Archives for category: Mollie Garrigan

Wanda Jackson at Mercy Lounge 2010

Easter is all about a renewal, as we celebrate the resurrection of Jesus Christ and what it means to us. Nashville itself is a town of resurrection, a place where Jack White has produced two great albums by Loretta Lynn and Wanda Jackson and where the underbelly that was East Nashville is the place to be.

Speaking of East Nashville, Bob Dylan came here in the Sixties to make a 180 in his career and where Robert Plant came just a couple of years ago to do just the same.  Speaking of which, I have heard that he has set up shop with Patty Griffin in Austin since the Band of Joy tour.

What is Nashville to me? A Californian-slash-Alabama bluesman? I started making the drive up to Nashville quite often starting in 2006 from Birmingham. I liked the fact that you could wander from one honky tonk to another and check out all the Telecaster blasters playing through mostly Fender tube amps almost any hour of the day.

I finally made the move after getting positive feedback about my songwriting abilities from a local publishing head at the end of 2007.

It was a very surreal world, where one Saturday morning, wandering around a guitar show, I ended up talking to Scotty Moore about how many Bill Black Combos, Bill really had.  The next minute, I am jamming on my 1936 Gibson Electric Hawaiian down on Lower Broad when Little Jimmy Dickens comes wandering out of nowhere and watches me jam for about 10 minutes, throws a $20 dollar bill into the vintage case and says. “Keep it up!” Mind you, I’m not making this up. In fact, if you are from Nashville, you know what I mean and are probably saying, “So what.”

I realized that everybody had a story, whether it was the Baskin Robbins on Lebanon that said Porter Wagoner used to come in all the time, or a snapshot in the window of Robert Plant stopping in to check out the guitars.

So what do I like about Nashville, now that I have been here a few years?

Strange Karma down on Lower Broad celebrating the bassist birthday!

Let’s see, there is more diversity than what outsiders would think, for starters, I have met a ton of Aussies and I, seriously, have never met one I didn’t want to hang with whether it was Anthony Snape or Strange Karma. I wonder if it was like this when Keith Urban first came here and was playing at the Guitar Bar? Did the Aussies start coming after Keith’s success or is Nashville a big magnet?

As far as diversity goes, you can get world class Indian Cuisine, of which I am all about Tamarind on Demonbreun. I’ve ate Indian food all over the place and that is about as good as it gets.  There are several ethnic communities here, whether it be Egyptian Coptic Christians or Somalis, the list goes on and makes for Eateries that go way beyond the meat and three.

Something is in the water in East Nashville, with several upstart, one of a kind places like Far East Nashville, not only your typical Vietnamese Pho and Vermicelli bowls, but, the actual family recipes fixed by the owners brother, in a totally unique way.

Porter Road Butcher Shop makes some amazing sausages featuring probably the best Andouille Sausage this far north of Bayou Country.  In fact, that is what I had for Easter. I could have whatever I wanted, so, I faxed three eggs with some sharp Vermont Cheddar and some of that Andouille Sausage on the side.

Nashville is a vinyl fanatic’s pipe dream, wandering between Grimeys, The Groove, Phonoluxe and the two Great Escape locations there is no reason to ever come up empty handed. In fact, there is a plethora of radio station promo copies which are usually on heavier, better quality vinyl.  Record Store Day is almost like a city holiday where a huge migration descends mainly on Grimeys by the thousands. My only gripe would be, is there no bootlegs? Back when, I used to travel over to Berkeley to Moe’s Bookstore and get vinyl Beatles bootlegs as well as concerts and demos engraved onto vinyl by everything from Queen to Aerosmith to The Clash it was something nobody else had.

Music is everywhere, as I laid down to bed the first few months in Nashville, I could hear music in my head like never before, like ghost radio stations, it seemed like there were thousands of songwriters who had passed on and never left Nashville, they were just trying to get that next big hit. It seemed as if there was singing in the netherworld and all you had to be was a little bit spiritually aware.

Tommy Tutone and Mario at Nashville Amp Expo

I think there are more Telecasters in a 30 mile radius than the whole state of California, where they were invented.  If you can’t find the perfect Telecaster, there are boutique builders from Mario Guitars in Murfreesboro to Chad Underwood in Lexington, Kentucky.

As far as electric guitar parts go, Rock Blocks Guitars has a wall of supplies juts minutes away.

Looking at the Musical Instrument section in Craigslist can be eye opening. You never know what you will find, anything from a 1964 Fender Precision sold by the bass player in Cinderella after a career’s worth of touring to a Gold Top Les Paul owned by Duane Allman. If there is a vintage Sho-Bud Steel around, no doubt, eventually, you’ll see it on Craigslist.

Southside Gentlemans Club at Burt's Tiki Lounge, newly acquired Dr. Z Stang Ray in the backline. 2009

My favorite personal story is about my Dr. Z Amplifier. I had been writing and playing my own brand of Ragtime Blues when I moved to Nashville. I had been using a 45 Watt Samamp from Birmingham when I got here and it was just too much. I was ready for a little 30 Watt or less combo. There are so many and I just decided to try them all. I brought my arch top with me and made the rounds from Corner Music to Gruehn Guitars to Rock Blocks. Finally, when I plugged into this Dr. Z Stang Ray at Rock Blocks, I had met my match, a simple tone stack, where you could really fill out the bass and a simple good looking black with white trim amp.  The speaker had been changed out to a Cannabis Rex and it had a sound all its own.

The price tag was $2100. I didn’t have $2100. In fact, even with selling some gear, donating blood and street gigging down on Lower Broad, I still probably would be $1000 a way. I needed that amp. I put it in God’s hands. It’s okay to say that in Nashville isn’t it? Well, that’s what I did, true story. I prayed and said, I’ve tried all the amps out that I can think of and that is the one that sounds right then tucked it away.

Well, things looked bleak when I lost my job in 2008, in fact, really bleak, I left Nashville, worked five months in Memphis, then that company went bankrupt and I ended up taking a job with a national company in Utah and moved out of Tennessee.

I never gave up on the music, I got my five piece ragtime blues band together in Utah, playing at Burt’s Tiki Lounge, finding some great musicians from an add I put out in Craigslist. On a whim in early 2009, I looked up the Nashville Craigslist and found that exact Dr. Z Stang Ray for sale. Guitarist, Gary Ishee, had put an add up that read something like this;“I bought this Dr. Z Stang Ray earlier this year at Rock Blocks and I need to sell it.”

It looked identical. I called him up and explained that I was stuck out in Utah, but, that I knew the amp and through our talk, he knew I was the real deal. I wired the money to his bank account including the cost to ship it. I bought it for $1250. I was able to come up with that only because I went out west to a company on a bad stretch, because of the economy, they let me have all the overtime I could handle. I got the amp in a big Roland amplifier box from UPS in Farr West, Utah and it was the exact amp. I sat there and cried. It was the exact same amp, in fact, the only amp I ever prayed about and I will include the picture of my group, The Southside Gentlemens Club playing at Burt’s Tiki Lounge a couple of months later with the amp in the backline.

Thank you Brad Paisley for input on the AC30 hybrid design, what a great amp. I still own it and fire it up almost every day in hopes to lay down some tracks here soon.   

Okay tracks, let’s talk about that. I was in Utah almost a year, when I came out here on vacation in September 2009. I had hoped to move back to Nashville someday, maybe when the economy got better, but, on a whim, I had kept in touch with a realtor, who didn’t give up on me, even though, I was out in the Rocky Mountain West. I will drop his name, because Kenneth Bargers is an amazing Realtor. He emailed me faithfully every month some houses I would be interested in.  When I was here for a week in September 2009, Kenneth Bargers took me around on two afternoons to look at houses.  I felt like I was back home, I wanted to be back in Nashville, I did not want to get back on the plane.

Daniel Turner

We found a house I really liked. The last night I was in town, I was hanging around and moping by the pool at the airport Courtyard over on Elm Hill Pike, not wanting to leave Nashville. I decided I needed to go do something, pull myself up by my bootstraps. So I got dressed and headed over to Commodore Grille to check out some songwriters. Cowboy Jack Clement was in the round and it gave me goose bumps. I thought, if I had stayed at the hotel, I would have missed this.  I decided I need to get back and I was heading out the door when I heard somebody call my name. “Brad!” I looked up and it was Daniel Turner, one of my music friends from Birmingham, Alabama walking in. I said to him, “What are you doing here?”  He explained that he was going to be playing the next round. It was a great reunion of old friends. I have so much respect for Daniel as an all around musician. He can play, write and sing. If anybody could make a great classic country album, he could. He has such a great voice, but, he had really been influenced by a lot of the Alabama Blues that is around Birmingham.

I went back to my hotel room on cloud nine. I could hardly sleep. I was going to find a way to get back and I did. I interviewed by phone and got a transfer. I found a house on Zillow.com and Kenneth Bargers looked at it for me and on his word, I bought it. In fact, Kenneth represented me at closing in November 2009 and I never walked into the house until the first week of December as an owner. It’s a true story, call Kenneth, if you need a Realtor and you can ask about it. He is the best Realtor in Nashville as far as I am concerned.

Kenny Malone at a clinic at Country Music HOF

Okay, so, I am back. I work hard. I have got to hang with some great musicians and do some great interviews. It’s been a great ride, but, I need to resurrect my own career. Sometimes, I think it would be easier to move down to Pensacola and put together a group from Craigslist and center on a little club or bar to be “our place,” but, there is the dream recording session, the possibility that I can put together, with a little cash or luck, Kenny Malone on drums, “Slick” Joe Fick from The Dempseys on Bass, the violinist I saw at Mike Farris’ in store at Grimeys and get a trumpet player that can play like Al Hirt and get this manic New Orleans meets Memphis circa 1940 music to record. I work hard at the music and I have some great friends. If that part of my career is supposed to “Resurrect,” it will.

For now, I will just enjoy the ride.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

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Rick Carter at BAAM Fest 2011 (c) 2011 Thomas B. Diasio

This year BAAM FEST, Birmingham Arts and Music Festival, took over where the highly successful Secret Stages Festival left off. Whereas Secret Stages was a mini-SXSW for regional Indie acts, the list of Artists this year was a high octane cross section of Hip Hop, Funk, Jazz, Rock and everything in-between.

Milyn Sattierfield-Royal & Toullouse,BAAM Fest 2011 (c) 2011 Thomas B. Diasio

BAAM FEST was started a year ago to take the place of the now defunct City Stages.  Although City Stages featured national recording Artists with a mix of regional and local acts thrown in the mix, BAAM FEST has taken over the task of putting together a virtual Pub Crawl of the best of Birmingham.

Birmingham has a diverse scene and just about every genre and subgenre was well represented.

Rescue Dogs, Stillwater, BAAM Fest 2011

Almost every club worth its weight was involved including The Nick, Bottletree, Metro Bar, Workplay, Stillwater Pub, Speakeasy as well as some of the newer venues that have grown out of the re-generation of the business district such as Steel.

This year, there was not a VIP shuttle which made it hard to get around to some areas without hopping into a car. This worked for some clubs and not so much for others as it made it easy to stay downtown and hang out around Rogue Tavern, Steel and Metro Bar. The crowds seemed to be heavier in the business district.

Rickie Castrillo, Rojo, BAAM Fest 2011,(c) 2011 Thomas B. Diasio

If you had been drinking, you would be hard pressed to venture by car up to The Nick or Zydecos. This is something to think about in the future.

Phillip Hyde / Caddle BAAM Fest 2011 (c) 2011 Thomas B. Diasio

It may just be by word of mouth, but some of the more stellar well known locals such as Rick Carter and Rollin’ In The Hay were a definite go to as well as the virtually created at The Nick, hard rockin’ white trash gothic style of Caddle.

Tim Boykin (Carnival Season, Shame Idols, The Lolas, Annexed Asylum) rolled out a full set of his heaviest incarnation yet with full on Zen Death Metal, Throng of Shoggoths at The Nick. Isn’t Tim the guy who did a cover of Flamin’ Groovies’ “Shake Some Action?” Oh that’s right, if Tim can think it, he can play it. From what I hear Throng of Shoggoths makes Annexed Asylum look like Starland Vocal Band.

J. Grubbs & Southern Phoenix, BAAM Fest 2011

On the Hip Hop end, J. Grubbs and Southern Phoenix did a Rap meets Southern Funk meets blues thing at Steel on Friday night. Birmingham artists have been mixing it up with Hip Hop ever since The Agency were doing their Punk-Reggae-Rap thing at Marty’s back in 2005. Has it been that long?

Jon Poor Band, Steel, BAAM Fest 2011

The Jon Poor Band has been stirring it up with his blend of “Swamper – second – generation meets Jimmy Buffet” sound with the College scene for a number of years. He didn’t disappoint on Friday night at Rogue Tavern. Friday night  Rogue finished off with a Jazz set by The Chad Fisher Group.  Chad didn’t stop there; playing to a packed sardine set at Stillwater Pub the next night with local legend Heath Green and their project Fisher Green.

Heath Green at Stillwater/BAAM Fest (c) 2011 Thomas B. Diasio

Fisher Green started off with the Joe Cocker version of “The Letter” before some of the standard Heath Green set numbers over the last few years then doing a couple of songs from their soon to (finally) be released album.

The Grenadines at Metro, BAAM Fest 2011

As far as Indie goes, The Grenadines were in full bloom with a late night set on Friday.  The Grenadines with the recognizable scene girl from the last few years, especially at Model Citizen shows, Lauren Shackelford in her fringe dress rocked the house. Metro Bar has some problems sound wise now. It was great that they took all the weird booths and stuff down, but now it sounds like one of those restaurants that are loud with dishes and silverware clanging around where everybody is yelling and still can’t hear a thing.

Metro Bar could really help itself by doing some ceiling treatment even if it were to hang about 20 flags from the 20 foot ceiling to dampen things a bit.

Neo Jazz Collective, Bob Marley, Jah,Civil Rights Institute,BAAM 2011

On a tip from Sound Engineer, Danny Everitt, I actually got up before noon to go catch the Neo Jazz Collective at the Birmingham Civil Rights Institute performing a complete Bob Marley set. What a great group of Kids. They sounded great from horns to guitar to vocals that featured Carlito and a trio of girls doing great back up and lead vocals. It was probably one of my favorite sets of the weekend.

Chad Fisher at Stillwater/ BAAM Fest (c) 2011 Thomas B. Diasio

I stuck around and watched The “Freedom Riders” Documentary after their set. That should be required viewing for all the schools in Alabama and Tennessee.  It was interesting to watch when the Nashville students from Fisk University and friends decided to get involved when the Northerners gave up Birmingham. It was a gutsy move. In fact, they left for Birmingham during finals week. That group of Fisk University students did not receive amnesty for what they did until last year, when they finally got their diplomas four decades later.

Fighting Meeces, Zappa time, Stillwater, BAAM Fest 2011

Saturday kicked off at Stillwater Pub with Fighting Meeces performing Frank Zappa’s “Peaches in Regalia” and Rescue Dogs performing Grateful Dead style originals before throwing in Pink Floyd’s “Time.”

Ricky Castrillo Trio, Zydeco, BAAM Fest 2011

After Hurricane Katrina, Birmingham gained a New Orleans treasure, Rickie Castrillo, who left New Orleans and made Birmingham home. In that time back in 2007, Rickie was doing a residency at Marty’s and everybody from Chris Fryar (The Allman Brothers Band, Zac Brown Band) to Daniel Turner took a turn to sit in and get to know Rickie and his unique style.  Rickie was well represented at BAAM FEST both at Rojo in a solo set and also a full band set at Zydeco.

rear- Daniel Long (Percussion, Rescue Dogs, The Agency, Furthmore), Daniel Everitt (Bassist, Sound Engineer), Lauren Long (Artist), front- Bobby Bruner (Bassist, Rescue Dogs) at Metro

There were so many groups to see. My story is only one of a thousand. When I look at the calendar, I wish I had seen Kendra Sutton, Jesse Payne, The Magic Math (featuring Van Hollingsworth), Mollie (when are you coming back to Nashville?) Garrigan and Daniel Turner, Clay Conner, Jubal John, Voices in the Trees and who knows what.

Three Feet Deep, Five Points, Southside

After a late night set, I stopped by Makario’s for Hummus and Chicken. If that wasn’t enough, while making my way through Five Points, I watched with amazement as Artist, 3 Feet Deep, was creating waves, birds and Orbs out of spray paint. I am now a proud owner of a 3 Feet Deep original.

This could be the best Pub crawl all year long. Can I get an “Amen?”

3 Feet Deep, artwork, Five Points News rack

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com