  talked about Midnight Confessions;  a collection of songs spanning three years after the release of their first Geffen album Young Man’s Blues. “We had the same A&R as Guns n Roses at Geffen and that is where they put their money and promotion”.  

The label didn’t give them an idea of when they would drop the second record, “The A&R guy just kept saying “This stuff is great but I don’t hear THAT SONG” it was almost like Geffen was saying we are not going to put money into this”.

Rock City Angels went through several lineup changes that even included Brian Robertson of Thin Lizzy featured on “Heart and Soul” between 1989 and 1992 before they were sold a bad idea. “Bands are much more savvy now. I just wanted to be a musician, not a businessman. Our lawyer was in collusion with the label. He was the one who sold us on the idea of declaring Bankruptcy.”

Rock City Angels were told at the time by their own Lawyer that when it was done Geffen  Records would sign them again, when in actuality it was a way to wash their hands of the band without having to buy them out of their contract. The tracks that make up Midnight Confessions are works in progress that would have eventually made up their second Geffen release.

Bobby isn’t bitter, “If you listen to the record (Young Man’s Blues) it still holds up, a lot of bands can’t say the same thing.” Bobby hates being lumped in with the hair band scene, “We were more like The Stones. It’s time to clear the record. For the most part our fans know the difference”.

Rock City Angels has been busy this last year after the release of their newest material “Use Once and Destroy” a straight ahead rocker, “We were never about going after that elusive hit. We were after an overall theme like Aerosmith Rocks:  A great album. Use Once and Destroy is what would be an official follow up to their first album.

They will feature at least two gems from Midnight Confessions, ““Sweet Ambition” sounds killer and we have never done it live. We have an updated arrangement of “Shattered Shake””. Neither song has ever been performed live and will make their debut on November 19th at The Muse in Nashville.

They will perform songs from all of their releases, making sure to mix crowd favorites with newer material and diamonds from the past.  It will be a night that kicks off renewed interest in the band especially in Europe. “We just had a five page article come out in Popular One in Spain. We hope to get over to Europe; we have a lot of fans over there.”

There is still a lot of unreleased music as well as new stuff to the forefront. “Geffen spent a lot of money on the first album. We actually recorded it once with Producer Jim Dickinson (The Replacements, Big Star, Mudhoney, Mojo Nixon) and Geffen decided we had to re-record it and the second recording became Young Man’s Blues. I still have that first recording”. Okay, it’s time for Geffen to consider a re-release with both mixes.

The current lineup of Bobby Durango, Pagan Raygun, Jorge Hernandez, Mark Binko and Adam Keller is primed and ready for a killer show. “We have a great future ahead of us, so… fuck ‘em”. Enough said.

Rock City Angels - Midnight Confessions

–          Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com