The Basement Nashville | The Nashville Bridge

2010, Corb Lund, Hayes Carll, Lucinda Willianms, Hayes’ parents.

September used to be back to school month, now that school starts early, September is not only when the CMA’s hit Nashville, but, when the world comes for Americana, Bluegrass and where Next Big Nashville morphed into Soundland and moved to October.

While Nashville may be known for the CMA’s , Eric Church and Taylor Swift, it is also known for what Rolling Stone called the “coolest music festival in the world”, The Americana Music Festival hits the city for the ultimate pub crawl from September 12^th-15^th.

Dan Baird with Brad, 2010, Cannery Ballroom, Stones Tribute

Past years have seen everybody from Don Was to Robert Plant to Nashville’s Own, Justin Townes Earle put on some great showcases. Last years’ awards show mashed up Gregg Allman, Robert Plant with The Avett Brothers, The Civil Wars and Mumford and Sons (sorry, the name reminds me of Sanford and Son). In fact, it seemed like a hybrid MTV awards show where music mattered and all sugar pop was left at the end caps in Wal Mart.

This year proves to be no exception, some notable sets will be Memphis night at The Rutledge featuring sets by Jim Lauderdale and the Mississippi All-Stars, okay, yes, I’ll say it again, Jim Lauderdale and The Mississippi All-Stars also a late set featuring an all-star jam playing the music of Big Star.

For those with a traditional view of what is “Americana”, Corb Lund will be at Mercy Lounge this Wednesday followed by a tribute to the late Levon Helm. In fact the line-up seems to be all inclusive with The Wallflowers, Mindy Smith, Chris Scruggs, Rodney Crowell among others playing all over the place for several nights.

As far as Americana goes, the easiest party route is to hang between Mercy Lounge and The Cannery Ballroom with an occasional run to The Basement for some harder to find sets.

Don Was, photo – Brad Hardisty

The problem is, this year, there are some great line-ups at The Rutledge and the Station Inn that will make that shuttle route a little difficult and may necessitate borrowing somebody’s 20-speed bike to get around each night.

Peelander-Z at Exit/In, NBN 2010 – photo – Brad Hardisty

The awards show at the end of the event, always proves to be a magical evening at The Ryman. This year should be no different. I am rooting for Alabama Shakes in the Emerging Artist category as well as Jason Isbell (Alabama represent!) & The 400 Unit with Album of the Year, Here We Rest.

The Dillards, IBMA 2010, photo – Brad Hardisty

Not to be outdone, IBMA’s World of Bluegrass Week runs from 24^th-30^th at, for convenience, The Nashville Convention Center and Renaissance Hotel. The IBMA Convention is not just about showcases, but, people are encouraged to carry around their guitars, fiddles, mandolins and join in the jam sessions that run almost till the sun comes up every night.

You could say Ricky Skaggs is our local Bluegrass patron Saint, with yearly residencies at The Ryman and a new album, Music to My Ears coming out this month, but, there are many new young artists playing traditional bluegrass as well as pulling in some modern ideas and pre-war non-bluegrass styles.

This is the real rebellion. While the music industry is finding a million ways to make computers sing and dance and auto-tune any Disney character into stardom, both the Americana Music Festival and the IBMA World of Bluegrass celebrate real musicianship, communal collaboration and a reason for a Luthier to keep honing his skills in search of the perfect tone wood.

This recipe continues to build both communities with younger generations every year.

After all, how many times can the music business reinvent the 70’s and the 80’s?

Mike Farris hanging at Mercy Lounge, Americana 2010, photo – Brad Hardisty

So, while commercial Country is now going to be shown every week in the night time soap, Nashville, basically re-spinning the movie Country Strong, “Americana,” which can claim anything from pre-war anthems to Red Dirt scene country and Bluegrass, New Grass and all its modern heirs are really the new cool. These two celebrations are really the underground cool.

As far as Soundland? What happened? Well, it’s now on October 6^th and after a peak year three years ago that featured major music business players talking about the next generation of music delivery and several days of new music, it is now one day down by the river with bands that already play Lollapalooza and other big festivals.

Wanda Jackson signing autographs at Mercy Lounge after Jack White produced album showcase, Americana 2010.

There are only a few locals, when Nashville could really do a Next Big Nashville with such a burgeoning Indie Rock and other type Music Scene, we get Soundland with just a couple of token Nashvillians, PUJOL and Nikki Lane. I guess we are going for national respect and now start-ups like Secret Stages in Birmingham are filling in the gap. Can I just say…huh?

– Brad Hardisty, Nashviille, TN thenashvillebridge@hotmail.com

On an unusually hot June night, Dead Fingers from Birmingham, Alabama, played the Basement underneath Grimeys New and Preloved Music, in a stripped down Trio with “really married” Taylor Hollingsworth and Kate Taylor backed by minimalist drums of Alan Rosser, as part of their mini-tour last Sunday the 24^th.

Dead Fingers Opened up with the classic Taylor song, “Bonnie and Clyde” from his 2005 Brash Music release, Tragic City, before going into the line up from the first Dead Fingers – Fat Possum release.

Playing to an intimate crowd including some friends who made the drive from Birmingham, Kate and Taylor matched song for song on “Closet Full Of Bones”, “Another Planet” with the different blend of almost Spanky & Our Gang meets southern Americana, Dead Fingers managed to break down a lot of barriers between styles and periods to create their own matchbox of sound.

Taylor stuck mainly to finger picking almost Piedmont style most of the night going from the bluesy slide of “Lost In Mississippi” to primitive western a la Rose Maddox and The Maddox Brothers rather than the current Fleetwood Mac radio country for “On My Way.”

There was a hint of classic Taylor Hollingsworth writing when going into “Against The River” riffing.

Kate and Taylor looked real comfortable together as well as baby bump makes three, Taylor and Kate, who have been married for a while now, are expecting a girl towards the end of the year.

It looks like the child will have music in her DNA taking in the tour from the stage, listening to musical vibrations.

Kate comes from a big Birmingham musical family, with sister Maria Taylor , an artist on Conor Oberst’s Saddle Creek Records , as well as brother Macey Taylor who has played Bass for Maria, Taylor, Conor Oberst and several other bands and music projects.

Kate is no stranger to the stage, having played in Maria Taylor’s touring band on drums as well as other instruments and supporting vocals.

Mystic Valley Band at Coachella 2009, Macey on bass, Taylor on Acoustic

Macey and Taylor both played in the two album project that Conor Oberst ended up putting together, The Mystic Valley Band where Taylor sang at least one of his own originals at every tour stop. They ended up playing some big shows in 2009 including Coachella. Following that project, Taylor released the acoustic project, Life With A Slow Ear, Team Love Records in 2009.

Dead Fingers became the project as Kate and Taylor started taking life on together as a couple.

Kate’s brother Macey at Coachella / Photo- Brad Hardisty

Taylor, even in the stripped down mode, showed plenty of flash, using a harmonizer pedal to get some cool neo-pedal steel type leads going on the country material, and some intense slide work through the night.

Taylor Hollingsworth singing “Air Mattress” at Coachella 2009 / Photo – Brad Hardisty

Dead Fingers included a new song in the set that will be on the next release which they are scheduled to begin recording in the near future.

The duo shows great depth and versatility in their songwriting able to take off in different ways which especially works well in Nashville where, cult classic country, blues and roots rock are part of the whole Indie scene.

Dead Fingers will be back in Nashville on July 12th at The Mercy Lounge opening up for Jason Isbell (formerly of The Drive-By Truckers) & The 400 Unit. Definitely a lot of Alabama in that show.

– Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com

When IBMA Americana and Soundland Collide

September used to be back to school month, now that school starts early, September is not only when the CMA’s hit Nashville, but, when the world comes for Americana, Bluegrass and where Next Big Nashville morphed into Soundland and moved to October.

Dead Fingers at The Basement