photo – Brad Hardisty
After much thought, I really wanted to salute a few key individuals for perpetuating Nashville as Music City. I could have written about 100 individuals both musicians and business people that make things happen and gone into Classical Music, Christian Music and Gospel Music, but, in the end, I needed to break this down to four people from different directions musically that make Nashville “Music City” and give way more than they take from the community.
For those that live here, you may understand what I am talking about, but, for those from all over the world, maybe I will open a few eyes and ears.
For any number of reasons, I could have written about Little Jimmy Dickens, Emmylou Harris, Dolly Parton, Jim Lauderdale, Charlie Daniels, Ricky Skaggs, Little Richard, Elizabeth Cook, Taylor Swift, Vince Gill, okay I could go on. You may agree with my list or you may not. These are whom I call four essential pillars that hold up through thick and thin and inspire others to create and grow in the Nashville community.
Marty Stuart supporting band member Kenny Vaughan at Ernest Tubb’s Music Store CD Release Party, photo – Brad Hardisty
Marty Stuart, born September 30, 1958 in Philadelphia, PA, has been one of country music‘s most eclectic artists, performing and recording diverse types of country music.
He is of French, English, Choctaw, and Colombian descent.
In 1979, when Lester Flatt died. Stuart pushed forward and worked with fiddler Vassar Clements. He also worked with guitarist Doc Watson. In 1980, he joined Johnny Cash‘s backing band. The previous year, Stuart made his first solo album, With a Little Help From My Friends, on Ridge Runner Records
In 1985, Stuart accompanied Johnny Cash to Memphis and played on the “Class of ’55” album that also featured Carl Perkins, Roy Orbison, and Jerry Lee Lewis. At the end of the session Perkins presented him with his guitar.
When does Marty become a Patron Saint? I believe it started when he had a heated run-in with Columbia Records when they dropped Johnny Cash from their roster. When he stuck up for the “Man in Black” it cost Marty his own album, Let There Be Country which Columbia decided not to release at that point. With Marty, principal comes before dollar signs.
Marty has performed with the best of the best, Johnny Cash, Lester Flatt, Earl Scruggs, Bob Dylan, Merle Haggard and Travis Tritt to name a few. Marty saw his first solo success with Hillbilly Rock on MCA Records.
Marty contributed to the AIDS benefit album, Red Hot + County.
Marty’s interest in the heritage of Country Music lead to the showing of his private collection of music memorabilia at the Tennessee State Museum in 2007 as “ Sparkle & Twang : Marty Stuart’s American Musical Odyssey” in 2008.
Marty Stuart has published two books of photographs he has taken of some of Country Music’s most historic Artists including, “Country Music: The Masters” with some of the final photos of Johnny Cash.
Lately, Marty has been the touchstone to Neo-Country proudly wearing the badge of Nashville past bringing classic country into the future with his last two recordings, Ghost Train (The Studio B Sessions) and Nashville Vol. 1: Tear The Woodpile Down.
Marty’s vast knowledge of the history of Country Music and support of classic artists such as Porter Wagoner despite the lack of Nashville label interest has helped to perpetuate what the outside world considers to be true blue Nashville Country.
Buddy Miller stands at the crossroads of the past and the future as the Godfather of what is now known as Americana, which encompasses everything from old time gospel music to red dirt Country.
Buddy has managed to put a canons worth of Gospel, Country tinged rock, and the most original of tracks out of his own living room with his wife, Julie Miller. Buddy is a great musician, songwriter, producer and collaborator. I believe that last skill is what makes Buddy one of the four patron saints. A great collaborator where all are welcome under his tent that bring something to this new idiom described as Americana.
Buddy is the house band leader for The Americana Music Awards every year, able to play with just about every artist including Robert Plant who when he decided to put together his Band of Joy project, Buddy Miller was his only choice for bandleader. Buddy put together a band of Nashville all-stars that included Darrell Scott as the utility man on everything from fretless banjo to pedal steel.
Last year’s Majestic Silver Strings featured guitarists Bill Frisell, Marc Ribot and Greg Leisz, with guest vocalists including Emmylou Harris.
To top that, Buddy is releasing on Black Friday, a new album with Jim Lauderdale, Buddy and Jim.
Buddy’s ability to reinterpret with a working knowledge all things country, rock, old time gospel and folk has singularly help to build a new arm of music radio and business with a firm avenue for those outside the box.
Artists such as The Avett Brothers and Mumford and Sons in some way owe some credit to Buddy Miller in helping to define a way to market this new indie branch of the music tree.
Marion James
Marion James may be the most constant and longest lasting member of the Music City Patron Saints. Marion has been a longtime performer and resident living nearby what used to be the hot bed of Blues, Soul, Rhythm and Blues on Jefferson Street. Marion’s biggest hit was The Top 10 Billboard Hit, “That’s My Man.”
Marion James at 30th Annual Musicians Reunion and Benefit, photo- Brad Hardisty
Marion James, known as Nashville’s “Queen of The Blues” was playing on Jefferson Street back in the day with a young Jimi Hendrix who had just gotten out of the military. As a former member of Fort Campbell’s Screaming Eagles, Jimi Hendrix and his new best friend Billy Cox had their own band The King Kasuals but also played with Marion James and others.
The musicians on Jefferson Street, Johnny Jones, Christine Kittrell, Little Richard, Ray Charles and many others were featured on one of the biggest Rhythm and Blues stations of the day, Nashville’s own WLAC.
Marion was featured prominently in The Country Music Hall of Fame’s exhibit Night Train To Nashville. A photo of one of her live performances with Billy Cox on bass is featured on Volume Two of the Night Train To Nashville Collection.
Several years ago, Marion James started the Musician’s Reunion shows that featured the stars from back in the day on Nashville’s Northside to benefit the Marion James Musicians Aid Society, that she started to help aging musicians with medical costs as well as support the American Cancer Society and the Nashville Rescue Mission.
Marion James continues to perform today. Marion James recorded in the 80’s a blues landmark album with The Hypnotics that lead to sold out shows in Europe and also released a solo album called Essence that featured Nashville guitarist Jack Pearson as well as session bassist Bob Babbitt.
Recently, Marion released Northside Soul on Ellersoul Records which reached #10 on the Living Blues Charts.
Marion James, not only is an accomplished vocalist, but, writes many of her owns songs. Marion James is The Queen of The South when it comes to the Blues.
Marion continues to support the North Nashville community through her organization as well as efforts to get out the history of Jefferson Street to the rest of the world.
Jack White is probably the newest patron saint as one of the four cornerstones of the Nashville Music Community. I’m not sure what the tipping point was when Jack decided to move to Nashville, but, I imagine meeting Loretta Lynn and asking if he could produce her must have been a big nod in that direction.
The White Stripes started performing “ Jolene” long before Jack moved to Nashville, but, Van Lear Rose, the album that brought a Grammy nod as well as new ears to listen to Loretta Lynn was a huge milestone.
Wanda Jackson and Jack White (Associated Press Photo)
Since working with Loretta Lynn, Jack has gone onto record with Ricky Skaggs, Produce “The Queen of Rockabilly”, Wanda Jackson, invite Porter Wagoner to open for The White Stripes at Madison Square Garden shortly before his passing and worked with many of Nashville’s Rock and Roll Community while spotlighting its heritage.
Jack represents what Rock and Roll is all about with a balance between the blues, rock and roll and country. Jack and his record company, Third Man Records solidify Music City’s Rock and Roll Community which has seen tremendous growth in the last three to four years.
Nashville, whose first real travelling stars, The Fisk Jubilee Singers, has seen a lot of changes over the years. Lower Broad almost turned into a dangerous ghost town when Opryland took over the Grand Ole Opry and most of what downtown had left musically in the late 70’s.
It took many starts and stops before seeing a permanent positive growth record with the opening of today’s Country Music Hall of Fame and numerous new projects downtown.
Nashville is about to see a new golden age for the “Athens of the South.” Nashville has probably one of the biggest collections of colleges and universities in America. Now, just about every genre of American music has a piece of the pie and venues grow by leaps and bounds.
Peter Frampton may have moved here to early, it definitely spurred him on to return to the guitar in a big way, but, sadly he decided to move before Nashville really started to realize its potential as one of the coolest cities in America.
If you are a musician, especially a guitarist or a songwriter, there is no better place to be in the world today no matter what style you play.
– Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com
Tyler Bryant & The Shakedown played a solid set returning from the road to a Nashville hometown two hundred plus crowd at Exit/In on Rock Block last Friday night.
Although Tyler Bryant was spotted early on by Eric Clapton and Jeff Beck a few years ago, this band has really solidified as a unit out on the road.
The dual guitar work of Tyler Bryant and Graham Whitford builds instead of clashes with roots in blues rock, but, coming from two different angles.
Graham definitely has some solid tone and fingerboard finesse like his father, Brad Whitford, but, he proved himself worthy when he was in the top 5 of a national Guitar Center competition out of 4000 entries at the age of 17. Graham’s tone was impeccable through a custom shop 18 Watt Marshall as well as a brown tolex Mr. Fender favoring the Les Paul Burst. Graham’s playing even had a little Paul Kossoff vibrato bends going on as well.
Tyler, on the other hand, had a pink Strat, Les Paul Juniors as well as some other toys like some clean Metal Resonator with a pick-up with some serious finger picking going on going through a pair of vintage reissue Fender Deluxe Twin tweeds.
One local who has seen the band several times said he could tell that they were slowing things down a bit and creating more dynamics and groove.
As a band, they just keep improving.
A band is really a sense of community and while Tyler is a quintessential front man with Steve Marriott looks with a voice somewhere between Eric Martin and John Waite, he was always quick to shine the spotlight on his other band members, drummer and Belmont University neighborhood musician, Caleb Crosby, bassist Noah Denney who also has Belmont University experience, but, most especially was quick to share the spotlight with co-gunslinger Graham Whitford.
You can tell these guys have the chops, the girls and are having fun the way Elvis and The Beatles started out.
If one wanted to compare them to Aerosmith you would have to really stretch.They would be a closer comparison to Humble Pie during the Frampton years with a Johnny Winter heart.
Tyler and Graham both show a penchant for Texas and boogie blues as well as Classic Rock.
The crowd was quite diverse both in age and male/female split since anybody in their right mind could connect to solid guitar playing and a good night out.
They may not be The original Yardbirds, but, in the same vein that Phil Lynott said he wanted Thin Lizzy to be a modern Yardbirds known for strong guitar players, this is the real deal. If they can hold it together for a couple of years, this will be the guitar tag team to be reckoned with.
Electric Blues infused up to date rock is just what the doctor ordered and in the words of Steve Marriott, “I Don’t Need No Doctor.”
– Brad Hardisty, Nashville, TN thenashvillebridge@hotmail.com
The Nashville Bridge 