Archives for category: Marion James

photo – Brad Hardisty

After much thought, I really wanted to salute a few key individuals for perpetuating Nashville as Music City. I could have written about 100 individuals both musicians and business people that make things happen and gone into Classical Music, Christian Music and Gospel Music, but, in the end, I needed to break this down to four people from different directions musically that make NashvilleMusic City” and give way more than they take from the community.

For those that live here, you may understand what I am talking about, but, for those from all over the world, maybe I will open a few eyes and ears.

For any number of reasons, I could have written about Little Jimmy Dickens, Emmylou Harris, Dolly Parton,  Jim Lauderdale, Charlie Daniels, Ricky Skaggs, Little Richard, Elizabeth Cook, Taylor Swift, Vince Gill, okay I could go on. You may agree with my list or you may not. These are whom I call four essential pillars that hold up through thick and thin and inspire others to create and grow in the Nashville community.

Marty Stuart supporting band member Kenny Vaughan at Ernest Tubb’s Music Store CD Release Party, photo – Brad Hardisty

Marty Stuart, born September 30, 1958 in Philadelphia, PA, has been one of country music‘s most eclectic artists, performing and recording diverse types of country music.

He is of French, English, Choctaw, and Colombian descent.

In 1979, when Lester Flatt died. Stuart pushed forward and worked with fiddler Vassar Clements. He also worked with guitarist Doc Watson. In 1980, he joined Johnny Cash‘s backing band. The previous year, Stuart made his first solo album, With a Little Help From My Friends, on Ridge Runner Records

In 1985, Stuart accompanied Johnny Cash to Memphis and played on the “Class of ’55” album that also featured Carl Perkins, Roy Orbison, and Jerry Lee Lewis. At the end of the session Perkins presented him with his guitar.

When does Marty become a Patron Saint? I believe it started when he had a heated run-in with Columbia Records when they dropped Johnny Cash from their roster. When he stuck up for the “Man in Black” it cost Marty his own album, Let There Be Country which Columbia decided not to release at that point. With Marty, principal comes before dollar signs.

Marty has performed with the best of the best, Johnny Cash, Lester Flatt, Earl Scruggs, Bob Dylan, Merle Haggard and Travis Tritt to name a few. Marty saw his first solo success with Hillbilly Rock on MCA Records.

Marty contributed to the AIDS benefit album, Red Hot + County.

Marty’s interest in the heritage of Country Music lead to the showing of his private collection of music memorabilia at the Tennessee State Museum in 2007 as “ Sparkle & Twang : Marty Stuart’s American Musical Odyssey” in 2008.

Marty Stuart has published two books of photographs he has taken of some of Country Music’s  most historic Artists including, “Country Music: The Masters” with some of the final photos of Johnny Cash.

Lately, Marty has been the touchstone to Neo-Country proudly wearing the badge of Nashville past bringing classic country into the future with his last two recordings, Ghost Train (The Studio B Sessions) and Nashville Vol. 1: Tear The Woodpile Down.

Marty’s vast knowledge of the history of Country Music and support of classic artists such as Porter Wagoner despite the lack of Nashville label interest has helped to perpetuate what the outside world considers to be true blue Nashville Country.

Buddy Miller stands at the crossroads of the past and the future as the Godfather of what is now known as Americana, which encompasses everything from old time gospel music to red dirt Country.

Buddy has managed to put a canons worth of Gospel, Country tinged rock, and the most original of tracks out of his own living room with his wife, Julie Miller.  Buddy is a great musician, songwriter, producer and collaborator. I believe that last skill is what makes Buddy one of the four patron saints. A great collaborator where all are welcome under his tent that bring something to this new idiom described as Americana.

Buddy is the house band leader for The Americana Music Awards every year, able to play with just about every artist including Robert Plant who when he decided to put together his Band of Joy project, Buddy Miller was his only choice for bandleader. Buddy put together a band of Nashville all-stars that included Darrell Scott as the utility man on everything from fretless banjo to pedal steel.

Last year’s Majestic Silver Strings featured guitarists Bill Frisell, Marc Ribot and Greg Leisz, with guest vocalists including Emmylou Harris.

To top that, Buddy is releasing on Black Friday, a new album with Jim Lauderdale, Buddy and Jim.

Buddy’s ability to reinterpret with a working knowledge all things country, rock, old time gospel and folk has singularly help to build a new arm of music radio and business with a firm avenue for those outside the box.

Artists such as The Avett Brothers and Mumford and Sons in some way owe some credit to Buddy Miller in helping to define a way to market this new indie branch of the music tree.

Marion James

Marion James may be the most constant and longest lasting member of the Music City Patron Saints. Marion has been a longtime performer and resident living nearby what used to be the hot bed of Blues, Soul, Rhythm and Blues on Jefferson Street. Marion’s biggest hit was The Top 10 Billboard Hit, “That’s My Man.”

Marion James at 30th Annual Musicians Reunion and Benefit, photo- Brad Hardisty

Marion James, known as Nashville’s “Queen of The Blues” was playing on Jefferson Street back in the day with a young Jimi Hendrix who had just gotten out of the military. As a former member of Fort Campbell’s Screaming Eagles, Jimi Hendrix and his new best friend Billy Cox had their own band The King Kasuals but also played with Marion James and others.

The musicians on Jefferson Street, Johnny Jones, Christine  Kittrell, Little Richard, Ray Charles and many others were featured on one of the biggest Rhythm and Blues stations of the day, Nashville’s own WLAC.

Marion was featured prominently in The Country Music Hall of Fame’s exhibit Night Train To Nashville.  A photo of one of her live performances with Billy Cox on bass is featured on Volume Two of the Night Train To Nashville Collection.

Several years ago, Marion James started the Musician’s Reunion shows that featured the stars from back in the day on Nashville’s Northside to benefit the Marion James Musicians Aid Society, that she started to help aging musicians with medical costs as well as support the American Cancer Society and the Nashville Rescue Mission.

Marion James continues to perform today. Marion James recorded in the 80’s a blues landmark album with The Hypnotics that lead to sold out shows in Europe and also released a solo album called Essence that featured Nashville guitarist Jack Pearson as well as session bassist Bob Babbitt.

Recently, Marion released Northside Soul on Ellersoul Records which reached #10 on the Living Blues Charts.

Marion James, not only is an accomplished vocalist, but, writes many of her owns songs. Marion James is The Queen of The South when it comes to the Blues.

Marion continues to support the North Nashville community through her organization as well as efforts to get out the history of Jefferson Street to the rest of the world.

Jack White is probably the newest patron saint as one of the four cornerstones of the Nashville Music Community.  I’m not sure what the tipping point was when Jack decided to move to Nashville, but, I imagine meeting Loretta Lynn and asking if he could produce her must have been a big nod in that direction.

The White Stripes started performing “ Jolene” long before Jack moved to Nashville, but, Van Lear Rose, the album that brought a Grammy nod as well as new ears to listen to Loretta Lynn was a huge milestone.

Wanda Jackson and Jack White (Associated Press Photo)

Since working with Loretta Lynn, Jack has gone onto record with Ricky Skaggs, Produce “The Queen of Rockabilly”, Wanda Jackson, invite Porter Wagoner to open for The White Stripes at Madison Square Garden shortly before his passing and worked with many of Nashville’s Rock and Roll Community while spotlighting its heritage.

Jack represents what Rock and Roll is all about with a balance between the blues, rock and roll and country. Jack and his record company, Third Man Records solidify Music City’s Rock and Roll Community which has seen tremendous growth in the last three to four years.

Nashville, whose first real travelling stars, The Fisk Jubilee Singers, has seen a lot of changes over the years. Lower Broad almost turned into a dangerous ghost town when Opryland took over the Grand Ole Opry and most of what downtown had left musically in the late 70’s.

It took many starts and stops before seeing a permanent positive growth record with the opening of today’s Country Music Hall of Fame and numerous new projects downtown.

Nashville is about to see a new golden age for the “Athens of the South.” Nashville has probably one of the biggest collections of colleges and universities in America. Now, just about every genre of American music has a piece of the pie and venues grow by leaps and bounds.

Peter Frampton may have moved here to early, it definitely spurred him on to return to the guitar in a big way, but, sadly he decided to move before Nashville really started to realize its potential as one of the coolest cities in America.

If you are a musician, especially a guitarist or a songwriter, there is no better place to be in the world today no matter what style you play.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Advertisements

Marion James at Jefferson Street Sound B-Day Party, photo – Brad Hardisty

Marion James, Nashville’s “Queen of The Blues” celebrated her birthday at Jefferson Street Sound during what has been a busy year, with the release of Northside Soul on Ellersoul Records as well as the 30th Annual Musicians Reunion at Bourbon Street Blues and Boogie Bar to benefit The Marion James Musicians Aid Society.

A group of friends enjoyed the music of The John Richards Trio while enjoying Fried Chicken, Shrimp Gumbo and a special cake for the occasion.

Marion let the group know that the discussion has begun to erect two statues on Jefferson Street of Jimi Hendrix and Little Richard where it all began. It was important to get the support of the music community as benefits may be needed in the future to help raise the funds for the commemorative statues that will further enhance the heritage of Music City.

John Richards and Jerry Stockard at Marion James Birthday Party 2012, photo – Brad Hardisty

Marion James  finally, thrilled friends as she joined John Richards on guitar and Jerry Stockard on drums, singing “Candy” from her recent release as well as a “you-had-to-be-there” performance of “Someday.” It was a special night for a special lady.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

photo – Brad Hardisty

Nashville’s Queen of the Blues, Marion James, who had a Top 10 hit in 1966 with “That’s My Man” on Excello Records whom also once had a young Jimi Hendrix in her band at Club Del Morocco, presided over the proceedings of the 30th Anniversary of The Jefferson Street Musicians Reunion & Benefit which celebrated the Rhythm and Blues era of 1950-1970 that was Nashville on Jefferson Street, 4th Avenue and even a part of the Printers Alley where the event took place last Sunday, Oct. 7th, starting at 2Pm at Bourbon Street Blues and Boogie Bar.

Marion James – Nashville’s Queen of the Blues, photo – Brad Hardisty

A great collectible program was available that had the lineup of bands as well as a comprehensive piece on the importance and history of the people and places that made up the great Rhythm & Blues era in Nashville.

There are mentions of Johnny Jones, Jimi Hendrix, Earl Gaines, Little Willie John, Gene Allison, and Christine Kittrell. The included story entitled; “Scuffling: The Lost History of Nashville Rhythm & Blues” was written by Daniel Cooper in 1996 and is one of the most comprehensive articles written about the scene that was played out at The Baron, Club Del Morocco, The New Era, The Club Revillot, Maceo’s (a great photo of Ray Charles playing at Maceo’s is featured in the program), Sugar Hill, Deborah’s Casino Royale, Ebony Circle, Pee Wee’s, even a beer joint called Behind The Green Door (Marion claims to have came up with the name of this joint).

Nashville had its own R&B imprints back in the day, Bullet, Tennessee Republic, Excello, Calvert, Cherokee as well as Athens, Sims, and Sound Stage 7.

The importance of Music City’s R&B, was just as huge as Memphis, although not as well known to the rest of the world. The music of Nashville was in thousands of southern state jukeboxes and being played on the mega powered Nashville pride WLAC back in the day.

Jimi Hendrix with The King Kasuals, Club Del Morocco, early 60’s

There are discussions right now to start a fund to erect a statue of Jimi Hendrix near where the Club Del Morocco once stood on Jefferson Street. While Seattle has every right to claim Jimi as their own, it was here along with best friend and brother in arms, Billy Cox, that Jimi spent his time honing his skills and developing his songwriting craft (building riffs with Billy that would show in later compositions) in probably the most demanding city then and now for a guitarist to prove his worth.

Jimi may have lost out a guitar dual to Nashville’s great and gracious Johnny Jones, but, performing in Nashville only strengthened his resolve and allowed Jimi the opportunity to tour with the powerhouse performers of the day like Little Richard & The Isley Brothers. Johnny later paid tribute to Jimi by releasing his own version of “Purple Haze” with Jimi’s former band, The King Casuals in 1969 on the Brunswick label for all you collectors out there.

John Richards, photo – Brad Hardisty

Starting at 2PM, the New Orleans feel of the Bourbon Street Blues & Boogie Bar, began to heat up with local favorites John Richards, Miranda Louise and Delicious Blues Stew getting the party started.  The stage announcer, Peter Burger, plays saxophone with Stacy Mitchhart  and also got to play in Marion James during her “burn- the- house- down” set!

There was a great silent auction to benefit the Marion James Musicians Aid Society that helps to support the musicians that made the scene happen between 1950-1970; especially with medical costs. As you all know, being a musician means forgoing a lot of insurance benefits. It was a chance to give back to the community that gave us so much.

Classic Cropper by Michael Patrick Maness, photo – Brad Hardisty

I myself eyed a print of Steve Cropper signed by the artist Michael P. Maness, after a few bids, one very close to the cut off time, it is all mine! While there were several other great pieces of art of BB King, Stevie Ray Vaughan and an autographed Buddy Guy gig poster, it is rare to come across an art piece of Steve Cropper, my personal icon for what he has been able to achieve in his life, that so captured the essence, Hawaiian shirt, custom orange Fender Telecaster and all.  It will go on the wall next to my art print of another Memphis legend, Furry Lewis.

Those in attendance included Baton Rouge Bluesman Larry Garner, as well as current King of The blues in Nashville, Nick Nixon.  I had heard Steve Cropper was out of town, but, I did hope to see Billy Cox at the event with no such luck. I did catch him once hanging out with old friends at a Sunday night Blues Jam at Carol Ann’s, so; he is seen around town now and then. It would have been great to see Larry Carlton or Dan Auerbach from The Black Keys show up at one of these events, maybe, down the road apiece.

Tom Cat of Bad Moon Blues Band, photo – Brad Hardisty

The Bad Moon Blues Band featuring Tom “Tom Cat” Whisenhunt, who has won a pair of Blues Guitarist awards, did some Strat-o-castin’ which started turn the heat up in the joint.

Regi Wooten, photo – Brad Hardisty

As the afternoon settled early evening, it was Carissia and Company that set the bar featuring Regi Wooten on Guitar. Although his brother, Victor Wooten, may be more well known, it was Regi’s guitar style that inspired Victor to go for some of the things he is known for on the bass.

Carissia, photo – Brad Hardisty

Playing of “Taps” to honor those Nashville blues musicians who have passed on. photo – Brad Hardisty

Carissia and Marion James look on as candlelight procession starts, photo – Brad Hardisty

Before Marion James’ set, there was a candlelight procession honoring passed Jefferson street artists such as Earl Gaines and Jimi Hendrix, before making mention of those who have passed on recently such as Nashville’s Donna Summers and Bob Babbit. Finally, after a moment of silence, “Taps” was played by a lone trumpet.

Lola Brown (daughter of Dr. Dorothy Lavinia Brown, the first black female surgeon in the south) performed a stirring Gospel rendition of “I’m Goin’ Way Over Yonder” and Carissia took a turn on the classic Curtis Mayfield, “People Get Ready.”

Samuel L. Dismuke Jr., photo – Brad Hardisty

When Marion James took center stage with “The Queen’s Band,” the tiny stage was covered with some of Nashville’s finest performers on everything from horns, guitar to Hammond B3. Marion had three backup singers, including Lola Brown. There were at least 10 musicians, including Samuel L Dismuke jr. Jr. on trombone, who Marion said she considered to be one of her sons onstage. There was no denying why Marion James is the current “Queen of the Blues.”

Everybody stopped for about 30-40 minutes. Nobody was eating their Cajun burgers or swallowing down a couple of fries. There was no talking or chitchatting or wandering around. Time stood still as Marion cut through like a hot knife in a stick of butter.

Marion James, “The Queen of the Blues”, photo – Brad Hardisty

It was an electrified performance that was not to be missed. Marion not only sang some of her classics, but, some of her new songs from the new release on Ellersoul Records, Northside Soul with the attack of Sister Rosetta Tharp in a street fight with James Brown. Marion won!

This was the main event, although, a great late night jam featuring the Andy T Band and Nick Nixon was still in the wings.  After several hours, the night built to a crescendo and I left with my Steve Cropper print rolled carefully.

photo – Brad Hardisty

It was the end to another successful year for The Jefferson Street Musicians Benefit sponsored by Jefferson Street Sound.

–   Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com