Archives for category: Muscle Shoals Sound Studio

backtoback recordRecord Store Day has been a major phenomenon not just for the resurgence of vinyl, but, for musicologists and developing a deeper palette for this emerging generation.

One of the big features are Back-to-Back 7inch releases which have usually been two different bands performing the same song such as this year’s Deep Purple “Highway Star” with the flip side being Type O Negative’s version of “Highway Star.”

One release that could have been improved upon would have been The Stooges’ “No Fun” backed by the cover version by The Black Keyes. The current  relativity of The Black Keyes should not have been overshadowed by The Sex Pistols performance of “No Fun” as the only song performed at their final gig not only in the United States, but, as a band where Johnny Rotten stated ”We will perform one song and one song only…No Fun.”  At the end of the song Johnny is heard saying, “Have you ever felt you’ve been cheated?” That singular performance ignited the Northern California punk scene that brought forth The Avengers, MX-80 Sound and the Dead Kennedys to name a few. The Sex Pistols should have been the flip side. Can you music company tastemakers get it right? We shall see.

Let’s start with some serious suggestions for future 7 inch releases.

(Hyperlinks will get you a listen)

backtoback terry reidTerry Reid – Rich Kid’s Blues  / The Raconteurs – Rich Kid’s Blues

Terry Reid was Jimmy Page’s first choice for The New Yardbirds. Terry was busy enough with his solo career and suggested Jimmy Page check out Robert Plant who was in a band called Band Of Joy. The Raconteurs did a spot on rendition on their second album. This would be an easier one to see happen since Jack White has the label and reissue experience to make this one. “Rich Kid’s Blues” could be a great first introduction to most people for little known Terry Reid in the United States.

backtoback jimiChuck Berry – Johnny B. Goode / Jimi Hendrix – Johnny B. Goode

Chuck Berry’s “Johnny B. Goode” could be the de facto rock and roll song. It is a 1-4-5 in major chords instead of 7th’s like the blues and the beat was fast. This was the song that any band could sit down and jam to see if things would work back in the 60’s and 70’s. When Jimi Hendrix performed “Johnny B. Goode” in Berkeley, California, it was caught on film and featured on Hendrix In The West and Jimi Plays Berkeley.  Jimi did “Johnny B. Goode” like he did “The Star Spangled Banner” at Woodstock, this was a total barnburner not only showcasing his ability, but, there may even be more of a mental back story then you know. Jimi’s mother named him Johnny when he was born while his Dad was away in the war. One of the last places Jimi was known as Johnny was staying with relatives in Berkeley, California before he went back to Seattle and his father legally changed his name to James Marshall Hendrix.  He wasn’t too happy about it. He insisted on being called “Buster” after a character from Flash Gordon.  So, in a way, Jimi is the real Johnny B. Goode in disguise.

backtoback hey judeThe Beatles – Hey Jude / Wilson Pickett – Hey Jude

Okay, while The Beatles “Hey Jude” may be one the longest singles ever and had a great story about Paul McCartney writing a piece of music for John’s son, Julian to help him get over his parent’s divorce, being a great supportive “uncle”’ Wilson Pickett’s version has an interesting twist as well.

It goes like this. Wilson Pickett was in the middle of recording an album at Muscle Shoals Sound in Alabama when the band decided to take a break and head out to go get some food and drinks. Wilson decided to hang out in the studio because he was black and didn’t feel like getting harassed by the locals and Duane Allman who was playing guitar on the session stayed with Wilson because he had long hair and would face some teasing by local folks as well. So, Wilson started jamming on the organ the recently released Beatles’ “Hey Jude” and Duane liked what he was doing, putting a little gospel soul into the British rock ballad. He started laying some guitar on Wilson and by the time the band got back in the morning, Duane and Wilson had the making of one heck of a “Hey Jude” cover. It was not only a great cover, but, is considered the record that started southern rock. The groundswell hit that spawned the Allman Brothers Band, The Marshall Tucker Band and countless other Capricorn Records.

Okay how about some call and response 7inch?

backtoback bear catBig Mama Thornton – Hound Dog / Rufus Thomas – Bear Cat

Okay, we all know about Elvis Presley’s “Hound Dog”, but, let’s go with the original on this. Big Mama Thornton singing something that Elvis’ probably heard on the “Red, Hot and Blue” radio show in Memphis. Well, Sam Phillip’s over at Sun decided it would be good to put out a response to “Hound Dog” with the cut “Bear Cat.” The only problem was it was too close to the original and “Bear Cat” ended up in a big lawsuit at the time. Now this all happened before Elvis recorded at Sun.

Okay here is a call and response that is a really sly one. Let’s see if you caught this one.

backtoback the holliesThe Hollies – The Air That I Breathe  / Pink Floyd – Breathe

Both songs move at similar tempo and feature some lucid beautiful guitar. The Hollies have almost that slow Eric Clapton sans George Harrison lead while Pink Floyd has the flowing pedal steel going on.  It’s almost like Pink Floyd came up with the idea while listening to The Hollies. They say that Pink Floyd may have been watching film of The Wizard of Oz, but, maybe it was The Hollies as Pink Floyd sang, “Breathe, breathe in the air, don’t be afraid to care, leave but don’t leave me,” was really lead-n bridge as the first lines after the chorus by The Hollies, “Sometime all I need is the air that I breathe and to love you.”

Hey here is a debate I started.

freecovers.netQueen – Bohemian Rhapsody / Mott The Hoople – Marionette

You really need to know the back story on this to see a link. Queen and Mott The Hoople used to tour together in England before Queen really broke big.  They really got along well and Queen even referenced Mott in the song “Now I’m Here” off of Sheer Heart Attack in the line, “Down in the city just Hoople and me.” One time while enjoying “Marionette” which was written a couple of years before “Bohemian Rhapsody” I was really paying attention to the story line in the song. “Marionette” was similarly like a mini rock opera piece with changes in tempo and dynamics and told the story of a person trying to keep from selling-out, told in first person it starts out, “No Puppet, no liar, won’t bend my lips to wire.”  Before going to the chorus, “Marionette – I Aint One Yet, Teacher’s pet – will you better forget it.” Before the outro, “They gambled, with my life and now I’ve lost my will to fight, Oh God these wires are so tight … I’m just a Marionette.” It is a whole conceived story that could be with a true to yourself musician eventually losing his soul to the corporate music entity, but, the way the story is told is really resembles how Queen went through structuring a “song” like Bohemian Rhapsody” another mini-opera.

I decided to contact Ian Hunter directly through his website and the interactive Horses Mouth page to see if he ever felt Queen got the idea to do “Bohemian Rhapsody” from touring together and Mott doing “Marionette?”  Ian Hunter responded, “I’ve no idea. You’d have to ask them. You know Freddie was kinda like that anyway. They were what they were and we were what we were. We got on famously though. Still do.”

Okay, how about similar riffs?

back to back xX – White Girl / Nirvana – Come As You Are

Okay, the verse parts include similar almost dead-on riffs. X, who was considered the flag bearers of the Los Angeles punk scene, included “White Girl” on their second critically acclaimed album Wild Gift in 1981 while Nirvana slowed the riff down a little and featured “Come As You Are” on their second album for major label Geffen, oh, I mean DGC. While Nirvana did do a song called “About A Girl” I could never find a cover version of “White Girl.” The part where Nirvana sings, “No, I don’t have a gun,” is almost like X’s tag of “She’s a white girl, but I’m living with a white girl.”  Kurt Cobain described “Come As You Are” as lyrics about “people and what they’re expected to act like”. “White Girl” was John Doe’s ode to The Germs’ bassist – Lorna Doom.  John was dealing with attraction and good ol’ Catholic guilt being married to Exene.  While, he may have cheated a little “mentally” it was not John’s “Norwegian Wood” since Exene knew what it was all about at the time.

backtoback black sabbathRed Hot Chili Peppers – Give It Away / Black Sabbath – Sweet Leaf

Okay, hey, Red Hot Chili Peppers sampled “White Girl” in one of their songs off of Mother’s Milk, so, were they just funkin’ thing up a bit while listening to Sweet Leaf off Masters of Reality? Hey Rick Rubin was producing the thing. Rick was also working with Slayer around the same time and he just produced the new Black Sabbath album. Rick was known for mashing things up like sampling Led Zeppelin on Beastie Boys tracks. Okay, here is my presumptive back story. Rick throws Black Sabbath’s “Sweet Leaf” up loud and lets the Chili Peppers jam with it until they come up with their own funky masterpiece.

Dude, you don’t want me running your record company because I’ll be too creative with these back to back 7 inch records and your mind won’t be able to handle it.

Well, the “Iko,Iko” super secret release was not bad.

–          Brad Hardisty, Nashville, Tn     thenashvillebridge@hotmail.com

bonnie bramlett vinyl 004“As you may have noticed my daughters are campaigning for their father’s musical legacy. Our Michele has taken the reins and with her sisters right by her side, she has tested the waters (so to speak) to see if she would be embraced by our peers and she has been 🙂

Delaney passed away not long ago and his daughters naturally want to celebrate his life’s work, secure the recognition it deserves and bring it to a wider audience. He made some great music as a solo artist, as well as with Delaney & Bonnie. “– message from Bonnie Bramlett on her official website.

bonnie bramlett vinyl 007An Atco copy of Delaney & Bonnie’s “Only You Know and I Know” obviously well-loved and in fair condition for $1.00 at The Great Escape – Madison location spinning at 45 on the turntable; well worth the dig!

bonnie bramlett vinyl 003bonnie bramlett vinyl 005Hearing Bonnie sing gorgeous harmony  on “Let It Rain” from a vinyl copy of Eric Clapton’s first solo album along with Delaney & Bonnie’s great southern band brothers, Rita Coolidge and Leon Russell on a good condition copy found at Phonoluxe for $4.00…cool!

bonnie bramlett vinyl 010bonnie bramlett vinyl 011I found a well-worn jacket hiding a near mint platter of Bonnie Bramlett’s covers album Lady’s Choice  recorded at Muscle Shoals Sound Studios and Capricorn Sound Studio at Fond Object that features the whole Muscle Shoals crew, Johnny Sandlin, David Hood, Jimmy Hall as well as guests Gregg Allman and a Tuscaloosa cat with a current Rolling Stones gig; Chuck Leavell.

bonnie bramlett gregg allman 2bonnie bramlett gregg allman 1Dropping the needle on the duet, “Two Steps From The Blues” with Gregg Allman reminds me of when I was standing on the back wall of the Alabama Theater in 2007 at The Scott Boyer Benefit with Gregg leaning on my arm as we peaked out from behind the horn section to watch Bonnie sing before he was going on. Gregg would whisper to me, “I played on that.” “I remember when we did that one.”  Gregg knew her set as well as Bonnie. I could tell he was a fan. Finally, Gregg said, “Well, I guess I better go get ready.”  $5.99 for vinyl Bonnie Bramlett Muscle Shoals Nirvana; Awesome!

bonnie bramlett backstage 2007Bonnie backstage cupping her hands over my ear and singing “Good Rockin’ Tonight” at The Alabama Theater in 2007 while she was waiting to go onstage…PRICELESS!

bonnie bramlett vinyl 008

all photos of album jackets, vinyl records also photos taken of artwork and Gregg Allman at The Alabama Theater taken by Brad Hardisty.

Photo with Bonnie Bramlett backstage at The Alabama Theater – unknown *

Gregg Allman on the back wall of The Alabama Theater 2007 with my arm and one of his best friends -photo –  Tiny

–          Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Jason Isbell & The 400 Unit, Mercy Lounge – Photo/ Brad Hardisty

Thursday night would mark three years since the first time I saw Jason Isbell (former Drive-By Truckers) and his then “new” band, The 400 Unit in 2009.  Jason was at Mercy Lounge last night at what he called his first “hometown” gig, I might be wrong, but, I think he said since he moved here.

Whether or not that is correct, Jason was playing a Nashville “insider” guitar, a session guy’s new secret weapon, a Duesenberg Gold Top with the futuristic looking German engineered vibrato arm. The retro looking euro-high tech guitars were first popularized by Mike Campbell (Tom Petty & The Heartbreakers) but are making their way into Nashville via Rock Block Guitars in a big way.

Jason has always been known for tasty guitar licks, but, he has really developed some deft country licks without going pure Brent Mason. It still has that Muscle Shoals “where Soul meets Country thang” going on.

I was excited to see where he was at since hearing his new project back in 2009. Back then, it was like he was excited to kind of graft in the family tree of Muscle Shoals legends with something akin to The Band or The Heartbreakers (Tom Petty not Johnny Thunders) but now, three albums in and four years on the road, The 400 Unit (named after the former Psychiatric Ward at Florence, Alabama’s Eliza Coffee Memorial Hospital) is a crackerjack five piece band, tight and lucid like the heir apparent to The Decoys, that features classic Muscle Shoals players, David Hood, Scott Boyer, Kelvin Holly and sometimes even Spooner Oldham on keys.

Jason has put a lot of weight on his shoulders by putting himself squarely in the middle of a heavy tradition with writers and players like Eddie Hinton, Dan Penn and Donnie Fritts. I have to say it is working out much better than the first time I heard him.  The set was great, the tone, the crowd and the band. I’m glad that he is doing what he is doing. He has refined the dynamics and is now digging a little deeper than the Gibson Les Paul into a Fender thing.

In fact, he pulled a 1970’s era classic Muscle Shoals tune out of his hat as well as a little “Stone Free” on the bridge of the last song before the encores. There was even an ounce of continuity or deja vu for me between that 2009 set at The State Room in Salt Lake City and the one in Nashville the other night.

Justin Townes Earle, The State Room, Salt Lake City, 2009 – Photo / Brad Hardisty

Justin Townes Earle opened for Jason Isbell back on that tour as he was taking off with The Good Life   then Jason Isbell played on Justin’s Harlem River Blues and  Justin was their last night for Jason’s set just catching it from the back.  It’s hard to miss Justin, he’s a tall presence, back then, he had a little Hank Williams style going on, now, it was an overcoat and fedora flair.

Hey, but, let’s get back to Jason. The Country music business is going about creating their own brand of country while there is this parallel universe where most of the Country Artists out of Texas, as well as newcomers, the august, and independent folks like Adam Hood and Jason Isbell pack them in when they come to Nashville.

Jason is some country, some soul and some heart wrenching lyrics, in reality, it’s all about Alabama, with a nod to Hank Williams-style sad lyrics, Duane Allman style ( Jason rocked on this, sometimes with a slide on two different fingers)slide guitar and a country boy from Greenhill, Alabama telling life stories that makes this worth listening too.  He has some solid fans in Nashville.

Dead Fingers, Mercy Lounge, 2012 – Photo / Brad Hardisty

Openers, Dead Fingers, Taylor Hollingsworth and Kate Taylor from Birmingham, Alabama got the invite and as Taylor said, “Alabama, represent!” Taylor has some of his own style going on, incorporating some Mississippi Hill Country Blues and rawhide Country into some Indie folk goings on.

Kate sang probably the strongest set I have heard her do so far; a real standout and an accomplishment at six months pregnant.  Kate has a great mix of Emmylou Harris and sixties vibe queens like Elaine “Spanky” McFarlane of Spank & Our Gang somewhere in that voce bella.

Dead Fingers were just at The Basement two weeks ago. Nashville is looking forward to hearing some more tracks in the future. You could say they are Birmingham’s Civil Wars, but, that would put them too much into a box after all the true Mississippi connections Taylor has made as well as his work with Conor Oberst & The Mystic Valley Band.

Taylor’s slide playing was a standout last night. One of the fun things about Taylor’s playing is when you know his songs, you know when he is experimenting or seeing if the band will go wherever he wanders off too. He didn’t too much of that last night, but, he still looked like he was having fun and there were plenty of Nashvillians and probably some Bowling Green patrons wandering south for the night in the audience when they went on at 9 PM. 

Great Alabama-centric night at Mercy Lounge!

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

My endorsement shot for Violet Moon Guitar Strap Ons

In Nashville, there is so much music press; it’s hard to know what people really like to read about. In having my own site, I’ve noticed I get readers from all over the world. I do get to write for other publications, such as Performer, Shake and Sleaze Roxx, but, on my own site, many times I just get to write what is on my mind.

Here are a few of the top articles this year, if you didn’t get a chance to read what others are reading.

Parrish with sister Stacy

I felt it was really up to me to write the tribute piece about guitarist Parrish Hultquist. The Utah rock scene, although very insular, had a lot of local bands in the 80’s. I met Parrish while we were still in high school and he is still considered the greatest guitarist to ever come out of that state. I not only wrote this piece for my site, but, another one that went out to Sleaze Roxx and was republished throughout the world on several Rock music sites including Hungary. His band Megattack, at the time was considered a supergroup by creating a band from members of The Jack, Mannequin and other well know Utah rock groups, their first shows were at the Utah Fairgrounds with capacity crowds of close to two thousand people before signing a record deal and releasing Raw Delivery on Dream Records in France. They got together for a reunion album Save The Nations in 2006 and two reunion shows before drummer Brian Sorenson went into a coma and Parrish returned to Spokane with health issues, which eventually took his life early this year.

The radio show on PureRockRadio.net in tribute to Parrish after his death was the biggest in Pure Rock Radio based out of Las Vegas, Nevada history. I was able to get in contact with former band members, who reminisced, while tracks from three bands he was a member of, Moviescreen, Megattack and Wolfgang played.

This is not only the biggest read article this year, but the most read all time, other than those who regularly go to my front page to see what is new. If you haven’t had a chance to read it, here is the quick link: Parrish Hultquist, Utah’s Greatest Guitarist Gone at 48

Evanescence Guitar rig at War Memorial show

In August I was invited to cover local band Fools For Rowan opening for Evanescence at the War Memorial. Armed with just my Smartphone, not able to locate a photographer in time, this article was linked to multiple Evanescence fan bulletin boards and was the most read show revue of the year. I’m sure it got interest in Fools For Rowan while giving Evanescence fans worldwide a little taste of the War Memorial gig, The funniest thing; I never know how shots from my phone are going to work. The best shot was the stage left shot of the guitarist rig before the Evanescence set.

Enjoy:  Fools For Rowan Open Evanescence Nashville Show

Jimi in Kentucky, Screaming Eagles

Jimi Hendrix will never cease to amaze people. I read a local interview that Bassist Billy Cox did about Jimi Hendrix time after being in the military in Kentucky. He was down in Nashville, playing on Jefferson Street, Nashville’s Beale Street, long before he went to New York City. I started doing Jimi citings, finding the places he stayed and where he used to play. In the late last year release, West Coast Seattle Boy, a DVD was part of the package that talked more about his time in Nashville.

 Although written late last year, I included this, because it is the second all time read article.  Brad Schreiber wrote an incredible book entitled Becoming Jimi Hendrix that really explained what Jimi was doing before going to England.  Jimi left his mark here. After talking to Civil Rights Photographer, Ernest Wither’s daughter, I was invited to speak in Memphis earlier this year about Jimi’s time in Tennessee. I did want to research more on the subject, but, I felt the one person who could really talk about those times would be Billy Cox, who still lives in Nashville. I spoke to Billy briefly about the invitation to speak in Memphis and invited him to speak about Jimi. Billy was not able to do that with the upcoming commitments of the Experience Tour this year. I eventually decided to leave the invitation to rest. Hopefully, Billy can speak about those early days, pre-New York in the future.

Jimi Hendrix in Nashville: Jimi Hendrix: The Nashville Connection

The August at Douglas Corner Cafe

I don’t write a lot about Country music since it is so well covered here in Nashville. I do like to write about breaking artists though. Especially when they are “that” good. One such group is The August who moved down here from Chicago. This article was the biggest read Country music article for the year.

The August with Jacky Dustin Sweet Emotion at Douglas

Eddie Hinton and Muscle Shoals nuff said

I picked up a copy of The Oxford American issue on Alabama Music. I was a part of the Alabama scene for several years playing not only with my band Furthermore, but with other local songwriters like Nathan Whitmore and Adam Guthrie. I consider those years in Birmingham to be some of my favorite times. I was shocked when I didn’t see word one about Eddie Hinton. Most of the musicians in Alabama would vote him numero uno when you talk about Alabama Music. This open letter was a huge read.

An Open Bama Letter to Oxford American

Anthony Corder, Tora Tora Live at Snowden Glen 2011

Last but not least, the most read interview here on this site was with Anthony Corder after the release of Tora Tora’s Revolution Day. This was an album recorded almost two decades ago, but, was never released until this year on Nashville’s FnA Records.  Tora Tora was the 80’s band that made it out of Memphis. They recorded all three albums at Ardent Studios in Memphis and always have a little bit of the soul and blues in the mix.

Anthony Corder on Tora Tora’s Revolution Day

One thing is for sure, there is no way to plan out what article is going to be big. It could go big because I wrote from the heart or because the band is bigger overseas. It could be for any reason and none in particular, but, music is still important to all of us and reading about the things that matter still has a place in Nashville.

As for next year, the biggest thing on my plate is my first band biography that I am writing under contract. It should be completed next year. That is about all I can reveal about that right now.

Hope you all have a wonderful Holiday Season!

Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Eddie Hinton,white shirt w/ Wayne Perkins

Before heading down to Helena, Alabama to visit my sister and pickup my Soldano speaker cabinet, I picked up the latest Oxford American Magazine, their annual music issue because it was all about Alabama music not only in written word but featured a CD with 27 tracks, some of them extremely rare all telling different stories from different times and different parts of the state, not just regional but a mix of Blues, Rock, Gospel and even Zappa label material.

I threw in the CD as I headed down 65 towards Birmingham and took the ride through the Birmingham soul of Ralph “Soul” Jackson to Curley Money out of Dothan, Alabama. It was a wonderful ride and I learned things I didn’t even know being in the Birmingham Scene for a few years. I was happy to see the story told about how the Indie Rock Scene started with Jim Bob and The Leisure Suits with drummer, Matt Kimbrell (RIP). I saw his brother, Mark Kimbrell play  in 2007 at a Sunday night Jazz Jam with Chris Fryar (then of The Allman Brothers Band now The Zac Brown Band) at Marty’s in the Five Points area.

 Blues cannot be any rarer than Dan Pickett and Country more honest than Charlie Louvin and they all are here. Well at least for what one can do on a single CD without going to the obvious such as Brother Kane or The Commodores.

Eddie Hinton ID shot

As the music went on and I read the great essays, I kept asking myself where is Eddie Hinton? Obscure or not, the story of Muscle Shoals or the heart and soul of what is Alabama cannot be told without Tuscaloosa bred Eddie Hinton.  It is possible for somebody looking at Alabama from the outside to miss the mark but if somebody is a serious Muscle Shoals or Alabama music fan or musician you cannot escape learning the story of Eddie Hinton.

“When I first came to Muscle Shoals it didn’t take very long before I became aware of Eddie’s singular talents- as a composer, lyricist and gifted Composer- and was touched by his original, offbeat and engaging personality…When the greatest artists came to Muscle Shoals they would hone in on Eddie – Aretha, Cher, Lulu, Bob Dylan would end up on the back porch of the Jackson Highway Studio with Eddie, pickin’ guitars and communing quietly in the Alabama evening. To this day I still play his records with great enjoyment. He remains unique – a white boy who truly sang and played in the spirit of the great black soul artists he venerated. With Eddie, it wasn’t imitation; it was totally created, with a fire and fury that was as real as Otis Redding’s and Wilson Pickett’s.”- Jerry Wexler, Producer with Atlantic Records.

Where’s Eddie? Can you find him?

I had heard, in reverence, several times about Eddie Hinton. Local Musicians in Birmingham would say “He was the greatest.” The most important revelation was when I talked to the “Swampers”, the Musicians that knew and worked with him at Muscle Shoals Sound.

On April 18th 2007, there was a benefit for Scott Boyer, who was a songwriter and played in Cowboy on Capricorn Records back in the Seventies. I had the opportunity to be part of the stage crew where a Muscle Shoals all star line up with everybody from David Hood, Dan Penn, Spooner Oldham and a cast of characters played with Bonnie Bramlett and Gregg Allman headlining.

I caught story after story from a time going back thirty plus years. I got into conversations and often asked who the most important player was during the Muscle Shoals era and over and over again the name Eddie Hinton came up. His story is one of triumph, tragedy and post mortem glory. In the last few years his recordings have been gathered from out of print Capricorn Records to rare self released material and put onto a collection of CD’s.  They are not easy to find but one can start with Anthology-1969-1998 A Mighty Field of Vision.

Marian McKay

Late last Saturday I went and saw Charlemagne Records’  Marian McKay singing jazz standards at Crestwood Coffee Company with The Mood Swings.  Charlemagne Records is the one of last independent record stores in Birmingham not unlike Grimey’s  it has a long rich history when Marian, her brother  and a best  friend started the shop in 1977 and it has remained at the same location in the Five Points area since then. The shop has lately seen a resurgence as vinyl is becoming increasingly popular among collectors.

We talked about the Alabama issue of Oxford American and how fantastic it was and the people they didn’t forget but when I brought up the fact that Eddie Hinton was not included there was nothing but silence. Eddie was the elephant in the room. Obviously, there were others left out but he was the one who sat in the doorway of Muscle Shoals Sound trading licks and stories, had Duane Allman crashing on his floor when he came to do session work and had style and songs that only fit in Muscle Shoals, where when he ended up moving because of a small marijuana bust in the seventies that forced him to leave town kind of lost his stride and place in the world. He remained an Alabaman to the core even if it meant living in his van in Birmingham in later years before he passed away in 1995.

Eddie with his trusted Tele

There are so many tracks not known by most the world but worthy to wave the Muscle Shoals flag such as “Concept World”, “Sad and Lonesome” or “Heavy Makes You Happy.” It is singular talents such as Eddie Hinton that I discovered while living in Alabama that make me proud that I was a part of that scene for some years.

The State of Alabama has gotten behind this presentation and declared 2011 “The Year of Alabama Music”. I am going to do my part by spotlighting at least one artist a month with roots in Alabama past and present.  I may have been born in California but Alabama is where I met Gregg Allman, Willie King, Tim Boykin, Mark Kimbrell, Chris Fryar, Adam Guthrie, Mandi Rae, Ian, Rick Carter, Kendra Sutton, Topper Price, Rickie Castrillo, Marty, Nathan Whitmore, Rick Kurtz, Rooster, Perch, Billy, Heath Green, David Hood, Kelvin Holly, Jesse Payne and Taylor Hollingsworth.  Alabama, the beautiful, where I got my “Mojo”.

Marian McKay & Her Mood Swings/ Live/ Birmingham,AL 1/8/2011

I may call Tennessee home but my heart is in Alabama.

– Brad Hardisty, Nashville, Tennessee     thenashvillebridge@hotmail.com

Blue Giant , out on support of their new release on Vanguard Records, opened it up, wide open at about 10Pm Saturday night at The Basement in Nashville. Kevin and Anita Robinson who also are Viva Voce  and The full 5 piece band which is an all star band as far as the Portland Scene goes cranked it up quickly. 

Anita is a fantastic guitarist who makes full use of her sonic range on a Fender Jazzmaster and Red, White and Blue screened Fender Amp. Her ability at both feedback and lead lines is sublime. They are now on tour in support of Bobby Bare Jr., a little departure from the Viva Voce days playing on dates with The Shins. Viva Voce, Anita and Kevin, have made their home in Portland, Oregon in the alternative market of The Dandy Warhols and The Decemberists.

In an interesting turn of events, Kevin and Anita started the new project back a couple of years ago and self released in true indie fashion a vinyl EP as well as CD last year at the same time Viva Voce’ “Rose City” was released and Blue Giant was picked up by an eclectic label, Vanguard Records that may be considered more Folk and Americana than the Indie Rock past of Kevin and Anita.

They jumped into a set with long time drummer,Evan Railton as well  as current members W.C. Beck and Jesse Bates. The interplay was cool between Anita on Guitar and the utility guy with The El Camino College Shirt. She was able to go from lead line to sonic landscape ala Sonic Youth with Pedal Steel, Mountain Dulcimer or Mandolin to round out Country, Southern and the for the most part Cosmic Cowboy music accessible by some of the older folks there to see Bobby Bare Jr. as well as the East Nashville experimenters.

Kevin had a few call outs since he was back in Nashville that were both reflective “It was dark days when I lived here before” to the current mood “it’s great to see family, old friends and new friends out here tonight”.

New Vanguard Records Release

Anita gave a shout out to family who probably travelled up from Alabama. It seemed that the farther they got into the set the more the music became comfortable and strong. It was like I would have liked to hear the first three songs again at the end to see if they could have been even more there.

Before they announced the last three songs they took a lineup that featured Kevin on Banjo, El Camino College guy (from Arkansas) on Mandolin, Bass, Drums and featured Anita on her long time Viva Voce companion, a 3/4 scale Rickenbacker black and white that absolutely sounded killer as she played slide the rest of the evening.

Kevin and Anita, Viva Voce days

I got a chance to talk with Kevin afterwards and he said this was the best time he had in Nashville in a long time. I talked to him about how things had changed in Nashville, things are a little bit more wide open.

 He is  from Muscle Shoals, Alabama  an important chapter for not only Lynyrd Skynyrd, but also Bob SeegerThe Rolling StonesBob Dylan and even Cher. He did know one of the Muscle Shoals Rythmn Section, David Hood. They had to be back on as they were hired to be Bobby Bare Jr.’s backing band on this tour. 

In talking to Anita I found out she was from Decatur, Alabama. That is a double plus for me since I consider Birmingham, Alabama my other hometown outside of growing up in California. I talked to her about Vanguard, how they had also signed Mindy Smith, one of the greatest current Singer/Songwriters from Nashville. 

She said the label picnics were unbelievable when you think of the other Artists currently on Vanguard, especially Merle Haggard, Levon Helm and even Indigenous.  They are definitely in good company and their album dropped at a good time. In a way, Blue Giant is full circle, it allows them to not only throw in some of the sonic qualities of Viva Voce but also take from the past, the things they grew up on. In a way it is another band that makes the statement that Graham Parsons was right, Southern and Country Music can be opened up and the possibilities are endless.

– Brad Hardisty, Nashville, TN      thenashvillebridge@hotmail.com