Archives for posts with tag: Modoc
Tristen performing at The Groove, Record Store Day 2013, photo - Brad Hardisty

Tristen performing at The Groove, Record Store Day 2013, photo – Brad Hardisty

2013 proved to be a year where Nashville didn’t make as  big an impact nationally as it should have with no major album from either Country or Nashville sub-genres making any real impact on any national or international best-of lists from Rolling Stone Magazine [other than Keith Urban noted] to Mojo or anything else in-between.

It’s not that there were not any releases with big expectations from our region, but apparently they didn’t catch on nationally or internationally for that matter. Missing in action on the best of lists were Kings Of Leon, Paramore, Jack White, The Black Keys, Taylor Swift and pretty much every record that Nashville Scene listed as the best this year including releases by Tristen and Diarrhea Planet.

Zac Brown continues to chart his own path in the Country music scene with his Southern Ground Festival, Southern Ground group of artists that is now headquartered in Nashville  and charting records that have more to tell; just recently putting out the Dave Grohl Sessions Vol. 1, the problem is, can one list a four song EP as an album? As an artist, I definitely can give Zac kudos for songwriting, performance and outright tenaciousness.

MODOC, Soulshine Pizza, Nashville, TN, photo - Brad Hardisty

MODOC, Soulshine Pizza, Nashville, TN, photo – Brad Hardisty

It’s not to say that these were not good records, but it shows the deepening divide between well crafted music and the ability to get it out there in some way where it becomes part of the collective consciousness and not just affect the local pub crawl or mini festival.

Most stateside best-of lists had Vampire Weekend at or near the top of their lists whereas in the rest of the world they might have made the Top ten in one major publication and barely scratch the Top 40 in other important music rags and blogs outside the United States.

Luther Dickinson, North Mississippi Allstars, Cannery Ballroom 2013, photo - Brad Hardisty

Luther Dickinson, North Mississippi Allstars, Cannery Ballroom 2013, photo – Brad Hardisty

Rolling Stone probably had one of the most bi-polar lists that included everything from real music artists to “entertainers” such as Miley Cyrus – Bangerz in their Top 40 list whereas Miley Cyrus isn’t on any major serious list outside the United States. Henry Rollins had a polite way of putting it this way: there is a lot of stuff that Rolling Stone writes about that isn’t on his radar.  Rolling Stone has gotten so far away from its original intent that the 360 label controlled deal signed Entertainers make the front cover regularly as well as politicians and a great amount of type space is spent driving home the Editors personal political point of view. I can’t fault them completely; there is the occasional Ginger Baker or Merle Haggard interview perfection. They even have a great local Nashville writer, Adam Gold, who doesn’t really get to write that much about the real Nashville. In a town where a 1600 word piece could be written every week about records being made and shows being played by regional Artists, nine out of ten articles are reviews of the previous Nashville TV Show plot.  Why don’t they give Adam free reign and really show what this town has to offer?

Tim Easton & JD Simo at Grimey's 2013, photo - Brad Hardisty

Tim Easton & JD Simo at Grimey’s 2013, photo – Brad Hardisty

As far as America’s perception of Nashville, I can’t fault the Nashville TV Show. There are some great aspects that I enjoy such as the cityscape backdrops and watching the “Live” performances to see who is playing in the band as well as T Bone Burnetts choices for locally written music. I always like to see folks like Colin Linden or Jim Lauderdale on the small screen!  I am still waiting to see JD Simo, Kenny Vaughan or maybe Dave Roe. Of course, if they put Joe Fick on there, he would probably steal the thunder away from the movie star. Honestly, Hayden Panetierre does really well playing a damaged girl that is trying to do her best to be good / bad at the same time. She has a heart of gold and a heart of stone that makes yin and yang seem as normal as Corned Beef Hash and Shrimp and Grits on the same plate. It just seems that when she tries to do something good she ends up screwing it up. I’m not sure if she is suppose to be bi-polar or her Mother smoked crack while she was in the womb but she sure does need the reassurance of her fans.

Mojo is probably the best music major publication in the world and they managed to have a list that was almost devoid of pop schlock and had an Artist, Bill Callahan – Dream River at number one that didn’t even make a stateside list.

In Mojo, Memphis inspired Mavis Staples – One True Vine sat at number 21 whereas it was not featured on any lists in any major American publications. What used to be true is still true, foreign music fans seem to appreciate real American Artists more than we do ourselves. Guy Clark’s My Favorite Picture Of You  as well as Jason Isbell’ Southeastern cracked some great lists without making a whisper on any stateside lists outside of Americana specific publications.

lorde pure heroineOkay, the Artist that probably really got the short end of the stick in all the lists was Lorde. Lorde’s Pure Heroine probably had more impact than any other record this year whether I like it or anybody else does. Lorde has already been ripped off by K-Tel style sound-a-like commercials for Boss and Victoria’s Secret.  They ripped her off as blatantly as if somebody had tried to write a commercial that sounded like “Honky Tonk Women” or “Brown Sugar” back in the day and just call it advertising Muzak. Lorde definitely brings more to the table than Lady Gaga’s “Fashion” going after David Bowie’s “Let’s Dance” instead of previous attempts at Madonna’s eighties catalog.

Okay, as far as local goes. I think Nashville Scene got it right for the most part, but, what about Ricky Skaggs or Modoc’s new albums?  There is a much larger alternative scene in Nashville than even where Nashville Scene went with its own list.

DeRobert & the Half Truths at The High Watt 2013, photo - Brad Hardisty

DeRobert & the Half Truths at The High Watt 2013, photo – Brad Hardisty

Although regional albums didn’t seem to impact national lists this year, there are prospects coming up in 2014. For one, Nikki Lane has those Dan Auerbach produced tracks still waiting for a drop date. GED Soul is putting out their first full length vinyl, De Robert & The Half Truths – I’m Tryin’ on January 14th. Jack White is putting out new music by The Dead Weather.  One could hope for a new Kenny Vaughan album or even a revolutionary new Country album like Miranda Lambert’s Revolution  or how about a historical Live recording like Jerry Lee Lewis Live at Third Man from a couple of years ago.

Probably my biggest anticipated Nashville area release will be the new Mike Farris album which has been a couple of years in the making and should get a release date some time in 2014.

With the prospect that album buying is an ever shrinking source of revenue and has started to become a vanity project for almost everybody but a major label 360 signed Artist / Entertainer /  Dancer / Avatar, will the “best of” album lists start to disappear and be replaced by the “best live” performances since that is where the hopes for revenue are? I can’t answer that one. I still buy CD’s and vinyl and I don’t buy shrill sounding MP3’s. That is my line in the sand. I like liner notes, credits and photos so downloads don’t do much for me.

Doyle Lawson at Simply Bluegrass, Nashville, TN 2013, photo - Brad Hardisty

Doyle Lawson at Simply Bluegrass, Nashville, TN 2013, photo – Brad Hardisty

It seems that music in people’s lives is as important as ever, yet twenty million views on You Tube might only translate into 80,000 units sold.  In this kind of environment, an Artist might be safer to build a following in a sub-genre such as Americana, Blues or Bluegrass and tour on that specific festival circuit rather than to try to get a grass roots following on some new angle of Indie music and try to build up from the clubs. The prospect of never getting bigger than the clubs and eternally couch surfing are enormous in the current all-music –should- be- free- to- listen- to conundrum.

I have to admit that bands are becoming creative.  The Cult talks about sending out “capsules” of music in the future such as three new songs every quarter. Jack White has printed different band names on the CD’s he has taken on tour to sell to make collectibles out of “tour bought” merchandise. Infinity Cat has put out different covers or changed up colored vinyl to keep its catalog collectible among label followers. Creative marketing is as important as creative songwriting nowadays. A limited quantity of whatever seems to be a “buy” even though it may only bring in a limited amount of money.

Will there ever be a big budget grandiose masterpiece like Rumours or Dark Side of The Moon in the future? Maybe not but, if so, it would probably come out of a big budget Kickstarter campaign for a complete vanity piece that may only sell 20,000 units due to current radio formats and the free listening or subscription services now available. If there are less units of such a great masterpiece out there than the original Ramones album, will it be found and enjoyed 20 years down the road?

I can’t give up on the fact that somehow the music business will survive in some fashion that will keep creative people out there producing something new. I love going to see a band live but, will there ever be a budget for Quincy Jones style production on real music and not the flavor of the month?

Anyways, my best of list is based on a couple of criteria. I like it and it is regional, as in, from the south or with ties to the south and not necessarily middle Tennessee. I’ll keep it to ten because there are 20 and 30 and 40 lists; why not just make it essential?

andy t nick nixonNumber 10: The Andy T Band and Nick Nixon – Drink Drank Drunk

Andy T has been a regular guitar slinger on the blues scene all around town after arriving here via California and Houston, Texas. Nick Nixon is a native son following in the tradition of the Jefferson Street scene. This mix of a stew of standards produced and mixed by Texan Anson Funderburgh was the strongest Nashville Blues record out this year with a definite Gatemouth Texas Swing Blues influence and got the two with their band on Blues Festivals nationwide in 2013. Stand-out tracks: “Midnight Hour” “Drink Drank Drunk” “Have You Seen My Monkey?”

ricky skaggs bruce hornsby coverNumber 9: Ricky Skaggs and Bruce Hornsby – Cluck Ol’ Hen Live

Ricky Skaggs has been an Ambassador of Bluegrass to the world and his collaboration with Bruce Hornsby on piano turned out to be one of the greatest live events of the past few years. This recording captured from a couple of those shows features some great jamming with Bruce Hornsby kind of going to the roots after having toured with The Grateful Dead years ago. The in-between banter gives the feel of really being there. Stand-out tracks: “How Mountain Girls Can Love” “The Way It Is” “The Dreaded Spoon.”

MODOC_AlbumArtNumber 8: MODOC

MODOC has had great song placement in the last year or so that has put their music on television.  MODOC just plain rocks and “Runnin” has been all over the local airwaves. This album still has some legs after its release in August and will get a vinyl release after the first of the year. The Indiana natives have really stuck to their guns since arriving in Nashville about three years ago and have really improved their song craft and play every date they can.  A solid album is the pay dirt. Stand – out tracks: “Runnin” “Coward” “I Want You”

patty griffin american kidNumber 7: Patty Griffin – American Kid       

You could say Patty Griffin is from Austin and you could say that Robert Plant is from England, but let’s be real, they spend a lot of time here in Nashville and therefore are just as much Nashvillian as most of us who come from everywhere from California to Australia and spend perhaps a good majority of our lives here in pursuit of musical nirvana.  This may be Patty’s current album as the reigning Queen of Americana, but Robert makes enough guest appearances to let you know he is there without calling it a duet album. The North Mississippi Allstars make an appearance as well. Stand-out tracks “Don’t Let me Die In Florida,” “Ohio” and “Highway Song.”

jason isbell southeasternNumber 6: Jason Isbell – Southeastern

215 reviews and this album is still five stars on Amazon. Southeastern should be on every Top ten list this year.  Unfortunately, this was mostly shunned by American media while in Britain and Europe, where The Drive By Truckers were treated like The Rolling Stones, this gets what it deserves. Muscle Shoals will live on forever and Jason is definitely one of the favorite sons.  There are guest spots by Kim Richey (“Stockholm”) and Amanda Shires on “Travelling Alone.” There are a couple of southern rockers but most of this set would go over well at The Bluebird Cafe. Stand-out tracks “Flying Over Water,” “New South Wales,” and “Super 8.”

tim easton not coolNumber 5: Tim Easton – Not Cool

Tim encapsulizes everything cool about Nashville in one album that includes members of Robert’s regulars from The Don Kelley Band, Joe Fick [The Dempseys} on bass and JD Simo on guitar. The recording puts you front and center listening to real new Nashville Honky Honk music. What a concept! People travel from all over the world to hear it, so why not put it out to the airwaves.  If you missed the in-store that featured JD on guitar at Grimey’s, you missed one of the best in-stores of 2013. The songwriting has some gritty stories and moves things out past toney East Nashville to Riverside.  The old plywood acoustic sits in the middle of the mix. This one sits somewhere between Dylan’s Nashville Skyline and John Mellencamp’s Sun records effort a couple of years ago.  Stand out tracks include “Little Doggie (1962)” and “Four Queens.” “Troubled Times”

north mississippi allstars world boogieNumber 4: North Mississippi Allstars – World Boogie Is Coming

What can you say when the first two tracks start out with Robert Plant on harmonica recorded at Royal in Memphis? The Dickinsons along with Lightnin’ Malcolm are taking us for a ride through Holly Springs on this essentially covers album that plays out like a Midsummer Night’s Dream where R.L. Burnside and Junior Kimbrough are still alive and Junior’s Place is still open for all night jams and ribs. Although Blues can let out your frustrations, this one puts on a smile and gets your groove going. Stand-out tracks

“Snake Drive,” Meet Me In The City” and “Goin’ To Brownsville.”

diarrhea planet artwork 2013Number 3: Diarrhea Planet – I’m Rich Beyond Your Wildest Dreams

Diarrhea Planet is probably the best live show in Nashville right now, especially if you like guitar. They one up Lynyrd Skynyrd with four guitars. I repeat, FOUR GUITARS!  Watching them is like watching a Jack Black music skit on SNL, but the guitar work is pretty good and they are always entertaining and have some strong music that is designed for live consumption. Stand out tracks:  “Separations” “Ugliest Son” “The Sound Of My Ceiling Fan”

guy clark my favorite picture of youNumber 2: Guy Clark – My Favorite Picture Of You

Guy Clark pays tribute to his wife and wears his heart on his sleeve and his favorite picture of his wife on the cover. My Favorite Picture of You is an introspective soul searching masterpiece that makes one stop after every song and process the lyrics they just listened to. If Nashville is about songwriting then this is this year’s litmus test. Stand-out tracks, “My Favorite Picture of You” “Cornmeal Waltz”“Heroes”

tristen cavesNumber 1: Tristen – Caves

Tristen proves a point that you can follow your muse no matter what style in Nashville and create something cohesive, beautiful and unique. If this doesn’t become the huge record it should then it will become a cult album that everybody will want to show their friend and turn them onto. If Mojo ever gets a hold of this one, Tristen will be over in England and Europe playing to sold out crowds for the next year and it will be tough to ever see her play in the backyard at The Groove on Record Store Day again.  Tristen comes from the world where Pop means great songs like The Beatles, The Smiths, Fleetwood Mac or Blondie. Stand out tracks: “No One’s Gonnna Know” “House of War” “Dark Matter” “Monster”

–          Brad Hardisty, Nashville, TN    thenashvillebridgeathotmaildotcom

Advertisements

MODOC Selected as FOX Sports Artist of the Month, iTunes “New and Noteworthy” Artist

MODOC, Soulshine Pizza, Nashville, TN, 2013, photo - Brad Hardisty

MODOC, Soulshine Pizza, Nashville, TN, 2013, photo – Brad Hardisty

Music to be featured across all FOX sports programming during the month of December, including college football and NFL coverage

MODOC, Soulshine Pizza, 2013, Nashville, TN, photo - Brad Hardisty

MODOC, Soulshine Pizza, 2013, Nashville, TN, photo – Brad Hardisty

MODOC returned to Nashville and was caught Live in the act at Soulshine Pizza by Brad Hardisty playing to a packed house out on the deck all sealed up from the extremely cold weather after getting major local radio airplay.

MODOC, photo - Brad Hardisty

MODOC, photo – Brad Hardisty

MODOC, Soulshine Pizza, Nashville, TN, photo - Brad Hardisty

MODOC, Soulshine Pizza, Nashville, TN, photo – Brad Hardisty

(Nashville, Tenn. – Dec. 10, 2013) Nashville rock band MODOC has been named FOX Sports’ Artist of the Month, with the television network currently airing the band’s music in a variety of its December sports programming.

MODOC, photo - Brad Hardisty

MODOC, photo – Brad Hardisty

Following Pearl Jam as FOX’s featured November artist, MODOC’s music has been licensed to appear across all FOX Sports properties in December, including College Football on FOX, College Basketball on FOX, NFL on FOX, MLB on Fox, FA Cup on FOX, UEFA, UFC, NASCAR on FOX and Fox Sports 1. “Fortune and Fame,” “My Way” and “Runnin’” are among the songs from the band’s most recent release that have been licensed for use.

MODOC, photo - Brad Hardisty

MODOC, photo – Brad Hardisty

Additionally, MODOC has been selected as one of iTunes’ “New and Noteworthy” Alternative artists, beginning December 10. The band is currently offering its new self-titled album via iTunes for only $7.99 as a special promotion through the end of the year.

MODOC, photo - Brad Hardisty

MODOC, photo – Brad Hardisty

“We’re really excited to finish out 2013 with these feature placements with FOX and iTunes,” says MODOC manager Eric Hurt. “This has been a big year for the band in its growth, and we’re really starting to open people’s eyes to the next big rock band coming out of Music City. I’m absolutely thrilled with how things are shaping up for 2014 and where MODOC is headed.”

MODOC, photo - Brad Hardisty

MODOC, photo – Brad Hardisty

MODOC, photo - Brad Hardisty

MODOC, photo – Brad Hardisty

“Joe Rangel from Hitcher Music called me and said, ‘I have a band you are going to love’ and sent me MODOC’s music,” says Janine Kerr, VP/FOX Sports Music. “I listened, loved what I heard and called him back immediately to let him know that the band definitely has a cool, unique sound. We are very excited to showcase MODOC as our December Artist of the Month.”

IMG_2361 small

MODOC, photo - Brad Hardisty

MODOC, photo – Brad Hardisty

MODOC, photo - Brad Hardisty

MODOC, photo – Brad Hardisty

The band released its first Daytrotter session on December 2 and will be issuing a limited edition run of MODOC on vinyl LP in January. MODOC was also selected as the featured daily artist on the worldwide music discovery app Band of the Day on October 24.

MODOC, photo, Brad Hardisty

MODOC, photo, Brad Hardisty

MODOC is: Clint Culberson (vocals, guitars), Kyle Addison (lead guitar, vocals), Caleb Crockett (bass, vocals) and John Carlson (drums, vocals).

MODOC, photo - Brad Hardisty

MODOC, photo – Brad Hardisty

The Clint Culberson Interview

Modoc, photo-Salomon Davis / Solo Photography

Modoc, photo-Salomon Davis / Solo Photography

We are really excited that local stations are willing to put us out there and help support what we are doing.” – Clint Culberson, MODOC.

MODOC has seen their fortunes rise after moving from Indiana to Nashville a couple of years ago. While most of the Hard Rock scene has faded, they have had a chance to write with Rich Robinson of The Black Crowes and had their song, “Devil On My Shoulder” featured in the promo for last year’s TV show, 666 Park Avenue.

Clint Culberson took some time to relate on the benefits of being part of the Nashville music community and what has turned MODOC from one of the members of the local scene into current real Rock, no-frills torchbearers on the verge of something even bigger.

Brad Hardisty / The Nashville Bridge: Are you in Nashville right now?

Clint Culberson, Lead Singer, Guitarist, Songwriter- MODOC: Yeah, we are home.  We are leaving on Thursday for Alabama.

TNB: Where do you play in Alabama, I think I saw Tuscaloosa?

CC: Yeah, we are in Tuscaloosa and then we are heading to Arkansas for a couple of days.

TNB: Then you are back here on the 18th?

CC: Yes. We are back here in town on the 18th and then Bowling Green the 19th, I think.

TNB: You guys have a good wheel going on (around Nashville)?

CC: We are trying for sure.  We’ve got some good guys working for us.

TNB: As far as MODOC, the first time I saw you was during the last good Next Big Nashville Conference a couple of years ago at The 5 Spot. How long had you been in town?

CC: I think we were here for a little while. We had probably been in town for a year. We really changed when Caleb, our original bass player, came down from Indiana and we took it a little more seriously once he got down here. We said we really want to do this for a living and go after it.

TNB: So Caleb is actually your original bass player?

Clint Culberson, Modoc, photo - Salomon Davis / Solo Photography

Clint Culberson, Modoc, photo – Salomon Davis / Solo Photography

CC: Yes, he was the original bass player and he had decided he was going to stay back home for a girl and not move down here. We were not really sure where we were at as a band at that point. We had a guy step in for a little bit and we are still really good friends with him but, he was…you know, we kind of had to come to a mutual agreement. I hate to say it wasn’t mutual but, he wasn’t going to quit so we had to do one of those things that is never easy to do.

TNB: I would say that is definitely some strong bass that Caleb is playing on the album. I listened to the video you guys have up the other day recorded at Smoakstack. Is that where you did the new album?

CC: No, we just did a couple of live videos in there and what-not to have. This new album we did on our own, so, we recorded that record everywhere. We went from my garage to living rooms to bedrooms, kitchens where ever we could find good sound.

TNB: Is MODOC situated in East Nashville?

CC: Two of us are in East Nashville and two of us are in West Nashville.

TNB: So you are kind of involved on both sides of Nashville.

CC: Yeah. We cover the whole market.

TNB: So how do you like Nashville after being transplants, like everybody else, I should say.

CC: I feel like we have become, you know, part of this town.  It is home for us. We have met a lot of people, so that’s a little more exciting than the hills of Indiana. I think I would say I’m probably the most country out of all of us. I feel like I’ve probably picked up the accent more than anybody.  I don’t mind it.

 TNB: Are you the main lyricist or does the band work together?

CC: Mainly, I do most of the lyrics and writing on that side of things. But, the guys always have something. John comes to me most of the time, out of the three of them, with lyrics and what-not. You know, there are some songs that I’m kind of strugglin’ and not sure where to go with this and we will sit down and figure it out and it seems well and it makes sense. It is still coming from an honest direction, I guess.

TNB: Well, I love MODOC’s sound but, for me that’s the core. I have always liked bands that have come out of here [the south] like The Black Crowes, but also some of the newer bands like American Minor that was around a couple of years ago also American Bang which used to be Bang Bang Bang.

CC: Oh yeah.

TNB: Do you guys feel like you are getting really good local support? Are you getting radio support?

MODOC_AlbumArtCC: Yeah we are getting a little bit from Lightning 100 but also, lately; The Buzz has really been supporting us a lot actually. They were playing us before we even knew it. They were super into it, so, it is really awesome to know that they were picking it up before we even talked to them about what else we could do with them.  We are really excited that local stations are willing to put us out there and help support what we are doing.

TNB: Do you see any core areas in the Country that are starting to come back or come up with the real Hard Rock thing?

 CC: I think it comes and goes, I think a lot of people get excited for a bit and I feel like even though we have only been here for a few years, I feel like a lot of the bands that were doing somewhat close to what we were doing when we first got down here are no longer out there and so I feel like somewhat in a good way that we’re not the only rock and roll band, of course not, but, you know sometimes I feel like we don’t wear a funny hat or costumes so we are the only ones like us. That’s it.

TNB: I see you guys where you are at now, your songwriting is a lot more polished. I like it because it has some variety to it and it sounds like you guys are having a really good time, especially over the last year. What was the turning point? Was it songwriting here in Nashville?

photo - Salomon Davis / Solo Photography

photo – Salomon Davis / Solo Photography

CC: I think we are all aspiring songwriters anyway and we’ve always said the best song is what is going to go on that record and we had written a lot of songs. I think it just takes practice and we don’t want to limit ourselves on any specific kind of song or genre. You know, of course we are going to play electric guitar and play loud, but, I think we have been good about saying make the song be what it’s about and then worry about whether or not we are going to do it. So, we just finished a good album and we put it out there. We need to sound like us. We need to stop worrying about that. Early on, I think we did a good job of getting that out of the way and stopped worrying about songs being different and whether they mesh or not and it just depended on how it was recorded that makes it sound like you. What Ryan Adams has done over the last decade, a lot of his sounds are completely different and we are big fans of all of them and he gets a lot of shit for that, or he did. But, they couldn’t stick him into a particular genre and well… good for him. He can do whatever the hell he wants to and have a good time. It’s much more important to have a good time.

TNB: If I were to say where you guys are at right now, MODOC is like the bridge between The Black Crowes and Kings Of Leon because you are a little heavier Rock than the Kings Of Leon but you still have that depth of, you know, where American Bang was a little more of party mode, Modoc is more of a thinking band about lyrics and structure.

CC: Yeah, totally and I appreciate that. A lot of people compare us to Kings Of Leon and I just want to say thank you. A lot of people don’t know what to expect when they tell me that and I’m just, no, that’s an honor those guys are doing great.

TNB: You are more rocking. MODOC is leaning more towards The Black Crowes but you still have kind of that thinking mode plus some of your song structure is more modern.

CC: Right, yeah, we are big fans of those guys too. We actually got to write with Rich Robinson.

TNB: Did you cut anything that you actually wrote with him?

CC: We haven’t. It’s been kind of…not a bummer but we weren’t sure what we were wanting to do with it and he was wanting to Produce the songs that we co-wrote, so, rather than try to hurry up and get a bunch of songs done for he and I  or for the band… it’s kind of tough… he lives in Atlanta and he is also doing solo stuff and The [Black]Crowes now so it’s very difficult to schedule and I hope to write with him again but, for now, that is kind of on hold. I still have those recordings of what we had written on my hard drive and I go back once in a while and make sure I still remember those songs because they are good songs. We just have to find a place for them.

TNB: How did the song end up in the beginning of the TV show (666 Park Avenue)?

CC:  We were cutting a song that John had written and I had a good idea for a chorus so we knew that it was a good song and it was a dark song. We had heard that the Twilight people were looking for songs for the movie soundtrack for their last movie, so, we thought, well, why don’t we go cut it and see if we can get on that, you know, like every other fuckin’ band in the world. Obviously, it didn’t get chosen for that but, it actually worked out well to be put on the front of that promo for 666 Park Avenue. We just kind of pitched it to ABC right after we found out the Twilight people had passed on it. We put it on this record as well because we were happy how the song turned out for us.

TNB: Which song was it?

CC: “Devil On My Shoulder”

TNB: Oh, yeah, great song.

CC: Thanks man. I think we are going to do a video for it this fall. We kind of have to hurry up.

TNB: There are a lot of things you could do with that in a video.

CC: Oh man, I’m really excited about the idea. We have a really good Director. He used to be a good musician friend of ours but, he has turned into a pretty bad ass Director so, hopefully we can work with him on that.

TNB: That sounds great. Do you think you will probably ride on this album for another year before you cut something again?

CC: Yeah, I would say we will probably. We have had some talks and we might even go in the studio this winter to have an even bigger release next fall. It’s crazy, because we go in cycles of writing so differently so we try to catch that. If we are all writing on the same thing for a while and we are all in the same mode we definitely want to capture that all together and have some really good songs that go together that are all in the same time frame. There can be some similar things going on and tell a story in an album of where we were at, at the time. It’s hard not to want to record when you are writing if you have something to say and we usually do.

TNB: It’s good that you have ways of saying “let’s work on this” and “we’ll cut that.” I guess you have friends with different pieces of gear to record when you need to.

CC: Yeah, basically. Nashville is a big town with a lot of people with a lot of music gear so it’s not really that difficult to get a hold of some good stuff and make sure we have a big sounding record.

TNB: I hope you have something ready for Record Store Day because Electric Guitars and Guitar Amps always sound better on vinyl.

CC: When is Record Store Day?

TNB: It’s in April. It’s like a national Holiday here in Nashville. I mean, there are bands playing everywhere all day long.

CC: Yeah, I’m going to have to remember when because I feel like it’s kind of a blur. I’ve been to a couple of those over at Grimey’s.

TNB: The Groove was awesome last year. They had Chromepony and they had all the G.E.D. Soul Records crew.

Modoc, photo - Salomon Davis / Solo Photography

Modoc, photo – Salomon Davis / Solo Photography

CC: Chromepony fuckin rules! We actually played with those guys down in Baton Rouge last year on the way to SXSW. We are good buddies with those guys. We are definitely getting our record cut to vinyl here very soon. I think it is through a company out of Cincinnati called Soul Step.

TNB: Is it going to be available locally?

CC: It will be online for sure through them and I am thinking we will have the ability once we get those done and get our hands on them to get them to Grimey’s and other record stores as well. I’m not sure of the logistics on that. I am just excited to have it on vinyl period. It’s something that we have been wanting to do forever and it has just been trying to find a way to do it that isn’t going to cost an arm and a leg. I think it’s very good “branding” for the band as well to say “we like to listen to good music too and on a good source.”

TNB: What do you think the release date is going to be?

CC: I would imagine in the next couple of months. I think the deal worked out with them just this last week so I would say in the next month or so. I am waiting with baited breath.

TNB: I think Nashville was a good move for you guys.

CC: Thanks, man.

–          Brad Hardisty, Nashville, TN     thenashvillebridgeathotmaildotcom

upcoming shows

10/12/2013 Conway, AR Bear’s Den Details   Oct 12 2013 at Bear’s Den in Conway, AR
10/13/2013 Nashville, TN 102.9 The Buzz Details   The Local Buzz Interview
10/18/2013 Nashville, TN Mercy Lounge- 102.9 The Buzz presents “This Is Nashville” Details   Nashville, TN
10/19/2013 Bowling Green, KY Brews and Tunes Festival Details   Bowling Green, KY
10/31/2013 Indianapolis, IN Irving Theater Details   Indianapolis, IN
11/1/2013 Chicago, IL TBA Details   Chicago, IL
11/2/2013 Columbus, OH Victory’s Details   Columbus, OH
11/7/2013 Knoxville, TN Preservation Pub Details   Knoxville, TN
11/9/2013 Greenville, SC Radio Room