Archives for category: Buddy Miller

Buddy and Jim Live

 

Jim Lauderdale, Buddy Miller, Cannery Ballroom, Sept 2013, photo - Brad Hardisty

Jim Lauderdale, Buddy Miller, Cannery Ballroom, Sept 2013, photo – Brad Hardisty

The most anticipated set at this years’ Americana Festival was Buddy Miller and Jim Lauderdale bringing their collaboration, Buddy and Jim to the Cannery Row in front of a packed house.

Buddy Miller, Cannery Ballroom, Sept. 2013, photo - Brad Hardisty

Buddy Miller, Cannery Ballroom, Sept. 2013, photo – Brad Hardisty

Buddy and Jim have both been mainstays since almost the inception of the Americana Music scene where both have one multiple awards starting in 2002 when Jim Lauderdale won both Artist of The Year and Song of the Year.

Buddy Miller at Cannery Ballroom, Sept. 2013, photo - Brad Hardisty

Buddy Miller at Cannery Ballroom, Sept. 2013, photo – Brad Hardisty

Buddy Miller was not to be outdone winning a duet album of the year in 2002 with his wife Julie Miller as well as Album of The Year as a solo artist in 2005 for Universal United House of Prayer.

Jim Lauderdale, Buddy Miller, Cannery Ballroom, Sept 2013, photo - Brad Hardisty

Jim Lauderdale, Buddy Miller, Cannery Ballroom, Sept 2013, photo – Brad Hardisty

Jim Lauderdale has played host of the Americana Music Association Awards Show for several years running and if you want to get a hint of that check out the video of “ Hush Hush” by Pistol Annies where he was featured as a Preacher and Brenda Lee plays the Choir Director.

On the other hand, Buddy Miller has been leader of the house band for the Awards show for several years running.

Buddy Miller, Cannery Ballroom, Sept 2013, photo - Brad hardisty

Buddy Miller, Cannery Ballroom, Sept 2013, photo – Brad hardisty

Buddy Miller’s career really started taking off in the late 90’s and especially during the last decade with several High Tone and New West releases, but International acclaim outside of Americana circles came as bandleader on Robert Plant’s Band Of Joy album and subsequent tour. Although Band of Joy became a big tour and launched all over the world, The Americana Music Association featured Robert Plant with the project at the Awards show just prior to release as well as Robert singing a song from the release at the following year’s star studded show that also featured Gregg Allman.

Buddy and Jim had collaborated for nearly fifteen years off and on, but never sat down to do an album together until now.

Americana Music is a realm of collaboration and this was inevitable between two Artists that have worked with everybody from Emmylou Harris, Patty Griffin, Elvis Costello, Ralph Stanley, James Burton to Grateful Dead Lyricist, Robert Hunter.

Buddy Miller, Cannery Ballroom, Sept 2013, photo - Brad Hardisty

Buddy Miller, Cannery Ballroom, Sept 2013, photo – Brad Hardisty

Buddy and Jim are currently tastemakers on their Sirius XM Radio Show on Outlaw Channel 60 as well as Jim Lauderdale’s Radio Show on WSM 650 in Nashville.

Currently, Buddy Miller just produced The Devil Makes Three’s new release.

 Jim Lauderdale released a new Bluegrass album in September entitled Old Time Angels.

–          Brad Hardisty, Nashville, TN     thenashvillebridgeathotmaildotcom

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photo – Brad Hardisty

After much thought, I really wanted to salute a few key individuals for perpetuating Nashville as Music City. I could have written about 100 individuals both musicians and business people that make things happen and gone into Classical Music, Christian Music and Gospel Music, but, in the end, I needed to break this down to four people from different directions musically that make NashvilleMusic City” and give way more than they take from the community.

For those that live here, you may understand what I am talking about, but, for those from all over the world, maybe I will open a few eyes and ears.

For any number of reasons, I could have written about Little Jimmy Dickens, Emmylou Harris, Dolly Parton,  Jim Lauderdale, Charlie Daniels, Ricky Skaggs, Little Richard, Elizabeth Cook, Taylor Swift, Vince Gill, okay I could go on. You may agree with my list or you may not. These are whom I call four essential pillars that hold up through thick and thin and inspire others to create and grow in the Nashville community.

Marty Stuart supporting band member Kenny Vaughan at Ernest Tubb’s Music Store CD Release Party, photo – Brad Hardisty

Marty Stuart, born September 30, 1958 in Philadelphia, PA, has been one of country music‘s most eclectic artists, performing and recording diverse types of country music.

He is of French, English, Choctaw, and Colombian descent.

In 1979, when Lester Flatt died. Stuart pushed forward and worked with fiddler Vassar Clements. He also worked with guitarist Doc Watson. In 1980, he joined Johnny Cash‘s backing band. The previous year, Stuart made his first solo album, With a Little Help From My Friends, on Ridge Runner Records

In 1985, Stuart accompanied Johnny Cash to Memphis and played on the “Class of ’55” album that also featured Carl Perkins, Roy Orbison, and Jerry Lee Lewis. At the end of the session Perkins presented him with his guitar.

When does Marty become a Patron Saint? I believe it started when he had a heated run-in with Columbia Records when they dropped Johnny Cash from their roster. When he stuck up for the “Man in Black” it cost Marty his own album, Let There Be Country which Columbia decided not to release at that point. With Marty, principal comes before dollar signs.

Marty has performed with the best of the best, Johnny Cash, Lester Flatt, Earl Scruggs, Bob Dylan, Merle Haggard and Travis Tritt to name a few. Marty saw his first solo success with Hillbilly Rock on MCA Records.

Marty contributed to the AIDS benefit album, Red Hot + County.

Marty’s interest in the heritage of Country Music lead to the showing of his private collection of music memorabilia at the Tennessee State Museum in 2007 as “ Sparkle & Twang : Marty Stuart’s American Musical Odyssey” in 2008.

Marty Stuart has published two books of photographs he has taken of some of Country Music’s  most historic Artists including, “Country Music: The Masters” with some of the final photos of Johnny Cash.

Lately, Marty has been the touchstone to Neo-Country proudly wearing the badge of Nashville past bringing classic country into the future with his last two recordings, Ghost Train (The Studio B Sessions) and Nashville Vol. 1: Tear The Woodpile Down.

Marty’s vast knowledge of the history of Country Music and support of classic artists such as Porter Wagoner despite the lack of Nashville label interest has helped to perpetuate what the outside world considers to be true blue Nashville Country.

Buddy Miller stands at the crossroads of the past and the future as the Godfather of what is now known as Americana, which encompasses everything from old time gospel music to red dirt Country.

Buddy has managed to put a canons worth of Gospel, Country tinged rock, and the most original of tracks out of his own living room with his wife, Julie Miller.  Buddy is a great musician, songwriter, producer and collaborator. I believe that last skill is what makes Buddy one of the four patron saints. A great collaborator where all are welcome under his tent that bring something to this new idiom described as Americana.

Buddy is the house band leader for The Americana Music Awards every year, able to play with just about every artist including Robert Plant who when he decided to put together his Band of Joy project, Buddy Miller was his only choice for bandleader. Buddy put together a band of Nashville all-stars that included Darrell Scott as the utility man on everything from fretless banjo to pedal steel.

Last year’s Majestic Silver Strings featured guitarists Bill Frisell, Marc Ribot and Greg Leisz, with guest vocalists including Emmylou Harris.

To top that, Buddy is releasing on Black Friday, a new album with Jim Lauderdale, Buddy and Jim.

Buddy’s ability to reinterpret with a working knowledge all things country, rock, old time gospel and folk has singularly help to build a new arm of music radio and business with a firm avenue for those outside the box.

Artists such as The Avett Brothers and Mumford and Sons in some way owe some credit to Buddy Miller in helping to define a way to market this new indie branch of the music tree.

Marion James

Marion James may be the most constant and longest lasting member of the Music City Patron Saints. Marion has been a longtime performer and resident living nearby what used to be the hot bed of Blues, Soul, Rhythm and Blues on Jefferson Street. Marion’s biggest hit was The Top 10 Billboard Hit, “That’s My Man.”

Marion James at 30th Annual Musicians Reunion and Benefit, photo- Brad Hardisty

Marion James, known as Nashville’s “Queen of The Blues” was playing on Jefferson Street back in the day with a young Jimi Hendrix who had just gotten out of the military. As a former member of Fort Campbell’s Screaming Eagles, Jimi Hendrix and his new best friend Billy Cox had their own band The King Kasuals but also played with Marion James and others.

The musicians on Jefferson Street, Johnny Jones, Christine  Kittrell, Little Richard, Ray Charles and many others were featured on one of the biggest Rhythm and Blues stations of the day, Nashville’s own WLAC.

Marion was featured prominently in The Country Music Hall of Fame’s exhibit Night Train To Nashville.  A photo of one of her live performances with Billy Cox on bass is featured on Volume Two of the Night Train To Nashville Collection.

Several years ago, Marion James started the Musician’s Reunion shows that featured the stars from back in the day on Nashville’s Northside to benefit the Marion James Musicians Aid Society, that she started to help aging musicians with medical costs as well as support the American Cancer Society and the Nashville Rescue Mission.

Marion James continues to perform today. Marion James recorded in the 80’s a blues landmark album with The Hypnotics that lead to sold out shows in Europe and also released a solo album called Essence that featured Nashville guitarist Jack Pearson as well as session bassist Bob Babbitt.

Recently, Marion released Northside Soul on Ellersoul Records which reached #10 on the Living Blues Charts.

Marion James, not only is an accomplished vocalist, but, writes many of her owns songs. Marion James is The Queen of The South when it comes to the Blues.

Marion continues to support the North Nashville community through her organization as well as efforts to get out the history of Jefferson Street to the rest of the world.

Jack White is probably the newest patron saint as one of the four cornerstones of the Nashville Music Community.  I’m not sure what the tipping point was when Jack decided to move to Nashville, but, I imagine meeting Loretta Lynn and asking if he could produce her must have been a big nod in that direction.

The White Stripes started performing “ Jolene” long before Jack moved to Nashville, but, Van Lear Rose, the album that brought a Grammy nod as well as new ears to listen to Loretta Lynn was a huge milestone.

Wanda Jackson and Jack White (Associated Press Photo)

Since working with Loretta Lynn, Jack has gone onto record with Ricky Skaggs, Produce “The Queen of Rockabilly”, Wanda Jackson, invite Porter Wagoner to open for The White Stripes at Madison Square Garden shortly before his passing and worked with many of Nashville’s Rock and Roll Community while spotlighting its heritage.

Jack represents what Rock and Roll is all about with a balance between the blues, rock and roll and country. Jack and his record company, Third Man Records solidify Music City’s Rock and Roll Community which has seen tremendous growth in the last three to four years.

Nashville, whose first real travelling stars, The Fisk Jubilee Singers, has seen a lot of changes over the years. Lower Broad almost turned into a dangerous ghost town when Opryland took over the Grand Ole Opry and most of what downtown had left musically in the late 70’s.

It took many starts and stops before seeing a permanent positive growth record with the opening of today’s Country Music Hall of Fame and numerous new projects downtown.

Nashville is about to see a new golden age for the “Athens of the South.” Nashville has probably one of the biggest collections of colleges and universities in America. Now, just about every genre of American music has a piece of the pie and venues grow by leaps and bounds.

Peter Frampton may have moved here to early, it definitely spurred him on to return to the guitar in a big way, but, sadly he decided to move before Nashville really started to realize its potential as one of the coolest cities in America.

If you are a musician, especially a guitarist or a songwriter, there is no better place to be in the world today no matter what style you play.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

2010, Corb Lund, Hayes Carll, Lucinda Willianms, Hayes’ parents.

September used to be back to school month, now that school starts early, September is not only when the CMA’s hit Nashville, but, when the world comes for Americana, Bluegrass and where Next Big Nashville morphed into Soundland and moved to October.

While Nashville may be known for the CMA’s , Eric Church and Taylor Swift, it is also known for what Rolling Stone called the “coolest music festival in the world”, The Americana Music Festival hits the city for the ultimate pub crawl from September 12th-15th.

Dan Baird with Brad, 2010, Cannery Ballroom, Stones Tribute

Past years have seen everybody from Don Was to Robert Plant to Nashville’s Own, Justin Townes Earle put on some great showcases.  Last years’ awards show mashed up Gregg Allman, Robert Plant with The Avett Brothers, The Civil Wars and Mumford and Sons (sorry, the name reminds me of Sanford and Son). In fact, it seemed like a hybrid MTV awards show where music mattered and all sugar pop was left at the end caps in Wal Mart.

This year proves to be no exception, some notable sets will be Memphis night at The Rutledge featuring sets by Jim Lauderdale and the Mississippi All-Stars, okay, yes, I’ll say it again, Jim Lauderdale and The Mississippi All-Stars also a late set featuring an all-star jam playing the music of Big Star.

For those with a traditional view of what is “Americana”, Corb Lund will be at Mercy Lounge this Wednesday followed by a tribute to the late Levon Helm. In fact the line-up seems to be all inclusive with The Wallflowers, Mindy Smith, Chris Scruggs, Rodney Crowell among others playing all over the place for several nights.

As far as Americana goes, the easiest party route is to hang between Mercy Lounge and The Cannery Ballroom with an occasional run to The Basement for some harder to find sets.

Don Was, photo – Brad Hardisty

The problem is, this year, there are some great line-ups at The Rutledge and the Station Inn that will make that shuttle route a little difficult and may necessitate borrowing somebody’s 20-speed bike to get around each night.

Peelander-Z at Exit/In, NBN 2010 – photo – Brad Hardisty

The awards show at the end of the event, always proves to be a magical evening at The Ryman. This year should be no different. I am rooting for Alabama Shakes in the Emerging Artist category as well as Jason Isbell (Alabama represent!) & The 400 Unit with Album of the Year, Here We Rest.

The Dillards, IBMA 2010, photo – Brad Hardisty

Not to be outdone, IBMA’s World of Bluegrass Week runs from 24th-30th at, for convenience, The Nashville Convention Center and Renaissance Hotel. The IBMA Convention is not just about showcases, but, people are encouraged to carry around their guitars, fiddles, mandolins  and join in the jam sessions that run almost till the sun comes up every night.

You could say Ricky Skaggs is our local Bluegrass patron Saint, with yearly residencies at The Ryman and a new album, Music to My Ears coming out this month, but, there are many new young artists playing traditional bluegrass as well as pulling in some modern ideas and pre-war non-bluegrass styles.

This is the real rebellion. While the music industry is finding a million ways to make computers sing and dance and auto-tune any Disney character into stardom, both the Americana Music Festival and the IBMA World of Bluegrass celebrate real musicianship, communal collaboration and a reason for a Luthier to keep honing his skills in search of the perfect tone wood.

This recipe continues to build both communities with younger generations every year.

After all, how many times can the music business reinvent the 70’s and the 80’s?

Mike Farris hanging at Mercy Lounge, Americana 2010, photo – Brad Hardisty

So, while commercial Country is now going to be shown every week in the night time soap, Nashville, basically re-spinning the movie Country Strong, “Americana,” which can claim anything from pre-war anthems to Red Dirt scene country and Bluegrass, New Grass and all its modern heirs are really the new cool. These two celebrations are really the underground cool.

As far as Soundland? What happened? Well, it’s now on October 6th and after a peak year three years ago that featured major music business players talking about the next generation of music delivery and several days of new music, it is now one day down by the river with bands that already play Lollapalooza and other big festivals.

Wanda Jackson signing autographs at Mercy Lounge after Jack White produced album showcase, Americana 2010.

There are only a few locals, when Nashville could really do a Next Big Nashville with such a burgeoning Indie Rock and other type Music Scene, we get Soundland with just a couple of token Nashvillians, PUJOL and Nikki Lane.  I guess we are going for national respect and now start-ups like Secret Stages in Birmingham are filling in the gap. Can I just say…huh?

– Brad Hardisty, Nashviille, TN     thenashvillebridge@hotmail.com

Kenny Vaughan at Mercy 2011

This would be the year that Indie makes more news in Nashville than Country; what Music City is known for. There seems to be much more going on with the ever developing spider web of Funk, Rock and strange magic underbelly from the Gulch to East Nashville.

Before, we get into this weird year, 2012 with its three Friday the 13ths exactly 13 weeks apart, the intrigue of political discord, 12/21/12, which lines up with Rush’s “Temples of Syrinx” released in 1976, prophecy being realized, “Our great computers, fill the hallowed halls, We are the priests of the temples of syrinx, All the gifts of life, Are held within our walls,” ha! Computers, what a blessing and a curse as all the creative occupations occupied by humans are eliminated by this gift we call knowledge at our fingertips. Remember, when Rush wrote “Temples of Syrinx,” a computer took up a whole room. Well, Steve Jobs, one of the great Priests of the digital age has passed onto the spiritual realm.

The Mayan calendar ends shortly after the election, maybe the world won’t come to an end, but, probably a lot of music will be written about end times and there will be an uptick of heavy dirge and Metal music. This may be the year to contemplate life listening to Dark Side of The Moon again or about sinister underlying forces in Queensryche’s Operation Mindcrime.

Before we move through this “L” shaped recovery, one of the most mentally difficult times I can remember in my life, let’s rewind.

 As far as music, 2011 was a “run for cover” year as the “360 deal” pop artists keep spinning their “larger-than-life-80’s-on-ecstacy” fluff with the bands that happen to still be signed to major labels sounding not too far off the Katy Perryesque mark. I think the bands were put on warning, “Rock radio is dying so you better have “Moves Like Jagger.”

Okay, before I get to something positive, there were some disappointments. Janes Addiction, while preparing to release their newest album, The Great Escape Artist, put down their last effort, Strays  as not being that good, when in fact Strays did have a couple of great guitar hooks, while this dark piece, weak on guitar, ended up being more reminiscent of Porno for Pyros.  There was not one solid hook on the entire album.

Red Hot Chili Peppers were able to put together a solid if not remarkable effort with new guitarist, Josh Klinghoffer, who may be capable of taking on some Frusciante and Slovak, but not as innovative. Frusciante was a trailblazer; this is like replacing Eddie Van Halen.

So, with FYE the last major chain in Nashville closing its doors at the old Tower Records site, you got your choice, you have major league fluff, really not much different than the cotton candy days before The Beatles and The Rolling Stones crashed the party or you can go outside the box, think for yourself, show up at a Grimey’s in-store or a showcase at The End.

Hello Kelly at The Rutledge, photo courtesy- Jeni George

As far as bands go, Jeff The Brotherhood, joins the two member band fray that goes nationwide, well deserved with great shows locally and at Bonnaroo and beyond. As far as other local rock acts, Hello Kelly always put on a solid show when I saw them this year as well as The Onethroughtens that played solid sets at both the Third Man Vault show and some fashion meets art consortium at Mercy Lounge.

Kenny Vaughan at Ernest Tubb Record Shop

As far as favorite shows, Kenny Vaughan’s record release at Ernest Tubb’s downtown location was the place to be this year with Marty Stuart, the Fabulous Superlatives as well as Chris Scruggs playing to a packed room with about half being friends and relatives.

Jeff Beck at Ryman 2011

Jeff Beck at The Ryman was another phenomenal show as well as the Americana Awards that saw not only The Avett Brothers and The Civil Wars, but, also Robert Plant and Greg Allman bookending appearances with Buddy Miller providing the musical proceedings.

Okay, now for my top ten of the year. Many recordings are sounding more analog in the Indie world, if not recorded analog, the attempt to match the style with the sound that would come out of the influential era a must.

10.  Jeff The Brotherhood  – We Are The Champions

Starting out with some punk rock Buck Rogers guitar laser blasts subsiding into gnarly Maestro phase shifter on “Hey Friend” clocking in with a long intro, the writing is strong, simple and effective. Jeff gets a major label deal off this one. It will be interesting to see how that goes. Their own label, Infinity Cat, being one of the major local indie labels to develop a short roster that has been hitting every club and festival that they can, Jeff the Brotherhood came up with a solid piece of work.

9. The August – Dear Chicago Love Nashville

Jacky Dustin has one strong Country voice, this Chicago band has been down here chasing their Country music dreams for a little while, not waiting to get signed, they put this great piece of Country rockin’ song cycle out themselves.  Big labels, in their search for solos and doubles, have so far overlooked this great band. What’s wrong with a great band that writes their own songs about cranking The Rolling Stones and talking about where they came from? This is not a one trick pony going from the double-time “We Write Our Songs” to the getting more than you bargained for sultry “Love Me Like A Stranger,” this is probably the best “unsigned” country band in Nashville.

8. Graveyard – Hisingen Blues

This was a find while traveling out to Utah to do interviews, stopping it at local indie record shop, Gray Whale and picking up a recommendation. The Swedish rockers are somewhere between first album Black Sabbath and Vincebus Eruptum, Blue Cheer. The recording sounds like it was done on an old well worn 4 track reel to reel with non-Marshalls, more like full blown, old Sound City amps or something. There doesn’t seem to be anything above 8k on this album. It plays like a record found at a garage sale from an old Vietnam era stoner. They are playing this month at Exit/In on January 20th.  The early Black Sabbath slow un-blues of “No Good, Mr. Holden” and stoner boogie, “Buying Truth (Tack & Forlat)” are stand outs.

7. Mastodon – The Hunter

It’s weird to think that a Metal band that was conceived at The Nick in Birmingham and worked its way out of Atlanta, would earn its wings being lauded not only by Metallica but attendees at such indie festivals as Coachella with 2008’s, Crack The Skye, busting out everywhere. It was hard to follow up Crack the Skye which would be their Dark Side of The Moon, but Mastodon do a great job on such cuts as the “Sweet Leaf” groove of “Curl of The Burl” and the Dream Theater flavored, “Octopus Has No Friends.”  

Dedicated6. Steve Cropper – Dedicated, A Salute to The 5 Royales

Steve has the opportunity to pay tribute to guitarist, Lowman Pauling, who was one of the biggest influences on Stax soul as the great era of the Sixties would kick in full effect. The King records office, run by “Duck” Dunn’s brother in Memphis, brought in some of the strongest soul artists of the day from around the country. Booker T. and The MG’s, Otis Redding and many other artists were influenced as the music changed from rhythm and blues to soul. This has an all—star vocal cast from Delbert McClinton on “Right Around the Corner” to Steve Winwood, B.B. (Beale Street Blues Boy) King, Steve Winwood, Lucinda Williams and an A-list that contribute to this project.

5. Gary Clark Jr.  – The Bright Lights E.P.

With some gritty Black Keys meets The Burnside Exploration bluesy soul of “Bright Lights,” kicking off this four song cycle, there is a little Paul “Wine” Jones thrown in here, this Texan, all things, including a little hill country blues, is more of a promise than a full album. It was good enough to make Rolling Stone’s list for the year and earns a place on my list as well. The fact that it is on Warner Brothers makes it really twisted.

4. Tony Bennett – Duets II

With many of the classic icons now “Dust in The Wind,” it really is amazing that Tony Bennett still sings like a prizefighter. Mr. Bennett could hold up everything by himself, but, the interesting match-ups with Mariah Carey, John Mayer (yes, John Mayer), Willie Nelson, as well as Lady Gaga’s best performance to date on “The Lady is a Tramp” makes for an instant standard. The most prized track is Amy Winehouse’ last recorded performance of “Body and Soul.” The Nelson Riddle style strings make this record sit on the top shelf with the best early Sixties era Frank.

3. Kenny Vaughan – V

Kenny shows up on a lot of Nashville records, known as Marty Stuart’s guitar slinger, Kenny takes center stage with The Fabulous Superlatives providing back up, the album rocks as much as it steeps in mystified netherworld Country, blasting off with “Country Music Got a Hold on Me,” stopping mid-point with the instrumental, “Wagon Ride” before ending up in a rockin’ Country church, “Don’t Leave Home Without Jesus.”  Sonically, this has the frequencies in the right place with no high-end ADD busy bee stuff going on. Well done!

2. Blitzen Trapper – American Goldwing

If I could be in a band right now, this would be it, with only a strong sense of songwriting being the guide this is all over the map with heavy 70’s influenced, “Might Find It Cheap” being probably the best structured song I have heard this year, to influences from accoustified Dylan to southern fried Tom Petty, I think there is a concept going on here, but, more than anything this is worth at least a dozen listens.

1. Amy Winehouse – Lioness: Hidden Treasures

We may never know how far Amy could have gone. She absorbed Dinah Washington, Donny Hathaway as well as The Ronnettes with equal grace. Amy not only did some great covers, but, was a songwriter on par with the best. This disc has some raw original versions showing Amy supporting herself on guitar. Amy had all three talents, great voice, great musician and great songwriter. She was a triple threat in a class of one. Amy is the best voice of the last twenty years. This collection takes us all the way from the very beginning on the demo, “The Girl From Ipanema” to mid career, Stevie Wonder influenced, Amy Winehouse penned, “Half Time” to the current torn heart on a sleeve, Leon Russell cover, “A Song For You.” This is a chronicle of a flame that burned hot and way too fast. She should be here now.

Okay, that’s it.  Watch out for Imelda May. She actually played at 3rd and Lindsley this year. Imelda would have been on the list with Mayhem except it is a 2010 release, but, watch out, there is More Mayhem coming out at a Grimey’s near you.

Kitty, Daisy and Lewis’ stripped down take on the Forties as well as some Ska and Hawaiian music on Smoking in Heaven continues where the last one left. They’re heading for the Big Day Out Festivals in Australia and while not making much of a dent in the States, the recording is a vintage gear monger’s dream. They accurately feel like recordings made in Chicago or Memphis way before Sun.  

 – Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Hayes Carll Americana Fest 2011 Mercy Lounge

After the Americana Music Association Carnival pulled out of Nashville, the big question is, what does Americana sound like? A friend of mine said that it would have at least one acoustic instrument in the mix, to give it that authentic roots thing. Jim Lauderdale as he hosted the Americana Awards did a spoof show tune, “That’s Americana!” It was hilarious and it was great because Americana is not a particular sound.

Americana is one of the strangest music references ever, at least when the word “grunge” came along, it meant one of the bands that came out of Seattle at a certain time. Americana is like a radio format for everything that doesn’t fit the current formats, yet, it is getting some of their artists like Mumford and Sons into the mainstream. Not to mention Will Hoge.

A mention was made by one of the show reviewers in Nashville Scene that they were glad that the “old farts in flannel shirts singing post Grateful Dead stuff” were gone and they could have the Exit/In back.

I get the feeling that a lot of people are stumbling onto Americana artists and not even knowing it, in Rolling Stone or when their friend says “listen to this” and pulls up something on their IPod by The Civil Wars or The Avett Brothers.

If you haven’t heard about these artists in the last year, then you live in a bubble. Americana is not only an award at the Grammys now, but, a launch pad, much like Indie format radio, where artists can get their “legs” as they mingle with legends like Gregg Allman and Robert Plant who are flying the banner.

One thing that Americana is not is electronic. Americana may have some roots in any American genre such as Blues, Soul, Gospel, Country, Folk and on and on, but it is definitely not about Kraftwerk or the modern Pop that is all made up on an Apple computer.

Blind Boys of Alabama Americana Fest 2011 Cannery Ballroom

Americana is as much about Red Dirt singer/songwriters like Hayes Carll as it is the roots gospel of The Blind Boys of Alabama.

Blind Boys of Alabama, Alabama Music Tribute at Cannery opening night

I guess if you are looking for a root to Americana you would probably have to go back twenty years in Nashville when about sixty California transplants started gathering to Nashville. Some of them became mainstream songwriters like Jeffrey Steele or Darrell Scott (most recently, Robert Plant & The Band of Joy). The one thing that did happen is they shook up the system.

Kenny Vaughan Americana Fest 2011 Mercy Lounge

Back in those days, Rosie Flores and Lucinda Williams would hang out all night, shutting down two or three bars only to meet up with Billy Block for breakfast.  A good chunk of these people bucked the Country music machine at the time or made some changes to it. They stayed true to themselves and this whole Americana thing has kind of caught up with them and now they are riding a jetstream of new found respect and popularity.

People like Jim Lauderdale who can go from playing straight up bluegrass to roots country to writing Robbie Robertson style music with a Grateful Dead lyricist represent the diversity of what is currently happening. It’s like the alternate universe of “the music business as usual” with a handmade vibe.

Most of what Bob Dylan does nowadays such as Modern Times could be classified Americana.  Many of the Americana Artists really jump from box to box, especially Mumford & Sons and Justin Townes Earle, who have as much Indie respect as they do Americana clout.

Kenny Vaughan packed it in then packed it back up at Mercy

The most interesting thing is that the genre has strong roots outside of the U.S. in places like Australia and Europe. Many of the artists make more money over there when they tour. This is nothing new, we as Americans many times pass on what is really cool about our culture and opt in for the corporate sell, “the spin.”

Americana is mainly artist and fan driven; it is really Indie at its core. If you like the Muscle Shoals era Dan Penn written songs alongside The Avett Brothers, more power to you. It really is the old saying, “Something old, something new, something borrowed, something blue.”

Robert Plant, Entertainer of the Year, The Ryman acceptance speach

You don’t have to buy into acoustic singer/songwriters or flannel shirts and old farts to find something there for yourself. Chances are you are listening to some Americana format music without realizing it. If you’re not sure where to start then it might as well be Buddy Miller, Robert Plant said he heard Buddy the first time when he toured with Emmylou Harris a few years ago and he seemed to embody everything American music, blues, gospel, rock, you name it. Robert said that Buddy will always be a part of whatever he does in the future. Emmylou Harris, at this year’s awards at The Ryman, said, they should call the Americana Award “The Buddy” because he has won so many of them.

By the way, a note to the Nashville Scene writer, when you refer to a group of music fans as old farts, just realize that you are probably being referred to as an old fart by somebody, it could be an 11 year old on a skateboard listening to some punk band out of California and thinking the same about you.

 – Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

 

Jimi Hendrix in Nashville

Word hit the street over the last two weeks like a brush fire in New Mexico: Rolling Stone wrote in print and on the net, Nashville has the best music scene in the country. I haven’t even read it yet because it is in the subscriber content on the web, but, I believe it to be true.

What was the turning point? The Kings of Leon? I don’t really think so.  The Kings of Leon had to go over to England to become big  in the U.S., kind of like Jimi Hendrix, in fact Jimi was gigging up on Jefferson Street with Billy Cox  and The King Kasuals for just a little scratch and room and board just a couple of years before he went to the U.K.

Paramore? Well, giving a little credit to a younger scene was a good thing when they were signed to Fueled by Ramen (sort of) yet there is no scene of bands trying to sound like Paramore around Nashville so it is its own thing.

Just a couple of years ago, Nashville was licking its wounds when Be Your Own Pet and The Pink Spiders, especially The Pink Spiders who went in with guns loaded and a Ric Okasek Produced album and an Artist Relations war chest were unable to break big.

Was it when Jack White moved Third Man Records down to Nashville, that is definitely a key piece to being Rolling Stone cool, with new 45’s by regionals being released almost on a Sam Phillip’s Sun Records schedule along with concert events that are showstoppers like the Record Store Day plus one Jerry Lee Lewis concert featuring Steve Cropper and Jim Keltner.

Okay, Jack White has given it the one two punch by introducing past icons to new generations  like Loretta Lynn’s Van Lear Rose Grammy award winning album with Loretta standing in front of the East Nashville house where it was recorded.  How about when Porter Wagoner opened for The White Stripes at Madison Square Garden?  Who would have known that Porter’s final call would be an outstanding album, The Wagonmaster and a gig opening for The White Stripes?

Maybe, that was key in making sure that real icons are represented like Wanda Jackson’s great new album on Third Man Records. Jack is definitely not just looking behind but is really tuned into the ether. I was excited to see Dan Sartain, a part of the same Birmingham scene I was in for a number of years cut some vinyl on Third Man Records. Dan opened up for The White Stripes on several dates a few years ago and my friend Emanuel Elinas who made some guitar pedals for me down at Highland Music in Birmingham talked about playing Bass with Dan Sartain and going bowling with Jack and his Mom. How cool is that?

In fact, when I saw the band on the flip side of the Dan Sartain 45 and Matt Patton was there, I was really happy about what was happening. Matt and a few others had put out some of the best Indie music in Birmingham that I have ever heard. Matt had this band called Model Citizen and their CD, The Inner Fool, produced by Tim Boykin (The Lolas, The Shame Idols, Carnival Season) on Bent Rail Foundation is one of my all time favorites. Matt is getting recognition with Tuscaloosa, Alabama’s The Dexateens now.

I tell you what; let’s get down to ground zero. When we talk about Todd Snider and the East Nashville scene we are getting close, but, let’s get down to one album and one artist.  Okay, I am going to say the transition came when Nashville got behind one of its own in 2008. When Justin Townes Earle got signed to Bloodshot Records and released The Good Life both weekly music papers got behind with big in depth articles about how Justin got to that point. The Good Life is a classic album out of left field but it really represented what Nashville was known for, good songwriting, a little rock and roll, a little country with a nod to the past and to the future of Americana.

At that time, you could hang with Justin over at The Basement, but with extensive touring and a prolific three years, Justin is well established and still with indie cred enough where I can still turn people onto his music as something new.

Justin was recognized at The Americana Music Awards in Nashville in 2009 the year before Rolling Stone called the Americana Music Festival the coolest festival in the U.S. In fact 2010 would be the no holds barred year when Warner Brothers would finally release American Bang’s CD. Robert Plant would record Band of Joy in East Nashville with an Americana  A-List including Buddy Miller and Darrell Scott and be the surprise guest at The Americana Music Awards.

The 2010 Americana Music Festival was a real eye opener when you had The Long Players, Bobby Keyes, Dan Baird and a laundry list doing Exile on Main Street at The Cannery Ballroom, Hayes Carll at The Basement, with people coming from Australia just to see him play and a festival closer with Todd Snider and an all-star band featuring Don Was on Bass, with a grin and looking somewhat like Slash’s older brother.

Don Was got in the game this year when he produced Lucinda Williams (a Nashville alumnus) new Cd, Blessed. Did it start at The Americana Music Festival with an exchange of phone numbers backstage at The Rhyman? Only they know for sure, but Nashville is becoming a ground zero magnet for much more than Popular Country Music Radio songs and Christian Music.

There had to be a change. The music business had changed and Nashville has changed along with that. Instead of twenty major labels in town, there are now five. The rest are Indie Country, Rock, whatever.

Coming to Nashville to be a hit songwriter may be a goal for a lot of people, but, getting a staff writing gig is becoming really difficult and less lucrative. Back in 2007-2008, we talked about how a songwriter with good songs getting signed to a publisher with maybe a 25-35k draw now going for 18-24k and the need for a day job for many.  Also, one of the larger publishers had in the past as many as 135 staff writers and was then down to Thirty five.

I know for a fact things are much worse for that dream with less staff writers, less money and less records being sold. The dream is still there, but, now you need to get lucky and find a new face with a great voice and the potential to get signed and start co-writing before some money starts flowing.

In early 2008, I could go to The Commodore Grill and see an endless supply of new songwriting talent for the Country Music Industry, but, with less staff gigs and the economy in the tank, less people are rolling into Nashville with an acoustic guitar and lyrics in the guitar case. In fact, it really is a trickle compared to just three years ago. Also, many of the writers that are coming into town have Dave Matthews, Jason Mraz or Jack Johnson chops and are not really what the Country Music Industry is looking for.

On the other hand, the Indie Rock and Americana scenes are ripe for development.  Vinyl is making a comeback with this crowd and United Record Pressing is right here where it always was. Colored vinyl, short runs, whatever you need with local labels like Third Man Records and Nashville’s Dead Records, United Pressing is back to increasing production and essentially back in the game.

The song publishing and royalty distribution infrastructure is realigning in Nashville with changes in staff announced publicly last year at ASCAP and I am sure accommodations are coming with a paradigm shift to handle multiple styles now in the pipeline.

Grimey’s New and Pre-Loved Music is probably the most famous record store in the country now, maybe second to Amoeba’s out on the West Coast. It’s not enough that Indie bands make in-store appearances. Metallica made a little short announced gig for fans at The Basement below Grimey’s in 2008 before their Bonnaroo appearance and released the whole experience as Live at Grimey’s worldwide in 2010. Now all the gloves are off.

If you are a music lover, archivist, etc. in a world with disappearing Record stores, Nashville not only has Grimey’s, but  also, Phonoluxe Records, The Great Escape, The Groove and plenty of other outlets for local as well as rare Cd’s and vinyl.

Look what is going on at Thirty Tigers Indie Distribution and their great success over the last couple of years.

Belmont University is turning out Music and Music Business degrees every year and a lot of students want to stay here and not necessarily go into the Country Music Machine. They have their own ideas from the scenes they came from whether it was in California or New York.

Bands like The Black Keys and The Deadstring Brothers are migrating here.  Even though Music Row still has a big chunk of the day to day business great records are being made in East Nashville, Blackbird Studio and Buddy Miller’s living room.

With the advent of a studio in a gig bag, Indie artists can make records anywhere and with cheap housing and a plethora of like minded musicians gathering in what really is now becoming truly Music City it only makes sense to live and work here, especially when gas is going for near $5 a gallon. Why not be close to all the blessings that come with a great music talent smorgasbord.

Speaking of food, you don’t want to leave Austin because of Texas Barbecue? Okay at least try Jack’s and Rooster’s Texas Style BBQ and Steak House on 12th. I promise you won’t be disappointed. You want California style Mexican Food? Go to Oscar’s Taco Shop on Nolensville and in Franklin. Thai? Thai Star. Vietnamese? Far East Nashville. Indian? Tamarind. New York Style Italian? Are you kidding? Maffiozas or the place at the Arcade. Okay, so you can’t get Hawaiian Plate BBQ here yet, but, there is plenty to explore. We could still use an In and Out Burger.

Okay, back to music.  Country is going through a lot of changes. The ripple of the Taylor Swift explosion that Big Machine Records put into motion are still being felt, being one of the only Platinum Recording Artists in the new digital era, as well as outside pressures from Texas Charts, the Red Dirt scene and T-Bone Burnett Produced masterpieces that can’t be denied.

Country even has its own street cred in Nashville with bands like Kort who are local but signed over in England as well as Indie Singer / Songwriter Caitlin Rose and Country spun  Those Darlins. Even Charlie Louvin, who as part of The Louvin Brothers can take some credit for inspiring The Everly Brothers and therefore The Beatles harmonies, got his Indie cred with The Battle Rages On that was released on Austin’s Chicken Ranch Records. I can say I got to see two Midnight Jamboree tapings and get his autograph on an early Louvin Brothers recording before he passed into immortality.

So what about Nashville’s own Indie scene? Heypenny, Jeff The Brotherhood, Cheer Up Charlie Daniels,  Uncle Skeleton, Pujol, Heavy Cream (kind of Karen-O fronting a better looking MC5), Todd Snider, John Carter Cash, The Coolin System, The Deep Fried 5 and a laundry list playing at places like The Basement, The End, Danzig’s House, Exit/In, The Rutledge, Mercy Lounge and a house party near you.

How could Rolling Stone not call Nashville the best Music Scene in the country? It is a multi pronged Country, Alt-Country, Americana, Bluegrass, Newgrass, Folk, roots, rock, funkified attack on your senses.

It’s one of those places you could actually plan a week of your life to check out bands as well as pick up a new Nudie or Katy K suit. A place where you might find Joe Maphis’ old Mosrite double neck or the Bass player from Cinderella’s vintage Precision Bass on sale on Craigslist.

You may never win over Nashville, but, it’s a good place to write, do your business and go to the Third Sunday at Third pot luck at Doak Turner’s house in Nashville. Maybe it doesn’t have a burgeoning Death Metal scene but it does have The Billy Block Show. When the sun is out you can’t deny how beautiful Nashville is. Where else can “Bless Your Little Heart” actually mean, I don’t give a ****.

Nashville is a great place to throw your guitar case in the corner and call home.

There are several trackbacks links for your viewing pleasure.

– Brad Hardisty, Nashville, TN    thenashvillebridge@hotmail.com

A year in Exile

If there was any kind of recurrent theme this year, The Rolling Stones kept popping up on the radar. It started when I bought the Deadstring Brothers album Sao Paulo an obvious well done Stones influenced work of art. It would be in my Top Ten if it had come out in 2010 but it actually was released in 2009. It is a great album and when I saw them live at The Basement it came across really well.

It didn’t stop there; Exile on Main Street had been remastered with bonus tracks where The Stones actually brought in Mick Taylor to play his parts on some unfinished tracks. The Rolling Stones released a new single “Plundered My Soul” from the found tracks and released several versions of the album.

Grimey’s did a midnight screening of the Documentary Stones in Exile that took photographs, film, new interviews with the band as well as Bobby Keyes and others about recording Exile on Main Street in the south of France way back when at The Belcourt Theatre. “Exile” is now considered a pivotal record but at the time “Tumbling Dice” was considered a difficult single on a rather un-commercial record.

During the Americana Conference the Long Players augmented with Stones Sax Player Bobby Keyes, Dan Baird and several singers like Mike Farris, Grace Potter and others did the entire album live at The Cannery Ballroom. 

The Theatre release Ladies and Gentlemen The Rolling Stones which was filmed during the Exile promotional tour in the States was remastered and released on DVD in the fall. The set featured many of the songs from Exile that are not played much by latter day Stones such as “Sweet Virginia”. The sound and film looked phenomenal and it was good to see Mick Taylor at his best, an integral part of The Stones during that period and in truth is really missed nowadays.

Finally, to finish off the year of The Stones, Keith Richard’s Autobiography Life was released in November along with a compilation of his X-Pensive Winos recordings from the late Eighties.  The Rolling Stones managed to keep in the music news almost as much as Taylor Swift.

Original cover for Straight Up

It also seemed to be the year for catalog re-releases as Apple Records remastered most of the Apple back catalog of non-Beatles recordings by Badfinger, Mary Hopkins, James Taylor and released all of them at the same time.

FnA Records continued to not only re-release 80’s metal catalog but also unearthed several recordings that were set to release but never were by labels such as A&M and Geffen when the Seattle scene took over.  There were several recordings by different artists from The Thirteenth Floor Elevators 45’s to Carnival Season vinyl that saw their material released on CD for the first time.

Janie Hendrix continues exquisite releases of all things Jimi Hendrix with the release of West Coast Seattle Boy that not only has yet another Bob Dylan song done by Hendrix but goes back to the background of what he was doing before going to England with expanded packages that include a disc full of Isley Brothers and other nuggets, pre-Experience as well as a DVD Voodoo Child that even talks about his Nashville days.

Country continues to sell big, but real, traditional or Texas Country has been swallowed up by the Americana scene. At least it has found a home. As far as innovation in current pop country the last leap forward was Miranda Lambert’s Revolution and that was released last year.

Here are few honorable no less worthy than the list:

Ratt – Infestation

Merle Haggard – I Am What I Am

Kort – Invariable Heartache

Charlie Louvin – The Battles Rage On

Marty Stuart – Ghost Train

Jim Lauderdale – Patchwork River

Crazy Heart – (Soundtrack) Various Artists

Okay, now for my Top Ten. In making my choices, I not only looked at material, but innovation and game changers, records that made things interesting.

10- Carnival Season / Misguided Promises / ARRCO

This represents not only a re-issue on CD for the first time of regional Birmingham band Carnival Season that features local legend Tim Boykin, but, painstakingly includes every recording the band made during their short time together as well as extensive liner notes that tell the whole story of the late 80’s rockers. It sits well on the shelf with bands like Redd Kross as well as The Replacements. The band has been doing occasional reunion gigs playing not only this set but some new stuff as well over the last couple of years. This was one of the first alternative rock bands out of Birmingham, Alabama.

Featured tracks: “Misguided Promises”, “Please Don’t Send me to Heaven”

9- Robert Plant / Band of Joy / Rounder –Esparanza

Robert was in the middle of recording the follow up to Raising Sand with Allison Krauss when he pulled the plug when he felt the magic wasn’t there. He retreated to Nashville and entrusted Buddy Miller to put together a band that features Darrell Scott, Byron House, Marco Giovino and Patty Griffin and secluded into Woodland Studio to see what they would come up with. The result is obscure covers as well as a Plant-Page piece from Walking into Clarksdale that shows some Zeppelin flavor with uncharted Americana territory which sonically could have only happened with Nashville session players in such a short time. The band gelled in the studio and continues to roll across Europe and Stateside. This is probably Buddy Miller’s best Production effort yet.

Featured tracks:  “Angel Dance”, “You Can’t Buy My Love”, “House of Cards”

8 – Ryan Bingham and The Dead Horses / Junky Star / Lost Highway

Ryan tends to write like a modern day Dylan but his voice is more like John Kay from Steppenwolf. Ryan who comes from the red dirt scene of West Texas and now lives in so-L.A. got national notice with the Grammy winning “The Weary Kind” from the Crazy Heart soundtrack defiantly writes about a drifter leaving behind a dead end life to go to California only to end up sleeping on the Santa Monica pier.

Featured tracks: “The Wandering”, “Junky Star”

7- Sweet Apple / Love & Desperation / Tee Pee

Put together by members of Dinosaur Jr. and Witch, this little known defiantly Hard Rock and other worldly idea collection of songs with its Roxy Music rip off style album cover is actually closer to something between an early Alice Cooper (when they were a band) and Ziggy Stardust era Bowie. The album kicks off like a Raspberries send off with Guidedbyvoices production and then the desperation begins with some morbid love lost desperation with a chugging Alice Cooper band style with lyrics like ”Looking out the window, watching people fall, how I wish I could fall to death”. It’s a rock and roll gem this year.

Featured tracks: “Do You Remember”, “I’ve Got a Feeling (That Won’t Change)”

6 – Preservation Hall Jazz Band / Preservation / Preservation Hall Recordings

What a fantastic album. A collection of well-known New Orleans Ragtime with this important Horn based band where the tuba still carries much of the bass part, mashes PHJB with an all-star cast of vocalists such as Andrew Bird, Pete Seeger, Ani DiFranco, Ritchie Havens, Steve Earle as well as the sultry vocals of Memphis’ Amy LaVere.  The band ended up on tour with Maroon 5 this year.

Featured tracks: “Blue Skies”, “Baby Won’t You Please Come Home”

5- John Mellencamp / No Better Than This / Rounder

Recorded for the most part at Sun Studios with one RCA 44 ribbon mic into vintage Ampex Analog gear, John not only sounds like the old Sun recordings, this sounds like old tape that had to be baked in a microwave to finally put it on digital media. It was not only a great idea with equal parts Cash country, Rockabilly and blues but probably his best album since Scarecrow. The T Bone Burnett produced masterpiece even got airtime on WSM.

Featured tracks: “No Better Than This”, “Coming Down the Road”

4- Justin Townes Earle / Harlem River Blues / Bloodshot

If you missed it, Justin just rolled a third strike in three years. Every album has been decidedly Justin with marked differences and excellent songwriting. This would be his “Ode to New York City” where he now calls his second home.  Jason Isbell (Drive by Truckers, The 400 Unit) puts in guitar duties and gives this more of an edgy guitar feel as well as some straight up Rockabilly. It really would be cool to see a pure Rockabilly album in the future.

Featured tracks: “Move Over Mama”, “Workin’ for the MTA”, “Christchurch Woman”

3- Black Mountain / Wilderness Heart / Jagjaguwar

This album sometimes feels like Led Zep III and Deep Purple Fireball at the same time. The duality vocals of Stephen and Amber still remind me of a haunting Jefferson Airplane with the production sounding very early 70’s analog, sometimes acoustic but when they rock it’s got Jon Lord style Hammond B3 all over the place. Although the first album by this Vancouver band may have been a defining moment this is the one that makes me wants to crank the stereo full blast on road trips.

Featured tracks:  “The Hair Song”, “Old Fangs”, “Let Spirits Ride”

2- Mike Farris and The Cumberland Saints / The Night The Cumberland Came Alive / Entertainment One

Recorded in just six hours just two weeks after the Nashville Flood in a downtown Nashville church just blocks from the flooding, Mike shows that his bluesy/gospel voice can sound fantastic over anywhere he wants to go. Mike has been everywhere from Indie Rock, Blues, Gospel, working with Double Trouble to now this pre-war Gospel Blues style gem working with The McCrary Sisters, Sam Bush, Byron House and members of The Old Crow Medicine Show, his originals mesh well with the rare covers. He showcased the album at Cannery Ballroom during the Americana Music Festival and it was electrifying.

Featured tracks: “Wrapped Up, Tangled Up”, “Down on Me”

1-She & Him /Volume Two / Merge

Zooey Deschannel & M. Ward are some kind of modern Indie Captain and Tennille and somehow it works. Zooey has a sunny California breeze running through her muse that translates into a digital era take on The Beach Boys versus Phil Spector. Even though the material is fresh it makes me daydream of being back on the beach in Santa Cruz when I was six with my Mom and little sister.

Featured tracks: “In The Sun”, “Don’t Look Back”,”Lingering Still”

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com