This year BAAM FEST, Birmingham Arts and Music Festival, took over where the highly successful Secret Stages Festival left off. Whereas Secret Stages was a mini-SXSW for regional Indie acts, the list of Artists this year was a high octane cross section of Hip Hop, Funk, Jazz, Rock and everything in-between.
BAAM FEST was started a year ago to take the place of the now defunct City Stages. Although City Stages featured national recording Artists with a mix of regional and local acts thrown in the mix, BAAM FEST has taken over the task of putting together a virtual Pub Crawl of the best of Birmingham.
Birmingham has a diverse scene and just about every genre and subgenre was well represented.
Almost every club worth its weight was involved including The Nick, Bottletree, Metro Bar, Workplay, Stillwater Pub, Speakeasy as well as some of the newer venues that have grown out of the re-generation of the business district such as Steel.
This year, there was not a VIP shuttle which made it hard to get around to some areas without hopping into a car. This worked for some clubs and not so much for others as it made it easy to stay downtown and hang out around Rogue Tavern, Steel and Metro Bar. The crowds seemed to be heavier in the business district.
If you had been drinking, you would be hard pressed to venture by car up to The Nick or Zydecos. This is something to think about in the future.
It may just be by word of mouth, but some of the more stellar well known locals such as Rick Carter and Rollin’ In The Hay were a definite go to as well as the virtually created at The Nick, hard rockin’ white trash gothic style of Caddle.
Tim Boykin (Carnival Season, Shame Idols, The Lolas, Annexed Asylum) rolled out a full set of his heaviest incarnation yet with full on Zen Death Metal, Throng of Shoggoths at The Nick. Isn’t Tim the guy who did a cover of Flamin’ Groovies’ “Shake Some Action?” Oh that’s right, if Tim can think it, he can play it. From what I hear Throng of Shoggoths makes Annexed Asylum look like Starland Vocal Band.
On the Hip Hop end, J. Grubbs and Southern Phoenix did a Rap meets Southern Funk meets blues thing at Steel on Friday night. Birmingham artists have been mixing it up with Hip Hop ever since The Agency were doing their Punk-Reggae-Rap thing at Marty’s back in 2005. Has it been that long?
The Jon Poor Band has been stirring it up with his blend of “Swamper – second – generation meets Jimmy Buffet” sound with the College scene for a number of years. He didn’t disappoint on Friday night at Rogue Tavern. Friday night Rogue finished off with a Jazz set by The Chad Fisher Group. Chad didn’t stop there; playing to a packed sardine set at Stillwater Pub the next night with local legend Heath Green and their project Fisher Green.
Fisher Green started off with the Joe Cocker version of “The Letter” before some of the standard Heath Green set numbers over the last few years then doing a couple of songs from their soon to (finally) be released album.
As far as Indie goes, The Grenadines were in full bloom with a late night set on Friday. The Grenadines with the recognizable scene girl from the last few years, especially at Model Citizen shows, Lauren Shackelford in her fringe dress rocked the house. Metro Bar has some problems sound wise now. It was great that they took all the weird booths and stuff down, but now it sounds like one of those restaurants that are loud with dishes and silverware clanging around where everybody is yelling and still can’t hear a thing.
Metro Bar could really help itself by doing some ceiling treatment even if it were to hang about 20 flags from the 20 foot ceiling to dampen things a bit.
On a tip from Sound Engineer, Danny Everitt, I actually got up before noon to go catch the Neo Jazz Collective at the Birmingham Civil Rights Institute performing a complete Bob Marley set. What a great group of Kids. They sounded great from horns to guitar to vocals that featured Carlito and a trio of girls doing great back up and lead vocals. It was probably one of my favorite sets of the weekend.
I stuck around and watched The “Freedom Riders” Documentary after their set. That should be required viewing for all the schools in Alabama and Tennessee. It was interesting to watch when the Nashville students from Fisk University and friends decided to get involved when the Northerners gave up Birmingham. It was a gutsy move. In fact, they left for Birmingham during finals week. That group of Fisk University students did not receive amnesty for what they did until last year, when they finally got their diplomas four decades later.
Saturday kicked off at Stillwater Pub with Fighting Meeces performing Frank Zappa’s “Peaches in Regalia” and Rescue Dogs performing Grateful Dead style originals before throwing in Pink Floyd’s “Time.”
After Hurricane Katrina, Birmingham gained a New Orleans treasure, Rickie Castrillo, who left New Orleans and made Birmingham home. In that time back in 2007, Rickie was doing a residency at Marty’s and everybody from Chris Fryar (The Allman Brothers Band, Zac Brown Band) to Daniel Turner took a turn to sit in and get to know Rickie and his unique style. Rickie was well represented at BAAM FEST both at Rojo in a solo set and also a full band set at Zydeco.

rear- Daniel Long (Percussion, Rescue Dogs, The Agency, Furthmore), Daniel Everitt (Bassist, Sound Engineer), Lauren Long (Artist), front- Bobby Bruner (Bassist, Rescue Dogs) at Metro
There were so many groups to see. My story is only one of a thousand. When I look at the calendar, I wish I had seen Kendra Sutton, Jesse Payne, The Magic Math (featuring Van Hollingsworth), Mollie (when are you coming back to Nashville?) Garrigan and Daniel Turner, Clay Conner, Jubal John, Voices in the Trees and who knows what.
After a late night set, I stopped by Makario’s for Hummus and Chicken. If that wasn’t enough, while making my way through Five Points, I watched with amazement as Artist, 3 Feet Deep, was creating waves, birds and Orbs out of spray paint. I am now a proud owner of a 3 Feet Deep original.
This could be the best Pub crawl all year long. Can I get an “Amen?”
– Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com
Damn Brad. You missed me at BAMMfest! I didn’t know you were coming to BAMM. I need to get to Nashville soon! Keep on rockin’!-Jubal
I didn’t know i was either. I was on my way down to Pensacola. I stayed at my sister’s thursday night and got a hold of Daniel Long who told me about it. I got a hold of the schedule and I never ended up in Pensacola. The doors always open. I’ll leave the light on for you.
Hey Brad. Wish you had made our set. You should’ve caught me and Mollie at Hotel Indigo in Nashville two weeks ago or so. We may still be playing the Commodore the Tuesday after next (Sep. 6), but my school schedule and our monetary condition is going to make it a little tough.
I’m going to send you an email with my info. You two are welcome to crash at my place and eat my eggs if that helps.