Archives for category: Shame Idols

Rick Carter at BAAM Fest 2011 (c) 2011 Thomas B. Diasio

This year BAAM FEST, Birmingham Arts and Music Festival, took over where the highly successful Secret Stages Festival left off. Whereas Secret Stages was a mini-SXSW for regional Indie acts, the list of Artists this year was a high octane cross section of Hip Hop, Funk, Jazz, Rock and everything in-between.

Milyn Sattierfield-Royal & Toullouse,BAAM Fest 2011 (c) 2011 Thomas B. Diasio

BAAM FEST was started a year ago to take the place of the now defunct City Stages.  Although City Stages featured national recording Artists with a mix of regional and local acts thrown in the mix, BAAM FEST has taken over the task of putting together a virtual Pub Crawl of the best of Birmingham.

Birmingham has a diverse scene and just about every genre and subgenre was well represented.

Rescue Dogs, Stillwater, BAAM Fest 2011

Almost every club worth its weight was involved including The Nick, Bottletree, Metro Bar, Workplay, Stillwater Pub, Speakeasy as well as some of the newer venues that have grown out of the re-generation of the business district such as Steel.

This year, there was not a VIP shuttle which made it hard to get around to some areas without hopping into a car. This worked for some clubs and not so much for others as it made it easy to stay downtown and hang out around Rogue Tavern, Steel and Metro Bar. The crowds seemed to be heavier in the business district.

Rickie Castrillo, Rojo, BAAM Fest 2011,(c) 2011 Thomas B. Diasio

If you had been drinking, you would be hard pressed to venture by car up to The Nick or Zydecos. This is something to think about in the future.

Phillip Hyde / Caddle BAAM Fest 2011 (c) 2011 Thomas B. Diasio

It may just be by word of mouth, but some of the more stellar well known locals such as Rick Carter and Rollin’ In The Hay were a definite go to as well as the virtually created at The Nick, hard rockin’ white trash gothic style of Caddle.

Tim Boykin (Carnival Season, Shame Idols, The Lolas, Annexed Asylum) rolled out a full set of his heaviest incarnation yet with full on Zen Death Metal, Throng of Shoggoths at The Nick. Isn’t Tim the guy who did a cover of Flamin’ Groovies’ “Shake Some Action?” Oh that’s right, if Tim can think it, he can play it. From what I hear Throng of Shoggoths makes Annexed Asylum look like Starland Vocal Band.

J. Grubbs & Southern Phoenix, BAAM Fest 2011

On the Hip Hop end, J. Grubbs and Southern Phoenix did a Rap meets Southern Funk meets blues thing at Steel on Friday night. Birmingham artists have been mixing it up with Hip Hop ever since The Agency were doing their Punk-Reggae-Rap thing at Marty’s back in 2005. Has it been that long?

Jon Poor Band, Steel, BAAM Fest 2011

The Jon Poor Band has been stirring it up with his blend of “Swamper – second – generation meets Jimmy Buffet” sound with the College scene for a number of years. He didn’t disappoint on Friday night at Rogue Tavern. Friday night  Rogue finished off with a Jazz set by The Chad Fisher Group.  Chad didn’t stop there; playing to a packed sardine set at Stillwater Pub the next night with local legend Heath Green and their project Fisher Green.

Heath Green at Stillwater/BAAM Fest (c) 2011 Thomas B. Diasio

Fisher Green started off with the Joe Cocker version of “The Letter” before some of the standard Heath Green set numbers over the last few years then doing a couple of songs from their soon to (finally) be released album.

The Grenadines at Metro, BAAM Fest 2011

As far as Indie goes, The Grenadines were in full bloom with a late night set on Friday.  The Grenadines with the recognizable scene girl from the last few years, especially at Model Citizen shows, Lauren Shackelford in her fringe dress rocked the house. Metro Bar has some problems sound wise now. It was great that they took all the weird booths and stuff down, but now it sounds like one of those restaurants that are loud with dishes and silverware clanging around where everybody is yelling and still can’t hear a thing.

Metro Bar could really help itself by doing some ceiling treatment even if it were to hang about 20 flags from the 20 foot ceiling to dampen things a bit.

Neo Jazz Collective, Bob Marley, Jah,Civil Rights Institute,BAAM 2011

On a tip from Sound Engineer, Danny Everitt, I actually got up before noon to go catch the Neo Jazz Collective at the Birmingham Civil Rights Institute performing a complete Bob Marley set. What a great group of Kids. They sounded great from horns to guitar to vocals that featured Carlito and a trio of girls doing great back up and lead vocals. It was probably one of my favorite sets of the weekend.

Chad Fisher at Stillwater/ BAAM Fest (c) 2011 Thomas B. Diasio

I stuck around and watched The “Freedom Riders” Documentary after their set. That should be required viewing for all the schools in Alabama and Tennessee.  It was interesting to watch when the Nashville students from Fisk University and friends decided to get involved when the Northerners gave up Birmingham. It was a gutsy move. In fact, they left for Birmingham during finals week. That group of Fisk University students did not receive amnesty for what they did until last year, when they finally got their diplomas four decades later.

Fighting Meeces, Zappa time, Stillwater, BAAM Fest 2011

Saturday kicked off at Stillwater Pub with Fighting Meeces performing Frank Zappa’s “Peaches in Regalia” and Rescue Dogs performing Grateful Dead style originals before throwing in Pink Floyd’s “Time.”

Ricky Castrillo Trio, Zydeco, BAAM Fest 2011

After Hurricane Katrina, Birmingham gained a New Orleans treasure, Rickie Castrillo, who left New Orleans and made Birmingham home. In that time back in 2007, Rickie was doing a residency at Marty’s and everybody from Chris Fryar (The Allman Brothers Band, Zac Brown Band) to Daniel Turner took a turn to sit in and get to know Rickie and his unique style.  Rickie was well represented at BAAM FEST both at Rojo in a solo set and also a full band set at Zydeco.

rear- Daniel Long (Percussion, Rescue Dogs, The Agency, Furthmore), Daniel Everitt (Bassist, Sound Engineer), Lauren Long (Artist), front- Bobby Bruner (Bassist, Rescue Dogs) at Metro

There were so many groups to see. My story is only one of a thousand. When I look at the calendar, I wish I had seen Kendra Sutton, Jesse Payne, The Magic Math (featuring Van Hollingsworth), Mollie (when are you coming back to Nashville?) Garrigan and Daniel Turner, Clay Conner, Jubal John, Voices in the Trees and who knows what.

Three Feet Deep, Five Points, Southside

After a late night set, I stopped by Makario’s for Hummus and Chicken. If that wasn’t enough, while making my way through Five Points, I watched with amazement as Artist, 3 Feet Deep, was creating waves, birds and Orbs out of spray paint. I am now a proud owner of a 3 Feet Deep original.

This could be the best Pub crawl all year long. Can I get an “Amen?”

3 Feet Deep, artwork, Five Points News rack

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

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Jimi Hendrix in Nashville

Word hit the street over the last two weeks like a brush fire in New Mexico: Rolling Stone wrote in print and on the net, Nashville has the best music scene in the country. I haven’t even read it yet because it is in the subscriber content on the web, but, I believe it to be true.

What was the turning point? The Kings of Leon? I don’t really think so.  The Kings of Leon had to go over to England to become big  in the U.S., kind of like Jimi Hendrix, in fact Jimi was gigging up on Jefferson Street with Billy Cox  and The King Kasuals for just a little scratch and room and board just a couple of years before he went to the U.K.

Paramore? Well, giving a little credit to a younger scene was a good thing when they were signed to Fueled by Ramen (sort of) yet there is no scene of bands trying to sound like Paramore around Nashville so it is its own thing.

Just a couple of years ago, Nashville was licking its wounds when Be Your Own Pet and The Pink Spiders, especially The Pink Spiders who went in with guns loaded and a Ric Okasek Produced album and an Artist Relations war chest were unable to break big.

Was it when Jack White moved Third Man Records down to Nashville, that is definitely a key piece to being Rolling Stone cool, with new 45’s by regionals being released almost on a Sam Phillip’s Sun Records schedule along with concert events that are showstoppers like the Record Store Day plus one Jerry Lee Lewis concert featuring Steve Cropper and Jim Keltner.

Okay, Jack White has given it the one two punch by introducing past icons to new generations  like Loretta Lynn’s Van Lear Rose Grammy award winning album with Loretta standing in front of the East Nashville house where it was recorded.  How about when Porter Wagoner opened for The White Stripes at Madison Square Garden?  Who would have known that Porter’s final call would be an outstanding album, The Wagonmaster and a gig opening for The White Stripes?

Maybe, that was key in making sure that real icons are represented like Wanda Jackson’s great new album on Third Man Records. Jack is definitely not just looking behind but is really tuned into the ether. I was excited to see Dan Sartain, a part of the same Birmingham scene I was in for a number of years cut some vinyl on Third Man Records. Dan opened up for The White Stripes on several dates a few years ago and my friend Emanuel Elinas who made some guitar pedals for me down at Highland Music in Birmingham talked about playing Bass with Dan Sartain and going bowling with Jack and his Mom. How cool is that?

In fact, when I saw the band on the flip side of the Dan Sartain 45 and Matt Patton was there, I was really happy about what was happening. Matt and a few others had put out some of the best Indie music in Birmingham that I have ever heard. Matt had this band called Model Citizen and their CD, The Inner Fool, produced by Tim Boykin (The Lolas, The Shame Idols, Carnival Season) on Bent Rail Foundation is one of my all time favorites. Matt is getting recognition with Tuscaloosa, Alabama’s The Dexateens now.

I tell you what; let’s get down to ground zero. When we talk about Todd Snider and the East Nashville scene we are getting close, but, let’s get down to one album and one artist.  Okay, I am going to say the transition came when Nashville got behind one of its own in 2008. When Justin Townes Earle got signed to Bloodshot Records and released The Good Life both weekly music papers got behind with big in depth articles about how Justin got to that point. The Good Life is a classic album out of left field but it really represented what Nashville was known for, good songwriting, a little rock and roll, a little country with a nod to the past and to the future of Americana.

At that time, you could hang with Justin over at The Basement, but with extensive touring and a prolific three years, Justin is well established and still with indie cred enough where I can still turn people onto his music as something new.

Justin was recognized at The Americana Music Awards in Nashville in 2009 the year before Rolling Stone called the Americana Music Festival the coolest festival in the U.S. In fact 2010 would be the no holds barred year when Warner Brothers would finally release American Bang’s CD. Robert Plant would record Band of Joy in East Nashville with an Americana  A-List including Buddy Miller and Darrell Scott and be the surprise guest at The Americana Music Awards.

The 2010 Americana Music Festival was a real eye opener when you had The Long Players, Bobby Keyes, Dan Baird and a laundry list doing Exile on Main Street at The Cannery Ballroom, Hayes Carll at The Basement, with people coming from Australia just to see him play and a festival closer with Todd Snider and an all-star band featuring Don Was on Bass, with a grin and looking somewhat like Slash’s older brother.

Don Was got in the game this year when he produced Lucinda Williams (a Nashville alumnus) new Cd, Blessed. Did it start at The Americana Music Festival with an exchange of phone numbers backstage at The Rhyman? Only they know for sure, but Nashville is becoming a ground zero magnet for much more than Popular Country Music Radio songs and Christian Music.

There had to be a change. The music business had changed and Nashville has changed along with that. Instead of twenty major labels in town, there are now five. The rest are Indie Country, Rock, whatever.

Coming to Nashville to be a hit songwriter may be a goal for a lot of people, but, getting a staff writing gig is becoming really difficult and less lucrative. Back in 2007-2008, we talked about how a songwriter with good songs getting signed to a publisher with maybe a 25-35k draw now going for 18-24k and the need for a day job for many.  Also, one of the larger publishers had in the past as many as 135 staff writers and was then down to Thirty five.

I know for a fact things are much worse for that dream with less staff writers, less money and less records being sold. The dream is still there, but, now you need to get lucky and find a new face with a great voice and the potential to get signed and start co-writing before some money starts flowing.

In early 2008, I could go to The Commodore Grill and see an endless supply of new songwriting talent for the Country Music Industry, but, with less staff gigs and the economy in the tank, less people are rolling into Nashville with an acoustic guitar and lyrics in the guitar case. In fact, it really is a trickle compared to just three years ago. Also, many of the writers that are coming into town have Dave Matthews, Jason Mraz or Jack Johnson chops and are not really what the Country Music Industry is looking for.

On the other hand, the Indie Rock and Americana scenes are ripe for development.  Vinyl is making a comeback with this crowd and United Record Pressing is right here where it always was. Colored vinyl, short runs, whatever you need with local labels like Third Man Records and Nashville’s Dead Records, United Pressing is back to increasing production and essentially back in the game.

The song publishing and royalty distribution infrastructure is realigning in Nashville with changes in staff announced publicly last year at ASCAP and I am sure accommodations are coming with a paradigm shift to handle multiple styles now in the pipeline.

Grimey’s New and Pre-Loved Music is probably the most famous record store in the country now, maybe second to Amoeba’s out on the West Coast. It’s not enough that Indie bands make in-store appearances. Metallica made a little short announced gig for fans at The Basement below Grimey’s in 2008 before their Bonnaroo appearance and released the whole experience as Live at Grimey’s worldwide in 2010. Now all the gloves are off.

If you are a music lover, archivist, etc. in a world with disappearing Record stores, Nashville not only has Grimey’s, but  also, Phonoluxe Records, The Great Escape, The Groove and plenty of other outlets for local as well as rare Cd’s and vinyl.

Look what is going on at Thirty Tigers Indie Distribution and their great success over the last couple of years.

Belmont University is turning out Music and Music Business degrees every year and a lot of students want to stay here and not necessarily go into the Country Music Machine. They have their own ideas from the scenes they came from whether it was in California or New York.

Bands like The Black Keys and The Deadstring Brothers are migrating here.  Even though Music Row still has a big chunk of the day to day business great records are being made in East Nashville, Blackbird Studio and Buddy Miller’s living room.

With the advent of a studio in a gig bag, Indie artists can make records anywhere and with cheap housing and a plethora of like minded musicians gathering in what really is now becoming truly Music City it only makes sense to live and work here, especially when gas is going for near $5 a gallon. Why not be close to all the blessings that come with a great music talent smorgasbord.

Speaking of food, you don’t want to leave Austin because of Texas Barbecue? Okay at least try Jack’s and Rooster’s Texas Style BBQ and Steak House on 12th. I promise you won’t be disappointed. You want California style Mexican Food? Go to Oscar’s Taco Shop on Nolensville and in Franklin. Thai? Thai Star. Vietnamese? Far East Nashville. Indian? Tamarind. New York Style Italian? Are you kidding? Maffiozas or the place at the Arcade. Okay, so you can’t get Hawaiian Plate BBQ here yet, but, there is plenty to explore. We could still use an In and Out Burger.

Okay, back to music.  Country is going through a lot of changes. The ripple of the Taylor Swift explosion that Big Machine Records put into motion are still being felt, being one of the only Platinum Recording Artists in the new digital era, as well as outside pressures from Texas Charts, the Red Dirt scene and T-Bone Burnett Produced masterpieces that can’t be denied.

Country even has its own street cred in Nashville with bands like Kort who are local but signed over in England as well as Indie Singer / Songwriter Caitlin Rose and Country spun  Those Darlins. Even Charlie Louvin, who as part of The Louvin Brothers can take some credit for inspiring The Everly Brothers and therefore The Beatles harmonies, got his Indie cred with The Battle Rages On that was released on Austin’s Chicken Ranch Records. I can say I got to see two Midnight Jamboree tapings and get his autograph on an early Louvin Brothers recording before he passed into immortality.

So what about Nashville’s own Indie scene? Heypenny, Jeff The Brotherhood, Cheer Up Charlie Daniels,  Uncle Skeleton, Pujol, Heavy Cream (kind of Karen-O fronting a better looking MC5), Todd Snider, John Carter Cash, The Coolin System, The Deep Fried 5 and a laundry list playing at places like The Basement, The End, Danzig’s House, Exit/In, The Rutledge, Mercy Lounge and a house party near you.

How could Rolling Stone not call Nashville the best Music Scene in the country? It is a multi pronged Country, Alt-Country, Americana, Bluegrass, Newgrass, Folk, roots, rock, funkified attack on your senses.

It’s one of those places you could actually plan a week of your life to check out bands as well as pick up a new Nudie or Katy K suit. A place where you might find Joe Maphis’ old Mosrite double neck or the Bass player from Cinderella’s vintage Precision Bass on sale on Craigslist.

You may never win over Nashville, but, it’s a good place to write, do your business and go to the Third Sunday at Third pot luck at Doak Turner’s house in Nashville. Maybe it doesn’t have a burgeoning Death Metal scene but it does have The Billy Block Show. When the sun is out you can’t deny how beautiful Nashville is. Where else can “Bless Your Little Heart” actually mean, I don’t give a ****.

Nashville is a great place to throw your guitar case in the corner and call home.

There are several trackbacks links for your viewing pleasure.

– Brad Hardisty, Nashville, TN    thenashvillebridge@hotmail.com

Tim on guitar with The Lola-2002-Tokyo

Tim Boykin’s guitar playing and songwriting are ingrained in the history of the Birmingham Alabama music scene for the last 29 years.  The average Joe on the street may not have any idea who he is, but, if you had stepped into The Nick some night and heard Carnival Season in the mid 80’s or went to see Topper Price & The Upsetters in the 90’s, you would have seen one of the Incredibles.  A guitarists’ Guitarist.   Birmingham’s “Alex Chilton”.  A chameleon with a wide musical palette and the ability to execute any direction he wants to go.

Recently, with the release of Carnival Season “The Complete Recordings 1984-89”, he has now gone full circle. This was the beginning. I was able to find a copy at Charlemagne Records last weekend.  The music was easy to access because it immediately reminded me of The Replacements. Carnival Season was one of the first Indie Rock acts to travel in the 80’s to the outside world from Birmingham going as far as the West Coast and showing that Alabama had its own thing brewing.

I met Tim at The Nick sometime early in 2005 at one of the reunion gigs for one of his bands and I mean just one of his bands, The Shame Idols. I was totally impressed with his delivery and the music (think Big Star, The Byrds, the Beatles, The Replacements). The conversation developed into what bands we liked and I found out there was a lot of stuff that we both liked. One of which was The Flamin’ Groovies, of which Tim had done a Japanese only release of “Shake Some Action” with another band he had called The Lolas.

Lolas Something You Oughta Know Japanese Import

This is one busy musician with a history I probably would not have stumbled onto had I not lived in Birmingham at the time. Danny Everitt, local musician and front of house engineer at The Nick said Tim was his favorite guitarist and I shouldn’t miss an opportunity to see him play. This was a local legend and more importantly it was music with influences from bands in my own collection of The Replacements, Big Star, Raspberries, The Kinks,  Flamin’ Groovies or The Sweet.

Shame Idols, 2 original CD’s in the 90’s, new 2007 reunion disc

I was able to find a used copy of The Shame Idols, “I Got Time “at Charlemagne Records. Charlemagne Records in the Five Points area,  Southside of Birmingham is a little independent store where you could find local music and also ask questions when you were looking for stuff by locals. Luckily, Tim’s music was there.

The Lolas “Something You Oughta Know” was also there and it was a new copy.  Now this one really brought up the British Kinks thing. But, it was also its own thing. The music was stellar and the lyrics were written about anything you could imagine including “Tim’s Mom”, which I would take to be a tribute to his mother.

 I finally saw a version of The Lolas play on pure accident. My band had a practice space at a place called “The HOTel” pronounced “The Hot-L” in Birmingham. In the main area of this old industrial building just north of UAB was a wooden stage and open room. Local bands in Birmingham have spaces of all sizes on two levels rented out to practice at full volume night and day without any hassle from the Police or nosey neighbors. The stage also allows bands to either practice for a gig coming up, record with a large room to get a decent rock and roll recording or put on a show for some friends or a private party.

It was place known by even fewer people, mainly musicians and a few of their friends. Here was Tim all set up for a Lolas gig. The only one I got to hear, on The HOTel stage after band practice. He launched into a full set with a 3 piece version of The Lolas with about 30 of us in attendance. Incredible music that should be on The Rolling Stone’s list of “500 Best Albums of All Time” as well as “200 Best Guitarist of All Time” and “200 Best Rock Songwriters of All Time”.

Tim’s writing never disappoints.  Tim has MySpace pages for each of the bands and his own personal page of whatever he is brewing at his own studio. You can find Vinyl and CD’s of Carnival Season, The Shame Idols and The Lolas, but, it is not easy. I still need to find a copy of The Lolas “Silver Dollar Sunday”. I should have bought the copy at a now defunct CD Store in Homewood, Alabama while I had the chance.

The best starting point is Charlemagne Records in Birmingham, Alabama. Beyond that, you might find a used copy on Amazon.com,  Grimey’s in Nashville, Tennessee or Criminal Records in Atlanta, Georgia if you are lucky.

Tim has been involved with a shelf full of other projects in the last couple of years beyond the reunion gig of Carnival Season in 2007. Tim has been involved with both reunion gigs of Carnival Season, Lolas, Shame Idols as well as with other bands such as The Tim Boykin Blues Band, Slang, Annexed Asylum, Drivin and Cryin as well as some death metal projects flown in there. It is hard to pinpoint Tim because his influence and abilities are endless.  He can out do any power pop, indie rock, Stevie Ray Vaughan, Joe Satriani or Randy Rhoads wanna be. There is an upcoming show with Carnival Season at The Bottletree in Birmingham if you want to check it out.

Carnival Season, 1980’s Tim Boykin on Les Paul, cool Dean ML Bass

Model Citizen, Tim Boykin Produced “The Inner Fool” CD

Tim’s blues playing  can be heard on both of the Topper Price and The Upsetters recordings, “Nature” and “Long Way From Home” that can be found exclusively at Charlemagne Records. These are well worth the purchase. These are great recordings of the late Topper Price, one of the best examples of what Birmingham’s greatness is all about. Also, he currently jams with The Tim Boykin Blues Band that also features Matt Kimbrell on drums.

Tim also produced one of the best Indie CD’s to come out of the Birmingham scene, Model Citizen “The Inner Fool”. Good luck finding this recording. If you are like me and will hunt around for stuff that is worth the effort, you will not be disappointed.

Timmeh with Matt Kimbrell, Tim Boykin Blues Band

You can usually find Tim with his Blue Les Paul somewhere playing in Birmingham, but then again it could be any variety of guitar or amp depending on the tone needed for the night. If you want to improve your chops and live in the Birmingham area I recommend you take some lessons which he luckily does give at a reasonable rate.

Tim also owns Bushido Sound recording studio in Birmingham, Alabama and is available, to record or even Produce projects.

Tim has a full multiple careers worth of music that is worth searching out. Tim has managed to stay true to whatever limb he wants to go out on. He is indie to the core.

Discography:

Carnival Season                                                Misguided Promise Carnival Season Complete (1984-89) (2010)

The Barking Tribe. Serpent Go Home.(1991)

 Shame Idols                                      I Got Time (1995)

                                                                Rocket Cat (1998)

                                                                The Light Is Always On (2007)

(Recent search, all available at Amazon.com)

Jerry Guitar demo with Topper Price (1996)

 Lolas                                                     Shake Some Action (Japanese 7 inch 45 rpm vinyl only)

                                                                Silver Dollar Sunday

                                                                Something You Oughta Know

                                                                Ballerina Breakout (2006)

                                                                Let’s Rock, Rave and Shout with The Lolas! (Featuring a shot of Timmeh playing at The Nick with star spangled flag in the background)

(Recent search, found on Amazon, Something You Oughta Know, Ballerina Breakout and Let’s Rock, Rave and Shout with The Lolas! Japanese Import only and very expensive, but, well worth every penny)

Topper Price & The Upsetters    Nature

                                                                Long Way From Home

(Both are exclusively available at Charlemagne Records, Birmingham, Alabama)

Annexed Asylum                             Combustion (speed, death and other subgenre metal)

(Available on cdbaby.com)

Recommended cuts:

Carnival Season                                                Please Don’t Send Me To Heaven

                                                                                 Seems Alright

Shame Idols                                       I Got Time

                                                                Rocket Cat

                                                                My Star

Lolas                                                      Tim’s Mom

                                                                Dana The Chromium Girl

                                                                Plenty of Dogs                                  

Links:

www.myspace.com/timboykinbluesband

www.timmehworld.com

Timmeh World is the best place to go to link with all of his current projects.

www.myspace.com/annexedasylum

www.timmehworld.com/etherdogs/mp3/ether_dogs.html

www.myspace.com/shameidolsrock

www.myspace.com/lolasm18

On you tube:

Most videos uploaded by either reaperpro or wilsonbpw

Shame Idols – The Light is Always On (filmed at Cave 9 in Birmingham in 2007)

Carnival  Season – Feb 1989 – 01 – “Please Don’t  Send Me To Heaven”

Topper Price and The Upsetters at Sloss Furnace (1993)

Carnival Season:  Black Velvet Elvis

Tim Boykin Blues Band – Reconsider Baby (live) Featuring great shots of Sloss Furnace venue

and various photos of the band and historic Birmingham, Alabama.

Crazy Train – Slang live at AJs (Tim Boykin on guitar) Recorded May 14, 2010

– Brad Hardisty, Nashville, TN