Archives for category: Nashville

This week, Music Maker Relief Foundation announced the release of Boo Hanks‘ & Dom Flemons‘ Buffalo Junction. This album is the result of a partnership between Piedmont-style blues guitarist Hanks and Flemons, who in 2011 won a Grammy Award and played the Newport Folk Festival with his group the Carolina Chocolate Drops.

Hanks worked the tobacco fields near his Virginia home for the majority of his 83 years.

Boo Hanks & Dom Flemons -2008-New Orleans

In 2006 he began a partnership with Music Maker Relief Foundation that led to opportunities such as opening for the Chocolate Drops and playing the Lincoln Center. Hanks met Flemons on the day he arrived at the Music Maker Relief Foundation office, and the two have remained friends. Their collaborative album, Buffalo Junction, which will be available today, June 19, was named for Boo Hanks’ hometown and features upbeat, country blues that crosses generational lines.

The album highlights Hanks on the guitar and vocals, while Flemons plays a variety of traditional instruments such as the jug, harmonica, bones and also sings backup vocals. The album was recorded when Music Maker Founder Tim Duffy and Flemons went to visit Hanks at his home in Buffalo Junction, leading to the album’s title.

Dom Flemons said of the recording experience: “Boo Hanks is a treasure.  His vocal and guitar phrases are something so unique and forgotten in the modern world of folk and blues.  He an absolutely engaging songster and it has been a pleasure to have played with him for several years and to be a part of this album which will hopefully present his music to a much wider audience.”    

Hanks has been a Music Maker Partner Artist since 2006, and up until that time his music was only heard by those in the communities close to his Virginia home. Since beginning work with Music Maker, he has performed all over the country, and developed a professional friendship with Music Maker Next Generation Artist Flemons. Through Next Generation partnerships, MMRF is able to foster the continuation of Southern traditional music among younger generations of musicians. Buffalo Junction is a collaborative album that does just that.

 

Dom Flemons-Memphis-2011 /Photo-Brad Hardisty

Dom Flemons with Carolina Chocolate Drops, have been involved with both the Folk Festival in Memphis, The Americana Festival in Nashville as well as making in store appearances at Grimeys New and Preloved Music when in Nashville.

 Listen: Boo & Dom, “Girls Are Crazy About Me”

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

The 4th Annual Blues Spring Festival sponsored by New Hope Foundation took place at Centennial Park in West End on Memorial Day under record setting mid-90 temperatures that got almost as hot as the afternoon jam session.

Nick Nixon in 2PM Heat!

By 2Pm things were in full swing with veteran Nashville Blues singer, James “Nick” Nixon kicking into high gear performing, “No End To The Blues,” co-written by Scotty Moore in the middle of a scorching soulful set that even brought a little church to the afternoon proceedings.

Plenty of room on the skillet in the front row!

The Festival was not all inclusive to Blues, which also included Country singer Verlan Brock as well as  T.J. Hooker-Taylor doing a tribute to his father, R&B Vocal Legend, Johnny Taylor.

Blues from down under!

Musicians from both the Nashville Blues Society as well as The Tennessee Rhythm and Blues Society did their own jamming as well as supporting the solid line-up.

Mojo Workin’ 95 degrees in the shade!

Many of the local artists can be caught at Carol Ann’s weekly Sunday night blues jams as well as Tuesday night Rhythm and Blues.

Bobby Blue Bland and Elvis, Dec. 7th, 1956

The main-headliner, Rock & Roll Hall of Famer, Bobby “Blue”Bland, did not disappoint. For most of the show, due to the heat, most all the seats at the front of the stage were free for the taking to watch your favorite artist. Nashville was not ready for late August heat in May. It took a strong will and plenty of water to last a few hours out by the shell at Centennial Park.

Howard Hewett

Next up; The 12th Jefferson Street Jazz and Blues Festival on June 16th starting at 12 noon at the Bicentennial Capitol Mall Amphitheatre featuring headliner, Howard Hewett of Shalamar fame.

1963 dated photo, Jimmy (Jimi Hendrix) 3rd person – Billy Cox on Bass in Nashville.

For those outside Music City, Jefferson Street was Nashville’s Beale Street where even Jimi Hendrix played with Army buddy, Billy Cox after leaving Ft. Campbell Kentucky in 1962 in The King Kasuals. Jimi once even challenged local guitar hero, Johnny Jones, to a guitar dual back in those days.

Stretching out in the shade with some Carol Ann’s BBQ

– Brad Hardisty, Nashville, TN      thenashvillebridge@hotmail.com

Koffin Kats – Phot – Diana Price

Rising punk rock band The Koffin Kats will be performing at The Muse on May 12.  

The Koffin Kats are an explosive punk trio who’ve quickly become the champions of the psychobilly scene with their blend of tattoos and rip-roaring punk rock ‘n’ roll.  The band’s notoriously wild live shows are an event that must be witnessed firsthand.  

The bands roots are from Detroit Rock City, but, they have spent a lot of time on the West Coast where Rockabilly and Hot Rod Culture are as consistent as Bob’s Big Boy.

Photo – Alexander Thompson

Psychobilly über-bassist Vic Victor, formerly of local outfits V8 Nightmare and Solla Saloon, has once again returned to the fray with the Koffin Kats. Horror-tinged, 1950s B-movie and old-school E.C. comics worship prevails, and the material ends up in Nekromantix territory. Add to that comparison the work of Deadbolt , the Cramps and even a little Dick Dale and you pretty much have the sound down pat. The material on The Koffin Kats throws down and chugs along through the entire program – think V8 Nightmare but twice as fast. Good backup vocals, strong hooks and speedy punk drumming keep the whirlwind of sound in place. Victor’s stand-up bass playing is spectacular and works perfectly as the final cohesive element. – Real Detroit Weekly

Kicking off their most recent tour in March, 2012 marks a turning point for the Koffin Kats as they infiltrate the mainstream with Our Way and The Highway, a culmination of the band’s rich history, road scars and outlaw psycho punk blood running furiously through every track.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

 

Shakedown at The Majestic

Brooklyn, New York’s Shakedown at The Majestic (SATM) heard about Liahonaroo  and decided to take a shot at performing their first show in the South.

Liahonaroo will take place April 20-21 at The Wilson County Fairgrounds in Lebanon.

Shantell Ogden

The event was organized by a group of Mormon musicians and music lovers, not as an event to preach, but a family-friendly drug and alcohol free music festival.

Shantell Ogden, event organizer believes it will resonate with all Christians regardless of denomination.

“I have a friend in a punk band that plays clubs regularly, and because of the environment and age restrictions his daughter hasn’t been able to see him perform,” she said.

The name, Liahonaroo, is inspired by a compass called the Liahona that a Book of Mormon prophet Lehi used to lead his family through the wilderness, ‘roo’ has become synonomous with ‘music festival.’

SATM, a Sugar Ray meets Peter & Gordon retro Sixties mix, decided to make the submission and made it into the lineup to make their first appearance in the South.

As Taylor Mintz, percussionist of SATM, puts it, “We’ve got a little bit of the old harmony like The Beatles, The Zombies and The Beach Boys. We are like a band from Long Island that went out to California, learned how to surf and then made a record.”

The group is getting ready to release their sophomore effort in a couple of months.

“Run For Your Life,” “Idiot or Liar” and especially “Recipe of Life” are songs that are really getting the crowds going in New York at places like Sullivan Hall and DC Lounge. These songs will be on the new release.

Aaron Kupferberg, Powerpopaholic.com says about SATM, “We get catchy, danceable, stick-in-you-head songs courtesy of this energetic unsigned Brooklyn band.  The harmonies and minor chord shifts on “ Bria” are sweet and compare well to Weezer.”

Acklen Park - photo - Melody Hood

SATM joins an eclectic Liahoanroo lineup that includes Music Row chart toppers, Acklen Park, a duo experiencing success with their recent country radio hit, “Great American Song,” positioned to be one of the country rock summer anthems this year.

Kelcy Lee

Also performing in the nearly 30 acts is country band HWY 52 and singer/songwriters, Kaitlyn Cannon, Kelcy Lee, Kimberly Knighton and Joseph Barrios. For a full line up go to the Liahonaroo website and Facebook pages.

Joseph Barrios - photo - Kaht

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Wanda Jackson at Mercy Lounge 2010

Easter is all about a renewal, as we celebrate the resurrection of Jesus Christ and what it means to us. Nashville itself is a town of resurrection, a place where Jack White has produced two great albums by Loretta Lynn and Wanda Jackson and where the underbelly that was East Nashville is the place to be.

Speaking of East Nashville, Bob Dylan came here in the Sixties to make a 180 in his career and where Robert Plant came just a couple of years ago to do just the same.  Speaking of which, I have heard that he has set up shop with Patty Griffin in Austin since the Band of Joy tour.

What is Nashville to me? A Californian-slash-Alabama bluesman? I started making the drive up to Nashville quite often starting in 2006 from Birmingham. I liked the fact that you could wander from one honky tonk to another and check out all the Telecaster blasters playing through mostly Fender tube amps almost any hour of the day.

I finally made the move after getting positive feedback about my songwriting abilities from a local publishing head at the end of 2007.

It was a very surreal world, where one Saturday morning, wandering around a guitar show, I ended up talking to Scotty Moore about how many Bill Black Combos, Bill really had.  The next minute, I am jamming on my 1936 Gibson Electric Hawaiian down on Lower Broad when Little Jimmy Dickens comes wandering out of nowhere and watches me jam for about 10 minutes, throws a $20 dollar bill into the vintage case and says. “Keep it up!” Mind you, I’m not making this up. In fact, if you are from Nashville, you know what I mean and are probably saying, “So what.”

I realized that everybody had a story, whether it was the Baskin Robbins on Lebanon that said Porter Wagoner used to come in all the time, or a snapshot in the window of Robert Plant stopping in to check out the guitars.

So what do I like about Nashville, now that I have been here a few years?

Strange Karma down on Lower Broad celebrating the bassist birthday!

Let’s see, there is more diversity than what outsiders would think, for starters, I have met a ton of Aussies and I, seriously, have never met one I didn’t want to hang with whether it was Anthony Snape or Strange Karma. I wonder if it was like this when Keith Urban first came here and was playing at the Guitar Bar? Did the Aussies start coming after Keith’s success or is Nashville a big magnet?

As far as diversity goes, you can get world class Indian Cuisine, of which I am all about Tamarind on Demonbreun. I’ve ate Indian food all over the place and that is about as good as it gets.  There are several ethnic communities here, whether it be Egyptian Coptic Christians or Somalis, the list goes on and makes for Eateries that go way beyond the meat and three.

Something is in the water in East Nashville, with several upstart, one of a kind places like Far East Nashville, not only your typical Vietnamese Pho and Vermicelli bowls, but, the actual family recipes fixed by the owners brother, in a totally unique way.

Porter Road Butcher Shop makes some amazing sausages featuring probably the best Andouille Sausage this far north of Bayou Country.  In fact, that is what I had for Easter. I could have whatever I wanted, so, I faxed three eggs with some sharp Vermont Cheddar and some of that Andouille Sausage on the side.

Nashville is a vinyl fanatic’s pipe dream, wandering between Grimeys, The Groove, Phonoluxe and the two Great Escape locations there is no reason to ever come up empty handed. In fact, there is a plethora of radio station promo copies which are usually on heavier, better quality vinyl.  Record Store Day is almost like a city holiday where a huge migration descends mainly on Grimeys by the thousands. My only gripe would be, is there no bootlegs? Back when, I used to travel over to Berkeley to Moe’s Bookstore and get vinyl Beatles bootlegs as well as concerts and demos engraved onto vinyl by everything from Queen to Aerosmith to The Clash it was something nobody else had.

Music is everywhere, as I laid down to bed the first few months in Nashville, I could hear music in my head like never before, like ghost radio stations, it seemed like there were thousands of songwriters who had passed on and never left Nashville, they were just trying to get that next big hit. It seemed as if there was singing in the netherworld and all you had to be was a little bit spiritually aware.

Tommy Tutone and Mario at Nashville Amp Expo

I think there are more Telecasters in a 30 mile radius than the whole state of California, where they were invented.  If you can’t find the perfect Telecaster, there are boutique builders from Mario Guitars in Murfreesboro to Chad Underwood in Lexington, Kentucky.

As far as electric guitar parts go, Rock Blocks Guitars has a wall of supplies juts minutes away.

Looking at the Musical Instrument section in Craigslist can be eye opening. You never know what you will find, anything from a 1964 Fender Precision sold by the bass player in Cinderella after a career’s worth of touring to a Gold Top Les Paul owned by Duane Allman. If there is a vintage Sho-Bud Steel around, no doubt, eventually, you’ll see it on Craigslist.

Southside Gentlemans Club at Burt's Tiki Lounge, newly acquired Dr. Z Stang Ray in the backline. 2009

My favorite personal story is about my Dr. Z Amplifier. I had been writing and playing my own brand of Ragtime Blues when I moved to Nashville. I had been using a 45 Watt Samamp from Birmingham when I got here and it was just too much. I was ready for a little 30 Watt or less combo. There are so many and I just decided to try them all. I brought my arch top with me and made the rounds from Corner Music to Gruehn Guitars to Rock Blocks. Finally, when I plugged into this Dr. Z Stang Ray at Rock Blocks, I had met my match, a simple tone stack, where you could really fill out the bass and a simple good looking black with white trim amp.  The speaker had been changed out to a Cannabis Rex and it had a sound all its own.

The price tag was $2100. I didn’t have $2100. In fact, even with selling some gear, donating blood and street gigging down on Lower Broad, I still probably would be $1000 a way. I needed that amp. I put it in God’s hands. It’s okay to say that in Nashville isn’t it? Well, that’s what I did, true story. I prayed and said, I’ve tried all the amps out that I can think of and that is the one that sounds right then tucked it away.

Well, things looked bleak when I lost my job in 2008, in fact, really bleak, I left Nashville, worked five months in Memphis, then that company went bankrupt and I ended up taking a job with a national company in Utah and moved out of Tennessee.

I never gave up on the music, I got my five piece ragtime blues band together in Utah, playing at Burt’s Tiki Lounge, finding some great musicians from an add I put out in Craigslist. On a whim in early 2009, I looked up the Nashville Craigslist and found that exact Dr. Z Stang Ray for sale. Guitarist, Gary Ishee, had put an add up that read something like this;“I bought this Dr. Z Stang Ray earlier this year at Rock Blocks and I need to sell it.”

It looked identical. I called him up and explained that I was stuck out in Utah, but, that I knew the amp and through our talk, he knew I was the real deal. I wired the money to his bank account including the cost to ship it. I bought it for $1250. I was able to come up with that only because I went out west to a company on a bad stretch, because of the economy, they let me have all the overtime I could handle. I got the amp in a big Roland amplifier box from UPS in Farr West, Utah and it was the exact amp. I sat there and cried. It was the exact same amp, in fact, the only amp I ever prayed about and I will include the picture of my group, The Southside Gentlemens Club playing at Burt’s Tiki Lounge a couple of months later with the amp in the backline.

Thank you Brad Paisley for input on the AC30 hybrid design, what a great amp. I still own it and fire it up almost every day in hopes to lay down some tracks here soon.   

Okay tracks, let’s talk about that. I was in Utah almost a year, when I came out here on vacation in September 2009. I had hoped to move back to Nashville someday, maybe when the economy got better, but, on a whim, I had kept in touch with a realtor, who didn’t give up on me, even though, I was out in the Rocky Mountain West. I will drop his name, because Kenneth Bargers is an amazing Realtor. He emailed me faithfully every month some houses I would be interested in.  When I was here for a week in September 2009, Kenneth Bargers took me around on two afternoons to look at houses.  I felt like I was back home, I wanted to be back in Nashville, I did not want to get back on the plane.

Daniel Turner

We found a house I really liked. The last night I was in town, I was hanging around and moping by the pool at the airport Courtyard over on Elm Hill Pike, not wanting to leave Nashville. I decided I needed to go do something, pull myself up by my bootstraps. So I got dressed and headed over to Commodore Grille to check out some songwriters. Cowboy Jack Clement was in the round and it gave me goose bumps. I thought, if I had stayed at the hotel, I would have missed this.  I decided I need to get back and I was heading out the door when I heard somebody call my name. “Brad!” I looked up and it was Daniel Turner, one of my music friends from Birmingham, Alabama walking in. I said to him, “What are you doing here?”  He explained that he was going to be playing the next round. It was a great reunion of old friends. I have so much respect for Daniel as an all around musician. He can play, write and sing. If anybody could make a great classic country album, he could. He has such a great voice, but, he had really been influenced by a lot of the Alabama Blues that is around Birmingham.

I went back to my hotel room on cloud nine. I could hardly sleep. I was going to find a way to get back and I did. I interviewed by phone and got a transfer. I found a house on Zillow.com and Kenneth Bargers looked at it for me and on his word, I bought it. In fact, Kenneth represented me at closing in November 2009 and I never walked into the house until the first week of December as an owner. It’s a true story, call Kenneth, if you need a Realtor and you can ask about it. He is the best Realtor in Nashville as far as I am concerned.

Kenny Malone at a clinic at Country Music HOF

Okay, so, I am back. I work hard. I have got to hang with some great musicians and do some great interviews. It’s been a great ride, but, I need to resurrect my own career. Sometimes, I think it would be easier to move down to Pensacola and put together a group from Craigslist and center on a little club or bar to be “our place,” but, there is the dream recording session, the possibility that I can put together, with a little cash or luck, Kenny Malone on drums, “Slick” Joe Fick from The Dempseys on Bass, the violinist I saw at Mike Farris’ in store at Grimeys and get a trumpet player that can play like Al Hirt and get this manic New Orleans meets Memphis circa 1940 music to record. I work hard at the music and I have some great friends. If that part of my career is supposed to “Resurrect,” it will.

For now, I will just enjoy the ride.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

My endorsement shot for Violet Moon Guitar Strap Ons

In Nashville, there is so much music press; it’s hard to know what people really like to read about. In having my own site, I’ve noticed I get readers from all over the world. I do get to write for other publications, such as Performer, Shake and Sleaze Roxx, but, on my own site, many times I just get to write what is on my mind.

Here are a few of the top articles this year, if you didn’t get a chance to read what others are reading.

Parrish with sister Stacy

I felt it was really up to me to write the tribute piece about guitarist Parrish Hultquist. The Utah rock scene, although very insular, had a lot of local bands in the 80’s. I met Parrish while we were still in high school and he is still considered the greatest guitarist to ever come out of that state. I not only wrote this piece for my site, but, another one that went out to Sleaze Roxx and was republished throughout the world on several Rock music sites including Hungary. His band Megattack, at the time was considered a supergroup by creating a band from members of The Jack, Mannequin and other well know Utah rock groups, their first shows were at the Utah Fairgrounds with capacity crowds of close to two thousand people before signing a record deal and releasing Raw Delivery on Dream Records in France. They got together for a reunion album Save The Nations in 2006 and two reunion shows before drummer Brian Sorenson went into a coma and Parrish returned to Spokane with health issues, which eventually took his life early this year.

The radio show on PureRockRadio.net in tribute to Parrish after his death was the biggest in Pure Rock Radio based out of Las Vegas, Nevada history. I was able to get in contact with former band members, who reminisced, while tracks from three bands he was a member of, Moviescreen, Megattack and Wolfgang played.

This is not only the biggest read article this year, but the most read all time, other than those who regularly go to my front page to see what is new. If you haven’t had a chance to read it, here is the quick link: Parrish Hultquist, Utah’s Greatest Guitarist Gone at 48

Evanescence Guitar rig at War Memorial show

In August I was invited to cover local band Fools For Rowan opening for Evanescence at the War Memorial. Armed with just my Smartphone, not able to locate a photographer in time, this article was linked to multiple Evanescence fan bulletin boards and was the most read show revue of the year. I’m sure it got interest in Fools For Rowan while giving Evanescence fans worldwide a little taste of the War Memorial gig, The funniest thing; I never know how shots from my phone are going to work. The best shot was the stage left shot of the guitarist rig before the Evanescence set.

Enjoy:  Fools For Rowan Open Evanescence Nashville Show

Jimi in Kentucky, Screaming Eagles

Jimi Hendrix will never cease to amaze people. I read a local interview that Bassist Billy Cox did about Jimi Hendrix time after being in the military in Kentucky. He was down in Nashville, playing on Jefferson Street, Nashville’s Beale Street, long before he went to New York City. I started doing Jimi citings, finding the places he stayed and where he used to play. In the late last year release, West Coast Seattle Boy, a DVD was part of the package that talked more about his time in Nashville.

 Although written late last year, I included this, because it is the second all time read article.  Brad Schreiber wrote an incredible book entitled Becoming Jimi Hendrix that really explained what Jimi was doing before going to England.  Jimi left his mark here. After talking to Civil Rights Photographer, Ernest Wither’s daughter, I was invited to speak in Memphis earlier this year about Jimi’s time in Tennessee. I did want to research more on the subject, but, I felt the one person who could really talk about those times would be Billy Cox, who still lives in Nashville. I spoke to Billy briefly about the invitation to speak in Memphis and invited him to speak about Jimi. Billy was not able to do that with the upcoming commitments of the Experience Tour this year. I eventually decided to leave the invitation to rest. Hopefully, Billy can speak about those early days, pre-New York in the future.

Jimi Hendrix in Nashville: Jimi Hendrix: The Nashville Connection

The August at Douglas Corner Cafe

I don’t write a lot about Country music since it is so well covered here in Nashville. I do like to write about breaking artists though. Especially when they are “that” good. One such group is The August who moved down here from Chicago. This article was the biggest read Country music article for the year.

The August with Jacky Dustin Sweet Emotion at Douglas

Eddie Hinton and Muscle Shoals nuff said

I picked up a copy of The Oxford American issue on Alabama Music. I was a part of the Alabama scene for several years playing not only with my band Furthermore, but with other local songwriters like Nathan Whitmore and Adam Guthrie. I consider those years in Birmingham to be some of my favorite times. I was shocked when I didn’t see word one about Eddie Hinton. Most of the musicians in Alabama would vote him numero uno when you talk about Alabama Music. This open letter was a huge read.

An Open Bama Letter to Oxford American

Anthony Corder, Tora Tora Live at Snowden Glen 2011

Last but not least, the most read interview here on this site was with Anthony Corder after the release of Tora Tora’s Revolution Day. This was an album recorded almost two decades ago, but, was never released until this year on Nashville’s FnA Records.  Tora Tora was the 80’s band that made it out of Memphis. They recorded all three albums at Ardent Studios in Memphis and always have a little bit of the soul and blues in the mix.

Anthony Corder on Tora Tora’s Revolution Day

One thing is for sure, there is no way to plan out what article is going to be big. It could go big because I wrote from the heart or because the band is bigger overseas. It could be for any reason and none in particular, but, music is still important to all of us and reading about the things that matter still has a place in Nashville.

As for next year, the biggest thing on my plate is my first band biography that I am writing under contract. It should be completed next year. That is about all I can reveal about that right now.

Hope you all have a wonderful Holiday Season!

Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Strange Karma on Nashville set - Fade to Black

Monday Night saw Nashville State Community College’s PEG Studio rocking the campus with Aussie’s Strange Karma on a stopover between live dates in Chicago and Detroit before heading to the West Coast.

To be featured on an upcoming episode of Local TV Show Fade To Black, Strange Karma performed four numbers with hints of classic hard rock such as Led Zeppelin to Aussie style heavy Midnight Oil Rhythms of “America”, this is the first Nashville will get to see of Strange Karma live as well as an interview with show host, Steve Lockett and yours truly.

Jason McDonald - Strange Karma

Jason McDonald sat behind a DW double bass kit reminiscent of Cozy Powell, laying down solid percussion, wearing his DW sponsorship proudly with a full tattoo on his arm of the drum kit. Jason was playing in Australian Van Halen and Led Zeppelin tribute bands before hooking up with brothers Martin and Paul Strange.

Paul, was running his 58’ Classic Ebony Black Les Paul almost straight into the Marshall JCM800 half stack, employing just a couple of pedals, leaving a dense analog wall of sound, with nods to Jimmy Page as well as Paul Kossoff.

Martin & Paul Strange

Brother, Martin Strange fronted the band with a Jim Morrison presence and a little Robert Plant thrown in for good measure. These references may be a little over the top, but, in actual fact this is original Hard Rock with all the grit and none of the digital high end squelch ring of busy activity associated with so much computer processed ADD Ear Candy in today’s metal.

Bassist, Doe Prijono, of Indonesian descent who arrived in Australia in his youth, provides not only six string bass prowess, but, acts as the guy that everybody likes in the band. Everybody wants to hang with Doe, with a demeanor as smooth as a mountain lake and matching musical depth, the four members of Strange Karma spur each other on to higher climes.

Local band, Scarey Larry, had finished a TV taping of their episode of Fade To Black just prior and decided to hang for the Aussie’s set. It has to be said, every time I get the chance to hang with Aussies, the more I want to visit Australia. It may be that they are the only people on par for friendliness with Southerners. The only difference is they still have that daredevil west coast attitude as well.

Australians like to conquer the world and Strange Karma is willing to do it one American fan at a time.  Although their music is rooted in solid hard rock roots, it is their own thing with enough in the mix not to be associated with just one of the branches in the tree.

Dutch, Steve, Paul, Nashville South, Doe, Jason, Martin, Nashville North on Lower Broad

With just a short time between dates up north then on to two Texas shows, 11/24 & 11/25 before headlining a gig at The Whisky A Go Go in West Hollywood on November 30th, Strange Karma wanted to make the most of their night in Nashville by celebrating Doe’s Birthday down on Lower Broad, cruising through Legend’s Corner, Roberts, where Eric Clapton found five vintage Stratocasters and built “Blackie” out of three of them when it was partly known as Sho-Bud Guitars, as well as The Stage before ending up at Full Moon Saloon where Megan Ellis just blew away the whole band doing everything from Patsy Cline to Stevie Nicks. The band was immovable till it was time to go crash before heading to Memphis to visit Graceland then head southwest to Austin, Texas.

Strange Karma plans on making a return visit to Nashville in the near future, especially with plans for a new album in the coming year, the current FnA Records release, Volume One is available now and the Fade To Black episode will be aired soon on NECAT Channel 19 in Davidson County and probably YouTube on a computer near you.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Town Mountain on Mainstage

On the second night of World of Bluegrass, the boundaries were being stretched from groups influenced by Bluegrass music growing up, but, showing hardly a hint of a Bluegrass foundation to neo-modern traditionalists Town Mountain, the future of Bluegrass lies in a cross section of those that would hold high the Monroe flame at this celebration of the 100th Anniversary of his birth to seeing if Pat Benatar can go well with a side of Mandolin.

The Farewell Drifters

The Farewell Drifters, with a fairly current Americana meets Pop Music took the stage, with two releases debuting in the top 10 of the Billboard Bluegrass charts, Zach Bevill and the crew were a push forward with varied influences. The fact that they have progressed this far shows that a younger generation is carrying acoustic music across the universe.

Nu-Blu backstage

Nu-Blu, featuring the beautiful voice of Carolyn Routh, premiered a great video for a strong number, “Other Woman’s Blues,” before playing live to the full house. The real strength of Nu-Blu is their songwriting, even though they finished the set with Dolly’s “Jolene” and a Pat Benatar rave-up of “Shadows of the Night,” they have some interesting stories of their own to tell.

Crystal Shipley, Joe Zauner and Jed Clark

If there was a particular theme, it seemed to be that just about any acoustic music was welcome. Even in the after hours, showcases, which featured the Gypsy Jazz / Old time Texas style swing of Casey Driscoll, Taylor Baker and Brennen Ernst playing “Blue Skies”, was really a bridge to the Americana Conference and Folk Alliance.

Backstage with Randy Kohrs

Jim Lauderdale had one of the strongest sets, playing songs from Reason and Rhyme, with Producer and Dobro shredder, Randy Kohrs and a hot band hitting all the right spots. Jim is a neo-traditionalist chameleon that works in tall bluegrass and with Grateful Dead songwriters in the same breath. Jim has such a volume of output; he wears me out just thinking about it.

Jim Lauderdale with WSM 650 staff

Town Mountain was a fitting finish, with great musicianship and a strong nod to Bluegrass.  They were drawing in the lines and at the same time fresh faced.

Rodney & Beverly Dillard

Rodney Dillard of the generational Dillards (The Darlings, Andy Griffith Show) was taking a breather this year while his band was all about mixing it up.

Casey Driscoll, Taylor Baker and Brennen Ernst Showcase

The jams go late into the night. Some of the impromptu meet ups are what makes this fun. You could catch anybody from Crystal Shipley (The Dixie Bee-Liners), Joe Zauner on banjo and Jed Clark (The Roys) on guitar, just hanging on a cluster of couches talking instruments to see what happens.

Harry Fontana at Robert's

After hours, one could hang and catch the late night showcases or go grab a bite to eat down on Lower Broad in a couple of minutes at Robert’s listening to the three piece straight up Rock and Roll of Harry Fontana on “Rockabilly Boogie.”

Martin McDaniel at The Stage

A couple more doors down and the soulful country of Southern Alabama’s Martin McDaniel, with some of the most fluid guitar lines in town was at The Stage. Martin has been building a local audience ever since he arrived a few years ago, doing it the hard way, honky tonks and opening sets.

WAMU's Bluegrass Country Showcase

Music City; where music never sleeps.  

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Acklen Park with all-star cast at Benchmark, Me in Who T-shirt

I got a call from Shantell Ogden last Saturday afternoon asking if I was close to Music Row. I just happened to be at Centennial Park at TACA 2011. Acklen Parkwas in the studio finishing up their next single “Great American Song” slated for release next spring.

They needed some background vocals. Shantell said, “How soon can you make it?”

“I can be there in about fifteen minutes,” I replied, I had to get back to my car in Hillsboro Village.

Chris Utley at Benchmark Sound

When I got to Benchmark Sound on Music Row, a top tier studio with nothing but the finest, I found Chris Utley (co-Producer) manning the board and was handed lyrics along with about ten others, along with a sheet to sign off.

We were in the big room in about 10 minutes, singing along with Acklen Park’s Marcum Stewart and Andrea Villareal.  We overdubbed about three takes of the group singing on the final chorus. This was more fun than golf, at least if the studio is your second home.

When we got back into the control room, there was some amazing music in the playback.  There were tracks by some of Nashville’s finest session players, Ilya Toshinsky – Lead Guitar/Acoustic, Rhythm/Session Leader/ who is the Co-Producer with Chris, Danny Rader – Rhythm Guitar & some leads as well, Scott Williamson – Drums, Jimmie Lee Sloas – Bass and Tim Lauer – Keys.

These players have hours of combined hit making experience, having recorded sessions for artists records that include: Lady Antebellum, Keith Urban, Rascal Flatts, Jason Aldean, Taylor Swift, Carrie Underwood, Blake Shelton, Trace Adkins, Garth Brooks, Reba McEntire, etc. just to name a few.

I got to say, I am really excited about this one. I think it is going to be huge on mainstream Country Radio; in fact, it should be the theme song for Country Music channel, GAC.

We will have to follow up on this one later.

– Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com

Kenny and Marty Stuart & His Fabulous Superlatives started ripping it up a little after 8PM at the back of Ernest Tubb Record Shop like it was a Midnight Jamboree with The Buckaroos back in 62 on September 13th.

You could have been up the street at Bridgestone, listening to Journey and Foreigner playing a best of set, but, if you weren’t at Ernest Tubb, you missed what is happening now. Manuel Nudie, in a black on black striped tailored suit, didn’t miss it.

Introduction:" Kenny, it's time you put out your own record"

Celebrating the release of his first solo effort, V, on Sugarhill Records, it was Kenny front and center after an introduction by his beautiful wife, saying “it was about time.” Kenny has been ripping it up for years with everybody in Nashville from Martina McBride & The Ride to Marty Stuart, Mindy Smith and Mike Farris.

Kenny, Marty & His Fabulous Superlatives

Marty was comfortable being the supportive guitarist, boss, co-conspirator, this seals the deal.  With a frontline of nothing but Fender Telecasters, Paul Martin and his Fender Precision Bass, Fender Amps and Harry Stinson on the skins, this was a new chapter in the foundation that Buck Owens, Don Rich and The Buckaroos laid down, this is Honky Tonk at its best.

Tearin' it up!

Kenny ripped through “Lillie Mae”, “Country Music Got a Hold on Me” and other already gone classics. The delivery with a Chuck Berry story style and vocal range was as much Rock and Roll as it was timeless twin guitar attack that could have been Jimmy Bryant and Speedy West or Thin Lizzy.  

Speaking of Speedy West; Chris Scruggs made a guest appearance on Steel Guitar, already considered a Master by those around Nashville; it was pure vintage riffing almost hearkening back to that era. Chris mentioned after, that he will have a new Nashville recorded album out in the spring.

Marty!

Before finishing the set, they took off on “Country Boy Rock and Roll” from Ghost Train which left David Letterman and Paul Shaffer’s jaws dropped to the floor when Marty and Kenny  guitar shredded through their David Letterman Show promotional appearance just a few moons ago.

Kenny announced the last song, co-written with Marty, a Country Honky Tonk Rockin’ Gospel number, “Don’t Leave Home Without Jesus”. I don’t know what Church they play that at, but, I want to be there.

This is the perfect bookend to Ghost Train, this is what Lower Broad should sound like, from the Red Dirt scene of Oklahoma and Texas to the oil fields of Coalinga outside Bakersfield to Hank Garland and all that have gone before, this is the Country that puts a smile on your face.

Chris Scruggs Y'all!

While Kenny was going to continue the party at Full Moon down the street at 10PM, Marty escaped in his sleek Black Cadillac XLR Batmobile. This was the Nashville party tonight.

One of my Faves, Kenny at Mike Farris in-store

 – Brad Hardisty, Nashville, TN     thenashvillebridge@hotmail.com