Archives for category: Moviescreen

This Years Top Articles

November 26, 2011 //

My endorsement shot for Violet Moon Guitar Strap Ons

In Nashville, there is so much music press; it’s hard to know what people really like to read about. In having my own site, I’ve noticed I get readers from all over the world. I do get to write for other publications, such as Performer, Shake and Sleaze Roxx, but, on my own site, many times I just get to write what is on my mind.

Here are a few of the top articles this year, if you didn’t get a chance to read what others are reading.

Parrish with sister Stacy

I felt it was really up to me to write the tribute piece about guitarist Parrish Hultquist. The Utah rock scene, although very insular, had a lot of local bands in the 80’s. I met Parrish while we were still in high school and he is still considered the greatest guitarist to ever come out of that state. I not only wrote this piece for my site, but, another one that went out to Sleaze Roxx and was republished throughout the world on several Rock music sites including Hungary. His band Megattack, at the time was considered a supergroup by creating a band from members of The Jack, Mannequin and other well know Utah rock groups, their first shows were at the Utah Fairgrounds with capacity crowds of close to two thousand people before signing a record deal and releasing Raw Delivery on Dream Records in France. They got together for a reunion album Save The Nations in 2006 and two reunion shows before drummer Brian Sorenson went into a coma and Parrish returned to Spokane with health issues, which eventually took his life early this year.

The radio show on PureRockRadio.net in tribute to Parrish after his death was the biggest in Pure Rock Radio based out of Las Vegas, Nevada history. I was able to get in contact with former band members, who reminisced, while tracks from three bands he was a member of, Moviescreen, Megattack and Wolfgang played.

This is not only the biggest read article this year, but the most read all time, other than those who regularly go to my front page to see what is new. If you haven’t had a chance to read it, here is the quick link: Parrish Hultquist, Utah’s Greatest Guitarist Gone at 48

Evanescence Guitar rig at War Memorial show

In August I was invited to cover local band Fools For Rowan opening for Evanescence at the War Memorial. Armed with just my Smartphone, not able to locate a photographer in time, this article was linked to multiple Evanescence fan bulletin boards and was the most read show revue of the year. I’m sure it got interest in Fools For Rowan while giving Evanescence fans worldwide a little taste of the War Memorial gig, The funniest thing; I never know how shots from my phone are going to work. The best shot was the stage left shot of the guitarist rig before the Evanescence set.

Enjoy: Fools For Rowan Open Evanescence Nashville Show

Jimi in Kentucky, Screaming Eagles

Jimi Hendrix will never cease to amaze people. I read a local interview that Bassist Billy Cox did about Jimi Hendrix time after being in the military in Kentucky. He was down in Nashville, playing on Jefferson Street, Nashville’s Beale Street, long before he went to New York City. I started doing Jimi citings, finding the places he stayed and where he used to play. In the late last year release, West Coast Seattle Boy, a DVD was part of the package that talked more about his time in Nashville.

Although written late last year, I included this, because it is the second all time read article. Brad Schreiber wrote an incredible book entitled Becoming Jimi Hendrix that really explained what Jimi was doing before going to England. Jimi left his mark here. After talking to Civil Rights Photographer, Ernest Wither’s daughter, I was invited to speak in Memphis earlier this year about Jimi’s time in Tennessee. I did want to research more on the subject, but, I felt the one person who could really talk about those times would be Billy Cox, who still lives in Nashville. I spoke to Billy briefly about the invitation to speak in Memphis and invited him to speak about Jimi. Billy was not able to do that with the upcoming commitments of the Experience Tour this year. I eventually decided to leave the invitation to rest. Hopefully, Billy can speak about those early days, pre-New York in the future.

Jimi Hendrix in Nashville: Jimi Hendrix: The Nashville Connection

The August at Douglas Corner Cafe

I don’t write a lot about Country music since it is so well covered here in Nashville. I do like to write about breaking artists though. Especially when they are “that” good. One such group is The August who moved down here from Chicago. This article was the biggest read Country music article for the year.

The August with Jacky Dustin Sweet Emotion at Douglas

Eddie Hinton and Muscle Shoals nuff said

I picked up a copy of The Oxford American issue on Alabama Music. I was a part of the Alabama scene for several years playing not only with my band Furthermore, but with other local songwriters like Nathan Whitmore and Adam Guthrie. I consider those years in Birmingham to be some of my favorite times. I was shocked when I didn’t see word one about Eddie Hinton. Most of the musicians in Alabama would vote him numero uno when you talk about Alabama Music. This open letter was a huge read.

An Open Bama Letter to Oxford American

Anthony Corder, Tora Tora Live at Snowden Glen 2011

Last but not least, the most read interview here on this site was with Anthony Corder after the release of Tora Tora’s Revolution Day. This was an album recorded almost two decades ago, but, was never released until this year on Nashville’s FnA Records. Tora Tora was the 80’s band that made it out of Memphis. They recorded all three albums at Ardent Studios in Memphis and always have a little bit of the soul and blues in the mix.

Anthony Corder on Tora Tora’s Revolution Day

One thing is for sure, there is no way to plan out what article is going to be big. It could go big because I wrote from the heart or because the band is bigger overseas. It could be for any reason and none in particular, but, music is still important to all of us and reading about the things that matter still has a place in Nashville.

As for next year, the biggest thing on my plate is my first band biography that I am writing under contract. It should be completed next year. That is about all I can reveal about that right now.

Hope you all have a wonderful Holiday Season!

Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com

Categories Adam Guthrie, Alabama, Alabama Music, Alternative Music, Analog Recording, Ardent Studios, Band of Gypsys, Billy Cox, Birmingham, Douglas Corner Cafe, Eddie Hinton, Evanescence, FNA Records, Fools For Rowan, Guitar, Hair Metal, Jacky Dustin, Jimi Hendrix, Megattack, Moviescreen, Muscle Shoals Sound Studio, Music, Nashville, Parrish Hultquist, Rock Music, Salt Lake City, The August, The War Memorial Nashville, Tora Tora, Uncategorized, Utah

Parrish Hultquist, Utah’s Greatest Guitarist Gone at 48

January 30, 2011 //

Photo – Brad Hood

When Parrish Hultquist started playing out at age 15, Utah had no idea what they were in store for.

After first tracking at Bonneville Studios for a band called Equinox, he developed his songwriting with Adrian Scott and Brad Hardisty in Roxx. Within a few short years, he was out performing originals with Moviescreen who released their first album in 1984.

Moviescreen

By the time Moviescreen started playing at The Generation Gap, Parrish’s lightning speed and interesting chord changes set him apart from what was available at the time in Utah. Parrish was learning from just about every imaginable influence from early Ritchie Blackmore, Eddie Van Halen, Randy Rhoads to even Jazz artists like Al Di Meola and Allan Holdsworth. If he heard it, he could play it.

Wolfgang at Rafters-photo-Brad Hood

During the early 80’s he challenged himself to study classical nylon guitar only to find out that his teacher from the University of Utah had taught him everything he knew in six months. Anything that he would challenge himself to do on the guitar he could accomplish. He was a guitarists’ guitarist.

Parrish excelled in his abilities and quickly became bored or disinterested if the band he was in was not up to pushing as fast as things should be, reached a plateau or could not see his vision. Most of the time Parrish was the only guitarist in the band, but, those that were fortunate enough to share the stage with him found it to be an exhilarating experience.

Megattack Raw Delivery 1986

Parrish took guitar seriously and was not up for sharing the stage with somebody he would consider subpar. Probably, the most successful band that Parrish performed with was Megattack with the dual guitar attack of Parrish Hultquist and Jay Gough. They played regional shows from Salt Lake City to Boise, Idaho with crowds of a 1000 or more. Megattack’s first album Raw Delivery took off in Europe just as the band broke up.

Wolfgang, Parrish,2nd in White pants

Parrish played in numerous projects in the late 80’s, such as Terra’s album Flames of Passion (out of print) featuring brothers Dana and Kevin Freebairn and early 90’s, most notably Wolfgang who played regularly in Salt Lake City and played tour dates opening for bands such as Extreme and Tesla. Wolfgang recorded several unreleased tracks and a few videos that can be found on YouTube nowadays.

Megattack , Raw Delivery era, Bryan Sorenson, Jake Oslo, Rick Jackson, Parrish Hultquist, Patrick Carter, photo courtesy The Bryan Sorenson Family

Parrish created a lot of buzz as a guitarist and garnered compliments from other contemporaries such as Michael Schenker and George Lynch. He started to appear on Metal Fanzine covers as the next big thing or the Intermountain Music Scene secret weapon. It would be a fact that Parrish would not have a problem tangling with any guitarist on stage doing anything from Metal to Jazz to Classical Music. He was an accomplished musician who studied everything he could get his hands on.

Megattack, photo courtesy The Bryan Sorenson Family

Parrish began to have medical issues, a very rare seizure problem in the mid 90’s that began to slow down his ability to perform. He took whatever energy he did have to creating demos off all of his song ideas in his home studio and took opportunities to record with friends.

Megattack in 2006, Jay, Richard, Rick, Parrish and Bryan

In 2005, the opportunity came to record with the original Megattack line up and a follow up to Raw Delivery called Save The Nations was recorded. The album was professionally mastered at Airshow in Colorado. Parrish put as much as he could into his songwriting and playing. He was constantly dealing with seizures although he was grateful to have the opportunity to record again and perform on stage in Salt Lake City. Although medical issues would keep him in Spokane, W A., where his family lived and where he had medical attention, he was grateful to perform saying finally his daughter, Taylor, was able to see him perform with the band that garnered so much success in the 80’s.

One time he was riffing away at a visit to Guitar Center in West Valley later in years when a Salesman was blown away and asked if he had ever heard of Parrish Hultquist, that his Dad use to hang with him and he was considered the best guitarist to ever come out of Salt Lake City. He finally busted up a little and explained that he was Parrish.

Travis, Shawn and Parrish

If Parrish respected you as a musician or as a person he was a lifelong friend. While he had a hard time with people that were not what he considered real, judgmental or dishonest he was ready to include those that he could tell were on the fringes whether they were shy, handicapped or otherwise feeling left out. He had a sense of humor and a personality that would light up the room or the face of a girl working as a Checker at the Grocery store. If he wanted to engage you in conversation or merriment there was no stopping him.

Back row, Parrish, Rome, Shelly, front, Stacy, Tracy, Ronnie, Shawn and Travis

Parrish never made the natural choice to go out to the LA scene in the 80’s. He loved Utah, Idaho and Washington State. He never wanted to be too far from family. He was the oldest brother of eight children. The last several years with his health problems he was never far from his sisters and his Parents in Spokane, Washington.

Parrish was preceded in death by his younger brother, Shawn Hultquist, who had heart problems and while waiting for a heart donor died in 1998. His mother Gay Lynn Saunders also passed away a few years ago. The surviving family, his father Ron, Stepmother Jacque, Travis, Rome, Shelly, Stacy, Ronnie, Tracy as well as Cory and Billy are gathering for a Memorial in Spokane, Washington over the next few days. His engaging personality and talent will be sorely missed but warmly remembered.

– Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com

Tags Bryan Sorenson, Jake Oslo, Megattack, Parrish Hultquist, Patrick Carter, Rick Jackson

Categories Dana Freebairn, Eddie Van Halen, Hair Metal, Jazz, Matt Udall, Megattack, Moviescreen, Music, Obituary, Parrish Hultquist, Rock, Rock Music, Salt Lake City, Terra, Uncategorized, Utah, Wolfgang

Every Guitar Tells a Story: Phase Two

November 6, 2010 //

Sitting in/Band Practice/Cabimas, Venezuela, 1983

I left for Venezuela for almost two years in April 1982, leaving behind all my sold dream rock guitar gear, The Dean ML, Gibson White Double neck, Marshall MKII 100 Watt stack and the van to carry it all in, a 1972 yellowish Chevy van. I figured if I was meant to get back into music, the right gear would come back into my life.

My Venezuelan Cuatro and Laud

After about a month in Barquisimeto, Venezuela, I went down to the shopping district to buy a Cuatro, kind of a Venezuelan oversized ukulele, A Tenor Uke of sorts, used to play traditional Venezuelan Folk Music. The cassette recorder I had to record my voice and send home began to be my portable studio, developing Caribbean flavored non sensical flavored blues a Van Halen.

I played some stuff for the locals and it left them totally confused. That Cuatro became my free day muse until months later when I found a Spanish Laud, a twelve string short scale in the flea market in Maracaibo for about $100. I was able to do almost Classical Acoustic Guitar pieces on that thing and by the time I was living in Cabimas, Venezuela, I would enlist the closest person in the house to help make up songs like “Junkyard Dog” and “U.S. Girls”. For a period of 16 months, these were the only stringed instruments I had.

Moviescreen, 1983

When I got back to Salt Lake City at the end of 1983, I got a crash course in the current Metal scene going to a band practice with Parrish Hultquist and his band Moviescreen. Parrish handed me one of his Charvel Star guitars and I nearly blead to death riffing some of the old riffs I wrote two years prior. It felt good just to be playing through a Marshall before the band got practicing. It had been nearly two years since my last encounter with an Electric through a Marshall rage.

Wally in doorway,me in yellow/blue,Snow College 1980

I went to College in Provo, Utah in the winter of 1984 and my old band mate, Wally Gerrard from Karma would stop by my place at Raintree Apartments on the weekends and ended up letting me borrow some kind of no name half stack and a Japanese lawsuit Black Les Paul to practice some guitar. I ended up jamming with a group called the True Detectives with that rig in Provo, a bunch of Orange County, California semi punks playing “Breathless” X style and a few other punk gems. It was a little mismatch to my still metal ways but it was fun.

Mosrite 12 String

The summer of 1984 I was off to work in Southern California with the intention of returning to school but it never happened. Parrish had loaned me a guitar he had borrowed from Dana Freebairn, a vintage Mosrite Ventures 12 string with a vibrato bridge. I strung it as a six string, bought a Tom Scholz Rockman and spent the summer jamming in the sand at Newport Beach, California for the summer.

Eventually, I pulled some cash together and purchased a Gallien-Krueger twin 12 similar to the stuff that Alex Lifeson was using at the time. I thought the cool thing was that it had a built in Chorus circuit and had kind of that post punk sound, like Warren Cuccurullo licks. Living in Orange County, I was getting pulled all different ways, I was still listening to Randy Rhoads but got tuned into bands like U2, The Cult, Souxsie and The Banshees, The Fixx, Missing Persons. It was Orange County and even if Leatherwolf was hanging at the house where I was staying in Costa Mesa, Metal was kind of an inland music; the beach had punk and related music going on.

Kramer DMZ1000

Near the end of summer, Parrish sent out some copies of the Moviescreen Cassette and wanted me to come back up to Utah and play second guitar. I was having a good time in Orange County but I heeded the call and went back up with my Duran Duran style hair, Gallien Krueger and ended up picking up an aluminum neck Kramer DMZ 1000 at a pawn shop in Provo to get more of the heavy rhythm sound he needed. The problem was the Gallien Kruger didn’t sound like a Marshall and at that point in 1984 it was all about the Marshall. We were supposed to open for a band called Exciter at The Salt Palace when Brian Sorenson, the drummer, got hit by a drunk driver and his hand was busted. I ended up taking him to physical therapy several times a week and within two months I had moved back down to Orange County, California.

I had the exact same White Kramer/1985

When I moved back to Orange County at one time I pawned the guitar and amp to pay for a ring for a girl I was serious about. That relationship ended and made me re-think, don’t ever sell gear for a girl. I went and bought a cheap white Kramer van halen style guitar at Guitar Center when it was still in Santa Ana with the Floyd Rose vibrato on it. It was the budget model but still did the dive bombs.

I started to settle into the Huntington Beach, California scene where it was almost open warfare between the kids from Downey and Anaheim coming down in black leather listening to KNAC and the surf punks listening to KROQ. In fact, I lived above Jack’s Surf Shop at the corner of Main and PCH Highway and one night when it was still old town with bars, small stores and surf shops there was a full scale riot going on.

I watched from my bedroom window as the KNAC Metalheads numbering about 100 and the surf punks who were into surf clothes, The Ramones, The Toy Dolls and looking the part actually got into a full out fight on Main Street at about midnight in about 1985. I would just rock riffs with the White Kramer/ Floyd Rose/ Van Halen type setup through my friends Fender Deluxe with a distortion pedal. Finally, somebody got thrown through a plate glass window store front and the cops were coming and everybody scrambled. I could crank that guitar any time of day and nobody cared down by the beach.

Halloween 1986,me in smoking jacket, Derrick Lee-Glam Rocker

Derrick and I put together a group and called them The True Detectives after the band that both of us had jammed with at one time or another. We practiced in the apartment above Jack’s Surfboard Shop and in south Orange County. We were doing covers like “Dancin’ With Myself”’867-5309”and other party favorites around 1986. When my Aunt died and I left for a funeral and didn’t make a gig I never got called for band practice anymore. What can you say?

I wasn’t satisfied with the Kramer and wanted a more serious guitar. I was into jazz guitarist John Schofield after catching a video from the album “So Warm” on an L.A. afternoon rock video show. He was playing an Ibanez AS 200 semi-hollow burst guitar and I went in search of one and found one used and traded the Kramer for the Ibanez. I had studied jazz in college but this was the first time I had tried to start incorporating jazz inspirations into my own playing.

Ibanez AS200-my jazz period and beyond

I was kind of on my own, playing my John Schofield-Pat Metheney inspired chord patterns. My friends in Orange County were still into a kind of post punk thing while L.A. strip bands were getting signed left and right and touring the Midwest. I would keep that Ibanez for nearly 20 years and it would survive the rise and fall of a couple of bands, several amps and an upstairs recording studio that is all now part of the past. In an interesting twist, although I had practiced with Moviescreen and The True Detectives, I never did end up playing live; in fact I had not played in front of an audience since Karma back at Snow College. It was like I spent the rest of the 80’s figuring out what I wanted to do with my music while I was busy dating girls and going on with my life.